Ayuda a Configurar a 3 vias un crossover ashly XR4001 Que tal bueno pues me han regalado un crossover ashly 4001

que viene a 4 vias, pero mi sistema es a 3 vias ya le movi y le movi pero no doy con un tono decente, tiene unos divisores ~10 y los preciono pero no doy, alguien me puede ayudar con este aparatito, supongo que yo soy aqui el problema ya que no lo se configurar y la marca y el aparato es aceptable.

#2 12 jun 2009, 20:13 Federico Gonzlez Fecha de ingreso: abr 2008 Pas: Colombia Mensajes: 580

Efrain, por lo que leo te lo regalaron sin manual. Aquiesta el link para el manual ,esta en ingles pero es muy ilustrativo http://www.ashly.com/Resources/Docum...r-manual-n.pdf

#3 12 jun 2009, 21:14 Fecha de ingreso: nov 2008 Pas: Mxico Efrain Hernndez Corts Mensajes: 170 Si tengo el manual eso solo son 3 hojitas y no dice nada sobre la configuracion, solo trae un esquema de los botones y funciones del crossover, la hoja de advertencias y precauciones, y una de especificaciones tecnicas, pero no doy una ya combine de muchas formas y no doy, no se escucha como tiene que ser, la pagina que me dejaste no me lleva al maual aparece en blanco. 8i Alguien por aqui lo tendra y me podra asesorar???

#4 12 jun 2009, 21:39 Fecha de ingreso: abr 2008 Pas: Colombia Federico Gonzlez Mensajes: 580 Efrain siguiente paso, que componentes tienes para las tres vias?? Recuerda si te pones a mover y a ensayar sin saber lo que haces puedes daar uno o algunos de tus componentes.

#5 12 jun 2009, 22:39

Efrain Hernndez Corts Bueno pues tengo: 2 sb850 2 cajas dobles para medios de 15" con eminence de 500 rms 2 agudos JBL amplificado con crst CA12 Y RMX5050

Fecha de ingreso: nov 2008 Pas: Mxico Mensajes: 170

En peroferia compresor alesis, ecualizador ashly 3102, y una meza peavey de 24 canales, y otras cositas, pero no las estoy usando, solo tengo los amplificadores al crossover y del crossover a un ipod con musica grabada. Eh hecho las pruebas con bastante cuidado para no daar los componentes aun asi me da miedo volar mis agudos u otra cosa, fue por eso que decidi pedir ayuda aqui en el foro.

#6 13 jun 2009, 08:33 Fecha de ingreso: dic 2008 Pas: Mxico Rogelio Victoria Rivero Mensajes: 16 yo tambien tengo el mismo problema con el mismo crossover si alguien lo ha usado por favor que nos ayude digo mas o menos que nos de unos ejemplos de como cortar con este crossover

#7 13 jun 2009, 11:44 Fecha de ingreso: abr 2008 Pas: Colombia Federico Gonzlez Mensajes: 580 Mira este link, creo que el amigo que preguntaba en aquella ocasiontambientena inconvenientes. Por el buscador del foro encontraras varias soluciones http://foros.doctorproaudio.com/showthread.php?t=5631

#8 15 jun 2009, 23:13

Fecha de ingreso: nov 2008 Pas: Mxico Efrain Hernndez Corts Mensajes: 170 Que tal Rogelio, ya que tenemos el ismo problema, me gustaria saber si ya le encontraste solucion. Ya vi el post del seor Pinzon en donde dice paso a paso como configurar el crossover a 2 vias, pero no obtengo buenos resultados, el bajo suena muy deforme no tiene ese corte nitido y mazizo, se escucha muy flojo el bajo, y el medio se escucha demaciadochiyon ya trate de mejorarlo pero nopuedo alguienmas del foro podra ayudarnos? Gracias por el link Federico, ojala alguien me ayude asolucioinar este problema.

#9 15 jun 2009, 23:51 Efrain Hernndez Corts Cita: Ya vi el post del seor Pinzon en donde dice paso a paso como configurar el crossover a 2 vias Perdon es a 3 vias no sepor que puse ese 2. Fecha de ingreso: nov 2008 Pas: Mxico Mensajes: 170

#10 16 jun 2009, 12:35 Fecha de ingreso: ene 2007 Pas: Mxico Francisco Catalan Gerardo Mensajes: 14 Hola, yo hago lo siguiente, los graves(18") los saco de Low, los medios(12") de low-mid y los agudos de high, cancelo el de high-mid, solo extiendo el rango de low-mid hasta donde corto los agudos, esto lo probe porque el dueo del equipo no le mueve a nada en el crossover,, en un principio yo queria trabajarlo a 4 vias pero el patron no le gusto y queria a 3 nada mas. Se aceptan sugerencias! Saludos!

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Temas Similares Tema Crossover Ashly o Ultradrive Pro dcx2496 Crossover de 2 Vias Autor Ignacio Ruiz Foro FoRSSemiPRO FoRSSemiPRO FoRSSemiPRO FoRS PRO FoRSSemiPRO Respuesta ltimo s mensaje 10 07 sep200 9 20:37 16 abr 2009 02:29 24 ene 2009 09:22 17 nov 2008 05:30 22 sep 2008 11:47

AdanMartinez

13

Crossover ashly CROSSOVER ASHLY O dbx? 4 Vias Crossover

Jose Alvarado Jos Segura Segura Vctor Flores

11

14

Huso horario GMT -5. La hora en este momento es 19:59

XR-Series Crossovers XR-1001/2001/4001

General Specifications
SpecSheets

1001 - 2001 4001

Manual

Brochure

The XR-Series crossovers are the product of an intensive research effort started in 1972 which combined a reexamination of traditional crossover theory with practical field use. Over the years, a number of refinements and new models have been added to our crossover series, but the original design goals have remained the same: to produce a crossover which is sonically accurate, is flexible enough to suit a wide variety of systems, and affords maximum protection for speakers and drivers. All Ashly crossovers are based upon the same powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. Our crossovers offer a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. These models also include a 200:1 tuning range, output mute switches, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields. Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs. The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave

crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.> 24dB/Octave Slopes Variable Filter Response Allows Tuning-In Linkwitz-Riley or Other Filters Output Mute Switches Balanced Inputs and Outputs 20Hz Third Order High Pass Filters XLR and 1/4" TRS Audio Connections Peak Overload Warning LEDs Five Year Warranty

dbx 234XL crossover

Precio: 227.00

Infrmese sobre este producto Informacin ( DBX ) Crossover de 3 vas estreo, 4 vas mono con tomas XLR. Crossover - conectores XLR High pass 40 Hz Interruptor de cambio de fase en todas las salidas Interruptores de funcin mono de 4 vas o 2/3 viasestereo Fuente de alimentacin interna, 19 "1U

223XL

Stereo 2-Way/Mono 3-Way Crossover with XLR Connectors

XLR balancedins and outs Mode switch for stereo 2-way or mono 3-way operation Lowfrequencysummed (subwoofer) output x10 range switch on both channels

40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant

Lets take a look at the construction features of the dbx 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid click. Also, when you open the box, you wont find the external power supply that accompanies most processors in this price range. Thats because we know how difficult external power supplies can be to work with and even though it costs a little more, we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, its not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect?

Via a switch on the back panel, you first select whether youre operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldnt make you check the switch position on the back every time you wonder where its set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel youll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. Theres a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from -infinity to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. Youll get great performance, all the features youd expect from a professional product and the knowledge that youre buying a processor from the people that have been producing the worlds finest processors for over 25 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price thats just too low to admit!
For product availability and pricing please contact your local dealer

dbx Home >Crossovers > 234XL

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234XL
Stereo 2/3 Way, Mono 4-Way Crossover

XLR balancedins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Lowfrequencysummed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all band outputs 24dB per octave Linkwitz-Riley filters (the professional standard)

Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant

Let's take a look at the construction features of the dbx 234XL. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are XLR balanced jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24 dB per octave filters, the professional standard, but then again, what did you expect? Via two switches on the back panel you first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are nondirectional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB, to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that'll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You'll get great performance, all the features you'd expect from a professional product, and the knowledge that you're buying a processor from the people that have been producing the world's finest processors for over 20 years. The technology that made us famous brings you a dbx crossover which has been tested to the highest professional standards at a price that's just too low to admit.
For product availability and pricing please contact your local dealer 2011 Harman. All Rights Reserved. dbx Professional Products 8760 South Sandy Parkway, Sandy, Utah 84070 (801) 566-8800

234XL Front Panel

dbx Home >Crossovers > 234XL

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234XL
Stereo 2/3 Way, Mono 4-Way Crossover

XLR balancedins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Lowfrequencysummed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all band outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant

Let's take a look at the construction features of the dbx 234XL. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are XLR balanced jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24 dB per octave filters, the professional standard, but then again, what did you expect? Via two switches on the back panel you first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are nondirectional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB, to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that'll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You'll get great performance, all the features you'd expect from a professional product, and the knowledge that you're buying a processor from the people that have been producing the world's finest processors for over 20 years. The technology that made us famous brings you a dbx crossover which has been tested to the highest professional standards at a price that's just too low to admit.

For product availability and pricing please contact your local dealer 2011 Harman. All Rights Reserved. dbx Professional Products 8760 South Sandy Parkway, Sandy, Utah 84070 (801) 566-8800

234XL Rear Panel

dbx Home >Crossovers > 234XL

Principio del formulario

Final del formulario

Products DriveRack ZonePRO ZoneControllers

 News

SC Series FeedbackSuppression MicPreamps SubharmonicSynthesis DynamicProcessors Crossovers EQs Direct Boxes Accessories Discontinued Literature/Manuals Software/Firmware 3rd PartyControllers Speaker Tunings CAD Drawings dbxWallpaper Policy Registration

Downloads

Warranty

Training Support Solutions/FAQs TechSupport Parts Factory Service OutletStore RoHSCompliance US Sales US Sales Reps CustomerService Int'lDistributors International Sales

Contact

 Forum

TechSupport Service Centers

234XL
Stereo 2/3 Way, Mono 4-Way Crossover

XLR balancedins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Lowfrequencysummed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all band outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant

Let's take a look at the construction features of the dbx 234XL. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are XLR balanced jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24 dB per octave filters, the professional standard, but then again, what did you expect? Via two switches on the back panel you first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are nondirectional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB, to allow muting of individual outputs and for level matching. Also, these outputs each have

phase reverse switches that'll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You'll get great performance, all the features you'd expect from a professional product, and the knowledge that you're buying a processor from the people that have been producing the world's finest processors for over 20 years. The technology that made us famous brings you a dbx crossover which has been tested to the highest professional standards at a price that's just too low to admit.
For product availability and pricing please contact your local dealer 2011 Harman. All Rights Reserved. dbx Professional Products 8760 South Sandy Parkway, Sandy, Utah 84070 (801) 566-8800

234XL Front Panel