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Mirror provides phantasy of Becomes a process of identification of coherence, of the internal self with the external Ideal-I. what makes the Represents infants first encounter with subjectivity, with spatial relations, with world, and our place as complete an external sense of coherence, and with a sense of "I" and "You. subjects in it, make sense.
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Where do I end? Where does not I begin? Language is there before birth. It acts on our whole existence.
Mirror provides phantasy of coherence, of what makes the world, and our place as complete subjects in it, make sense.
Becomes a process of identification of the internal self with the external Ideal-I. Represents infants first encounter with subjectivity, with spatial relations, with an external sense of coherence, and with a sense of "I" and "You.
Fantasy
Response to question: what space do I occupy for the (m)Other? Faced with enigmatic desire of the (m) Other, I feel anxiety because I dont know what the (m)Other wants.
Signs determined by social, cultural, moral perceptions & codes--the world of the father, the symbolic phallus--constructs, at the end of the mirror phase, ones identity. The entire system of the unconscious/ conscious manifests in an endless web of signifiers, signifieds and associations (chains of signification). The symbolic is the "determining order of the subject" (J. Hillis Miller).
The Real: that which resists representation, what is pre-mirror, preimaginary, pre-symbolic; what cannot be symbolized; what loses its "reality" once it is symbolized (made conscious) through language. (Letter 458-459)
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Reviving Freud
Chains of signification: a train going nowhere (Letter 448, 451)
Dreams
Distortion (455) and Lack (456) Edge, frontier, where I am not (456-457, 458)
Sources
Benveniste, mile. Problems in General Linguistics. Miami: U of Miami P, 1971. Freud, Sigmund. Notes on a Case of Obsessional Neurosis. Found in: "Further Remarks on the Neuropsychoses of Defense" (1896, S.E. vol. 3. pp. 159ff) . The Standard Edition... Two Case Studies. (Vol. 10) Trans. James Strachey. London: Hogarth P, 1955. Hayward, Susan. Cinema Studies. 3rd ed. Routledge Key Guides Series. NY: Routledge P, 2006. Lacan, Jacques. The Specular Image and the Graph of Desire. In Ecrits: A Selection. NY: Norton, 1977. Leader, Darian and Judy Groves. Introducing Lacan. UK: Totem Books, 1995.
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This is the margin of the others desire, the margin of what we do not understand. It is always present. (454) SD=margin of others desire. The truth of the ego emerges precisely in madness where the world seems to dissolve and the difference between self and other is radically put in question.
S(A)=signifier of the impossible. S plus a barred (A) signifies the impossibility of signifying something.
This is the margin of the others desire, the margin of what we do not understand. It is always present. (454) SD=margin of others desire. The truth of the ego emerges precisely in madness where the world seems to dissolve and the difference between self and other is radically put in question.
S(A)=signifier of the impossible. S plus a barred (A) signifies the impossibility of signifying something.
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This is the margin of the others desire, the margin of what we do not understand. It is always present. (454) SD=margin of others desire. The truth of the ego emerges precisely in madness where the world seems to dissolve and the difference between self and other is radically put in question.
S(A)=signifier of the impossible. S plus a barred (A) signifies the impossibility of signifying something.
Phantasy
Dialectic
Mirror Stage (444)
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Enunciation
mile Benveniste: two registers (voices) for narrative (storytelling)
Histoire: to tell a story; connotes both history and story-telling Discours: active ongoing social production of meaning
Histoire
Impersonal register: Actual process of story-telling is absent, seamless, invisible. Author, subject of the enunciation, is hidden. Story presents itself as reality: as complete Situates spectator with no role to play other than allknowing subject. Spectator has complete knowledge of the story. Complete suture: spectator is interpellated by the filmic text.
You enter the Symbolic Order when you accept the rules (law of the Father)
That which is too much to bear; mostly experienced as unbearable suffering. Unconscious experiences jouissance as satisfaction, as something outside meaning and symbolization; as real.
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Semen
Penis