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16. SUPERPOSITION
Source 2
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Physics PHY9702
A stationary or standing wave is one in which the amplitude varies from place to place along
the wave. Figure 1 is a diagram of a stationary wave. Note that there are places where the
amplitude is zero and, halfway between, places where the amplitude is a maximum; these are
known as nodes (labelled N) and antinodes (labelled A) respectively. (See Figure 1)
The distance between successive nodes, and successive antinodes, is half a wavelength. (λ/2)
The amplitude of the points on a stationary wave varies along the wave. In Figure 1 the
amplitude at point 1 is a1, that at point 2 is a2 and that at point 3 is a3. The displacement (y)
at these points varies with time.
Any stationary wave can be formed by the addition of two travelling waves moving in opposite
directions.
A wave moving in one direction reflects at a barrier and interferes with the incoming wave.
Consider two travelling waves 1 and 2. Let the displacements at time t and position x be y1
and y2.
Therefore:
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L
Fundamental (1st harmonic)
λ
=L
2
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The vibration of the air columns of these types of tube in their fundamental mode are shown
in Figure 1. Notice that the tubes have areas of no vibration or nodes at their closed ends and
areas of maximum vibration or antinodes at their open ends.
An antinode also occurs at the centre of a tube closed at both ends in this mode.
Nodes are areas where the velocity of the molecules is effectively zero but where there is a
maximum variation in pressure, while the reverse is true for antinodes.
Some of the higher harmonics for the different tubes are shown in Figure 2. Notice that a
closed tube gives odd-numbered harmonics only, while the open tube will give both odd and
even-numbered.
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Notice that although the sound waves in the tubes are longitudinal it is conventional to
represent them as transverse vibrations for simplicity. However two examples of what are
really going on is given for completeness.
If the velocity of sound is denoted by v and the length of a tube by L, then for a tube closed
at one end the fundamental frequency is given by:
End corrections
The true length = L ± d. The equation for a closed tube then becomes:
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Vibrating strings
If a string stretched between two points is
plucked it vibrates, and a wave travels
along the string. Since the vibrations are
from side to side the wave is transverse.
The velocity of the wave along the string
can be found as follows.
Therefore: v = kTxMyLz
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A string is fixed between two points. If the centre of the string is plucked vibrations move out
in opposite directions along the string. This causes a transverse wave to travel along the
string. The pulses travel outwards along the string and when they reaches each end of the
string they are reflected (see Figure 2).
The two travelling waves then interfere with each other to produce a standing wave in the
string. In the fundamental mode of vibration there are points of no vibration or nodes at each
end of the string and a point of maximum vibration or antinode at the centre.
Notice that there is a phase change when the pulse reflects at each end of the string.
The first three harmonics for a vibrating string are shown in the following diagrams.
(a) As has already been shown; for a string of length L and mass per unit length m under a
tension T the fundamental frequency is given
by:
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16.2 Diffraction
One of the most powerful pieces of evidence for light being some
form of wave motion is that it also shows diffraction. The
problem with light, and that which led Newton to reject the wave
theory is that the wavelength is very small and therefore
diffraction effects are hard to observe. You can observe the
diffraction of light, however, if you know just where to look.
Grimaldi first recorded the diffraction of light in 1665 but the real
credit for its scientific study must go to Fresnel, Poisson and
Arago, working in the late eighteenth and early nineteenth
centuries.
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Fresnel diffraction
Fresnel diffraction can be observed with the minimum of apparatus but the mathematics are
complex. We will therefore only treat it experimentally here.
If a razor blade is placed between the observer and a point source of monochromatic light,
dark and bright diffraction fringes can be seen in the edges of the shadow. The same effects
can be produced with a pinhead, when a spot of light will be seen in the centre of the shadow.
Fresnel was unhappy about Newton's explanation of diffraction in terms of the attraction of
the light particles by the particles of the solid, because diffraction was found to be
independent of the density of the obstacle: a spider's web, for example, gave the same
diffraction pattern as a platinum wire of the same thickness. The prediction and subsequent
discovery of a bright spot within the centre of the shadow of a small steel ball was final proof
that light was indeed a wave motion.
If
the intensity of light is plotted against distance for
points close to the shadow edge results like those
shown in Figure 2 will be obtained.
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The Fraunhofer diffraction due to a single slit is very easy to observe. An adjustable slit is
placed on the table of a spectroscope and a monochromatic
light source is viewed through it using the spectroscope
telescope (see Figure 1(a)). An image of the slit is seen as
shown in Figure 1(b). As the slit is narrowed a broad
diffraction pattern spreads out either side of the slit, only
disappearing when the width of the slit is equal to or less
than one wavelength of the light used.
But BN = a sin(θ), and if this is equal to the wavelength of the light (λ) the light from the top
of the slit and the bottom of the slit a will cancel out.and a minimum is observed at P. This is
because if the path difference between the two extremes of the slit is exactly one wavelength
there will be points in the upper and lower halves of the slit that will be half a wavelength out
of phase.
Therefore the general condition for a minimum for a single slit is:
The path difference between light from the top and bottom of the slit is written mλ where m is
the number of wavelengths 'fitting into' BN. m is also known as the 'order' of the diffraction
image.
If the intensity distribution for a single slit is plotted against distance from the slit, a graph
similar to that shown that shown in Figure 3 will be obtained. The effect on the pattern of a
change of wavelength is shown in Figure 4.
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Wavelength effects
These two diagrams show the effect of a change of wavelength on the single slit diffraction
pattern. The pattern for red light is broader than that for blue because of the longer
wavelength of red light.
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16.3 Interference
Interference:
When two groups of waves (called wave trains) meet and overlap they interfere with each
other. The resulting amplitude will depend on the amplitudes of both the waves at that point.
If the crest of one wave meets the crest of the other the waves are said to be in phase and
the resulting intensity will be large. This is known as constructive interference. If the crest
of one wave meets the trough of the other (and the waves are of equal amplitude) they are
said to be out of phase by π then the resulting intensity will be zero. This is known as
destructive interference.
This phase difference may be produced by allowing the two sets of waves to travel different
distances - this difference in distance of travel is called the path difference
There will be many intermediate conditions between these two extremes that will give a small
variation in intensity but we will confine ourselves to total constructive or total destructive
interference for the moment.
The diagrams in Figure 1 below show two waves of equal amplitudes with different phase and
path differences between them. The first pair have a phase difference of π or 180o and a path
difference of an odd number of half-wavelengths. The second pair have a phase difference of
zero and a path difference of a whole number of wavelengths, including zero.
Figure 1(a) shows destructive interference and Figure 1(b) constructive interference.
To obtain a static interference pattern at a point (that is, one that is constant with time) we
must have
(a) two sources of the same wavelength, and
(b) two sources which have a constant phase difference between them.
Sources with synchronised phase changes between them are called coherent sources and
those with random phase changes are called incoherent sources.
This condition is met by two speakers connected to a signal generator because the sound
waves that they emit are continuous – there are no breaks in the waves.
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However two separate light sources cannot be used as sources for a static interference
pattern because although they may be monochromatic the light from them is emitted in a
random series of pulses of around 10-8 s duration. The phase difference that may exist
between one pair of pulses emitted from the source may well be quite different from that
between the next pair of pulses (Figure 2).
Therefore although an interference pattern still occurs, it changes so rapidly that you get the
impression of uniform illumination. Another problem is that the atoms emitting the light may
collide with each other so producing phase changes within one individual photon. We must
therefore use one light source and split the waves from it into two in some way.
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In Figures 6 and 7 you can see that at the different points on the screen the waves from S1
have travelled a different distance from those from S2. In Figure 6 the path difference is zero,
in Figure 7 it is half a wavelength.
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This experiment to use the effects of interference to measure the wavelength of light
was devised by Thomas Young in 1801, although the original idea was due to
Grimaldi. The method produces non-localised interference fringes by division of
wavefront, and a sketch of the experimental arrangement is shown in Figure 1.
L
igh
t
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Consider the effects at a point P a distance xm from the axis of the apparatus.
For a bright fringe (constructive interference) the path difference must be a whole
number of wavelengths and for a dark fringe it must be an odd number of half-
wavelengths (Figure 2).
Therefore:
within the limits of experimental accuracy for D would be at least 50 cm while d would
be less than 1 mm making the triangle S1S2P very thin.
Therefore: S2P – S1P = xmd/D
Where m = 0,1,2,3 etc. and so the m th bright fringe for m = 3 is 3lD/d from the centre
of the pattern. The distance between adjacent bright fringes is called the fringe width
(x) and this can be used in the equation as:
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Note that the fringe width is directly proportional to the wavelength, and so light with
a longer wavelength will give wider fringes. Although the diagram shows distinct light
and dark fringes, the intensity actually varies as the cos2 of angle from the centre.
If white light is used a white centre fringe is observed, but all the other fringes have
coloured edges, the blue edge being nearer the centre. Eventually the fringes overlap
and a uniform white light is produced.
The separation of the two slits should be of the same order of magnitude as the
wavelength of the radiation used.
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Since then many improvements have been made, in 1882 Rowland used a diamond to rule
fine lines on glass, the ridges acting as the slits and the rulings as the obstacles (Figure 1).
Using this method it is possible to obtain diffraction gratings with as many as 3000 lines per
millimetre although 'coarse' gratings with
about 500 lines per millimetre are better for
general use.
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The number m is known as the order of the spectrum, that is, a first-order spectrum is formed
for m = 1, and so on.
If light of a single wavelength, such as that from a laser, is used, then a series of sharp lines
occur, one line to each order of the spectrum. With a white light source a series of spectra is
formed with the light of the shortest wavelength having the smallest angle of diffraction.
In deriving the formula above, we assumed that the incident beam is at right angles to the
face of the grating. Allowance must be made if this is not the case. The simplest way is to
measure the position of the first order spectrum on either side of the centre, record the angle
between these positions and then halve it, as shown in Figure 4.
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The intensity distribution for a large number of slits is shown in Figure 5. Notice that the
maxima become much
sharper; the greater the
number of slits per metre,
the better defined are the
maxima.
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