Aurangabad arc ihc amous Cacs o A[ania, 1hiriy- iwo groiios ihai arc noi naiural bui had bccn cui in hills or ihousands o ycars by workcrs who had only uscd cinzcis and hammcrs. Sculpiurcd in ihc olcanic basali rock, ihc craismcn had bccn mciiculously cinzclando` ihc rock liiilc by liiilc, cuiiing ihc columns in siraicgic placcs and crcaiing somc rooms insidc o ihc rock. 1hc walls and ccilings had bccn wondcrully dccoraicd and had crcaicd colorul painiings wiih plasicr applicaiions . General view of the place The ma|orty of pantngs are more than 1500 years od . Ten centures before the brth of Mcheangeo, Leonardo da Vnc and the European renassance, these unknown artsts aready knew how to use perspectve, depth and reasm n ther pantngs. The expressons and emotons captured n the faces of the pantng are so rea that today, after some centures, they can st be admred. The odest cave traces to the second century before Chrst. Some of them are Vharas (convents) or monasteres, great chambers wth sma rooms that ead off the man room and t was where they ved as monks. Some of these rooms have beds of cut rock, wth a cushon n whch monks coud rest ther heads.
1hc rcmaining poriion o ihc cacs arc Chaiiyas or
icmplcs, cry similar io Chrisiian caihcdrals, wiih ccilings abobodados` wiih cross-ribbcd woodcn bcams, and wiih dccoraicd pillars o rocks. In ihc ccniral scciion (whcrc a Chrisiian church would hac iis aliar) mighi bc a grcai siaiuc o Buddha. Rcmcmbcr ihai ihcsc icmplcs o rock had bccn cui many ccniurics bcorc ihc Chrisiian caihcdrals, which can lcad us io spcculaic whcihcr ihcy had bccn ihc inspiraiion or ihc grcai archiiccis o ihc Mcdical Agc, and noi ihc Grcck and Roman classic icmplcs. t is surprising to think that the great masters who had created these wonders used only small tools of work Still they had thus bequeathed us something universal and magical that we can contemplate today The centuries seem like small water drops in the Walls of these caves !late in the entrance of the caves Thc cavcs of anta nc of thc cntranccs of thc cavcs cavcs arc ccavatcd in thc rock One of the entrances One of the entrances %o eIephants in one of the doors %o eIephants in one of the doors Rio Vugloru $omc cavcs arc monastcrics ntcrior ntcrior grcat rccIincd Buddha grcat rccIincd Buddha A Hindu lamilv admircs |hc work ol i|s anccs|or eII conserved aII eII conserved aII frescos in the walls uard who takcs carc of of thc cntrancc uard who takcs carc of of thc cntrancc