Sr32vlzpro Ss

32-Channel Sound Reinforcement Console Introduction
THE SR324-VLZ PRO is the latest update of our SR324

sound reinforcement console, incorporating our ultra-high quality XDR (Extended Dynamic Range) mic preamps with the best RFI rejection of any sound reinforcement mixer design on the market. Like all Mackie mixers, the SR324-VLZ PRO is designed for rugged, 24-hour-a-day use. With its multiple input/ output configurations, true 4-bus architecture, 6 aux sends, and extensive routing capabilities, it can be used in a variety of live sound and recording applications. Its sturdy steel construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60 mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-resistant knobs are mounted so they ride just above the steel chassis. The SR324-VLZ PRO has 28 mono mic/line input channels, with XLR mic inputs and 1/4" TRS line inputs, and 2 stereo line input channels with 1/4" TRS inputs. All mono channels have TRS insert jacks (tip = send, ring = return). Each channel strip has an input trim, 6 aux sends (2 prefader, 2 post-fader, and 2 switchable pre or post), 3-band EQ with sweepable midrange (4-band EQ on the stereo channels), pan control, and mute, solo, and bus assign switches. A 60 mm fader provides output gain for each channel. Twenty-eight XDR mic preamps provide high-headroom and low-noise. They are impedance-independent, so the frequency response remains constant whether the mic preamp is presented with an extremely high- or low-impedance load. Additionally, each channel has its own switchable low-cut filter (18 dB/octave @ 75 Hz). The mono channel EQs provide a range of 15 dB at the following frequencies: 12 kHz shelving high-frequency EQ, 100 Hz to 8 kHz sweepable peaking mid-frequency EQ, and 80 Hz shelving low-frequency EQ. The stereo channels (21-24) provide 15 dB of boost and cut at the following frequencies: 12 kHz shelving high-frequency EQ, 3 kHz peaking high-mid frequency EQ, 800 Hz peaking low-mid frequency EQ, and 80 Hz shelving low-frequency EQ.
(continued on page 2)
Features
Low noise/high headroom XDR (Extended Dynamic
Range) mic preamps with excellent RFI rejection
New high-performance 2068 op-amps for incredibly low

noise and distortion Improved cooling for even greater thermal protection 28 mic/line mono, and 2 stereo line channels True 4-bus design Solo, pan, and 16 kHz Air EQ on each submaster 6 individual aux sends per channel (2 pre, 2 post, 2 switchable pre/post) 3-band swept midrange EQ on mic channels; 4-band fixed on stereo line channels 75 Hz low-cut filters on mic channels Mute, solo, signal present and OL LEDs on every channel 6 aux send masters with individual solos 4 stereo aux returns with EFX monitor Separate Talkback section with mic preamp Double-bused sub outs for easy multi-track routing Balanced stereo TRS & XLR main outputs Balanced XLR mono output with level control
R E LA TE D PR O D U C TS
SR244-VLZ PRO
Applications
Live sound mixing Multi-track recording
OF 8 PAGES
SR324-VLZ PRO
MIXER
SR324-VLZ PRO
MIXER
SR324-VLZ PRO
Specifications
Noise (20 Hz to 20 kHz bandwidth, Line inputs to Main L/R outputs, all channels assigned, panned L/R): Master fader down, Ch. gains down 94.7 dBu Master fader @ unity, Ch. gains down 87.4 dBu Master fader @ unity, Ch. gains @ unity 83.5 dBu Total Harmonic Distortion (1 kHz @ +14 dBu, 20 Hz-20 kHz): Mic input insert output Other outputs
32-Channel Sound Reinforcement Console

(continued from page 1)
SR324-VLZ PRO
Channels can be assigned to buses 1-2, 3-4, and

Main Mix L/R, and the 4 subs can be assigned to Left and Right Main Mix. Furthermore, each bus is double-bused, providing eight outputs that can be connected to an 8-track recorder without repatching. Each sub out (1-4) and main out (L/R) has a TRS insert jack. Furthermore, Mackies unique AIR EQ circuit is included on each of the four subgroups. It provides a gentle nudge to the extreme high-end, without affecting lower treble octaves. Outputs include XLR and 1/4" TRS line outputs for the left and right mains, 1/4" TRS line outputs for subs 1-4, and an XLR mono main output. The mono main out has its own level control, so a mono mix can be sent to another zone and adjusted accordingly. The Phones/Control Room switch and level control are connected to two stereo headphone outputs and the left and right Control Room output, allowing the stereo Tape Return, Left/Right Main Mix, and Solo to be monitored. A stereo playback device can be monitored via the Tape Return Inputs. Tape Return to Phones/C-R routes the tape playback signal into the monitor system and meters, and the Tape Return knob adjusts the level of playback, which can be monitored via headphones. Tape Return signals can also be assigned directly to the Main Mix. The SR324-VLZ PRO also has RCA-style Tape Outs for output to conventional stereo recording devices. Each of the six aux sends has its own individual master send control, driving 1/4" TRS output jacks. Six stereo aux returns are provided, with 1/4" TRS input jacks. Two aux returns can be folded back into Aux Sends 1 and 2 via their own volume controls to add effects in stage monitors. An XLR input is provided for a talkback mic, which can be assigned to the Main Mix or to Aux 1-2. The talkback mic has a level control in the talkback section.
<0.0007% <0.004%
Crosstalk (1 kHz @ 0 dBu, 20 Hz to 20 kHz bandwidth, channel in to Main Left outputs): Channel fader down, channels at Unity 89.5 dB Channel muted, channels 2-16 at Unity 88.7 dB Frequency Response (any input to any output): 20 Hz to 60 kHz 10 Hz to 100 kHz Maximum Levels Mic preamp input All other inputs Balanced XLR outputs All other outputs Impedances Mic preamp input All other inputs All outputs Equalization Lo EQ Shelving 80 Hz Mid EQ (mono ch) Peak 100 Hz-8 kHz Hi EQ Shelving 12 kHz Microphone Preamp E.I.N. (150 terminated, max gain) Power Requirements 60 watts Physical Dimensions (HxWxD): 5.60" x 39.25" x 19.20" 142.24 mm x 996.95 mm x 487.68 mm Net Weight: 324-VLZ PRO 40.7 lbs (18.8 kg)
+0/1dB +0/3dB +22 dBu +22 dBu +28 dBu +22 dBu 1.5 k >10 k 120 +15 dB +15 dB +15 dB 129.5 dBm
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SR324-VLZ PRO Top
SR SERIES 24 4 2 4 BUS MIXING CONSOLE

WITH PREMIUM XDR T M MIC PREAMPLIFIERS
SR32 -VLZ PRO 4

TRIM
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SR324-VLZ PRO
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OPERATING LEVEL
0dB = 0dBu
GLOBAL AUX RETURN
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AUX SEND MASTERS

EQ
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STEREO AUX RETURNS

EQ
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POWER
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MID MID MID MID
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PRE FADER IN PLACE AFL
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AUX
SUB
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100 8kHz
100
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800Hz
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AIR
LOW
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LOW
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MAIN MIX
LOW
80Hz
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80Hz 80Hz 80Hz 80Hz 80Hz
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16kHz
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LOW CUT 75 Hz 18dB/OCT
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LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT
SOLO
SOLO
SOLO
AUX 1-2
LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT
TALKBACK
OL OL OL OL OL OL
OL
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MUTE / SOLO
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PAN MUTE
MUTE / SOLO
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dB
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PAN MUTE
MUTE / SOLO
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PAN MUTE
MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO
dB
PAN MUTE
PAN MUTE
PAN MUTE
PAN MUTE
PAN MUTE
PAN
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PAN MUTE
PAN MUTE
PAN MUTE
MUTE / SOLO
dB
PAN MUTE
MUTE / SOLO
dB
PAN
PAN
PAN
PAN
PAN
PAN MUTE
PAN
PAN
-20
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MAX
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PAN
PAN
PAN
PAN
PAN
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TAPE RETURN TO PHONES / C R
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
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MUTE
MUTE / SOLO
dB
25
26
MUTE
MUTE / SOLO
27
MUTE
MUTE / SOLO
28
29 30
MUTE
MUTE / SOLO
31 32
MUTE
MUTE / SOLO
dB
L/R ASSIGN
L/R ASSIGN
L/R ASSIGN
L/R ASSIGN
PHONES / C-R LEVEL
SUB
MUTE / SOLO
dB
SUB
SUB
SUB
MAIN MIX 1 2 3 4
TAPE RETURN TO MAIN MIX
dB
dB
dB
LEFT/RIGHT
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
MUTE / SOLO
dB
dB
dB
dB
dB
dB
10
SOLO
5
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SOLO
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SOLO
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SOLO
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SOLO
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SOLO
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SOLO
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SOLO
10
SOLO
10
SOLO
10
SOLO
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SOLO
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SOLO
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SOLO
10
SOLO
10
SOLO
10
SOLO
10 5
SOLO
10 5
SOLO
10 5
SOLO
10 5
SOLO
10 5
SOLO
10 5
SOLO
10 5
10
SOLO
5
SOLO
10 5
SOLO
10 5
dB
SOLO 10
10 SOLO
SOLO
5
5
10 5
10 5
dB
dB
dB
10 5
10 5
10 5
1-2
5
5
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1-2
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1-2
1-2
1-2
1-2
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1-2
1-2
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1-2
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1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
U 5
1-2
3-4
U 5
1-2
3-4
U 5
U 5
U 5
U 5
U 5
10
3-4
10
10
3-4
10
20
10
10
10
3-4
10
20
10
20
10
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10
10
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20
10
3-4
10
20 30 40 50 60
O O
10
3-4
20
20
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20
10
3-4
3-4
3-4
3-4
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3-4
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3-4
10
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3-4
10
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3-4 10
20
3-4
10
L-R
10
20
10
L-R
20
3-4
L-R
10
3-4
20
20
10
10
10
10
10
20
L-R
30 40 50 60
O O
O O
20
L-R
30 40 50 60
O O
O O
O O
O O
O O
20
L-R
30 40 50 60
O O
O O
O O
20
L-R
30 40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
20
L-R
30
30
30
30
30
30
20
L-R
L-R
L-R
L-R
L-R
L-R
L-R
L-R
L-R
L-R
L-R
L-R
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
L-R
30 40 50 60
O O
20
30 40 50 60
O O
20
20
20
20
30
30
30
30
30
30
30 40 50 60
O O
30 40 50 60
O O
30 40 50 60
O O
30 40 50 60
O O
30 40 50 60
O O
30 40 50 60
O O
30 40 50 60
O O
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
O O
O O
O O
O O
O O
O O
OF 8 PAGES
SR324-VLZ PRO Rear Panel
SR324-VLZ PRO
MAIN OUTS (BAL OR UNBAL)
AUX SENDS (BAL OR UNBAL)
STEREO AUX RETURNS (BAL OR UNBAL)
SUB OUTS (BAL OR UNBAL)
SUB INSERTS (BAL OR UNBAL)
1
L
MONO INSERT INSERT INSERT INSERT INSERT INSERT INSERT
31 28 27 26 25 24 23 22
29
21
20
19
18
17
16
15
14
13
12
11
10
L
INSERT
INSERT
INSERT
L
INSERT
INSERT
INSERT
INSERT
MONO
2
R
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
32 30
MIC 28
XD R
XD R XD R XD R
XD R
LINE IN (BAL OR UNBAL)


L
L
MIC PR E
MIC PR E
XD R
MIC 27
MIC PR E
XD R
XD R
MIC 26
MIC PR E
XD R
XD R
XD R
MIC 25
MIC PR E
MIC PR E
MIC PR E
MIC PR E
MIC PR E
MIC 24
MIC PR E
MIC PR E
MIC 23
MIC 22
MIC 21
MIC 20
MIC 19
MIC 18
MIC 17
XD R
XD R
MIC PR E
MIC PR E
XD R
XD R XD R XD R
MIC 16
MIC 15
MIC PR E
MIC 14
MIC PR E
MIC PR E
MIC 13
MIC PR E
MIC 12
MIC 11
XD R
MIC PR E
MIC 10
XD R
MIC PR E
XD R
MIC 9
MIC PR E
XD R
MIC 8
MIC PR E
XD R
MIC 7
MIC PR E
XD R
MIC 6
MIC PR E
XD R
MIC 5
MIC PR E
XD R
MIC 4
MIC PR E
XD R
MIC 3
MIC PR E
XD R
MIC 2
MIC PR E
XD R
MIC 1
MIC PR E
R
R
TAPE OUT TALK BACK MIC OUTPUT LEVEL RIGHT MAIN OUT LEFT MAIN OUT MONO MAIN OUT
(BAL OR UNBAL)
MAIN INSERTS PHONES
CONTROL ROOM OUT
(MONO)
TAPE IN
120VAC 50 - 60 HZ 110W
POWER ON
PHANTOM ON
FUSE INSIDE
MAIN BALANCED OUTPUTS
O O
PHONES
THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC.: "MACKIE.", AND THE "RUNNING MAN" FIGURE US PATENT NUMBER Des. 380,760 COPYRIGHT 2000 XDRTM EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS INC.
T 1A L 250V
CAUTION: TO REDUCE THE RISK OF FIRE, REPLACE WITH THE SAME TYPE FUSE AND RATING
+6
PIN 2 = HOT PIN 3 = COLD
INSERT
STEREO PLUG
STANDBY
OFF
SR324-VLZ PRO
RISK OF ELECTRIC SHOCK DO NOT OPEN
CAUT I ON
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
SERIAL NUMBER
MANUFACTURING DATE
3242 4 -BUS MIXING CONSOLE

WITH PREMIUM XDRTM MIC PREAMPLIFIERS
TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS
REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
UTILISE UN FUSIBLE DE RECHANGE DE MME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
OF 8 PAGES
SR324-VLZ PRO
SR324-VLZ Pro Dimensions
18.90" 2.80" 5.60" 2.80"
1.80" 1.30"
19.20"
0.50"
39.25"
324 WEIGHT 41 lbs.
OF 8 PAGES
19.20"
SR324-VLZ PRO
SR324-VLZ PRO Block Diagram
OF 8 PAGES
Architects and Engineers Specifications

1. GENERAL CONFIGURATION. The audio mixer shall have a free-standing frame fitted with four resilient feet suitable for tabletop placement. The frame shall be comprised of 28 monaural input channels, 2 stereo input channels, 4 submix output channels and 2 main output channels. The monaural input channels shall be capable of accepting either microphone- or line-level signals, and shall be fitted with trim, equalization, balance, and auxiliary send controls; solo, mute, and bus assign switches; level-indicating LEDs and insert jacks. The stereo input channels shall be capable of accepting either stereo or monaural line-level signals, and shall be fitted with stereo trim, equalization, balance, and auxiliary send controls; solo, mute and bus assign switches; and level indicating LEDs. The submix outputs shall each have level, pan, and air controls; solo and assign switches; and a bus access insert jack. The main outputs shall share a stereo master output fader and shall be fitted with insert jacks. Additionally, the mixer shall include a pre-fader/post fader solo function, a main monaural output with level control derived from the main stereo outputs, 6 monitor/effects send outputs, 4 stereo effects return inputs with switching and control functions, 1 stereo control room monitor output, 2 stereo headphone outputs, 1 set of stereo tape recorder convenience outputs, and 1 set of stereo tape monitor inputs. 2. POWER SUPPLY. All necessary operating voltages for the mixer shall be provided by an internal power supply. 3. INPUT CHANNEL CONNECTIONS. Each monaural channel (1-28) shall include an XDR (Extended Dynamic Range) electronically balanced microphone input, using an XLR-3-F-type connector, accepting nominal levels from 60 dBu to +4 dBu via a rotary Trim control. Phantom power shall be globally controlled via a rocker-type switch. Each monaural input channel shall also have an electronically balanced line level input, accommodating a nominal line level of between 10 dBV and +4 dBu, and appearing on the rear panel as a 1/4" TRS phone jack. Each stereo input channel shall have left and right electronically balanced line level input, accommodating a nominal line level of between 10 dBV and +4 dBu, and appearing on the rear panel as 1/4" TRS phone jacks. These jacks shall be fitted with internal switching contacts to accommodate monaural configuration. Additionally, each of the monaural input channels (1-28) shall offer an unbalanced insert connection, appearing on the rear panel as a 1/4" TRS phone jack. 4. INPUT CHANNEL LEVEL AND ASSIGNMENT CONTROLS AND INDICATORS. Each monaural input channel shall be equipped with a preamplifier gain control, a solo switch, a mute switch, three bus assignment
switches, and a stereo pan control. Each stereo input channel shall be equipped with a dual preamplifier gain control, a solo switch, a mute switch, three bus assignment switches and a stereo balance control. 5. INPUT CHANNEL EQUALIZATION. Each monaural input channel shall be equipped with an equalization function. The equalizer shall have three sections: a lowfrequency shelving equalizer with the knee set at 80 Hz and a range of +15 dB; a mid-frequency peaking equalizer with a center frequency sweepable from a range of 100 Hz to 8 kHz, and a range of +15 dB; and a high-frequency shelving equalizer with the knee set at 12 kHz and a range of +15 dB. Each stereo input channel shall be equipped with a stereo equalization function. The equalizer shall have four sections: a low-frequency shelving equalizer with the knee set at 80 Hz and a range of +15 dB; a low-mid-frequency peaking equalizer centered at 800 Hz and a range of +15 dB; a high-mid-frequency peaking equalizer centered at 3.5 kHz and a range of +15 dB; and a high frequency shelving equalizer with the knee set at 12 kHz and a range of +15 dB. 6. INPUT CHANNEL AUXILIARY SENDS. Each mixer input channel shall have 6 monaural auxiliary send controls. Two auxiliary send controls shall be fixed as prefader sends; two shall be fixed as post-fader sends; and two shall be switchable between pre-fader and post-fader. All auxiliary sends shall be post-mute switch. 7. MAIN OUTPUT CONNECTIONS. The mixer shall have electronically balanced, line-level left and right main outputs, appearing on male XLR-3 type connectors and impedance balanced on 1/4" phone TRS jacks on the rear panel. Additionally, the main buses shall offer left and right unbalanced insert connections, appearing on the rear panel as 1/4" phone TRS jacks. Further, there shall be a main, electronically balanced, monaural output derived from the main stereo output, appearing as a male XLR-3 type connector on the rear panel. There shall be an output level control to adjust the main monaural output level. 8. OTHER OUTPUT AND MONITORING CONNECTIONS. The mixer shall have the following impedance balanced line-level connections, appearing as 1/4" TRS jacks on the rear panel: submix bus outputs 1-4, also wired in parallel respectively to submix outputs 5-8; left and right control room monitor outputs, left and right tape monitor outputs, left and right tape monitor inputs. For convenience, the left and right main outputs (unbalanced) and the left and right tape monitor inputs shall also appear as RCA phono jacks on the rear panel. There shall also be two stereo headphone outputs on the rear panel of the mixer, carrying the control room monitor signals at levels and impedances proper for headphones. Each headphone output connection shall be a stereo 1/4" jack.
OF 8 PAGES
SR324-VLZ PRO
MIXER
SR324-VLZ PRO
MIXER
SR324-VLZ PRO
9. OUTPUT AND MONITORING CONTROLS AND SWITCHES. The mixer shall include one linear fader control for gain adjustment of main L/R outputs, covering a range from infinite attenuation to +10 dB above unity gain. A tape monitor switch shall alternately select either the main L/R outputs or the signal at the tape inputs as the source for the control room and headphones monitoring circuits. There shall be a stereo dual-channel rotary control for gain adjustment of the control room and headphone monitor output. The mixer shall have a stereo dual-channel control for adjustment of the monitoring level of the internal solo signals, and a light to indicate channel solo condition. The solo system shall be capable of switching between PFL (pre-fader listen) and AFL (after-fader listensolo in place) operation. 10. OUTPUT METERING. The mixer frame shall include two 13-segment LED meters each displaying a signal range from 40 dBU to +10 dBu, each with an additional LED indicating mixer clipping level at +22 dBu. The meters shall monitor the main left and right output channels; alternately, the meters shall monitor the tape return signals when the tape monitor switch is depressed; or, the soloed input channel signals when the solo switch is depressed. 11. AUXILIARY SEND CONNECTIONS. The mixer shall include impedance balanced, line-level outputs from the six auxiliary send buses, appearing on the rear panel as 1/4" TRS phone jacks. 12. AUXILIARY RETURN CONNECTIONS. The mixer shall include 4 stereo auxiliary return inputs. Each auxiliary return shall have a left and a right balanced line-level input, accommodating a nominal line level of between 10 dBu and +4 dBu, and shall appear on the rear panel as 1/4" TRS phone jacks. The jacks shall be fitted with internal switching contacts to accommodate monaural configuration.

13. AUXILIARY RETURN CONTROLS AND SWITCHES. The mixer shall include 4 dual-channel auxiliary return gain controls, each feeding the main stereo buses. Auxiliary returns 1-2 shall have their signals assignable to auxiliary send buses 1 and 2, respectively, through rotary level controls. Auxiliary return 4 shall be assignable to three different pairs of destinations, feeding either the main left and right buses or the submix buses. 14. PHYSICAL CONFIGURATION. The mixer shall have a steel chassis frame painted grey-black and designed to rest on a horizontal surface. The SR324-VLZ PROs dimensions shall be 6.1" (155mm) high by 39.3" (997mm) wide by 19.2" (487mm) deep. 15. SPECIFICATIONS. In addition to specifications previously cited, the mixer shall meet or exceed the following specifications. Frequency response, microphone input to any output, 20 kHz to 60 kHz, +0 dB/ 1 dB; Total Harmonic Distortion (THD), any input to any output, 1 kHz @ +14dBu, 0.004%; Equivalent Input Noise (EIN), microphone input to insert send, 129.5 dBm; Common Mode Rejection (CMR), microphone input to insert send, maximum gain, 1 kHz, better than 90 dB; Typical Main Output noise, all channels assigned, odd channels panned left, even channels panned right, all faders down 94.7 dBu; Signal to Noise ratio, ref +4 dBu operating level, 90 dB; Attenuation, ref. 0 dB @ 1 kHz, Main Mix level control down, 85 dBu; Channel Mute engaged, 84 dBu; Channel Gain control down, 83 dBu; Input impedance, microphone inputs, 1.5 k; Channel Insert return, 2.5 k; all other inputs, greater than 10 k; Output impedance, Tape Out, 1.1 k; All other outputs, 120. 16. DESIGNATION. The mixer shall be a Mackie SR324-VLZ PRO.
SR324-VLZ PRO
Electronic files for this product available at: www.mackie.com/installed This Specification Sheet Owner/Operators Manual SR32VLZPRO_SS.PDF SRVLZPRO_OM.PDF
www.mackie.com
LOUD Technologies continually engages in research related to product improvement. New material, production methods, and design refinements are introduced into existing products without notice as a routine expression of that philosophy. For this reason, any current LOUD Technologies product may differ in some respect from its published description, but will always equal or exceed the original design specifications unless otherwise stated. 19992004 LOUD Technologies Inc. All rights reserved. Mackie and the Running Man figure are registered trademarks of LOUD Technologies Inc. Part No. 0003712 Rev A2 9/04
16220 Wood-Red Road NE, Woodinville, WA 98072 USA 800.898.3211, fax 425.487.4337, sales@mackie.com
UK +44.1268.570.808, fax +44.1268.570.809, uk@mackie.com
OF 8 PAGES

Sr32vlzpro Ss

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32-Channel Sound Reinforcement Console Introduction

THE SR324-VLZ PRO is the latest update of our SR324

New high-performance 2068 op-amps for incredibly low

32-Channel Sound Reinforcement Console

Channels can be assigned to buses 1-2, 3-4, and

SR324-VLZ PRO Top

SR SERIES 24 4 2 4 BUS MIXING CONSOLE

SR32 -VLZ PRO 4

AUX SEND MASTERS

STEREO AUX RETURNS

RUDE SOLO LIGHT

PRE FADER IN PLACE AFL

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

LOW CUT 75 Hz 18dB/OCT

TAPE RETURN TO PHONES / C R

PHONES / C-R LEVEL

32-Channel Sound Reinforcement Console

SR324-VLZ PRO Rear Panel

MAIN OUTS (BAL OR UNBAL)

AUX SENDS (BAL OR UNBAL)

STEREO AUX RETURNS (BAL OR UNBAL)

SUB OUTS (BAL OR UNBAL)

SUB INSERTS (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

LINE IN (BAL OR UNBAL)

MAIN INSERTS PHONES

CONTROL ROOM OUT

PIN 2 = HOT PIN 3 = COLD

RISK OF ELECTRIC SHOCK DO NOT OPEN