Tenor Saxophone American Quartet

(Saxophone Quartet)
I Antonin Dvorak, Op.96


Allegro ma non troppo M.M. q = 112
  
            
        
         
mf


7

   

pp

                 

10

    
                 
cresc.  fz fz fz
f
1
  
             
15

                    
p p p pp
ff

                                                   
21

  
cresc. dim.
2    
                                 
25


pp fp fp fp

                                   

31

           

cresc. f fp
3
                   
35

         

fz ff p pp
f
4

42

              
   
rit. fz
p pp
ppp
5
    
   
          
         
51

     
dim. pp
f f


57
 
in tempo
               
molto rit.

                
dim. p


61

                                                 
V.S.
pp
2 Tenor Saxophone
6
     
64
                
                 
mf cresc.


69
     
                                    
mf f
727
 
       
 

        
ff fz f ff dim. p

8        3 
         
80 3

           
           
 p pp
mf mf

          
85

                    
       
cresc.
9  
  
      
90
        
               

ff ffz f
96 10
   
             

mp
   
11
          
102

                         

fz fz fz


106

                                    

3 3 3 3 3 3 3 3
3 3 3 3 dim. p pp

12
     
112  
                 
       
mp mf
         p

13
   
121
  
                                               
pp pp

       
125

 
                                        
cresc. mf
dim.
 Tenor Saxophone 3

14            
              
129
  
     
fz
p

15    
                   
134

                    
  
p pp fp

                  
139

           
 
fz  fz  fp

                                  
143

           
fz fz p
16
                   
      
146

     
  
fz fz fz
f f

              
    
151
 
ritard.
 
dim.

17
 in tempo            
156

         
         
pp mf p

   

162

             

      
cresc. f

18
 
166   poco rit.

               
molto rit.
      
ff dim. p p pp

                 
173 in tempo

         
                    
cresc.

175 
  

      
     

        
ff fz ff
Tenor Saxophone
II
Lento M.M. e = 112
      
        
p


4
     
      


7

       

      
mf
fp
10
  1
                         
   
pp
dim.
   
14

                              
       cresc. p
cresc. fp mf
2

19

   

pp


22
   
                  
molto cresc. f p

     
         
25
 
      
cresc. mf f

   
28

  
p pp
dim.
3

31

                                    

p cresc. V.S.
2 Tenor Saxophone

34

                   

            
  
cresc. f

 
37

              
                          dim.
cresc. f

                         
40
 
     
 
pp
p
4

43

                                    
mp mf p


46
         
              
fz p


48
 
     
f dim. pp pp

5  
51

    

cresc.
    
54

              
ff dim.

     

57

      
dim p
dim.


60
                      
 
dim. pp
 Tenor Saxophone 3
6

62

                                    
fz pp


65
         
              
ff


67
    
       
p pp pp
7
 
70
   
       
cresc. cresc.

                                 
73

  
cresc. f

    
76

        
  
dim. mp dim.


79
                     
    
ritard.
     
pp
82 8 in tempo
  
          
            


87

            
      
pp

 


92 fp p (Trem.)

               
dim.
morendo
Tenor Saxophone
III
 
Molto vivace M.M. h. = 72
          
               
p f

      

10
        
 
      
     

pp

1 
  
16

        

 
ff p
mf

    

22

2
         
27
      
   
p


33

                        
ff


37

                     
ff

3
41
 Poco
 
meno mosso
      
     

mf p

4
46
    

ritard.
  
  



pp Fine
2 55  Tenor Saxophone
 
       
     
  
pp fp   fp   fp

fz fz
62

    
                
  fp 
fz fz fp fp dim .
67 dim.

                      
  fp dim. pp
p
73 5     
 
 
     
     
     
      
    

p
80
 
                
    
ff
85

                           
 f
  dim.
90

                         
dim. p
dim.
6   
pp
   
96
          
     
p p p
    
102

              
107
        
    
     
  
pp
113 7  
        
 
p f fz
 
mf f ff

    

119


fz fz
   
124 8 Tenor Saxophone 3

         


f mf dim. p


130

     

9
135
          
      
ff p

 

molto rit. in tempo

142
                       

dim.
pp legato
10   

148

          
pp
     
  
156
   
  






 
f

                
163

 
dim.
11
170
      3
3 3 3
   
3
     
3 3 3
3 3

       
3

3

p
 
ppp
177

3
    

3 3
       
3 3 3 3
 
3 3 3
          
3 3

ff
  
184
  
           
molto dim.
190
 
            
     
p pp Da Capo al Fine
Tenor Saxophone
IV
Finale
Vivace ma non troppo M.M. q = 152

                                         
p    
11
     
                                        
  cresc.
    fz
mf
1        
                                   
22

           
fz fz fz fp p
dim.
        
                                 
33

        
pp

      
2
43
       
    
                
               
fz dim. p
ff pp

      
                                        
53


mf
3
                                     
63

       
cresc. ff
mp pp

               
73

                                    


83

                                

     
91

                       
mf dim.
4
    
99
               
                    
pp


104

                                        

   

   
5
111
       
                                        
cresc. f V.S.
2 Tenor Saxophone
6
                    
119
        
   
fz p pp
129
              
                  
cresc. mf

                             
137

        
  
f cresc.
7
146
         
 

                  
               
dim. p


158

             
pp


   
170

               
             
 
fp
dim.
8 Meno mosso
    
179

               

pp p
pp
9

195
 
             
pp p fz fz

    
        
207

       
cresc. pp

10 Tempo I.

219

                                                      

fp fp
fp

                                             
227

         
fz cresc. ff
cresc.
11          
                                       
234

         


                             
           
244

  
    
mf cresc. f ppp
 Tenor Saxophone 3

                                      6 

255

   

 6 3   3                        

266 dim.
 
           
6 3 3 6 3 3 3 3 3 3

cresc. cresc.
f
12 Meno mosso
 3
278

     
3

              
p pp

13
                         
292

       
fp
  pp
p

305
          
                         
3 3 3 3 3

  
       p
dim. p dim.

  3             3                       3     3     3 
315 3 3 3 3 3 3 3

            
f ff

 14
                   
3

               

324

       
       
f  do
fp fz cresc. en

                      

333

                  
 fz piu f fz fz fz fz fz fz fz fz fz fz fz fz fz
f fz fz
15
  3 3 3 3 3           
 3
343
3 3 3 3 3 3 3
3 3 3    
            
ff
  fz
ff

      

                          
354

   
            
fz

  3   3   3   3   3   3   3   3   3   3  3 3

367

 
  
fff

   
     
374
   
          

fz
 