Amateur Photographer - 13 February 2010

TESTED: LIGHT PANELSS
FOR YOUR HOTSHOE
HOW ONE PHOTOGRAPHER

CHANGED THE WORLD
www.amateurphotographer.co.uk
w
APs
guide
to
ICE
EXPERT ADV
Perfect
exposure
Adobe
Photoshop
Elements 8
Part 3: Fast and
effective edits
Create sublime histograms for

snowy scenes with Lee Frost
Massive prints
at home:
We test the
Epson 3880
Colour in ight:
Learn how from
Steve Bloom
2.40
ON
TEST
Saturday 13 February 2010
www.storemags.com & www.fantamag.com
Contents
From the Editor
Changing
the world
Amateur Photographer For everyone who loves photography
I wonder whether
you believe that
photography
Damien
can change the
world. I am told
Demolder
that the pictures
Editor
sent home during
the Vietnam War helped to bring the
conflict to an early close, and Im certain
the images of starvation that dominated
our screens and newspapers in the
summer of 1985 helped to contribute
to the massive amount of money
raised by Live Aid.
There is a difference, though, between
photography altering the course
of world events and photography
changing the world. There is no doubt
that world events did change as a result
of the population being exposed to a
measure of the realities these situations
conjured up, but for a world to change
attitudes have to be altered for good.
Im not convinced we have learnt to
avoid the horrors of war or of famine, as
both have played a significant role in the
planets recent and current history. But
maybe the world came to know more
about what those words mean.
The world has a memory as short as its
attention span, but that only means we
should employ photography more often
to remind it. Photography can bring us
jolly things, too, but as Benjamin Rusnak
shows us all this week, its weightiest role
is to show us what we can do to change
the world for others.
News, views and reviews

News
National Trust opens doors to amateurs;
Pentax unveils Optio I-10; Win a Canon
DSLR; Samsung refreshes compact line-up
10 Review
The latest books, exhibitions and websites
12 Letters
AP readers speak out on the weeks issues
13 Backchat
AP reader Mick Bidewell on why World Press

Photo competition organisers were right to
ban manipulated images
90 The nal frame

Technique
14 Photo insight
COVER STORY
Steve Bloom on how he captured an exhilarating
image of a macaw in ight, and why hell never
look at a caged bird in the same way again
On test and technical

43 Testbench
COVER STORY
The Leung hotshoe-mounted LED light and
Avanquest Photo Explosion Deluxe 4.0
45 Epson Stylus Pro 3880

COVER STORY Richard Sibley tests a new A2 printer
from Epson that could make large-format prints
a reality for home users
48 Q&A
Our experts answer your questions
LEE FROST
Moth and dust doth corrupt. Roger Hicks thinks

St Matthew may have been on to something
51 Photoshop Elements 8
COVER STORY In part three of our guide to Elements
8, we focus on the automated Quick Photo Edit
and Guided Photo Edit modes, which let you
make quick and easy adjustments
Your pictures
31 Gallery
Another selection of superb reader images
40 Appraisal
Damien Demolder examines your images,

offering words of wisdom and constructive advice
Features
19 Whiter than white
COVER STORY
Are you struggling to get the exposure just right
when shooting winter landscapes? Lee Frost
explains how to get the perfect histogram
Page 24
BENJAMIN RUSNAK/FOOD FOR THE POOR, INC
Find out how

photography
can change
peoples lives
Page 19
Get your exposures

just right when
shooting in the snow
24 Changing lives
COVER STORY
Former press photographer Benjamin Rusnak
on how his current job as a staff photographer
for the international charity Food For The Poor
allows him to see at rst hand how photography
can change lives
Our question
f the week
36 Icons of photography
James Dean in Times Square is an atmospheric

photograph of the actor taken when he was still
largely unknown, and is today one of the great
movie-star portraits. David Clark reveals the
story behind Dennis Stocks iconic image
To have your pictures published in Gallery, send in a selection

of up to ten images. They can be either a selection of different
images or all have the same theme. Digital les sent on CD
should be saved in a Photoshop-compatible format, such as
JPEG or TIFF, with a contact sheet and submission form. Visit
www.amateurphotographer.co.uk/apgallery for details. We
cannot publish images without the necessary technical details.
Each RGB image should be a minimum of 2480 pixels along its
longest length. Transparencies and prints are also accepted. We
recommend that transparencies are sent without glass mounts
and posted via Special Delivery. For transparencies, prints or discs
to be returned you must include an SAE with sufcient postage.
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A Yes 61%
B No 36%
C Used, but
not owned 3%
Our address and

other contact details
Amateur Photographer,
IPC Media, Blue Fin Building,
110 Southwark Street, London SE1 0SU
AP Editorial Telephone: 0203 148 4138

Fax 0203 148 8130
Email amateurphotographer@ipcmedia.com
AP Advertising Telephone: 0203 148 2517
Email lee_morris@ipcmedia.com
AP Subscriptions Telephone: 0845 676 7778
Email ipcsubs@qss-uk.com
AP test reports Telephone: 01707 273 773
www.testreports.co.uk/photography/ap
COVER PICTURES LEE FROST, STEVE BLOOM
Send us your pictures
In AP 30 January we asked
Have you ever owned a Pentax or K-mount SLR?
C
You answered
3%
B
36%
A
61%
This week we ask

Can photography change
current world affairs?
A Yes B No C Dont know
Vote online
www.amateurphotographer.co.uk
13 February 2010 I www.amateurphotographer.co.uk I 3
Latest
news
everyday
Do you have a story?

Contact Chris Cheesman
Telephone 0203 148 4129
Fax 0203 148 8130
amateurphotographer.co.uk
News I Analysis I Comment I PhotoDiary 13/2/09
Were giving one lucky

photographer the chance
to own the Holy Grail of bags
Canon prize in Katas design-a-bag
competition, page 6
National Trust rule reversal l Amateur interior shots now allowed
NT/CHRISTOPHER SIMON SYKES
National Trust opens doors to amateurs

RIGHTS
WATCH
Committed to defending
your photographic rights!
N an unexpected move,
the National Trust has
changed its rules to allow
amateur photography inside
its historic properties.
The decision followed
a campaign for a change
in policy led by a group of
photographers on the social
networking website Facebook.
The Trust had previously
placed a complete ban
on indoor photos when
its properties are open
to visitors.
The National Trust website
now states: Amateur
photography (including
lming) without ash is
now permitted in historic
interiors at the property
managers discretion.
Among those welcoming
the move is Mark Taylor, who
set up a Facebook-based
campaign group a few
months ago.
He said: I felt their policy
was onerous and I linked
to this on the [National
Trust] Flickr group.

I only gained 55 members,
but perhaps it had an effect.
John Stachiewicz, publisher
and head of the National
Trusts media group, told us
that the move was part of
a deliberate shift in attitude
towards photographers.
But he denied it was a
direct response to complaints.
Stachiewicz, who plays
a major role in drawing up
the Trusts photo policy,
admitted that, in the past,
the Trust has adopted a
rather harsh stance towards
amateur photography.
Some of our signage

was sending out messages
saying, Dont do this, dont
do that. This was too rigid
and prescriptive.
He said the policy towards
amateur photographers
stemmed from a long-held
and now outdated security
concern that pictures taken
by visitors inside National
Trust properties could be
used to plan a robbery.
Arguments like that no
longer hold water and are
not a reason for not allowing
interior photography.
Asked to clarify the Trusts
policy on using tripods

indoors, Stachiewicz told us:
The property manager has to
make a call. If there is no one
around and a visitor gets a
tripod out, then thats not
the end of the world.
He explained that the
manager would make a
decision based on whether
the use of a tripod would
interfere with other visitors
enjoyment. A photographer
may be asked not to
take photos if there was
a bottleneck of visitors
developing at a given
property, for example.
Flash is banned because,
he said, it is known to have
an effect on the retina of the
eye that can be irritating for
other visitors.
Anyone who wants to be
certain they will be allowed to
take photos should check with
the property beforehand.
He stressed: Its always
best to ask.
However, the Trust warns
that visitors must be aware
that at some places there
may be copyright issues,
and further permissions may
be required in respect of
collections not owned by us.
Fuji promises faster, cheaper 3D photo printing

CONSUMERS are promised
faster and cheaper access to
3D photo printing thanks to
a new 3D dye-sublimation
system, which Fujilm plans
to roll out across the UK.
The 3D Print System
service is due to become
available in early summer,
bringing a novel offering to
on-site print services, ideal
for event photographers,
tourist attractions and theme
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parks, according to Fujilm.

It will use dye-sublimation
technology to print onto the
base of a lenticular sheet.
Currently, consumers
wanting 3D prints have to
order them online, but these
are printed in Japan and
can take several weeks to
reach the customer. It costs
3.99 for a 6x4in print and
there is a 4.99 delivery
charge per order.
However, under the

UK-based system, Fujilm
promises that consumers
will receive their prints in
days, and the cost per
print will be reduced
signicantly.
The company has yet to
release price details.
The announcement should
spell good news for users
of the FinePix 3D Real W1
digital camera, which allows
viewing of 3D images oncamera without the need for

special glasses.
Using Fujilms proprietary
Image Intelligence technology
and 3D Image Processing,
high-quality, lifelike prints
are produced in a matter of
minutes, claimed the rm.
SNAP
SHOT
Magnum
sell-off
As we went to press, it
emerged that Magnum
Photos entire archive of
prints billed as the most
valuable collection in the
history of photography has
been sold to an investment
rm run by the boss of
computer giant Dell.
Blad takes
on Leica S2
Hasselblad has announced a
professional medium-format
digital SLR that looks set to
go head-to-head against
the Leica S2. The H4D-40
features a 40-millionpixel CCD imaging sensor
measuring 33x44mm. It will
cost t13,995, including a
viewnder and 80mm lens.
Ricoh CX3 due
Ricoh is set to launch the CX3,
a ten-million-pixel digital
compact camera featuring a
back-illuminated imaging
sensor to help deliver more
detail in low light. With
a back-illuminated CMOS
sensor and a noise-reduction
function incorporating the
algorithm used on the GR
Digital III, the new CX3 has
dramatically improved
image-quality performance
when shooting in lowlight scenes, claimed a
spokesman. The user can set
the noise-reduction level to
Off, Auto, Weak, Strong or
Max. The CX3 sports a lens
designed to deliver the 35mm
viewing angle equivalent of
a 28-300mm zoom. It also
features an HD movie option
(1280x720 pixels). For more
see next weeks News.
PhotoDiary
News
A week of photographic opportunity

10 FEBRUARY
THURSDAY
11 FEBRUARY
FRIDAY
12 FEBRUARY
EXHIBITION No
Expectations by David
Wala, until 12 February
at The Settle Down Caf,
Newcastle-upon-Tyne
NE1 4AW. Visit www.
thesettledown.com.
DONT MISS Digital
Photography Workshop
by photographer
Adrian Oakes, at Castle
Drogo (10am-4pm),
Drewsteighton, near
Exeter, Devon. Tel: 01647
433 306. Visit www.
nationaltrust.org.uk.
EXHIBITION Circus by Anderson and Low, until 11 April at The Lowry,

Greater Manchester M50 3AZ. Tel: 0870 787 5793. Visit www.thelowry.
com. EXHIBITION Jane Bown: Exposures 100 Portraits, until 19 February
at University Gallery, Northumbria University, Newcastle upon Tyne NE1
8ST. Tel: 0191 227 4424. Visit www.northumbria.ac.uk/universitygallery.
EXHIBITION Crazy God by Yvonne De Rosa, until 6 March at Diemer/

Noble Photography, London W1T 3PY. Tel: 0207 636 5375. Visit www.
diemarnoblephotography.com. EXHIBITION Look Both Ways by Matt
Stuart, until 26 February at KesselsKramer, London N1 6PB. Tel: 0207 033
7680. Visit www.kkoutlet.com.
SATURDAY
13 FEBRUARY
SUNDAY
14 FEBRUARY
MONDAY
15 FEBRUARY
EXHIBITION STHLM by photographer Jannica Honey, until 13 February

at Zed Art, Edinburgh. Tel: 0131 556 2265. EXHIBITION Rock n Roll
Animals by Sophie Jarry, until 21 March at Proud Camden, London NW1
8AH. Tel: 0207 482 3867. Visit www.proud.co.uk.
DONT MISS 25th Annual Jorvik Viking Festival at Jorvik Viking

Centre, York YO1 9WT. Tel: 01904 543 400. Visit www.jorvik-viking-centre.
co.uk. EXHIBITION Paris je taime: Photography by Ivan Massar, until
28 March at Proud Chelsea, London SW1 5XP. Tel: 0207 349 0822. Visit
www.proud.co.uk.
EXHIBITION Guns and Roses by Guido Mocafico, until 20 February at

Hamiltons Gallery, London W1K 2EU. Tel: 0207 499 9493. Visit www.
hamiltonsgallery.com. EXHIBITION Shaped by War: Photographs by
Don McCullin, until 13 June at Imperial War Museum North, Manchester
M17 1TZ. Tel: 0161 836 4000. Visit www.iwm.org.uk.
TUESDAY
16 FEBRUARY
GINA GLOVER
EXHIBITION by Gina Glover, until 5 March at Hoopers Gallery, London

EC1R OAA. Tel: 0207 490 3907. Visit www.hoopersgallery.co.uk.
DONT MISS Rehab UK Parliamentary Pancake Race due to take place
10-10.30am in Victoria Gardens (opposite College Green) near Houses of
Parliament, London.
DAVID WALA/WWW.DAVIDWALA.COM
WEDNESDAY
Pentax unveils SLR

styled Optio I-10
P
ENTAX has unveiled

a retro-style, sub200 digital compact
camera that is designed to
look like an SLR.
The 12.1-million-pixel Optio
I-10 boasts CCD-shift Shake
Reduction and a function
called Pet Detection, which
aims to detect the presence
of subjects such as dogs and
cats, as well as people, in
a scene, and subsequently
optimise focus and exposure
for their faces.
A Pentax spokesman said:
The Optio I-10s unique,
eye-catching design is
reminiscent of the beloved

SLR cameras of yesteryear
and will surely create a sense
of nostalgia for many years.
Due in February priced
199.99, features include
a lens designed to deliver
the 35mm viewing angle
equivalent of 28-140mm.
Also on board is a maximum
equivalent sensitivity of ISO
6400, and movie recording
at 1280x720 pixels.
A new Subscreen Input
function displays a thumbnail
of a recorded image in the
upper-left corner of the
2.7in LCD screen.
This is handy when the

photographer wants to
use a recorded image as a
reference image to shoot
subjects from the same
angle and at the same image
size every time (such as
photographing prepared food
in the same way to compile a
recipe le), explains Pentax.
It could also help to retain
a favourite image on the
screen, adds the rm.
The near-centred lens and
the positioning of the Pentax
logo just above it enhances the
cameras likeness to an SLR,
says Pentax.
Design a bag and win a Canon DSLR

PHOTOGRAPHERS
have been set an unusual
assignment to design the
ultimate camera bag in a
competition that boasts a
Canon EOS 5D Mark II
DSLR as top prize.
A team of professional
photographers will join the
head of R&D at bag maker
Kata, the organiser of the
competition, to select the
best design.
At Kata we know a
photographers bag is the
keeper of his or her most
precious kit, making it not
just important but a highly

personal choice, said the
rms UK product manager
Andy Bennett.
With the dream bag
competition were going
one step further and giving
one lucky photographer
6 I www.amateurphotographer.co.uk I13 February 2010
the chance to own the

Holy Grail of bags one
that they have designed
themselves.
The winner will be
presented with their
newly designed bag, set to
contain around 3,000
worth of kit, including a
Canon EOS 5D Mark II,
Canon lenses and a Gitzo
Traveler tripod.
For details visit www.
dreambagchallenge.com
or call 01293 583 300.
The closing date is 1 March
2010.
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Do you have a story?

Contact Chris Cheesman
Telephone 0203 148 4129
Fax 0203 148 8130
SNAP
SHOT
Nikon compact
boasts Full HD
Nikon has unveiled the Coolpix
P100, a bridge camera boasting a
Full HD movie option. The Coolpix
P100 features a 10.3-million-pixel
CMOS imaging sensor, a 26x zoom
and a 3in vari-angle LCD screen.
It will cost 349.99 and is due to
arrive in UK shops in mid-March,
according to Nikon. For details see
next weeks News.
NX10 out in
March, says
Samsung
Samsung has put back the launch
of its NX10 interchangeable-lens
digital compact camera until
March. The mirrorless NX10, which
carries an APS-C-size CMOS
imaging sensor, had originally
been expected to go on sale in
mid-January. The 14.6-millionpixel NX10 will cost 599.99 in a kit
that includes an 18-55mm lens.
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Olympus E-PL1
is a flash act
A
S we went to press,
Olympus released
details of its soonto-be-launched Pen E-PL1, a
new hybrid camera boasting
SLR performance and a
built-in ash.
The 12.3MP Pen E-PL1
is billed as the ideal camera
for consumers who are put
off buying a DSLR because
DSLRs are too complicated.
Due out in mid-March

priced 549 (including a
14-42mm lens), the Micro
Four Thirds model houses
the same imaging sensor
and image processor as
previous Pen digital models,
said Olympus UKs Consumer
Products marketing manager
Mark Thackara.
He added: Shooting great
pictures has never been so
Big freeze boosts camera sales, claims GfK

CAMERA sales rocketed 8% in December,
boosted by consumers buying more expensive
models to take pictures of the snow, according
to GfK Retail and Technology UK.
Over the New Year, sales were up 30% on
the same period a year earlier, in value terms.
Weve all seen the photos of wintry scenes
and frolicking in the snow proliferating online,
and clearly this has tempted many to dip into
the photo market and purchase a new and
upgraded camera, said a GfK spokesman.
Although sales revenues shot up, the
number of cameras sold fell 7% in December.
The rm claims that consumers are now
prepared to spend more on cameras,
signalling a clear vote of condence in the
future of the photography sector as an
aspirational market.
Value sales for digital cameras as a whole
were up by 8% compared to December
2008, yet in the New Year week (ending
2 January) they rose by a staggering 30%,
the spokesman said.
The average buyer spent 13% more on
a xed-lens camera in December than the
same month in 2008 and an enormous
30% more on a changeable-lens camera,
according to GfK, which said this partly
reects price increases sparked by
exchange rate uctuations.
CHRIS CHEESMAN
Paint Shop
revamp
Corel this month releases the
revamped software Paint Shop
Photo Pro X3 that includes
enhanced raw-file processing.
Photographers can use the
Camera Raw Lab to manually
adjust variables such as white
balance and noise reduction,
rather than having it done
automatically. These settings can
then be applied to multiple raw
photos to help speed up the
photographers workflow, adds
the firm. New adjustment tools
include local tone mapping,
colour balance and contrast,
which can be saved to the raw file.
Features include Smart Carver,
which aims to seamlessly remove
objects from an image. Photo
slideshows, with HD video,
can be put together using the
Project Creator feature. Corel Paint
Shop Photo Pro X3 costs 79.
Existing users can upgrade for
59. Corel has also announced
Video Studio Pro X3, also priced at
79. For free 30-day trials visit
www.corel.com. A review of Paint
Shop Photo Pro X3 will appear in
AP 27 February.
easy. Quality, size and ease

of use, these are the key
messages.
The Pen E-PL1 includes a
new Live Guide designed to
give the user easier control
over key image features.
The Live Guide aims to
help consumers control SLR
effects such as depth of eld,
and monitor the changes on
the 2.7in LCD screen.
In a statement, Olympus
said: i-Enhance, for example,
makes sure all colours in your
picture spectrum are vivid
and rich. It is automatically
applied in conjunction
with i-Auto mode, which
recognises what kind of scene
or subject youre taking and
adjusts settings accordingly,
or it can be used alone.
There is also a one-touch
[HD] video button.
The Pen E-PL1 can record
up to seven minutes of
1280x720-pixel video at one
time, according to Olympus.
Also on board are six Art
Filters, including Gentle Sepia
and Pop Art.
The Pen E-PL1 will be
compatible with Olympuss
optional VF-2 electronic
viewnder.
Olympus
and Fujifilm
set for 30x
zoom war
OLYMPUS and Fujilm are

set to compete for the biggest
slice of their newly created
30x optical zoom compact
camera market.
Olympus has unveiled the
SP-800UZ, a digital compact
camera boasting a 30x zoom
lens, designed to deliver
the 35mm viewing angle
equivalent of a 28-840mm
zoom, according to Olympus.
The 14-million-pixel SP800UZ will cost 369.99
when it goes on sale in March.
Features include 2GB of
internal memory and a 3in
[16:9 format] LCD screen
(230,000-pixel resolution),
plus HD movie recording
(720 pixels).
Also on board is built-in
image stabilisation and 10fps
shooting (at 3MP resolution).
On the same day, Fujilm
announced the FinePix HS10,
which also has a 30x zoom
lens in this case a 24720mm equivalent lens.
Billed as an all-in-one
camera, the 10MP HS10 will
carry a street price of 399
when it hits shops in April.
Fujilm claims that the
CMOS-sensor-based
model is aimed at serious
photographers wanting
versatility and performance
of an SLR system without the
bulk or expense. Features
include a 3in tilting monitor,
10fps burst rate and Full HD
video (1080p).
Snow, seen here in

London a year ago,
prompted consumers
to upgrade their digital
cameras during the latest
big freeze
GfK added: December 2009 proved a

strong month for the sale of digital cameras,
with sales in the Christmas and New Year weekk
in particular outperforming just about every
other consumer technology product.
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News
Photographers call for Talbot Day
HOTOGRAPHERS
have called for
11 February to
be named Talbot Day
in memory of British
photographic pioneer William
Henry Fox Talbot, who was
born on that day in 1800.
This year also coincides
with the 175th anniversary
of the year that Fox
Talbot created the rst
photographic negative.
The British inventor is
considered to be one of the
founding fathers of modern
photography. He investigated
the action of light on paper,
which was treated at rst with

nitrate of silver and later with
chloride of silver, after using
a camera lucida on a trip to
Italy in 1833.
In 1835 his experiments
led him to produce a picture
at his Lacock Abbey home
in Wiltshire.
Talbot created what is
believed to be the earliest
surviving photographic
negative, from an image of
a latticed window in Lacock
Abbeys south gallery.
The treasured photograph
is now stored at the National
Media Museum in Bradford,
West Yorkshire.
A group of Wiltshire-based
photographers plan to mark
11 February with a special
dinner at the George Inn
in Lacock.
This part of the historic
public house used to be
the carpenters shop
where the original wooden
camera now known as the
Mousetrap was made for
Talbot, says the group, led
by press photographer
Trevor Porter.
Guest of honour will be
Roger Watson, curator of
the Fox Talbot Museum.
APs weekly round-up of club news from all over Britain

Stockton
Camera Club
The club hosts a talk by photographer Steve

Gosling entitled Lensless landscapes on
10 February. Steves monochrome images
were captured using a pinhole camera. Tickets
cost 3 and can be booked by calling 07803
136 598. The event takes place from 7.30pm9.45pm at The Wilson Centre, Darlington Road,
Long Newton, Teesside TS21 1DD.
Stamford
Photographic
Society
On 18 February, Janet Davies ARPS is due to

deliver a talk about Judging Techniques. For
details visit www.stamford-photosoc.org.uk.
Club chairman John Hillier can be reached on
01572 747 706.
Vale of
Evesham
Camera Club
The club is organising its 2010 National Internet

Exhibition, the entry form and details of which
can be downloaded at www.photo2010.net.
The closing date is 17 February 2010.
Send club news to: apevents@ipcmedia.com
SNAP
SHOT
Camera ban
Tourists will be banned from
taking photos at the National
Archives exhibition hall in
Washington, USA, according to
press reports. The institution
already bans ash photography
to protect its historic documents
from light. The move aims to
improve the ow of visitor
trafc, according to The
Washington Post.
Nikon stars
Landscape photographer
Andy Rouse and Sir Paul
McCartneys photographer
brother Mike will be among
the speakers at the Focus on
Imaging Show in Birmingham.
Aerial photographer Jason
Hawkes will also be giving a
presentation at the Nikon stand,
where visitors will be able to
enter a competition to win a
Nikon D90. The show takes
place at the NEC in Birmingham
from 7-10 March.
EF milestone
Canon has announced
production of its 50 millionth
EF lens. The landmark
was achieved during the
manufacture of the EF 100mm
f/2.8L Macro IS USM, said the
rm, which has produced more
than ten million lenses in less
than two years.
Samsung refreshes
compact line-up
SAMSUNG has announced

the upcoming release of ve
new digital compacts.
Due to land on the UK
high street this month are
the ST70 (179.99) and
ST60 (149.99), boasting
14.2-million-pixel and
12.2-million-pixel resolutions
respectively.
The ST70 comes with
a 27mm and the ST60 a
27.5mm (35mm viewing
angle equivalent) zoom lens.
The ST60 and ST70
(pictured) also feature digital
effects such as DeFog Clear/
Fog Lifting, which aims to
improve the clarity of photos.
Meanwhile, due out in
March are the 12.2-millionpixel WB650 (299.99)
and WB600 (249.99),
which will replace the existing

WB550 and WB500 models.
They both come equipped
with a 24mm Schneider
Kreuznach lens capable of
extending up to 15x.
The WB650 is equipped
with a 3in AMOLED screen
and built-in GPS technology
designed to allow users
to geo-tag their images.
Meanwhile, the WB600
comes with a 3in LCD
monitor.
Features on both include an
HD (720p at 30 frames per
second) movie mode.
Also unveiled is the PL80,
a 12.2-million-pixel camera
sporting a 28-140mm
equivalent zoom.
It is due to go on sale in
March, priced 129.99.
This week in
191 1
Dull winter days should not dissuade the photographer

from venturing out to the local park, according to APs
issue dated 14 February 1911. Pictures taken at this time
of the year have an atmosphere and charm all of their own,
wrote AV Wilkinson. Among likely subjects are parks with
children, swans and waterfowl, and the usual small crowd of
inquisitive onlookers gazing at the photographer. (Fast forward
99 years and the innocent photos of children may attract more
than inquisitive onlookers).
Unfortunately, Mr Wilkinson continued, on this particular
morning the rain came down in torrents and quickly drove
the human bipeds to shelter. The swans and waterfowl simply
ignored the rain, so with the aid of an umbrella to keep the
camera dry, two or three exposures were made
8 I www.amateurphotographer.co.uk I 13 February 2010
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robert mapplethorpe foundation
Review
Your guide to the latest photography books, exhibitions and websites

Exhibition
Artist Rooms: Robert Mapplethorpe
Until 27 March. Graves Gallery, Surrey Street, Shefeld S1 1XZ. Open Mon-Sat 10am-5pm. Tel: 0114 278 2600.
Website: www.museums-shefeld.org.uk. Admission free
robert mapplethorpe foundation
There is little doubt that Robert Mapplethorpes work divides opinion. During his
life, Mapplethorpe was seen by many as a controversial photographer indeed, the
sexually explicit nature of his studies of the male form is well documented. Yet these
images are just part of Mapplethorpes expansive body of work. As well as studying
the human form, he produced copious images of close friends and acquaintances,
celebrity portraits and still-life studies of owers.
In a unique exhibition, more than 35 prominent images from Mapplethorpes
career are on display. It is the rst time the photographers work has been shown in
Shefeld. The exhibition is part of an initiative called Artist Rooms, a touring collection of
artwork by some of the most inuential artists and photographers of the 20th century,
assembled over many years by collector and curator Anthony dOffay. Eighteen galleries
and museums are involved in the tour, which sees single rooms devoted to the work of
a particular artist. Among the images on show at Graves Gallery are Mapplethorpes selfportraits (see bottom right) and iconic images of celebrities including Patti Smith (above),
Andy Warhol (top right) and Marianne Faithfull (centre right). For more information on
Artist Rooms visit www.artfund.org/artistrooms. Gemma Padley
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Review
When Light Casts No Shadow
By Edgar Martins. Dewi Lewis, hardback, 84 pages, 30, ISBN 978-1-904587-81-1

EDGAR MARTINS
ROBERT MAPPLETHORPE FOUNDATION
Book review
Edgar Martins forced himself into our
consciousness a few years ago with his
wonderful book, Topologies, which was a
stunning collection of night-time landscapes
taken on Portugals beaches, highways
and in drought-starved forests. It was an
artful and timely comment on the impact
of modern life upon the landscape, and
in When Light Casts No Shadow he delves
further into the subject this time stripping
down what before were already minimalist
scenes into stark black scenes whose only
features are the scars inicted by man.
Airports feature heavily in Martins
latest exploration, with his camera trained
low and wide over runways so that every

blade of grass poking through the painted
arrows and markings becomes visible.
Later he moves indoors to capture the
barren isolation of the interiors. A little
too literal for the abstract, contemporary
crowd, yet not classic enough for the
traditionalists, Martins has found a style
that is uniquely his own and should bring
him great things in future. Jeff Meyer
Practical HDR
As David Nightingale astutely notes,

HDR is both a technical solution to the
limitations of digital camera sensors, and
a creative tool that can give any image
more impact. HDR gets a bad reputation
because the results often dont look
realistic, but its important to remember
that last point that its just one of many
creative tools, like tobacco-coloured lters
or the noise lter in Photoshop.
In Practical HDR, Nightingale provides
thoughtful discussion on the balance
between realistic and hyper-real
images, and argues that each has its
place, depending on your subject and
intentions. In meticulous detail, Nightingale
then explores the techniques involved in
creating both styles, providing step-by-
Book review
DAVID NIGHTINGALE
A complete guide
ti gi d rto
uocreating
y hti ws eHigh
ga m
i Dynamic
e gna R c Range
Range images
images with
wyith your
your digital
digit SLR
By David Nightingale
Ilex Press, paperback,160 pages,
14.29, ISBN 978-1-905814-63-3
step examples and images of each subject.

This is one of the most even-handed and
contemplative guides to HDR that weve
seen. Jeff Meyer
http://1x.com/
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If you are looking for an alternative to Flickr,

then Onexposure could be it. Billed as an
arts project and photo community with a
difference, the site is essentially an online
gallery. It is free to set up an account,
and there are currently more than 4,700
photographers signed up. The breadth and
quality of the work here is breathtaking,
which is due in part to the strict quality
control of the organisers, who screen
every photo to maintain a high standard.
There are various ways to view images.
You can browse by artist or theme, or
click on the Photos tab, which sorts
images into sub-categories such as
Website
latest, popular, exhibitions and shufe,
which is a great way to view images across
a range of subjects.
The clear, uncluttered layout and highquality content make this site stand out,
and you will be hard-pushed not to nd
an image you like. Gemma Padley
Share your views and opinions with fellow AP readers every week
Dont forget the Navy
I am writing to you after reading your feature on Sergeant

Daniel Harmer of the Armys Combat Camera Team
(Point & shoot, AP 23 January). I have been a Royal Navy
photographer for nearly four years, having been a Royal
Marine for eight years previously. The article gave the impression that
Royal Navy photographers dont deploy to Afghanistan.
However, I was deployed on Operation Herrick VII as 40 Commandos
Unit Photographer. Each of the Royal Marines Commando Units (40, 42
and 45 Commando, around 650 personnel each) has its own assigned
photographer. The Unit Photographer will spend the whole six months
deployed in Afghanistan, living, working, patrolling and under re with the
Royal Marines. During Operation Herrick IX last year, with the deployment
of 3 Commando Brigade, there were three Royal Navy photographers
deployed.
It is very frustrating to think that people have the impression that Navy
photographers arent able to cope with the rigours of the front line in
Afghanistan.
Leading Airman (Photographer) AJ MacLeod, Argyll & Bute
The bigger picture
As much as I applaud Jade Lord

for producing a great feature about
MOD photographers in Afghanistan,
and admire Sergeant Harmers
excellent pictures (Point & shoot, AP
23 January), I do detect a little bit
of trumpet blowing on the part of
Sgt Harmer when he says that even
the Navy are no longer part of the
Combat Camera Team because the
environment is so demanding. Not
so, Im afraid.
Over the past few years the RN
Photography Branch has had a
succession of naval photographers
in-theatre, with countless images
gracing the pages of the national
press and much footage shown on

national TV all of which is published
without a byline. If Jade were to have
gained access to Defence News
Imagery and conducted a search,
she would have gained access to
many pictures taken in Afghanistan
by these naval personnel.
Congratulations to Sgt Harmer
for highlighting the role of the MOD
photographer, but I do think he should
be a little more careful of the words he
uses when referring to photographers
from other services. After all, hes only
been a photographer for a few years
and hasnt yet learnt the signicance
of the bigger picture.
Ian Arthur, Glasgow
Of course, Mr Arthur. But isnt it
standard practice for the Army to
pretend the Navy doesnt exist?
Until they need a lift, that is
Damien Demolder, Editor
A satised customer
It was interesting to read Neil

Mudfords Backchat article in AP 30
January relating to the backup of
images to protect against hardware
failure. Until recently, I was following

a very similar regime to Neil, using
mirrored disks on my PC and then
backing up to a server.
There are now numerous online
backup services on offer, some
more photo-centric than others. The
service Im using at the moment is
by a company called Dropbox (www.
dropbox.com). What Dropbox does is
synchronise the contents of a folder
on your Mac/PC with the servers
hosted by Dropbox. The application
achieves this by use of a small
software program that is available
in Mac, Linux and Windows versions.
It runs in the background and syncs
the contents of the folder to the
Dropbox server; you can also add
more PCs and sync to those as well,
giving multiple copies of data for
ultimate protection.
The program works well for me
as it backs up not only my images
but also other important documents.
The company even produces an
iPhone app that allows you to view
your images and documents on
your iPhone or iPod Touch. It also
allows access via your web browser,
so you can access your les from
anywhere with an internet connection.
The service costs $10 per month
(around 6), which, if you offset this
against the extra hardware required
and the electricity needed to run
a server, works out quite well and
means your data is backed up
off-site. A free version is offered
with a 2GB limit.
John New, Tyne & Wear
Under or over?
Looking at James Cleggs pictures

in Gallery in AP 30 January, I was
intrigued with his image Snowy Road
(page 28) image and its caption,
which said, James compensated
by +0.3EV to ensure the snow
wasnt overexposed. Should that
not say underexposed, as I thought
camera metering systems tended
wins a 20-roll pack of

36-exposure Fujilm
Superia ISO 200 35mm lm
or a Fujilm 4GB media card
(in a choice of CompactFlash,
SD or Memory Stick)*
Write to Letters, Amateur Photographer, IPC Media, Blue Fin Building, 110 Southwark Street, London SE1 0SU
fax to 020 3148 8130 or email to amateurphotographer@ipcmedia.com
* Please indicate whether you would like to receive Fujilm lm or a memory card (please state type preferred) and include your full postal address
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to underexpose bright objects and

overexpose dark objects?
John Harbidge, West Yorkshire
You are quite right, John
Lend a hand
Like Terry Hamilton (Backchat, AP 23

January), I too was disappointed at the
lack of an informative handbook for
my Canon PowerShot G11. However,
there is a solution. If Terry contacts
Robert Scott on 01869 331 741,
he will receive the handbook free of
charge the following day. Over the
years I have received four handbooks
for my various Canon cameras.
Leonore Ham, Somerset
You can also get handbooks for all
cameras, old and new, from Old
Timer Cameras. Visit www.f22.
co.uk Damien Demolder, Editor
Lens vs sensor IS
I enjoyed Angela Nicholsons article

on stabilisation systems in AP 23
January. At this point I have to declare
an interest for a number of years I
worked as a development engineer
involved in the design of sightline
and image-stabilisation systems
in a company producing electrooptical equipment. The problems
encountered were much the same
as those involved in producing
stabilisation systems for consumertype cameras, although our solutions
used rather different methods from
the ones Angela describes.

However, unless I have
misunderstood her, there is one
point where I think she is mistaken.
She states that only a lens-based
system can correct for angular
movements such as pitch and yaw.
Such movements displace the image
vertically or horizontally respectively
and can be compensated for by
moving the sensor. The problem as I
see it is that when using a very long
focus lens, a small angular disturbance
can send an image almost right off
the sensor, which may therefore
tend to hit the buffers. On the other
hand, in a lens-based system, since
the compensation is done by means
of a correction element located in
the lens barrel somewhere in front
of the sensor plane, a much smaller
movement will sufce.
For this reason, my preference is
for a lens-based system, as I am keen
on using long-focus lenses for wildlife
photography. Other photographers
who do not use very long lenses may
that nd sensor-based systems serve
them very well and cost them less.
Robin Cormack, Edinburgh
While sensor-based stabilisation
systems can correct vertical and
horizontal movements, they
cannot correct for a slight tipping
of the camera that might occur
when pressing the shutter-release
button, for example, unlike the
stabilisation element in a lens
Angela Nicholson, technical editor
Hungry like the wolf?
In respect to the separation

of Jos Luis Rodriguez from
his honour of winning the
2009 Veolia Environnement
Wildlife Photographer of
the Year competition (News,
AP 30 January), I can say
that I too was taken in by
the picture. However, with
the benet of hindsight it is
obvious to me now that it is
not a photograph of a wild
ou
animal. Why? Well, imagine uyou
es on r ufor
oy agnmeal.
i wY
olll ofY
dnugo
or aaround
round ffollowing
ollowing your
your nose,
nose,
are the hungry wolf out ,looking
You
trying not to advertise your presence. As you are very hungry you dont want
to make any unnecessary noises that would frighten away any prey. You come
to a gate and have the choice of either stepping quietly through and cautiously
observing whatever tasty snack might be on the other side, or expending
valuable energy by jumping over and frightening away any possible prey in the
process. What would you do? Plus, I am not 100% sure that wolves even hunt at
night, anyway perhaps they dont.
Dave Smith, Cheshire
Im not even certain its a real gate Damien Demolder, Editor
AP reader Mick Bidewell on

why the World Press Photo
competition was right to
ban manipulated images
PART from integrity-free photographers, who will see

the World Press Photos crackdown on manipulated
images (News, AP 12 December) as anything but a
smart move? Digital imaging is brilliant stuff, but it can also be
deceitful. I recall a photo by wildlife photographer Tom Mangelsen
about eight years ago. It showed a bear catching salmon in a river,
and a fish was about to leap into its mouth. It was a beautifully
timed shot, yet Tom was asked whether it was digitally
manipulated. Although it was testament to his skills it meant an
established photographers honesty was being questioned.
All these years and a digital revolution later, is it any wonder
people are sceptical about image manipulation? Most of us who
process digital files manipulate images, albeit to suit our personal
taste. If such photos arent passed off as being straight shots then
theres no harm done. If, however, manipulated images were to be
entered into a prestigious event like the World Press Photo
competition as straight shots, then the photographers concerned
would be laying a minefield for honest contributors.
Im intrigued by the World Press Photos insistence that only
retouching that conforms
to current standards will
be allowed. It needs to
elaborate on what those
standards are so that
photographers do not
overstep the mark in their
interpretation of their
images. I spoke with a
photographer online
recently who showed some
of his landscapes. One was
a beautiful sunset over a tranquil harbour. It was a record shot
taken under what the photographer called lucky conditions
and printed straight apart from a bit of sharpening. Another
interpretation of the shot was heavily manipulated via a vivid red
sky courtesy of a mammoth boost in Levels. My online buddy
said he much preferred the latter because it had clout.
It was to be sent into a magazine and I predicted it was likely to
appear on a photo critique page. He retorted that I was a safe
photographer afraid to bend the rules. Well, If safe means not
manipulating an image to within an inch of its life, then I am safe.
In most cases photographers will come clean over what has
been manipulated, but when photographers go overboard yet
claim otherwise, it does no one any favours. In the case of the
World Press Photo submissions, winning by hook or by crook
is the name of the game for
some. Demanding the
original files be shown
as proof besmirches
a competition for
professionals. When it
comes to winning, those
photographers who have
to resort to dishonest
enhancement are not
being at all professional.
When it comes
to winning, those
who have to resort to
dishonest enhancement
are not being at all
professional
Your thoughts or views (about 500 words) should be sent to Backchat at the usual
AP address (see page 3). A fee of 50 will be paid on publication
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Photo Insight Steve Bloom
STEVE BLOOM EXPLAINS HOW HE TOOK

THIS EXHILARATING IMAGE OF A MACAW IN
FLIGHT AND WHY HE COULD NEVER LOOK
AT A CAGED BIRD IN THE SAME WAY AGAIN
T may sound strange, but I have

a thing about birds in cages. As
a small child we used to have a
budgie as a pet and I didnt think too
much about the fact it wasnt free. I
could never keep a bird as a pet now.
Seeing and photographing birds in
the wild really changed my thoughts
about keeping them in cages. One of
the great things about photography
and there are many is its capacity
to change the way you feel about
things, not only when you are making
a picture but also when looking at the
photographs of others. Now when
I see a picture of a caged bird I feel
a huge sense of discomfort, and I
remember what it is like to see these
birds ying freely. Birds have wings
for a reason, and it seems a terrible
injustice to cage them.
I included this image in my book
Spirit of the Wild and used quotations
alongside the images to remind
people of animals rights. The quote
with this image reads: God loved
the birds and invented trees; man
loved the birds and invented cages.
It was important to me that the book
captured something of the freedom
of these wild birds.
I was in Peru when I captured this
macaw in a urry of colour. I had long
wanted to photograph macaws in the
wild, but had only ever seen them in
captivity. Ive always loved these birds:
the intense reds and blues of their
feathers with the streak of yellow is
a magnicent sight to behold.
I visited the Amazon with a guide
and my then 15-year-old son, and
took a two-day boat ride down the
Tambopata River to our camping spot
The AP experts
Each week, one of our team of experts

of Steve Bloom, David Clapp, Tom
Mackie and Clive Nichols will reveal the
secrets behind one of their great
images. This week its Steve Bloom
STEVE BLOOM Wildlife

The worlds leading wildlife
photographer is bringing
his expertise to AP. Steve
has written dozens of books
on wildlife photography
at the bottom of the Amazon basin.
When we arrived it was unbearably
hot and humid, there were caiman
and piranhas in the surrounding water
and we were eaten alive by insects. I
think my son must have wondered if
this was some kind of punishment!
We were looking for what is known
as a clay lick, a wall where the birds
cluster together and peck at the
clay to nd nutrients and minerals
(see right). We trekked through the
undergrowth until we found a clearing
and there they were: clusters of
macaws in all their splendour. We
crossed the river and I set up my
Canon EOS-1Ds camera on a tripod.
From there I was able to capture
some interesting shots of the birds
uttering around the clay lick. The
birds were actually quite far away and
it was difcult to get close to them,
so most of the time I used a 500mm
lens with 2x converter.
I used blur to
capture this whoosh
of colour and give the
impression of brush
strokes on canvas
Then, without warning, a macaw
landed on a nearby branch and sat
there, quite close to me. I knew this
was my chance to capture something
special, but I had to think fast. I quickly
attached my 300mm lens to my
camera, removed it from the tripod
and panned with the bird as it ew off.
The Canon 300mm optic is a fast
lens and the cameras autofocus is
very quick so I was able to achieve a
sharp image. When photographing
birds in ight, I always focus on the eye

as to me this is the key to capturing a
meaningful image. The wing nearest
to the camera was moving at some
speed so there is more blur than on
the birds head, but I think this adds
to the exciting urry of movement
in the picture.
Getting a correct exposure wasnt
too difcult on this occasion. It was
early morning and the light was slightly
hazy, so the conditions were ideal.
Stark sunlight can cause problems
with exposure. The autoexposure of
modern DSLRs is so good that there
is less need to worry about under or
overexposing an image. It is only when
the scene is very contrasty that extra
care is necessary with the exposure.
As DSLR technology advances,
noise levels at high ISO speeds are
decreasing. This improved quality
means that faster shutter speeds
can be used and tripods are less of
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Steve Bloom Photo Insight
STEVE BLOOM
To see more images by Steve visit www.

stevebloomphoto.com. Signed copies of
Steves book Spirit of the Wild, published
by Thames & Hudson and priced 18.95, are
available from www.stevebloomshop.com
In the wild, macaws gather at exposed areas of soil known as clay licks where they peck at the clay to
retrieve the sodium content, which is a vital part of their diet. Many of these clay licks can be found in
the Amazon along parts of the Tambopata River. One the largest is located in the Tambopata National
Reserve in south-east Amazonian Peru. Macaws ock to the clay lick throughout the year and can be
seen in large numbers from July to September. For information visit www.tambopata-peru.info.
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a necessity, which is especially useful

in wildlife photography. I took this at
approximately 1/250sec with the
camera set to AWB. I shot in raw
format as I always do so I can make
adjustments to the image afterwards.
The macaws head is tilted at such
an angle that it looks as though it
is making eye contact. It is hugely
satisfying to capture the detail in an
animals face and show something of
their expressions. I used Focus Magic
software (www.focusmagic.com) to
sharpen the eye slightly, and while it
is a useful program any sharpening
should be applied sparingly. There
is no substitute for a properly
focused image in-camera. Likewise,
when retouching, be careful not to
oversaturate the image, particularly
in the reds, as this can cause you to
lose detail; keeping a good amount of
cyan in the image helps to preserve
detail and texture. I always try to
ensure that my images look faithful

to the original scene, and as these
birds are naturally very bright it was
just a case of tweaking the saturation
until I had accurately rendered the
macaws true colours.
We are emotionally inuenced
by colour, whether individually or
in combination. While I couldnt
alter the fundamental hue of the
macaws feathers they will always
be bright red and blue I could use
blur to capture this whoosh of colour
and give the impression of brush
strokes on canvas.
The composition follows the Rule
of Thirds: the birds head is in the top
third of the frame on the right, which
creates a balanced composition. For
a subject that demands fast reactions,
you need to be ahead of what is
happening. Its all too easy to chop
off the birds head or tail feathers
completely. If I had included the whole
bird it would have been much smaller
in the frame and the image would
have had less impact. Here, though,
the macaw is literally in your face.
Keeping the space around the edges
to a minimum and the background
simple reinforces this by concentrating
the viewers attention on the subject.
I believe that composing the shot in
this way creates a greater sense of
immediacy. You can almost feel the
swish of the wings as the bird darts by.
My son was making a video when
I took this shot and I turned to the
camera looking very pleased with
myself. Its that wonderful feeling
of knowing you have achieved
something great. In hindsight, this
was the image of the trip. It can be
utterly soul destroying when you come
back from a shoot and realise you
didnt get anything great, especially if
youve spent a lot of time, money and
discomfort in trying to do so. However,
when you get the result you were
hoping for, feelings of elation more
than make up for any discomfort you
experienced at the time. If you walk
away with one image you are really
pleased with, it has been worthwhile.
I only need to look at this picture to
remind myself of what a magnicent
sight these birds are in the wild. AP
18
| www.amateurphotographer.co.uk | 13 February 2010
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Exposure Winter Landscapes
Whiter
than white
Do you struggle to get the exposure right when shooting winter
scenes? Landscape expert Lee Frost explains how to get the
perfect histogram in a winter wonderland
hanks to last months freak

weather which seemed to affect
pretty much every corner of the
British Isles this winter is one well never
forget. Like the assassination of JFk or the
death of Elvis, the question, so where were
you in January 2010? is one people will be
asking for decades to come.
I was in northumberland, where more
snow fell in the space of a week than in
the previous ve years combined. Even the
beach didnt escape a dose of the white
stuff, and new Years Day was a sight to
behold despite the hangover.
needless to say, it didnt take
long before I was wearing more
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Winter Landscapes Exposure
layers than an Eskimo and trudging

through the snowy wastes in search
of inspiration, which appeared at
every turn and kept me going even when
my toes were so cold I was convinced theyd
need immediate amputation. And it would
have been worth losing my toes. Honest!
Snow does that to you. Maybe its because
we dont see it very often, so like kids at
Christmas we come over all giddy. Or maybe
its because in the space of a few minutes it
can transform the dullest scene into a winter
wonderland and instantly turn anyone with
a camera into a keen photographer. Such is
its magic that I recently found myself getting
excited about taking photographs of the
village golf course and I hate golf.
Get the exposure right
The rst thing that struck me when I started

shooting this winters snow was how badly
my cameras integral metering system was
Modern metering
systems would
cope fairly well
with this scene as
it has a mix of light
and dark tones,
but you still need
to take care
Canon EOS-1Ds
Mark III, 24-70mm,
1/30sec at f/11, ISO
100, polariser
This scene
required an extra
stop over the
metered exposure
to get it just right
Canon EOS-1Ds
Mark III, 70200mm, 1/30sec
at f/11, ISO 100
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ALL PICTURES LEE FROST
The problem is that the metering system in my

camera and everyone elses, for that matter is
designed to correctly expose average scenes
White uorescent (approx 4,000K)
Tungsten (approx 3,200K)
Cloudy (approx 6,000K)
Shade (approx 7,000K)
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Daylight (approx 5,200K)
Auto white balance

coping with the usually simple act of getting
the exposure right. I use a Canon EOS-1Ds
Mark III, one of the most sophisticated
(and expensive) digital SLRs around. It uses
Canons legendary evaluative metering
pattern, which normally takes tricky lighting
in its stride. However, the winter landscape is
a law unto itself especially when covered
in inches of freshly fallen snow.
The problem is that the metering system
in my camera and everyone elses, for that
matter is designed to correctly expose
average scenes. An average scene is one
that contains a fairly even number of light
and dark tones and reects approximately
18% of the light falling on it. Think green
eld under blue sky on a sunny day and you
wont be far off. Even easier, think mid-grey
colour and x that image in your mind.
If you point your camera at a wall
that has been painted mid-grey, it
will give you a perfectly exposed
A cameras meter
can be easily confused
by so much white
Canon EOS-1Ds
Mark III, 16-35mm,
1/10sec at f/11
White balance
When youre shooting winter scenes you must
consider the white balance because the colour
temperature of the light can vary considerably,
especially at dawn or dusk when images
often come out with a strong blue cast. If you
shoot in raw you can always adjust the colour
temperature during post-processing, but many
photographers prefer to get it right in camera.
I tend to shoot with my white balance set to
auto (AWB) and I am generally happy with the

results. Others might choose the daylight setting,
in which the Kelvin value is xed, or they might
vary the colour temperature setting from shot
to shot to achieve a natural colour balance.
To give you an idea of how changes to the
white balance can alter the look of a winter
scene, I shot the same scene using different
white balance settings (see above).
Winter Landscapes Exposure
Creating the perfect histogram

This set of images shows how to expose for
winter scenes using your cameras integral
metering system. The initial exposure was way
out and the resulting image is underexposed.
Note the position of the tones on the histogram.
Increasing the exposure to +1EV has brightened
the image and shifted the histogram more to

the right. In the end, however, the exposure
had to be increased to +2EV over the metered
reading to achieve a satisfactory result, with the
tones shifted much further to the right of the
histogram without being clipped.
Metered exposure
Exposure increased to +1EV
Exposure increased to +2EV
Final edited image
photograph of the wall because

thats what its designed to do. This
is also why a grey card used to be a
common accessory among photographers.
When faced with an overly light or dark
subject, all they had to do was hold their
grey card in the same light as the subject,
take a meter reading from it and, hey
presto, problem solved.
Metering systems these days are much
more sophisticated than they were, say, 20
years ago, so things like grey cards are no
longer necessary. Modern multi-pattern
metering systems like Canons evaluative
and Nikons matrix systems are able to take
numerous light readings from different parts
of a scene, assess the data gathered and set
the exposure accordingly. This is why they
get it right more often than not, even if a
scene or subject isnt quite average.
However, winter scenes are different. They
are about as far from average as you can
get, and this confuses the camera because
it doesnt know what to do. Its programmed
to see everything as average, so if a scene
isnt average the camera tries to force it to
be. Point your camera at a eld covered
in snow, and even though its almost pure
white your camera thinks, Nah, Im having
none of this. That eld should be grey. It
therefore underexposes the image and the
white snow turns out grey.
In the days of lm, shooting winter
landscapes was a bit of a nightmare
because you knew your camera was
going to underexpose, but by how much
was difcult to say. I never found negative
lm too bad because it has loads of
exposure latitude, so providing I got within
a stop of correct exposure it would be ne.
However, I tended to shoot with colour slide
lm Fujichrome Velvia, mostly and that
needs to be perfectly exposed. The only
solution I had was to bracket exposures
and accept that 70% of what I shot would
probably end up in the bin.
Fortunately, for the majority of us this
is a thing of the past, because while our
camera meters still struggle when pointed
at snowy winter scenes, theyre now inside
digital cameras that let us see the results
instantly and allow us to correct any errors
to ensure we never miss a great shot. If you
shoot in raw mode, theres also a reasonable
amount of latitude to correct exposure error
during post-processing although you still
need to take care.
Highlight warning
The golden rule with digital capture is: never

blow the highlights! If you do, it means no
detail has been recorded in those areas so
theres nothing to rescue other than pure
white and if you darken white it goes grey.
Heeding this rule is even more important
when shooting winter scenes because you
have much larger highlight areas to deal with
especially after snow, when most of the
scene will consist of light and midtones with
shadows few and far between.
What I do is mount my camera on a
tripod, compose the scene, then attach and
align any lters I intend to use: usually an ND
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grad, sometimes a polariser, occasionally

both together. Next, with the exposuremode dial set to aperture priority and the
lens stopped down to the desired aperture,
I take a shot with no exposure adjustment
applied. This is my exposure test shot a
digital Polaroid if you like to see how the
camera is coping.
I always expect a degree of
underexposure and Im rarely disappointed,
so after looking at the preview image and its
histogram I dial in extra exposure using the
cameras exposure compensation facility. I
may start with as little as +1/3EV or as much
as +1EV, and I may end up going to +2EV or
even +3EV to get the effect I want. The level
of exposure compensation required varies
from scene to scene, but on average its
probably around +2EV.
The key is to pay attention to the
histogram as you increase the exposure,
because the tones in the histogram will
shift gradually to the right. What you dont
want to do is move it so far to the right that
the highlights start to blow, because with a
winter scene, where the histogram tends to
be fairly condensed, this can be catastrophic.
Clip the highlights in a normal scene and
you may get a few tiny areas where no detail
records. Clip them in a snow scene and half
the image ends up pure white. You dont
want that, because while snow is white, its
not pure white and it does have texture,
which you need to retain.
So, I increase the exposure in 1/3EV
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If youre using
a DSLR for a
winter landscape
shot, just check
the histogram,
preview the image
and increase
the exposure as
required. Use an
ND grad to stop
the sky blowing out
Canon EOS-1Ds
Mark III, 24-70mm,
1/10sec at f/11,
ISO 100, 0.6ND
hard grad
increments as much as I can before the

highlights touch the right side of the
histogram and highlight warnings ash on
the preview image. This gives me a raw le
where texture and detail are recorded in the
lighter/higher tones the snow, ice and frost
but with plenty of shadow detail, too.
I process my raw les using Adobe
Camera Raw in Photoshop CS3. In the top
right corner of the Camera Raw window is a
histogram for the image and two arrows. If
you click the right arrow, it shows any clipped
highlights in bright red. This is a good way to
check if youve pushed the exposure too far
when shooting winter scenes. If you have,

its just a simple case of choosing the
previous raw le in the sequence, which
would have received 1/3EV less exposure,
and it should be spot on.
By working in this way, you should never
mess up the exposure of a winter shot.
And if you choose the right raw les from
your captured sequence, it will require
very little work in post-production before
youre admiring another perfectly exposed
winter masterpiece that looks so realistic
you feel like you could walk right into it. Just
remember to wrap up before you do! AP
Water increases
the risk of
underexposure.
Lee used a
0.45ND hard grad
to balance the top
half of this scene
with its reection
and increased the
exposure by +1EV
Canon EOS-1Ds
Mark III, 16-35mm,
1/5sec at f/11, ISO
100, 0.45ND
hard grad
Benjamin Rusnak Documentary Photography
Changing lives
As a press photographer he came face-to-lens with poverty

all the time, but the daily nature of the news meant he had to
take a picture and move on. Now the staff photographer at an
international charity, Benjamin Rusnak explains to Jeff Meyer
how he gets to see rst-hand how photography can change lives
A young girl cries

after another child
stole a toy she
found at a garbage
dump outside
Quetzaltenango
in Guatemala
Documentary Photography Benjamin Rusnak
hIle he wishes he could say

it was spurred by personal
motivation, it was really a
case of love and sacrice that propelled
Benjamin Rusnak into his unique role at
the charity Food For The Poor.
Ten years ago and newly married,
Benjamin Rusnaks wife, a journalist, left the
newspaper at which they both worked in
Fort Myers, Florida, to take a job at another
publication elsewhere in the Sunshine State.
For the rst six months of their marriage,
they lived apart and rarely saw each other.
It got to be too much relying on phone calls
and weekend visits, so eventually Benjamin
quit his job too, leaving the Fort Myers News
Press for something nearer to his wife.
I had done a bit of freelancing in the past,
so I asked a guy I befriended in my new
city if he had any leads on jobs, Benjamin
says. he was a full-time freelancer and was
moving away, so he gave me his contacts.
One of them was Food For The Poor. When
I rang to enquire about work, they said they
needed someone full-time. The next thing
I knew I was at an interview.
Coming from my press background, I
couldnt imagine there was such a job like
this where I could travel to exotic locations
and help people with my photography. I
couldnt imagine this was real and that they
would pay me. Benjamin was quickly hired,
and on his rst day he ew to Jamaica. Ten
years later, hes still helping people through
his photography.
I like to call what I do humanitarian

journalism, Benjamin says. Working for
a non-governmental organisation (NGO)
is in many ways similar to the job of a
press photographer, save for two major
differences. Most people who work in
traditional journalism are a bit liberal and
want to solve injustice on a general scale,
he explains, but the extent of their ability to
right wrongs is to put information out there
and hope that someone does something
with it. In my nine years in journalism I can
count on one hand the instances in which
my work made someones life better,
Benjamin says. But at an NGO like Food
For The Poor you can quantify how much
good your work does by the donations
that come in as a result of your images on
circulars, for example, or the houses that
are built from these donations.
The second difference from traditional
journalism, he says, is that when you tell
someones story and raise money in their
name, you are morally inclined to help them.
In journalism your responsibility ends when
you publish their story, he explains. But
when you raise money in someones name
you become responsible for their outcome
and need to follow through with it.
Its because of the moral responsibility
from this second difference that Benjamin
discovered he needed to learn a skill that
he never thought hed have to use as a
journalist: marketing. Immediately, Benjamin
was ushered into strategy meetings where
At a garbage
dump outside
San Pedro Sula,
Honduras, vultures
compete with
humans for
scraps of food
From Benjamins series exploring the

links between poverty and disability,
children in Chinandega, Nicaragua, live
in temporary housing after losing their
homes to Hurricane Mitch
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Benjamin Rusnak Documentary Photography
all pictures benjamin rusnak/food for the poor, inc
Right: Guillermo,
aged six, can
only stand for
a few seconds
without falling
due to chronic
malnutrition. His
death a month
later deeply
affected Benjamin
Top left: Zuleyca
Cha Choc was
near death due
to malnutrition,
weighing just
6lb at seven
months old
Bottom left:
Six months
after receiving
treatment from
care workers and
Food For The
Poor, Zuleyca is
on the road to
recovery
the team would discuss upcoming mass

mailings or internet campaigns. In these
meetings they decide precisely who they
want to target with their campaign, then
craft a brief for the types of pictures they
want to illustrate it with.
In a web campaign, for instance, the
charity will probably want to use closecropped shots of peoples faces because
the pictures tend to be smaller in the design
than they would be in a paper circular. The
real substantive differences in style, he says,
are determined by which type of donor the
charity is targeting.
Food For The Poor has a general le that
gets distributed to everyone on their list,
which is about 500,000 people. These
are everyday people who send in modest
donations several times a year, and for these
types of mailings Benjamin will need to take
pictures that have a general appeal to the
average persons emotional nature. These
are usually dramatic, attention-grabbing
images that can appeal immediately to
someone who may be uninformed and win
them over. Usually these images relate to
housing, food or water.
There is another le of donors, however,
who donate substantially higher sums
typically businesses and the wealthy and
for this group Benjamins style changes quite
dramatically. The higher donors are already
on your side, he explains, so we have to talk
to them quite differently. They want to know
about development and what were doing to
break the cycle of poverty.
So to better communicate with this crowd,
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Benjamin will take pictures of shing projects

and the construction of villages.
Ive come to see marketing in a
completely new way than I did when I was at
the newspapers, Benjamin says. Everything
is planned. When we go into the eld to
tell a story about a poor family, we choose
the family that will represent our story best.
And when you do this, you need to choose
the family that has the classical appearance
of being poor. Americans arent going to
give money to people who are chubby or
wearing jewellery, or those who look too
hard or mean-looking. Poverty can make
you very hard and mean-looking, but thats
not always the easiest thing to photograph.
Likewise, images of single men will never
raise money, he says. If he were to rank the
subjects that will most motivate the average,
uninformed person to donate, it is children,
followed by women and the elderly in that
order. These are the faces of Food For The
Poors campaigns.
This was all new to me at rst, he adds,
but I realised that in traditional journalism
youre doing the same thing. If you attend a
political rally, you will choose to photograph
someone who you think will tell the story the
strongest. What youre doing is marketing
your photo to be the most powerful image
in the paper to get on the front page.
Benjamins assignments largely fall within
the Caribbean and Latin American region,
particularly Haiti (where, at the time of
writing, he is documenting earthquake
rescue efforts) and Guatemala, where he
has spent considerable time. He can count
on about 15 assignments a year and being

gone at least one week out of every month.
On any given trip, Benjamin is looking for
photographs to illustrate several topics: shots
of development works, dramatic urgent
appeal images or before and after success
stories, for example. Trips usually last ve
or six days, and hell travel with a writer and
a projects coordinator. Benjamin will also
have partners in the country to whom he
and his team have given a list of the types of
stories theyre after, such as lack of water or
malnutrition. When Benjamin arrives, these
partners will then take him to places that
t those topics. Not all these locations are
suitable, so he might not shoot them at all.
As much planning, research and leg work
as possible is done before they arrive so as
not to waste time and resources and, most
importantly, to avoid letting anybody down.
One thing were really keen on is not
making empty promises, Benjamin
explains. These people have been let
down so many times, and just our being
there insinuates a promise. Before we even
get out of the car we have to ask ourselves
if were really going to work in this location.
Can I take the pictures I need here? Can our
trucks get up here to build houses? Every
question and picture is decided by will this
make money?
Its a much different way of working to
what Benjamin was accustomed to at the
newspapers, and you really have to develop
a keen business sense, he says.
Its not about how your pictures
are powerful, but rather how your
Documentary Photography Benjamin Rusnak
powerful pictures can further your

message and lift this person out of
desperation. With it comes huge
emotional pressure.
I love my job, but the things I take pictures
of dont make me feel like a very good
person, Benjamin admits. This is something
I struggle with a lot.
I have a tendency to make children cry,
he says. Its awful. There are a lot of kids
in these villages, and Im not the rst white
person theyve seen, but theyre not used
to seeing so many of them, particularly with
big cameras. The hardest part about my job
is that if Im going to get the picture I need,
I cant draw back when I make a child cry.
I need shots that are very close-up and
hard-hitting, so Ive learned over the years
that I have to move closer to these children
when they cry even though it goes against
everything Im feeling. I try to tell myself that
Im doing this because at other times in the
day theyre crying because theyre hungry. So
while in most cases they are crying because
of me, Im using the truth of that emotion
in that moment to record a ction that will
ultimately help improve their situation.
It was around year seven in his decade
of service that Benjamin met Guillermo. He
was shooting an assignment in Guatemala
for a campaign on malnutrition. Guillermo
(see page 27) was a young boy, emaciated
from lack of food. Benjamin was fond of him,
and he became the subject of a number of
his images. It wasnt the rst time he heard
that one of his subjects had died, but when
he heard that Guillermo passed away a few
weeks later it really got to him.
I got really depressed, but I ignored it,
says Benjamin. If I acknowledged it, I was
afraid I might nd out that I couldnt do this
job any more. Eventually I went to therapy,
and in a couple months I was ne. Theres
a tendency to think that you have no right
to feel depressed like this, but you need
to realise that your feelings are genuine.
Anyone who shoots something so emotional
needs to take care of themselves, too. AP
To see more of Benjamins images visit

www.benjaminrusnak.com
Above: Isleus
Clerville loads
garbage into a
wheelbarrow to
create a path for
the poor to build
homes in this
Haitian swamp
Right: Young
Haitian boys jostle
for position after
waiting hours to
receive food
Bottom: Workers
at a garbage dump
in Quetzaltenango,
Guatemala, raise
their hands when
asked if they dream
of a better life
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30
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Reader Pictures
a Galler
llery
Send us a selection of your pictures and see
your work printed in Amateur Photographer
Visit www.amateurphotographer.co.uk/apgallery for details
Editors
Choice
Philip
Eagleseld
Bucks
There is a real sense of

fantasy about this image
as though the scene is a lm
set. The golden glow stands
out from its desaturated
surroundings as the light
appears to ow down the
street towards us. I wonder
what will be coming with it
Winding road
Philip positioned his camera at just

the right angle to capture the stream
of light as it fell on this deserted
Dorset road
Sony Alpha 700, 50mm macro,
1/125sec at f/8
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Reader Pictures
Ferns
and trees
1 Philip used a
wideangle lens to
emphasise the ferns
in the foreground
and create an
atmospheric
composition
Sony Alpha 700,
10-20mm, 1/30sec
at f/4, ISO 400
River calm
2 For this HDR
shot Philip created
three images from
his raw le, which
he combined using
Photomatix
Sony Alpha 700,
10-20mm, 1/50sec
at f/6.3, ISO 200
Boat detail
3 Clashing shapes
and a tightly
framed composition
give this standard
coastal scene an
abstract edge
Sony Alpha 700,
50mm, 1/6sec at
f/22, ISO 100
Funfair
4 This is a classic
long-exposure shot
that has been done
many times, but I
fancied having a go
myself, says Philip
Sony Alpha 700,
10-20mm, 1/4sec
at f/22, ISO 400,
tripod, cable release
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Reader Pictures
Philip Eagleseld
Buckinghamshire
After taking pictures at a wedding last summer
using a small compact camera, Philip, 38, resolved
to buy a DSLR. When I uploaded the pictures to
my computer, many of the shots that I thought
looked good on the LCD screen were in fact
hopeless, he says. However, since buying my Sony
Alpha 700 I have been taking pictures obsessively
and am hooked. I love nding new locations and
am looking forward to following the changing
seasons with my new hobby
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Reader Pictures
Mike HarveyPenton
East Sussex
Stones
Mike regularly submits photographs to the

AP Gallery and in the 15 August 2009 issue
he contributed a feature on digital infrared
photography. Always keen to experiment with his
images, Mike says digital imaging has opened up
many possibilities. There is so much you can do,
he says. You are limited only by your imagination.
1 Mike desaturated his

image and used the
Poster Edges lter in
Photoshop to bring out
texture in the stones
and pavement
Nikon D200, 18-70mm,
1/8sec at f/16, ISO 160
Wheat
2 I used my in-camera
ash to light the
composition and the
Poster Edges lter to
create this textured
image, says Mike
Nikon D300, 105mm,
1/250sec at f/16, ISO 200
Cob
3 Using Nik Softwares

Color Efex Pro 2, Mike
selected the Photo
Styler Copper lter to
emphasise the golden
tones in the corn
Nikon D300, 14-24mm,
1sec at f/14, ISO 200
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Reader Pictures
Miroslaw
Fryca
London
The Editors
Choice wins
a National
Geographic
Earth Explorer
shoulder bag
Miroslaw, 44, was

passionate about
photography when he was
growing up and recently
decided to start taking
photographs seriously. His
favourite subject is nature,
especially birds. I love
making people aware of
the wildlife that is out
there and the way animals
behave, he says
www.
manfrottodistribution.co.uk
Kingsher
1 Soft light brings out the

greens of the foliage, creating
a colourful background
Canon EOS 40D, 400mm,
1/640sec at f/6.3, ISO 640, tripod
Magpie
2 Miroslaw red the shutter

as the magpie took off to show
the full spread of its wings
Canon EOS EOS 40D, 400mm,
White heron
3 I wanted to capture a
feeling of freedom and grace
in this image, says Miroslaw
Canon EOS 40D, 400mm,
Worth
more
than
50
Send us your pictures and you
could win an Earth Explorer
shoulder bag from National
Geographic. The bag, which is
made from hemp, has a wide
shoulder strap, is designed to
hold and protect a small DSLR
or compact camera, and is
water-resistant.
PLUS
Each featured
reader receives
50
How to submit
images to Gallery
Please see the Send us

your pictures section on
page 3 for details or
visit www.amateur
photographer.co.uk/
apgallery
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Icons of Photography James Dean In Times Square
DENNIS STOCK/MAGNUM PHOTOS
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ICONIC PHOTOGRAPH
James Dean in
Times Square
O F P H OTO G R A P H Y
DENNIS STOCK/MAGNUM PHOTOS
by Dennis Stock
Dennis Stocks atmospheric photograph of Hollywood

actor James Dean is one of the great movie-star portraits.
David Clark looks at the story behind the picture
HEN Dennis Stock

attended a screening of
James Deans rst lm,
East of Eden, he knew he wanted to
photograph him. He sensed that this
charismatic young actor would soon
join Marlon Brando and Paul Newman
as one of the major lm stars of his
generation. Stock, who had met
Dean at a Hollywood party in January
1955, asked him to be the subject of
a photo essay. Dean, who was not yet
famous, readily accepted the invitation.
Stock then approached Life magazine
with the idea and within a week the
assignment was agreed. It took two
months to complete.
At the time, Stock was a 26-yearold photojournalist. He had joined
the Magnum agency in 1951 and
became a full member in 1954. From
the beginning of his career he had
been mainly interested in producing
a sequence of images that told a
story about a given subject. In his
photographs of Dean, he aimed to
show a young movie star in both his
professional and personal life.
The rst part of the assignment
involved taking Dean back to his
home town of Fairmount, Indiana. For
Jimmy, it was going home, Stock later
wrote, but it was also the realisation
that the meteoric rise to fame had
already begun to cut him off forever
from his small-town Midwestern
origins, and that he could never
really go home again. Still, in those
bitter-cold late winter days, as Jimmy
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As Jimmy and I
roamed Fairmount, I
came to know, or at
least to glimpse, the
real James Dean
and I roamed the town and farm and
elds of Fairmount, visiting family and
friends, I came to know, or at least to
glimpse, the real James Dean.
Stocks photographs showed Dean
in various locations: at home with
family members, in a classroom at his
old school and in a pigsty at his uncles
farm. In one bizarre sequence, Dean
was shown posing in an open cofn
at a local funeral parlour. The pictures
were intended to be darkly amusing
but now seem strangely prophetic;
seven months later, Dean was dead.
The rest of the assignment included
images of Dean in New York, then in
rehearsal and on lm sets in California.
Away from his home environment,
Dean became unpredictable. The
moment we hit New York he started
seeing old friends and ending up in
bars for hours on end, Stock later said.
He became an insomniac and very
hard to work with, often not turning up
at appointments. But I knew where to
nd him. I was simply tenacious.
While in New York, Dean attended
classes at the famous Actors Studio,
Dennis Stocks
iconic image of the
American actor
James Dean in New
York. The picture was
chosen from a set
of four frames (see
contact sheet, left)
directed by Lee Strasberg. While on
the way to the studio one day, Stock
photographed Dean in nearby Times
Square. Rain was falling heavily and a
light mist hung in the distance. Stock
asked Dean to walk towards him a
couple of times and shot just four
frames with the actor at different
distances from the camera.
Three of the four frames showed
Dean at the centre of the image,
his outline conicting with a building

behind him. However, one of the
shots was perfectly composed,
with Dean placed against a clearer
background and roughly one third of
the way across the frame. Stock had
instinctively used Deans reection in
the wet street as part of his
composition, and further
strengthened the image
by using the pavement and
Icons of Photography James Dean In Times Square
magnum collection/magnum photos
o F P h oto g r a P h y
Events of 1955
5 April Sir Winston Churchill
resigns as Prime
Minister of the United
Kingdom, due to ill
health. He is succeeded
by Anthony Eden
18 April Theoretical physicist
Albert Einstein dies in

New Jersey, aged 76
5 May West Germany is
declared a sovereign
country and becomes
a member of NATO
mutual defence
14 May The
treaty known as the
Warsaw Pact is signed

by eight Communist
Bloc countries
Dennis Stock spent two

months photographing
James Dean in 1955
after seeing Deans
rst lm, East of Eden
railings on the right to lead
into the subject.
As well as having the
ideal composition, the
weather conditions lent the image a
moody atmosphere that expressed
something about Deans character.
He looks solitary and battered by
the elements, but at the same
time looks coolly resilient to his
surroundings. The picture also has
a biographical element in that the
background includes the awnings
of cinemas where, as a young actor,
he aspired to appear.
For Stock, the photographs success
is due to several factors. As he told me
in an interview in 2004, The picture
has legs because it shows two symbols,
not one: James Dean, a glamorous
movie star who died young, and Times
Square, New York. As a Hollywood
portrait its extremely peculiar because
of the size of Dean. Its rare that you
have a movie star who is that small
in the picture. The implication is that I
didnt photograph him as a movie star;
here the surroundings are as important
as the star.
Another small detail added to the
photographs impact. In those days,
we all had dangling cigarettes, Stock
13 July Ruth Ellis, 28, is hanged
for murdering her lover,

David Blakely. She is
the last woman to be
executed in the UK
In the picture,
your eye goes to the
cigarette in his mouth;
if the cigarette wasnt
there, it wouldnt
have worked
continued. We all looked like we were
a little bit in pain, a bit menacing.
In the picture, your eye goes to the
cigarette in his mouth; if the cigarette
wasnt there, it wouldnt have worked.
Deans fame was almost entirely
posthumous; his two other lms,
Rebel Without a Cause and Giant,
were released after he was killed
in a road accident later that year.
Although intended as part of a wider
biographical story, Stocks Times
Square photograph has, in retrospect,
become the single iconic picture
that characterises James Dean and
encapsulates his image as a tragic and
doomed lm star.
Dennis Stock died on 11 January
2010, aged 81. ap
24 Sept American President
Dwight D Eisenhower
suffers a heart attack
while on holiday in
Denver, Colorado
30 Sept James Dean is killed
when his sports car is

involved in a head-on
collision with another
vehicle in Cholame,
California
1 Dec Rosa Parks is arrested

for refusing to give
up her seat on a bus
to a white person.
Her action leads to
the Montgomery
Bus Boycott and the
founding of the Civil
Rights Movement
in the US
Recommended
Books
The full story of Dennis Stocks photo essay on
James Dean is told in James Dean: Fifty Years
Ago (published by Abrams, 2005). More of
Dennis Stocks work is published in Made in
the USA: Photographs 1951-1971. It is currently
out of print, but available (albeit expensively)
from www.amazon.co.uk.
Websites
More than 80 images from Stocks James Dean
portfolio can be seen in his section on the

Magnum website at www.magnumphotos.
com. An audio recording of Stock talking about
the photographs is also on the site in the
Magnum in Motion section. The site includes
a broad selection of work from Stocks many
other assignments.
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Testbench
Dedicated to thorough
p hgh pproduct testing
gng
Forthcoming tests
In the next few months AP hopes to run the

following equipment through the most
rigorous testing procedures in the industry
Olympus
First look
Epson
Canon
Nikon
Sony
E-P2
Samsung NX10
Perfection V600
EOS-1D Mark IV
D700 vs
Alpha 850
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Feb
Feb
Feb
Mar
Mar
Welcome to our test, reviews and advice section.

Over the next few pages we will present this weeks
equipment tests, reader questions and technique pointers
ers
Our
guarantee
to you
All our tests are conducted by people who

understand the product area, as well as
photography. We aim to discover any
shortcomings, as well as nding those
aspects that deserve praise. All our
tests are thorough, honest
and independent
Leung- e
hotshoeohshoemounted LED light 25
ITH video capture now becoming a common

feature of DSLR cameras, there is an increasing
demand for a continuous light source rather than
ash. This hotshoe-mounted LED light from David Leung is
smaller than the two previous LED lights we have reviewed
(AP 8 August and 19 September 2009) and it is also cheaper.
Comprising 35 white LEDs, the light ts onto a hotshoe and it is
controlled by a simple power switch. Perhaps best of all, the light
is powered by two AA batteries, which are widely available.
Testing the light on a Pentax K-x, I found that it had enough
power to illuminate a subject up to about a metre away, so it is
perfect for taking videos of people at social occasions.
In terms of colour, the light produced by the LEDs is a
little on the blue side. I found that the K-xs AWB produced a
good result, but the white balance looked most neutral when
set to the Cool White Fluorescent setting. You may need to
be careful of a shift in colour balance if the scene is lit by more
than one light source.
Using a lighting stand with an
appropriate hotshoe attached,
the LED can also be used to
light a still-life scene.
A small and
Richard Sibley
For more information
call David Leung of Ilford in
Essex on 0208 599 6657
reasonably priced
LED light
Avanquest Photo Explosion Deluxe 4.0 39.99
HOTO Explosion Deluxe 4.0 is split into separate

Album, Editor and Project Studio packages. Album
is a basic organiser program that allows you to
add keywords and categories to your images.
Project Studio has a set of templates to aid with the
creation of products such as business cards, calendars,
greetings cards and leaets, and it includes a wealth of
clip-style images and fonts.
However, the best and most useful part of the package
is the Editor software, which looks and operates like a
slimmed-down version of Adobe Photoshop. It includes
all the basic features for editing photos, including layers,
masks and a range of different lters. A guided edit mode
shows you how to smooth skin and
add other corrections. I was
impressed with the number of
features and how easy the
software is to work with.
Although it lacks the sleek
An odd range of
interface of Photoshop
software that is
Elements and you cannot
reasonably
priced
use raw-format image
les, the program is quite
comprehensive for JPEG
shooters.
There are four other pieces of software included on

the CD. Montage Plus helps to create a mosaic image of
a selection of your photos, while Memories on TV allows
video slideshows to be created. Panorama Plus can be used
for stitching panoramas, but the most curious software is
Fantamorph, which slowly morphs portrait images together
by triangulating points. Richard Sibley
For more information or to
purchase visit www.avanquest.com
44
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Epson Stylus Pro 3880 Printer Test
Street price
1,000
approx
Epson Stylus Pro 3880
Epsons latest A2 printer could make printing large-format images at home a viable
option for photographers. Richard Sibley puts the Stylus Pro 3880 to the test
Richard Sibley
Technical Writer
HERE was a time when

large-format inkjet printers
were the preserve of
professionals. However, as more
and more amateur photographers
switch from analogue to digital
darkrooms, an increasing number
of people are using A3 printers
to make large prints at home. Of
course, home printing neednt stop
here. The Epson Stylus Pro 3880
printer provides professional-quality
A2 size prints, while its relatively
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small dimensions make it accessible

for digital photographers wanting
to print at home.
The Stylus Pro 3880 is an
upgraded version of the current
Stylus Pro 3800, and it uses the
latest Epson UltraChrome K3 ink set.
These are the same inks we have
previously seen in the excellent Stylus
Photo R2880, which received an
impressive 93% when reviewed in
APs printing supplement (free with
the 26 July 2008 issue).
There is a catch, though. The Stylus
Pro 3800 costs more than 1,100,
which is a princely sum given that
the same money could nance a
new camera or lens. Despite this, I
am interested to see how the 3880
performs and to nd out just how viable

it is for an amateur digital darkroom.
Features
Unlike the older 3800, the new

Stylus Pro 3880 uses the latest
Epson UltraChrome K3 ink set,
with a Vivid Magenta rather than
standard Magenta ink. This is said to
improve the printers colour gamut,
most obviously in the number of
magenta and purple hues it is
capable of reproducing.
In total, the 3880 uses nine
pigment-based inks. Four of these
are designed for greyscale images
(Photo Black, Matte Black, Light
Black and Light Light Black), allowing
for a full tonal range to be reproduced
without relying on any of the

colour cartridges.
The Photo Black and Matte Black
inks are used for glossy and matt
papers respectively, and it is easy
to switch between the cartridges in
use, but more on this in the Build
and handling section on page 46.
A little surprisingly, the maximum
print resolution of the 3880 is
2880x1440dpi. This is surprising
because the maximum print
resolution of the R2880 is
5760x1440dpi. One explanation
as to why the technology found in
the R2880 has not made
its way into the model on
test here is that the 3880
will generally be used for
Printer Test Epson Stylus Pro 3880
The differences between

the actual image le and
the print are virtually
indistinguishable in this image
In this still life the colours are well

replicated, as is the level of detail
on the tiny hairs on the ower
Digital file
larger prints. Typically, the

larger the print, the further
the distance from which it
will be viewed. Therefore,
when viewing A2-sized prints, the
differences in resolution wont be
noticeable as the prints will be viewed
from further away than the A3+ size
prints of the R2880. However, there
might be visible differences at smaller
sizes, such as 6x4in, as prints are
viewed much closer.
Another specication that is
slightly different is the minimum
3.5pl ink droplet size. This is slightly
larger than the 3pl droplet size
found on the R2880. Although
the larger droplet size does produce
a slightly lower resolution, it has
the slight benet of helping to
keep print times down.
Build and handling
Externally, there is nothing to

distinguish the Stylus Pro 3880
from its 3800 predecessor, apart
from the difference in product names.
Measuring 257x684x376mm
when closed, its depth and height
are surprisingly not too far from the
214x616x322mm dimensions of
the A3-size R2880 printer. The main
difference in size is obviously in the
width, with the 3880 needing almost
7cm extra for it to cope with printing
onto A2 size paper. The 3880 weighs
19.8kg when fully loaded with ink.
While it may not be too much
larger in size than an A3+ printer,
Print
Digital file
the Stylus Pro 3880 does take

up valuable space on a desk,
especially when it is in use. With
the front and rear paper supports
fully extended, the printer requires a
huge area of 550x684x1040mm.
However, the actual space needed
to print on the paper or card of
up to 1.5mm thick is larger still. To
help keep the media at, it can be
loaded at the front of the printer,
and pulled past the print heads
and then out of the rear of the
printer. This at printing path helps
when printing materials that cant
be bent, but you must allow room
at the back of the printer for the
media to pass through. If printing
onto thick A2 paper or card, a space
of at least 50cm is required to the
rear of the printer.
When front loading the printer,
it can take a few attempts to
successfully place the media in the
correct position. It must be placed
a lot further into the printer than
I had initially thought. However,
once you know how to position
the paper correctly the process is
straightforward, requiring a button on
the top of the printer to be pressed.
This tells the printer that the paper is
loaded and it begins to pull the paper
in and starts the printing process.
Changing inks is also simple.
All nine of the 3880s inks are
housed in a set position and the
ink is pumped to the ink heads.
They are changed by holding down
a button on the front of the printer

for three seconds, which releases a
door that allows the cartridges to be
accessed and replaced.
One thing that I hope Epson will
incorporate further down its range
is the ability to instal both the Photo
Black and Matte Black cartridges at
the same time. Using the printers LCD
display, it is simple to use the menu to
tell the printer to switch between the
two cartridges in use.
Performance
Each of the ink cartridges used in

the Stylus Pro 3880 contains
80ml of ink, which is substantially
more than the 11.4ml contained in
the cartridges of the R2880. Each
cartridge costs 48.28, so a full
set of cartridges is 434.52
compared with just 104.13 for a
full set of cartridges for the R2880.
However, given the vast difference in
the amount of ink in each cartridge,
the cost per millilitre is substantially
different. Ink for the Stylus Pro
3880 works out at 60p per millilitre,
compared with 1.01 per millilitre
for the Stylus Photo R2880. These
gures are based on the price of the
cartridges listed on Epsons online
store (www.epson.co.uk), so it is
possible that they could be found
cheaper elsewhere.
Epson quotes a time of 606
seconds (10 minutes 6 seconds) for
the 3880 to print a colour image of
A2 size at its maximum resolution.
Print
I found it to be a little nearer to 11

minutes, although I timed it from
the moment I pressed print rather
than from when the printer actually
started printing. Of course, some
of this time is taken up by the
computer processing and sending
the image to the printer, so the
time quoted by Epson would
seem to be accurate.
The print time is therefore quite
good for images of this size. Waiting
for an image to print on an inkjet
printer can be particularly tedious,
especially if you have a run of images
to produce. However, I found that
11 minutes was an acceptable time,
especially given the fact that I was
producing an A2 print. I would
usually have to venture to a mini-lab
or printers and wait an hour for a
large print, or have it done online
and wait a day or so for the print
to be delivered in the post. Call me
impatient, but I really do like the
immediacy of receiving a print
almost instantaneously.
The other advantage of this
is that you can have full control
over the print settings and can
make adjustments should the
print not be to your satisfaction.
Thankfully, I found that the colours
of the prints made by the 3880
are near-perfect representations
of the images I had previewed on
my computer monitor.
Using Adobe Photoshop CS4, I was
able to adjust the image and then
subscribe 0845 676 7778
Epson Stylus Pro 3880 Printer Test
proof how it would look on a variety of

different papers (View>Proof Setup).
When printed onto Epson Premium
Glossy Photo paper using the
Epson ICC printer prole, a print of
our printer test chart looks almost
identical to the digital image le. There
is a slight cyan band between the blue
and green in the colour spectrum,
but we have seen this on a number
of printers. It is a notoriously difcult
section of the spectrum for inkjet
printers to reproduce.
The individual colour gradients
are also very smooth and all fade by
the same amount with no banding.
The black gradient in particular
looks especially good, and the three
different colour blacks obviously
work very well together to produce
a neutral tone.
Printing the same test chart, but
this time on Epson Velvet Fine Art
Matte paper, produces an equally
good result. The colours look just as
smooth, and in fact the slight cyan
band has largely disappeared. This is
most likely due to the slightly textured
surface of the paper.
Most impressive is the density of
the black ink on matt paper, which
almost matches that of the glossy
black. Some printers have a tendency
to produce dull blacks that really
resemble a very dark grey.
The excellent rendition of greyscale
images isnt just shown in our test
chart result. Black & white images
printed onto matt paper look great,
with smooth gradients and no solid
blocks of black.
To check for metamerism, I viewed
the prints under a few different light
sources and there are no noticeable
colour shifts. Bronzing also isnt
noticeable in any of the different
print surfaces.
The lower resolution compared to

other top-of-the-range A3+ printers
is noticeable in the circular resolution
chart on our test print. The 3880 has
slightly worse moir patterning where
it hasnt been able to reproduce the
ne concentric circles quite as well.
However, in printed images there is
little noticeable difference and the
prints looks superb.
Most of the images I printed were
from a variety of 12-million-pixel
cameras. To print them at full A2
resolution pushed them to about
120% of their native image size.
Viewed from around 50cm away,
they obviously arent quite as sharp
as they would be at A3. Nonetheless,
as soon as you are standing around
one metre away from the prints, the
slight softness from the enlargement
isnt noticeable. When viewing the
images from across a room, they
look fantastic.
Print
Epson UK Ltd, Westside, London Road,

Hemel Hempstead, Herts HP3 9TD. Tel: 0871
423 7766. Website: www.epson.co.uk
The only issue in our colour chart

test is a slight band of cyan, though
this is true of most inkjet printers
Resolution performance wasnt

quite as good as the R2880, with
slightly more moir patterning
RRP
Max print size
Resolution
Min droplet size
Print head
Ink system
Interface
Dimensions
Weight
Lab results
27/30
18/20
18/20
27/30
1,169.13
A2
2800x1400dpi
3.5pl
FINE print head
Epson UltraChrome K3 ninecolour pigmented ink (Cyan,
Vivid Magenta, Yellow, Light
Cyan, Vivid Light Magenta, Light
Black, Light Light Black, Photo
Black, Matte Black), 9 slots
USB 2.0 Hi Speed, PictBridge,
Network
257x684x376mm (closed)
19.8kg
The Stylus Pro 3880 uses

the latest UltraChrome K3
ink with Vivid Magenta
AM very impressed with the Epson Stylus Pro 3880. The printer is a
reasonable size for home use and it is simple to operate. With a street price
of around 1,000 it certainly isnt cheap, but once you have got over the
initial expense it is more economical than using most A3+ printers.
Thankfully, the print quality matches the price, and because the 3880 has
a at load tray you can print onto a variety of different papers and card. In
particular, I found that black & white prints made with Epson Velvet Fine
Art matt paper look especially good.
It is difcult to justify spending so much money on a printer, especially
given that the money could be spent on a good-quality lens. However, if you
regularly make large prints to exhibit, sell or just give away as gifts, the Epson
Stylus Pro 3880 is denitely worth considering.
subscribe 0845 676 7778
Digital file
Data le
Our verdict
Specication
Build
Handling
Performance
Monochrome images printed on

matt paper look great and a high
level of detail is reproduced
90
0
Let the AP team answer your photographic queries
Reasons to upgrade
deade
Richmond Preece asks I have a Panasonic Lumix
mix
DMC-FZ18 camera that Ive been really happyyww
with.
i.th.
I am now in a position to upgrade, perhaps toaa
Panasonic Lumix DMC-G1, a DSLR or somewhere
n
i eh
r ere iin
that price range, but my problem is my wife.
She
S. S
he
has posed a question: if I spend money on a new
wew
camera, am I going to get better photos? What
t at
would a new camera do that the old one cant?
I t? I
need your help to convince her that a new camera
m
r era
is really worth the money.
Ian Farrell replies I think your wife has asked a

very good question, and one we should all ask
ourselves when we feel the urge to splash the
cash on a new piece of photographic kit. I had
the same dilemma recently when deciding between
een
a new or second-hand macro lens: would the new
w
one help me take better pictures?
blur
background
properly.
kcab eht r ul abr oet m
ccameras
ytailimbearnai s iinability
nabilityi htto
oT.b
yllur reptthe
horepb
adcnkugoround p
roperly. TThis
his
I think
back
off ccameras
with
buying
a gnyou
i y ubhave
os, srtooslook
nes llata what
ms hti iswholding
s ar e mayou
ckfcoab
naoictkati m
il a siiss a llimitation
imitation o
ameras w
ith ssmall
mall ssensors,
ensors, sso
ob
uying a
with your current camera and ask whether buying a
DSLR with a bigger sensor would enable you to do this.
new piece of kit will get around those problems and
On the other hand, if its your skill as a photographer
therefore enable you to take better pictures than you
that is holding you back, you could think about
are getting at the moment. For example, if you shoot
concentrating on improving your camera or Photoshop
portraits, you may be frustrated by your compact
skills before moving on to new hardware.
More
questions
& answers
available
at
Adobe incompatibility
Barry Wentworth asks After

downloading and installing Adobe
Camera Raw 5.6, I nd that shots
taken with my Canon EOS 7D will
still not open in Adobe Elements 6.
Are Elements 6 and Camera Raw
5.6 incompatible?
Ian Farrell replies In short, yes.
Youve fallen into what I call the
Photoshop trap. Adobe periodically

releases updates to its Camera Raw
plug-in that enables raw les from
new cameras to be opened directly
into Photoshop or Elements.
Unfortunately, only the current
version of Photoshop or Elements is
supported by the latest Camera Raw
plug-in, forcing users to upgrade.
I feel your frustration, Barry, and do
sympathise. Fortunately, there are a
Irritating fungal infection
Do you have a
photographic
question that
you would like
answered?
Be it about modern technology,
vintage equipment, photographic
science or help with technique
here at AP we have the team
that can help you.
Simply send your questions to:
apanswers@ipcmedia.com
or by post to: AP Answers,
Amateur Photographer Magazine,
IPC Media, Blue Fin Building,
110 Southwark Street, London
SE1 0SU.
Bill Manthorpe asks The photo below is of the front element of my

Pentax 100mm macro lens. Apart from the obvious spots of dust,
the lens looks the way it might if one had just breathed on it, but in
fact what we are looking at is something that cannot be removed
either from the front or from the back by using a cotton bud. As
the lens has travelled extensively with me in south-east Asia over
the past 20 years, do you think it has become a victim of one of
those mythical fungal infections I used to read so much about
during the 1980s? Also, could I get the lens cleaned and would
it be economic to do so?
Ian Farrell replies I spoke to Pany Kadi
i di
of London-based Camera City and he
conrms that the lens could indeed have
eve
picked up a fungal coating. He also
says that, as the Pentax 100mm
mmm
macro is a nice bit of glass,
it would be worth having
it looked at. Call him on
0207 813 2100 or email
him at infocameracity.
co.uk if you would like more
details about having the
lens cleaned.
few workarounds. As mentioned, you

can upgrade to the latest version of
Elements (version 8), which will cure
the problem. You can also download
Adobes DNG converter (for free),
which will work with the latest Camera
Raw plug-in and will convert each of
your Canons CRW les to a generic
DNG le, which will be read by
Camera Raw. Third, you could try the
software that came with your Canon
to convert the CRW raw les to TIFF
or JPEG les. It makes a very good
job of it and is easy to use.
Millions of pixels
Marjory Ormsby asks Are all those

millions of pixels really necessary in
cameras? If I take a photo in raw
format at a resolution of 12 million
pixels, my version of Photoshop
cant read the raw le so I have
to convert it in Fujilms FinePix
software to Bitmap or JPEG. This
reduces the le size considerably
In the days of lm, it was possible to spend

a large amount of money on a luxury
compact camera. These models, made
famous by Contax, Leica, Nikon and Ricoh,
would typically contain a stunningly sharp
lens and be able to deliver image quality
subscribe 0845 676 7778
t xe Next
Nkeexet week
week
Your questions answered
FROM
THE AP
On sale
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Tuesday 16
16 February
February
FORUM r aur beF 61 yads euT el asOn
Join our online community, and
be informed and entertained
End of his tether

Emmamac asks
I recently saw a man taking portrait pictures using a

Nikon D90 connected directly to his computer with a cord, so every
picture he took was shown on his monitor screen. Does anyone know
of such a lead and software?
Fen replies
Its called tethered shooting. There are various leads and

wireless options that you can get. Id do an internet search with your camera
name and tethered shooting to see what it brings up.
Geoff R replies
The Nikon software to do this is Camera Control Pro 2.

Im not sure how much it costs because I got my copy as an upgrade from
version 1. Other than that all you need is a USB lead.
and, as I understand it, loses quite

a lot of the data in the process. I
have a Kodak ve-million-pixel
camera that takes shots with
better denition and more pixels
per inch in the nal JPEG (approx
200ppi for the Kodak versus 72ppi
for a JPEG from FinePix, even set
to Fine) and takes less space on
the disk, so do I gain anything with
such a high pixel rating?
that rivalled (or in some cases bettered)

that from SLRs. Sadly, when digital
compacts came along, this level of compact
camera performance was never really
maintained. Until now, that is.
The past year has seen a raft of new
cameras trying to deliver DSLR-style
performance from compact-style bodies,
and the key to their success is the use of
larger sensors than in normal compact
cameras. Rather than a chip the size of a
thumbnail, cameras such as Panasonics
subscribe 0845 676 7778
Lumix DMC-GF1 and Olympuss Pen E-P1

use a micro-Four Thirds sensor, and models
from Leica (the X1) and Samsung (the NX10)
use the APS-C-sized sensors found in DSLRs.
What does this mean for the amateur
photographer? Well, youll nally be able to
take a compact digital camera that can really
perform everywhere with you. No more
struggles with shallow depth of eld or aky
image quality, and raw les, through good
optics, in the palm of your hand. Street
photographers rejoice! Ian Farrell
We preview the
rst of Samsungs
new APS-C
hybrid NX range
with 14.6 million
effective pixels
Exclusive
hands-on
Coping with
high contrast
Paul Whiting explains the delicate
touch needed to capture detail when
shooting in high-contrast
situations
The last
resort
Fed up with dull, at

skies spoiling your
images? Richard Sibley
shows you how to insert
a new sky into a picture
On the
wide side
You dont have to use

a standard lens to take
portraits. We explain how a
wideangle lens can create
portraits with impact
PAUL WHITING
Ian Farrell replies I think you are

confusing your terminology, Marjory.
Whatever software you use to convert
raw les, it will not reduce the
resolution (that is, the number of
pixels) in the image unless you tell it to.
By saving the les as JPEGs from the
Fujilm FinePix you will reduce the le
size of the image, but this is done by
compressing the le, not by losing
resolution. There is a quality trade off
when compressing images like this,
and a user can select how much
compression they require. This is what

you are doing when you are selecting
the Fine option.
If you look at the ppi value for the
converted image, make sure you
also take into account the physical
dimensions of the image. I bet that
the Fujilm 72ppi image is much
larger than a 200ppi picture from
the Kodak. This is because image
resolution (in ppi) and physical size
(in cm or ins) are linked. For example,
a 12.1-million-pixel image from a
Nikon D700 is 21.3x14.2in at 200ppi
and 59.1x39.3in at 72ppi, but both
examples still measure 4256x2832
pixels. Software typically assigns a
resolution of 72ppi to images destined
for the web, and 300ppi to those
that will be printed, but this is more of
an instruction of how to output them
and wont affect how they appear
on screen. You can alter the output
resolution of a le in Photoshop by
choosing Image>Image Size.
Samsung NX10
MATT GOLOWCZYNSKI
Ian Farrell replies
Nikons Camera Control Pro 2 is rather expensive at

around 130, but it works well and is fully featured. (Canon provides this
software for free). On the other hand, there are dozens of cheaper
alternatives and some free applications. Try an internet search for
DCamCapture for Windows or Sofortbild for the Mac.
Find out which photographic products were worthy

winners of this years awards as judged by the AP team
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Ace Cameras ..................................................84
Alpha Digital Services Ltd ................................4
Aperture Photographic....................................64
Epson (UK) Ltd .................................................9
Nikon (UK) Ltd ..................................... Cover: ii
Ffordes Photographic Ltd. ......................... 80-81

Fotospeed Ltd .................................................44
On-linepaper.co.uk Ltd...................................44
Park Cameras Ltd ...................... 65-69, Cover: iii
Grays of Westminster.......................... 16-17, 30

Blue Dimensions International Ltd .................30
Just Ltd ...........................................................18
Cameraworld ............................................ 74-75
Campkins Camera Centre ...............................86
Camtech .........................................................57
Cartex....................................................... 78-79
Cash4cameras ................................................86
Clifton Cameras ..............................................29
Collectable Cameras.......................................85
Dale Photographic Ltd....................................83
Duracell ...............................................Cover: iv
56
Kenro Ltd..................................................18, 30
London Camera Exchange Group ...................56
Mifsud Photographic ................................ 76-77
Morco Ltd ......................................................85
Morris Photographic Centre............................42
Nicholas Camera Company ............................82
Permajet .........................................................44
Premier Ink ............................................... 70-73
RK Photographic ............................................86
SRB-Griturn Ltd ..............................................86
SRS Ltd ...........................................................84
Studio Kit Direct .............................................42
Warehouse Express................................... 58-63
Classifieds .............. 87-89
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Digital Photography
CANON EOS 1D MKII BODY UNDER 3100 ACTUATIONS ..........MINT BOXED 999.00
CANON EOS 5D BODY COMPLETE WITH ALL ACCS ................MINT-BOXED 925.00
CANON EOS 20D BODY COMPLETE WITH ALL ACCS ..............MINT BOXED 295.00
CANON EOS 450D & CAN 18-55 IMAGE/ST LENS KIT MINT BOXED AS NEW 415.00
CANON EOS 400D/REBEL XTi + CAN 18-55 + GRIP ..............................MINT- 329.00
CANON EOS 400D BODY WITH ALL ACCS ..................................MINT-BOXED 299.00
CANON EOS 400D BODY WITH ALL ACCS..............................EXC+++BOXED 279.00
CANON EOS 350D BODY KIT COMPLETE................................................MINT 199.00
CANON POWER SHOT G10 COMPLETE ....................................MINT BOXED 365.00
CANON 580 EX MKII SPEEDLITE ("UNUSED") ............MINT BOXED AS NEW 329.00
CANON 550 EX SPEEDLITE ..........................................................MINT-BOXED 219.00
CANON 430 EX SPEEDLITE ........................................................MINT- CASED 139.00
CANON 220 EX SPEEDLITE............................................................MINT CASED 79.00
CANON BP-511 BATTERY FOR 20D/30D/40D/5D ........................................MINT 29.00
CANON FIT BP-511 BATTERY FOR 20D/30D/40D/5D..................................MINT 25.00
CANON NB-2LH BATTERY FOR EOS 400/450D etc....................................MINT 20.00
CANON FIT NB-2LH BATTEY FOR EOS 400/450D etc................................MINT 15.00
SIGMA EM-140 DG EO-ETTL MKII MACRO FLASH ....MINT BOXED AS NEW 215.00
CANON BG-E1 BATT GRIP FOR EOS 300D ..................................MINT BOXED 65.00
CANON BG-E2 BATT GRIP FOR EOS 20D/30D ............................MINT BOXED 79.00
CANON BG-E3 BATT GRIP FOR 350D AND 400D ........................MINT BOXED 65.00
CANON BG-E4 BATT GRIP FOR EOS 5D ....................................MINT BOXED 109.00
CANON RS 80-N3,1Ds MKIII, 1D MKIII, 5D MKII, 50D ................................MINT 35.00
CANON RS 60-E3 REMOTE fits 500D,450D,1000D etc................................MINT 15.00
CONTAX SL300R T* DIGITAL ........................................................MINT BOXED 129.00
FUJI S3 BODY KIT COMPLETE ....................................................MINT BOXED 349.00
NIKON D3 BODY UNDER ONLY 1400 ACTUATIONS MINT BOXED AS NEW 2,495.00
NIKON D2XS BODY KIT COMPLETE..........................MINT BOXED AS NEW 1,295.00
NIKON D2X BODY COMPLETE WITH ALL ACCS ........................MINT BOXED 895.00
NIKON D1 BODY KIT COMPLETE ................................................MINT BOXED 445.00
NIKON D700 BODY (UNDER 4900 ACTUATIONS) ....MINT BOXED AS NEW 1,595.00
NIKON D200 BODY COMPLETE WITH ALL ACCS ......................MINT BOXED 499.00
NIKON D90 BODY KIT (ONLY 220 ACTUATIONS) ........MINT BOXED AS NEW 529.00
NIKON D80 BODY KIT COMPLETE (SUPERB) ............................MINT BOXED 395.00
NIKON EN-EL3E LATEST BATT FOR D300/D200 etc ....................MINT BOXED 45.00
NIKON FIT EN-EL3 BATTERY FOR D70/D70S ............................................MINT 25.00
NIKON MB - D10 BATT GRIP FOR D700/D300S/D300 MINT BOXED AS NEW 215.00
NIKON FIT (MEIKE) BATT GRIP FOR D700/D300S/D300
..........................................................................................MINT BOXED AS NEW 69.00
NIKON MB-200 GRIP FOR D200 ....................................................MINT BOXED 79.00
NIKON SB 50DX SPEEDLIGHT ......................................................MINT BOXED 89.00
NIKON SB 400 SPEEDLIGHT ..........................................MINT BOXED AS NEW 95.00
NIKON SB 600 SPEEDLIGHT ........................................................MINT BOXED 169.00
NIKON SB 800 SPEEDLIGHT........................................................MINT BOXED 259.00
NIKON MC36 REMOTE CONT FOR D3,D700,D300, etc ..............MINT BOXED 125.00
NIKON EH-6 MAINS ADAPTOR FOR D3,D300,D700 etc ..............MINT BOXED 59.00
NIKON EH-5 MAINS ADAPTOR FOR D100,D60 etc ......................MINT BOXED 55.00
NIKON BL - 3 TO USE EN-EL4/A IN MB-D10..................................MINT CASED 23.00
CAPTURE NX SOFTWARE COMPLETE ........................................MINT BOXED 49.00
NIKON EN-EL4 BATTERY (FOR D2X/S/F6 etc) ..............................MINT BOXED 49.00
NIKON EN-EL3E LATEST BATT FOR D300/D200 etc ....................MINT BOXED 45.00
NIKON ML3 REMOTE TRANS & RECEIVER COMP ....................MINT BOXED 150.00
NIKON MC30 REMOTE RELEASE ..................................................MINT BOXED 49.00
NIKON MC-DC1 REMOTE RELEASE FOR D90/D70etc ................MINT BOXED 24.00
OLYMPUS E3 BODY KIT ................................................MINT BOXED AS NEW 749.00
OLYMPUS 50mm f2 MACRO ZUIKO ED DIG LENS ......MINT BOXED AS NEW 389.00
OLYMPUS 150mm f2 ZUIKO ED DIGITAL ..................MINT BOXED AS NEW 1,299.00
PENTAX D-BG3 GRIP FOR PENTAX K200D ..................................MINT BOXED 99.00
SEE BELOW LOTS MORE DIGITAL COMPATIBLE LENSES
Canon Autofocus
CANON EOS 1V HS BODY ............................................................MINT-BOXED 799.00
CANON EOS 1V BODY ..................................................................MINT-BOXED 699.00
CANON EOS 1NRS BODY..............................................................MINT-BOXED 499.00
CANON EOS 3 BODY ..................................................................MINT - BOXED 189.00
CANON EOS 3 BODY..................................................................................MINT- 175.00
CANON EOS 5 BODY ..............................................................................EXC+++ 69.00
CANON EOS 100 BODY ................................................................EXC++BOXED 59.00
CANON EOS 30E BODY ..............................................................................MINT- 65.00
CANON EOS 50E BODY ..................................................................MINT BOXED 85.00
CANON EOS 500N BODY ............................................................................MINT- 49.00
CANON EOS 650 + 35 - 80 CAN USM LENS ..............................................MINT 65.00
CANON EOS 600 BODY................................................................................MINT 69.00
CANON EOS RT BODY (PELICAL MIRROR) ............................................MINT- 119.00
CANON 17 - 40mm f4 USM "L" ......................................MINT BOXED AS NEW 539.00
CANON 24 - 105mm f4 USM "L" IMAGE STABILISER ..MINT BOXED AS NEW 789.00
CANON 24 - 105mm f4 USM "L" IMAGE STABILISER ..................MINT CASED 765.00
CANON 28 - 300mm f3.5/5.6 USM "L" IS....................MINT BOXED AS NEW 1,775.00
CANON 28 - 300mm f3.5/5.6 USM "L" IS ..................................MINT CASED 1,695.00
CANON 35 - 350mm f3.5/5.5 USM "L" ........................................MINT CASED 1,199.00
CANON 70 - 200mm f4 USM "L" ....................................MINT BOXED AS NEW 435.00
CANON 70 - 300mm f4.5/5.6 USM DO IMAGE STABIL MINT BOXED AS NEW 875.00
CANON 100 - 400mm f4.5/5.6 USM "L" IMAGE STABMINT BOXED AS NEW 1,075.00
CANON 100 - 400mm f4.5/5.6 USM "L" IMAGE STAB ..................MINT CASED 999.00
CANON 14mm f2.8 USM "L" (SUPERB) ....................................MINT CASED 1,299.00
CANON 35mm F1.4 USM "L" ........................................................MINT BOXED 899.00
CANON 180mm f3.5 USM "L" MACRO + HOOD ..........................MINT BOXED 975.00
CANON 300mm f4 USM "L" IMAGE STABILISER ........................MINT CASED 945.00
CANON 20mm f2.8 USM ................................................................MINT BOXED 315.00
CANON 24mm f2.8 EF ................................................................................NEW 299.00
CANON 24mm f2.8 EF ................................................................................MINT 265.00
CANON 28mm f2.8 EF....................................................................MINT BOXED 129.00
CANON 50mm f1.8 MARK 1 (RARE LENS) ................................................MINT 115.00
CANON 50mm f1.8 MK II ..............................................................................MINT 69.00
CANON EF 50mm f2.5 MACRO LENS ........................................................MINT 195.00
CANON 60mm f2.8 EFS USM MACRO LENS................MINT BOXED AS NEW 299.00
CANON 100mm F2.8 USM MACRO ..............................................MINT BOXED 379.00
CANON 100mm f2.8 MACRO ........................................................MINT-BOXED 299.00
CANON 17 - 85mm f4/5.6 IMAGE STABILISER ..........................................MINT 269.00
CANON 20 - 35mm f3.5/4.5 USM................................................................MINT- 195.00
CANON 28 - 90mm f4/5.6 USM LENS ..........................................................MINT 59.00
CANON 28 - 105mm f3.5/4.5 USM MK II ....................................................MINT 145.00
CANON 28 - 135mm f3.5/5.6 USM IM STABILISER....................................MINT 325.00
CANON 35 - 80mm f4/5.6 EF ZOOM LEMS..................................................MINT 39.00
CANON 35 - 105mm f3.5/4.5 EF ZOOM........................................................MINT 59.00
CANON 75 - 300mm f4/5.6 MK II ..................................................MINT + HOOD 99.00
CANON 75 - 300mm f4.5/5.6 EF MK III ........................................MINT BOXED 129.00
CANON 75 - 300mm f4.5/5.6 EF USM MK III..............................................MINT 159.00
CANON 70 - 300mm f4.5/5.6 USM IMAGE STABILISER ..............MINT BOXED 345.00
CANON 75 - 300mm f4.5/5.6 USM IMAGE STABILISER............................MINT 299.00
CANON 75 - 300mm f4/5.6 USM MK III (LATEST) ........................MINT-BOXED 159.00
CANON 100 - 300mm f4.5/5.6 EF USM ........................................MINT BOXED 169.00
CANON 100 - 300mm f5.6 EF MACRO ........................................................MINT 99.00
CANON EF 1.4X EXTENDER MKII................................................MINT CASED 239.00
CANON EF 1.4x EXTENDER ........................................................MINT CASED 199.00
CANON PB E2 BOOSTER FOR EOS 1V/EOS3 etc......................MINT - BOXED 99.00
CANON PB E1 BOOSTER FOR EOS 1/1N ................................................EXC++ 75.00
CANON E1 NI CAD CHARGER & NI CAD EOS 1N/RS ............................MINT- 165.00
CANON VG 10 BATT GRIP FOR EOS 5........................................MINT - BOXED 20.00
CANON ANGLE FINDER C ............................................................MINT BOXED 135.00
CANON 52mm CLOSE UP LENS 250D ..........................................MINT BOXED 45.00
CANON 540 EZ FLASH + INST......................................................MINT CASED 109.00
CANON 540 EZ FLASH + INST ......................................................MINT- CASED 99.00
CANON 430 EZ FLASH....................................................................MINT CASED 75.00
HARTBLEI 80mm f2.8 SUPER-ROTATOR MC ..............................MINT CASED 299.00
KENCO TELEPLUS PRO 300 DG 1.4 x CONVERTER..MINT BOXED AS NEW 125.00

KENCO MC7 DG 2 x CONVERTER CAN........................................MINT BOXED 89.00
KENCO DG 1.5 x CONVERTER CANON ........................................MINT BOXED 59.00
SIGMA 20mm f1.8 EF DG ASPHERIC RF (LATEST) ....................MINT BOXED 345.00
SIGMA 28mm f1.8 EX DG (LATEST) UNUSED ............................MINT BOXED 279.00
SIGMA 105mm f2.8 EX DG MACRO (LATEST)..............MINT BOXED AS NEW 325.00
SIGMA 180mm f3.5 APO MAC DG EX HSM (LATEST)..MINT BOXED AS NEW 599.00
SIGMA 500mm f4.5 EX HSM APO + HOOD + CASE ............EXC+++CASED 2,495.00
SIGMA 12 - 24mm f4.5/5.6 EX DG HSM (LATEST)........MINT BOXED AS NEW 465.00
SIGMA 24 - 70mm f2.8 EX DG MACRO ........................................MINT BOXED 295.00
SIGMA 50 - 150mm f2.8 MKII APO EX DC HSM ..........................MINT BOXED 459.00
SIGMA 50 - 500mm ff4/6.3 EX DG (LATEST)................................MINT CASED 799.00
SIGMA 55 - 200mm f4/5.6 DC ......................................................................MINT 69.00
SIGMA 70 - 200mm f2.8 EX A/F HSM APO + HOOD ................................MINT 375.00
SIGMA 70 - 200mm f2.8 EX A/F HSM MACRO DG ......................MINT BOXED 499.00
SIGMA 70 - 300mm f4/5.6 DL MACRO + HOOD ..........................................MINT 69.00
SIGMA 70 - 300mm f4/5.6 DG SLD OPT STABILISER ..MINT BOXED AS NEW 245.00
SIGMA 100 - 300mm f4 EX IF DG (LATEST) ................................MINT-BOXED 875.00
SIGMA 120 - 300mm f2.8 APO EX IF HSM ................MINT BOXED AS NEW 1,695.00
TAMRON 28 - 75mm f2.8 SP A/F Di (LATEST) ..............MINT BOXED AS NEW 265.00
TAMRON 28 - 300mm f3.5/6.3 MACRO LD I/F ASPHERIC ........................MINT 149.00
TAMRON 70 - 300mm f4/5.6 Di MACRO 1:2 ..................................MINT BOXED 99.00
Canon & Pentax Manual Focus

CANON F1 AE 1984 OLYMPIC GAMES EDITION ........"NEW AND UNUSED" 1,395.00
CANON F1 AE ("UNUSED") ..........................................................MINT BOXED 999.00
CANON F1 AE + AE MOTOR DRIVE FN................................................EXC+++ 499.00
CANON 28mm f2 FD..................................................................................MINT - 145.00
CANON 55mm f1.2 FL ................................................................................MINT 275.00
CANON 85mm f1.2 "L" ....................................................................MINT-CASED 495.00
CANON 85mm f1.8 FD ................................................................................MINT- 165.00
CANON 200mm 2.8 FD ..........................................................................EXC+++ 245.00
CANON 135mm f2 FD ....................................................................MINT BOXED 275.00
CANON 300mm f2.8 FD "L" ......................................MINT- FLIGHT CASE BOX 899.00
CANON 500mm f8 REFLEX FD ....................................................MINT BOXED 345.00
PENTAX LX BODY + 50mm f1.4 SMC & SOFT ERC..................................MINT 545.00
Contax G Compacts and SLR

CONTAX 21mm f2.8 BIOGON & FINDER "G" ..............................MINT BOXED 359.00
CONTAX 90mm f2.8 SONNAR "G" ................................................MINT BOXED 139.00
CONTAX 90mm f2.8 SONNAR "G" BLACK ................................................MINT 129.00
CONTAX 35 - 70mm f3.5/5.6 VARIO SONNAR T* ......................................MINT 379.00
CONTAX 35 - 70mm f3.5/5.6 VARIO SONNAR T* ........................MINT BOXED 425.00
CONTAX TLA 140 FLASH ................................................................MINT CASED 49.00
CONTAX TLA 200 FLASH ................................................................MINT CASED 95.00
CONTAX TLA 200 FLASH BLACK ..................................................MINT CASED 95.00
CONTAX TITANIUM HOODS, FILTERS, etc FOR "G" ....MINT BOXED PHONE PLEASE
CONTAX ARIA BLACK BODY......................................................................MINT- 265.00
CONTAX 28mm Distagon T* FOR SLR ..........................................MINT CASED 199.00
CONTAX 45mm f2.8 TESSAR ....................................................................MINT- 175.00
CONTAX 60mm f2.8 S PLANAR AE MACRO 1:1 ......................................MINT- 399.00
CONTAX 85mm f2.8 SONNAR AE ................................................MINT BOXED 189.00
CONTAX 85mm f1.4 PLANAR AE................................................................MINT 399.00
CONTAX 135mm f2.8 SONNAR MM ..............................................MINT CASED 169.00
CONTAX 135mm f2.8 SONNAR MM ........................................................EXC++ 125.00
CONTAX 135mm f2.8 SONNAR ..................................................................MINT 125.00
CONTAX 200mm f3.5 TELE TESS T* AE ....................................................MINT 199.00
CONTAX 28 - 85mm f3.3/4 VAR SON ........................................................MINT- 399.00
CONTAX RIGHT ANGLED FINDER (FOR SLR)..............................MINT CASED 65.00
CONTAX TLA 30 FLASH ..................................................................MINT CASED 45.00
CONTAX TLA 280 FLASH................................................MINT BOXED AS NEW 119.00
Leica M, R & Screw & Binoculars

LEICA M7 FLAG (LTD EDITION UK 30)......................................MINT BOXED 1,695.00
LEICA M7 BODY BLACK ..........................................................................MINT- 1,275.00
LEICA M6 TTL CHROME SUPERB ............................MINT BOXED AS NEW 1,075.00
LEICA M6 TITANIUM BODY......................................................................MINT- 1,195.00
LEICA M4-2 BLACK BODY ..........................................................MINT - BOXED 775.00
LEICA M4 P BLACK BODY........................................................................EXC++ 595.00
LEICA M3 BODY D/W + LEICA ERC CASE............................................EXC+++ 445.00
LEICA M3 BODY (REALLY NICE USER)......................................EXC++CASED 399.00
LEICA M3 BODY GLASS PRESS PLATE ................................................EXC++ 425.00
KONICA HEXAR RF + 50mm f2 + KONICA FLASH ......MINT BOXED AS NEW 799.00
LEICA 21mm f3.4 SUPER ANGULON + FINDER ....................................MINT 1,195.00
LEICA 24mm f2.8 ASPHERIC ELMARIT M ................................MINT BOXED 1,575.00
LEICA 24mm BRIGHTLINE FINDER BLACK ................................MINT CASED 299.00
LEICA 35mm f3.5 SUMMARON ..................................................................MINT- 279.00
LEICA 50mm f2.8 ELMAR COLLAPSABLE ................................................MINT 295.00
LEICA 90mm f2 SUMMICRON ASPHERIC M (BLACK)
......................................................................................MINT BOXED AS NEW 1,395.00
LEICA 90mm f2 SUMMICRON ASPHERIC M (BLACK)..........EXC+++BOXED 1,195.00
LEICA 90mm f2 SUMMICRON CHROME (11137) ..........MINT BOXED AS NEW 699.00
LEICA 90mm f2.8 ELMARIT CHROME ......................................................MINT 299.00
LEICA 135mm f2.8 ELMARIT M FOR M3....................................................MINT 345.00
LEICA 135mm f4.5 HEKTOR + HOOD + FINDER M..................................MINT- 199.00
LEICA 200mm f4 TELYT + HOOD ..............................................................MINT 495.00
LEICA MOTOR M ............................................................MINT BOXED AS NEW 395.00
LEICA MINI TRIPOD+BALL & SOCKET HEAD ..........................................MINT 145.00
LEICA SF20 FLASH ........................................................................MINT CASED 119.00
LEICA SF24D TITANIUM FINISH ....................................MINT BOXED AS NEW 179.00
LEICA SF24D FLASH......................................................MINT BOXED AS NEW 165.00
LEICA ERC CASE FOR M6/M7 BLACK ..........................................MINT BOXED 99.00
LEICA 21,24,28 VIEWFINDER (12013) ..........................................MINT CASED 245.00
LEICA M4-2 WINDER BLACK ........................................................MINT BOXED 175.00
LEICA FIT M8 BATTERY (LOW USE)............................................................MINT 40.00
LEICA 5cm f2 SUMMITAR & FILTER & HOOD............................................MINT 195.00
LEICA 65mm f3.5 ELMAR + 16464K FOC RING ..........................MINT/BOXED 395.00
LEICA 90mm f4 ELMAR SCREW CHR + 90mm FDR ..................MINT CASED 245.00
LEICA 9cm f4 HEAD + 16467 FOC MOUNT FOR VISO ............................MINT 199.00
LEICA 9cm f4 ELMAR SCREW BLACK......................................................EXC++ 79.00
LEICA 50mm f1.4 SUMMILUX (2 CAM) ..................................................EXC ++ 359.00
LEICA 28 - 70mm f3.5/4.5 VARIO ELMAR ..................................................MINT 545.00
LEICA 28 - 70mm f3.5/4.5 VARIO ELMAR ..............................................EXC ++ 295.00
LEICA 35 - 70mm F4 VARIO ELMAR 3 CAM ..........................................EXC ++ 319.00
LEICA 70 - 210mm f4 VAR ELM 3 CAM ........................................MINT CASED 445.00
LEICA 80 - 200mm f4 VARIO ELMAR ( ROM LENS)..............................EXC ++ 425.00
LEICA 80 - 200mm f4 VARIO ELMAR (ROM LENS) ......MINT BOXED AS NEW 599.00
LEICA MOTOR WINDER FOR R (14209) ......................MINT BOXED AS NEW 195.00
LEICA TRINOVID 8 x 50 BA & CASE..............................MINT BOXED AS NEW 745.00
LEICA DUOVID 10 + 15 x 50 BINO + HARD ER CASE..............MINT CASED 1,295.00
KOWA TSN-2 SPOTTING SCOPE + 20-60 ZOOM........................MINT BOXED 345.00
SWAROVSKI 10 x 42 EL BINOCULAR (LATEST) ..........................NEW,NEW 1,125.00
Voigtlander & Ricoh

VOIGTLANDER BESSA T BODY BLACK ......................................MINT- BOXED 199.00
VOIGTLANDER 15mm f4.5 S/W HELIAR ASP + FDR (B) ............MINT BOXED 325.00
VOIGTLANDER 25mm f4 SKOPAR + FINDER BLK ......................MINT BOXED 265.00
VOIGTLANDER 25mm f4 SKOPAR + FINDER SIL........................MINT BOXED 265.00
VOIGTLANDER 35mm f2.5 COL SKOP BLACK..........................................MINT 199.00
VOIGTLANDER 90mm f3.5 APO LANTHAR (BLK)........................MINT BOXED 275.00
VOIGTLANDER WINDER BESSA T + ALL R CAMS ....................MINT BOXED 129.00
VOIGTLANDER SCREW TO M ADAPTOR....................................................MINT 30.00
RICOH GR1S FILM COMPACT (SUPERB LENS) ......................................MINT 195.00
RICOH GR10 FILM COMPACT ....................................................................MINT 149.00
Medium Format
BRONICA 50mm f2.8 ZENZANON MC........................................................MINT 175.00
BRONICA 135mm F4 ZENZANON PE LENS ............................................MINT- 289.00
BRONICA 150mm f3.5 PE ..........................................................EXC+++BOXED 175.00
BRONICA 150mm f3.5 ZENZANON E..........................................MINT + HOOD 159.00
BRONICA 150mm f3.5 ZENZANON E ........................................................EXC+ 120.00
BRONICA 150mm F4 E ..............................................................................MINT- 169.00
BRONICA 250mm f5.6 MC............................................................MINT + HOOD 195.00
BRONICA 500mm f8 ZENZANON ..............................................................MINT 795.00
BRONICA E120 BACK ETRS ........................................................................MINT 49.00
BRONICA E120 BACK................................................................................EXC ++ 35.00
BRONICA ETRS/ETRSi POLAROID BACK ................................................MINT - 85.00
METZ SCA 386 TTL LEAD ETRSi/SQAi........................................................MINT 49.00
BRONICA AEII PRISM FINDER ..................................................................MINT- 115.00
BRONICA S TELECONVERTER 2X ............................................................MINT- 69.00
BRONICA SPEEDGRIP E FOR ETRS/i ........................................................MINT- 35.00
BRONICA MOTOR DRIVE Ei II ......................................................MINT-BOXED 195.00
HASSELBLAD X PAN + 45mm COMPLETE ..............................MINT BOXED 1,195.00
HASSELBLAD 90mm f4 FOR X PAN ......................................MINT IN KEEPER 365.00
HASSELBLAD 500CM +WLF+BACK + 80mm CF..................................EXC+++ 795.00
HASSELBLAD 500EL/M + A12 + 80mm F2.8 T*............................MINT-BOXED 595.00
HASSELBLAD 500EL/M + A12 BLACK BACK..........................................EXC++ 299.00
HASSELBLAD 40mm f4 DISTAGON CF ..................................................MINT 1,095.00
HASSELBLAD 150mm f4 SONNAR CF..................................................EXC+++ 399.00
HASSELBALD 250mm f6 SONNAR T* CF ..................................................MINT 899.00
HASSELBLAD HC 50 - 110 f3.5 FOR H SYSTEM ....MINT BOXED + HB FILTER 2,495.00
HASSELBLAD PLAIN PRISM..........................................................................EXC 75.00
HASSELBLAD PM PRISM ..........................................................................MINT 199.00
HASSELBLAD A12 BACK BLACK AND SILVER............................MINT BOXED 145.00
HASSELBLAD A12 BACK BLACK AND SILVER ........................................MINT - 99.00
MAMIYA 45mm F2.8 A/F FOR 645 A/F........................................................MINT 349.00
MAMIYA 150mm f3.5 A/F FOR 645 A/F ......................................................MINT 299.00
MAMIYA 55mm f2.8 N FOR 645 ....................................................MINT BOXED 199.00
MAMIYA 80mm f2.8 N/L LEAF SHUTTER COMP ......................................MINT 299.00
MAMIYA 210mm f4 SEKOR C FOR 645 ........................................MINT CASED 195.00
MAMIYA POLAROID FILM HOLDER FOR 645 A/F ....................................NEW 159.00
MAMIYA 120 BACK FOR 645 ........................................................................MINT 70.00
MAMIYA 120 BACK FOR RB............................................................MINT BOXED 99.00
PENTAX 55mm f4 SMC FOR 6x7 ..................................................MINT CASED 299.00
PENTAX 165mm f2.8 SMC +CASE..............................................................MINT 379.00
YASHICA MAT 124G TLR + HOOD ................................................MINT-CASED 179.00
Konica/Minolta/Sony/Meters
KONICA HEXAR RF + 50mm f2 + KONICA FLASH ......MINT BOXED AS NEW 799.00
MINOLTA TC 1 TITANIUM COMPACT ............................................MINT-BOXED 495.00
TAMRON 14mm f2.8 SP A/F I/F ASP MINOLTA FIT ......MINT BOXED AS NEW 445.00
Nikon Auto-Focus
NIKON F5 BODY (REALLY NICE) ..................................................MINT BOXED 499.00
NIKON F4S BODY ......................................................................................MINT- 395.00
NIKON F80 BODY BLACK..............................................................................MINT 85.00
NIKON F80 BODY SILVER ..............................................................MINT- BOXED 85.00
NIKON F55 BODY ............................................................................MINT-BOXED 65.00
NIKON 28mm f2.8 A/F "D" ............................................................MINT AS NEW 169.00
NIKON 50mm f1.8 A/F ......................................................................MINT BOXED 89.00
NIKON 50mm f1.8 A/F "D" ........................................................NEW NEW NEW 109.99
NIKON 85mm f1.4 A/F "D" + HOOD (SUPERB LENS) ..................MINT BOXED 775.00
NIKON 105mm f2.8 A/F MICRO NIKKOR (MACRO)......................MINT BOXED 395.00
NIKON 300mm f4 IF ED A/F "D" ....................................................MINT CASED 795.00
NIKON 12 - 24mm f4 DX AF-ED AFS (1 ONLY) ............................MINT BOXED 599.00
NIKON 14 - 24mm f2.8 "G" ED AF-S (LATEST) ..........MINT BOXED AS NEW 1,199.00
NIKON 17 - 35mm f2.8 "D" IF-ED AF-S ......................................................MINT- 795.00
NIKON 17 - 55mm f2.8 DX ED I/F AF-S ..........................MINT BOXED AS NEW 865.00
NIKON 18 - 35mm f3.5/4.5 IF ED AF "D" ......................................MINT BOXED 395.00
NIKON 18 - 55mm f3.5/5.6 "G" DX ED AF-S MKII ........................................MINT 89.00
NIKON 18 - 70mm f3.5/4.5 DX AF-S "G" ED + HOOD ..................MINT BOXED 199.00
NIKON 18 - 105mm f3.5/5.6 "G" DX AF-S ED I/F VIB RED............MINT BOXED 189.00
NIKON 18 - 200mm f3.5/5.6AF-S DX "G" VIB RED........................MINT BOXED 425.00
NIKON 24 - 120mm F3.5/5.6 D I/F A/F + HOOD............................MINT BOXED 179.00
NIKON 24 - 120mm f3.5/5.6 G I/F ED AF-S VIB RED ....MINT BOXED AS NEW 399.00
NIKON 28 - 80mm f3.3/5.6 A/F "G"................................................................MINT 59.00
NIKON 28 - 85mm f3.5/4.5 A/F ......................................................MINT BOXED 199.00
NIKON 35 - 105mmf3.5/4.5 A/F ......................................................MINT-BOXED 145.00
NIKON 55 - 200mm ff4/5.6 "G" DX AF-SIF-ED VIB RED................MINT BOXED 199.00
NIKON 55 - 200mm ff4/5.6 "G" DX AF-SIF-ED VIB RED................MINT CASED 189.00
NIKON 70 - 200mm f2.8 ED IF AF-S VIBR REDUCTION ..MINT BOXED AS NEW 1,299.00
NIKON 70 - 300mm f4./5.6 A/F "D" ED GLASS..............................MINT-BOXED 179.00
NIKON 70 - 300mm f5.5/5.6 "G" AF-S IF ED VIB RED ..................MINT BOXED 369.00
NIKON 80 - 200mm f2.8 AF "D" ED IF (2 TOUCH) ........................MINT BOXED 745.00
NIKON 80 - 400mm f4/5.6 A/F "D" VIBRATION RED ....................MINT BOXED 975.00
NIKON SB 22S FLASH ....................................................................MINT BOXED 59.00
NIKON SB 26 FLASH ................................................................................EXC ++ 89.00
NIKON SB 28 FLASH ......................................................................MINT -BOXED 95.00
NIKON SD8 BATT PACK................................................................................MINT- 39.00
NIKON PS-6 SLIDE COPYING ADAPTOR ....................................................MINT 75.00
NIKON TC 17E II AF-S TELECONVERTER....................................MINT CASED 239.00
NIKON TC 20E AF-S TELECONVERTER ..................................EXC+++CASED 175.00
NIKON TC 20E AF-S TELECONVERTER MK II..............MINT BOXED AS NEW 239.00
NIKON TC 16 A/F CONVERTER ......................................................MINT BOXED 90.00
NIKON MH 15 CHGR + BATTERY NICAD F100 ........................................MINT- 129.00
NIKON MB 15 GRIP FOR NIKON F100 ..........................................MINT BOXED 59.00
NIKON DR4 RIGHT ANGLED FINDER ..........................................MINT BOXED 119.00
SIGMA 20mm f1.8 EX DG ASPHERIC (LATEST)........................................MINT 389.00
SIGMA 28mm f1.8 EX DG MACRO ASPHERIC ............................MINT BOXED 265.00
SIGMA 30mm f1.4 EX DC HSM (LATEST) ....................................MINT BOXED 325.00
SIGMA 300mm f2.8 EX DG HSM (LATEST SPEC) ................EXC+++CASED 1,595.00

SIGMA 12 - 24mm f4.5/5.6 EX DG (LATEST) ................................MINT BOXED 499.00
SIGMA 15 - 30mm f3.5/4.5 EX IF DG ASPHERIC ........................MINT BOXED 295.00
SIGMA 55 - 200mm f4/5.6 DC..........................................................MINT BOXED 69.00
TAMRON 28 - 300mm f3.5/6.3 A/F ASP XR LD I/F MAC ............MINT + HOOD 199.00
TAMRON 70 - 300mm F4/5.6 LD Di TELE MACRO ......................MINT + HOOD 89.00
NEW NIKON NOW AVAILABLE AT CAMTECH PHONE FOR OUR LOW PRICES
Nikon Manual
NIKON F3 HP "P" PRESS + MF-6B BACK + P/WORK ....MINT BOXED (V RARE) 1,395.00
NIKON FM2N CHROME BODY ..............................................................EXC+++ 199.00
NIKON FE BODY BLACK BODY....................................................................EXC+ 95.00
NIKON FE BLACK BODY ................................................................................EXC 75.00
NIKON FE BODY CHROME ........................................................................MINT- 119.00
NIKON FM BLACK BODY............................................................................EXC++ 99.00
NIKON FM BODY CHROME........................................................................MINT- 129.00
NIKON FM BODY CHROME ......................................................................EXC++ 115.00
NIKONOS 20mm f2.8 UW NIKKOR + FDR..................................................MINT 425.00
NIKON 15mm f3.5 AIS CASED (SUPERB) ....................................MINT BOXED 895.00
NIKON 20mm F2.8 AIS ................................................................................MINT 395.00
NIKON 20mm f3.5 AIS..................................................................................MINT 199.00
NIKON 24mm f2 AIS (SUPERB SHARP LENS)..........................................MINT- 375.00
NIKON 24mm f2.8 AI ....................................................................................MINT 129.00
NIKON 24mm f2.8 AIS ....................................................................MINT BOXED 215.00
NIKON 28mm f2.8 AI......................................................................................MINT 95.00
NIKON 28mm f3.5 AI......................................................................................MINT 69.00
NIKON 35mm f2.8 AI......................................................................................MINT 99.00
NIKON 24mm f4 PC PERSPECTIVE CONTROL ..........................MINT CASED 499.00
NIKON 35mm f2.8 PC PERSSPCTIVE CONTROL........................MINT CASED 475.00
NIKON 50mm F1.4 AI ..................................................................................MINT 149.00
NIKON 50mm f1.8 AIS ......................................................................MINT BOXED 69.00
NIKON 55mm f2.8 MICRO AIS ....................................................................MINT 169.00
NIKON 55mm f2.8 MICRO AIS........................................MINT BOXED AS NEW 195.00
NIKON 55mm ff3.5 NIKKOR P MICRO + M2 TUBE................MINT IN KEEPER 159.00
NIKON 85mm f1.4 AIS + HOOD (SUPERB CLARITY) ..................MINT-CASED 575.00
NIKON 105mm f1.8 AIS ..................................................................MINT-BOXED 495.00
NIKON 105mm f2.8 MICRO NIKKOR..............................MINT BOXED AS NEW 395.00
NIKON 105mm f4 MICRO NIKKOR AI............................................MINT BOXED 295.00
NIKON 135mm f2.8 AIS................................................................................MINT 189.00
NIKON 135mm f2.8 AIS ..................................................................MINT BOXED 199.00
NIKON 200mm f4 AI........................................................................MINT CASED 169.00
NIKON 300mm f4.5 AIS ..............................................................................MINT- 269.00
NIKON 28 - 50mm f3.5 AIS ..........................................................................MINT 345.00
NIKON 28 - 85mm f3.5/4.5 AIS (GREAT ZOOM LENS) ..............................MINT 265.00
NIKON 35 - 70 f3.5 AI ................................................................................EXC++ 165.00
NIKON 35 - 70mm f3.5/4.8 AIS ......................................................................MINT 99.00
NIKON 35 - 105mm f3.5/4.5 AIS......................................................MINT-BOXED 189.00
NIKON 35 - 105mm f3.5/4.5 AIS................................................................EXC++ 149.00
NIKON 80 - 200mm F4 AI ............................................................................MINT 165.00
NIKON PK 13 EXT TUBE..................................................................MINT BOXED 59.00
NIKON PISTOL GRIP & MC3 CABLE............................................................MINT 95.00
NIKON TC14A TELECONVERTER AIS ......................................................MINT 199.00
NIKON TC 201 CONVERTER ......................................................MINT AS NEW 129.00
NIKON TC 200 CONVERTER........................................................................MINT 95.00
NIKON SB16 + F3 MOUNT + FM2/FM3/FE/FE2 FIT ....................MINT CASED 169.00
NIKON SB 10 FLASH ......................................................................MINT BOXED 49.00
NIKON DR3 R/ANGLE FINDER ....................................................................MINT 99.00
TAMRON 17mm f3.5 SP + FILTERS & NIKON MOUNT ................MINT CASED 149.00
Olympus Manual
OLYMPUS OM4 Ti CHAMPAGNE ..........................................................EXC+++ 395.00
OLYMPUS OM2N BODY................................................................................EXC+ 99.00
OLYMPUS OM1 BODY ..............................................................................EXC++ 119.00
OLYMPUS 24mm f2.8 ZUIKO ......................................................................MINT 115.00
OLYMPUS 24mm f2.8 ZUIKO ........................................................MINT BOXED 129.00
OLYMPUS 28mm f2 ZUIKO ....................................................................EXC+++ 179.00
OLYMOUS 28mm f3.5 ZUIKO ........................................................................MINT 49.00
OLYMPUS 35mm f2.8 ZUIKO ..........................................................MINT CASED 59.00
OLYMPUS 35mm f2.8 SHIFT ZUIKO..............................................MINT CASED 369.00
OLYMPUS 50mm f1.8 ZUIKO ........................................................................MINT 29.00
OLYMPUS 50mm f3.5 MACRO ......................................................MINT BOXED 165.00
VOIGTLANDER 75mm f2.5 COL HEL + HOOD ............................MINT BOXED 199.00
OLYMPUS 100mm f2.8 ZUIKO ....................................................................MINT 185.00
OLYMPUS 135mm f2.8 ZUIKO..................................................................EXC+++ 89.00
OLYMPUS 135mm f3.5 ZUIKO ....................................................................MINT - 55.00
OLYMPUS 135mm f4.5 MACRO ZUIKO ..................................................EXC ++ 169.00
OLYMPUS 135mm f4.5 MACRO ZUIKO....................................................MINT - 199.00
OLYMPUS 1000mm f11 ZUIKO TELE ( RARE)..............................MINT CASED 995.00
OLYMPUS 35 - 70mm f4 ZUIKO ....................................................................MINT 69.00
OLYMPUS 35 - 70mm f3.6 ZUIKO....................................................MINT CASED 99.00
OLYMPUS 65 - 200mm F4 ..........................................................................MINT 149.00
OLYMPUS 75 - 150mm f5.6 ZUIKO ..............................................................MINT- 79.00
OLYMPUS 100 - 200 f5 ZUIKO......................................................................MINT 99.00
OLYMPUS CONVERTER A............................................................................MINT 69.00
OLYMPUS WINDER 2 ..................................................................................MINT- 49.00
OLYMPUS T10 RING FLASH & CONTROLLER..........................................MINT 199.00
OLYMPUS T20 FLASH ..................................................................MINT - BOXED 25.00
OLYMPUS T32 FLASH......................................................................MINT-BOXED 49.00
OLYMPUS F 280 FLASH ................................................................MINT BOXED 159.00
OLYMPUS F 280 FLASH................................................................................MINT 99.00
OLYMPUS VARI EXT TUBE 80 - 135 1:1 ......................................................MINT 89.00
OLYMPUS VARIOMAGNIFINDER ..............................................................MINT - 89.00
We urgently require your used photographic equipment. We have

customers waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad and most other makes of camera lenses, accessories,
binoculars and collectables.
We will buy for cash from you, or we are happy to sell on
your behalf on a commission basis. Best prices paid. We can
arrange collection and even call and collect and pay on the
spot if necessary anywhere in the UK.
Visitors are welcome, please phone for an appointment. PO Box 1052, Cottenham, Cambridge, CB4 8WU
Bronica ETRS/Si
ETRSi Complete + Rotary Prism Bronica
.............................................................Exc / E+ 299
ETRSi Body Only Bronica .................E++ 125-139
ETRS Complete + SpeedGrip E Bronica......E+ 239
ETRS Body Only Bronica ...............................E+ 89
40mm F4 E Bronica......................................E+ 129
45-90mm F4-5.6 PE Bronica.............E++ 499-549
50mm F2.8 PE Bronica.............................Mint- 199
60mm F2.8 PE Bronica....................Mint- 229-299
135mm F4 PE Bronica ...............................E++ 299
150mm F3.5 E Bronica .....As Seen / Mint- 79-179
150mm F3.5 PE Bronica ............................E++ 199
180mm F4.5 PE Bronica...........................Mint- 249
200mm F4.5 E Bronica ..........E++ / Mint- 179-325
250mm F5.6 E Bronica.....As Seen / E++ 129-249
2x Converter E Bronica ................Exc / E++ 49-99
120 E Mag Bronica.......................................E++ 45
120 Ei Mag - Silver Bronica..........................E++ 59
Polaroid Mag E Bronica.................E+ / E++ 35-75
AEIII Meter Prism Bronica ...........................Exc 129
AEII Meter Prism Bronica...........E+ / E++ 109-129
Rotary Prism E Bronica ..........As Seen / E+ 59-99
Prism Finder E Bronica .................................Exc 59
Extension Tube E14 Bronica..........E+ / E++ 59-79
Extension Tube E28 Bronica.........................E++ 79
M Bracket Bronica ........................................E++ 35
SCA386 Flash Adapter Bronica.............E++ 29-59
Speed Grip E Bronica....................E+ / E++ 25-59
Bronica GS1
GS1 Body Only Bronica................................E+ 179
65mm F4 PG Bronica...................................E+ 199
110mm F4 PG Macro Bronica ....................E++ 299
250mm F5.6 PG Bronica............................E++ 199
AE Prism Finder G Bronica ...............E++ 149-199
GS 220 Mag (6x4.5) Bronica ......................Mint- 89
Polaroid Mag G Bronica.................E+ / E++ 39-69
Bronica RF645 - Please Phone
Bronica S2A/ECTL - Please Phone
Bronica SQA/Ai
SQA Complete + AE Prism Bronica ...........E++ 379
SQB Complete + Prism Bronica .................E++ 349
40mm F4 PS Bronica ...................................E+ 299
40mm F4 S Bronica....................................E++ 299
50mm F3.5 PS Bronica..............E+ / E++ 179-249
50mm F3.5 S Bronica................E+ / E++ 159-249
65mm F4 PS Bronica.................E+ / E++ 179-299
105mm F3.5 S Bronica...............................E++ 129
110mm F4 PS Macro Bronica............E++ 219-249
135mm F4 PS Bronica ...............................E++ 279
150mm F3.5 S Bronica.......As Seen / E++ 99-165
150mm F4 PS Bronica ...............Exc / E++ 99-199
SQA 120J Mag Bronica.................E+ / E++ 45-95
SQA 135N Mag Bronica........................E++ 49-79
SQA 220 Mag Bronica .................Exc / E++ 19-59
SQA 220J Mag Bronica..................................E+ 75
SQAi 120J Mag Bronica .............................E++ 135
SQAi 220 Mag Bronica...................Exc / E+ 29-79
Polaroid Mag S Bronica.................E+ / E++ 25-49
ME Prism Finder S Bronica...........................E+ 119
Prism Finder S Bronica...................................E+ 69
CDS MF Finder S Bronica.............E+ / E++ 79-99
Autobellows S Bronica................................E++ 219
Extension Tube S36 Bronica.........................E++ 79
Motordrive SQAi Bronica.....................E++ 99-109
Pro Shade S Bronica ....................................E++ 29
Speed Grip S Bronica....................E+ / E++ 25-35
Canon EOS
EOS 1V + E2 Booster Canon.......................E+ 399

EOS 1V Body Only Canon ...........................E+ 449
EOS 1N RS Body Only Canon ...........E+ / E++ 449
EOS 1N Body Only Canon.........................E++ 199
EOS 1 Body Only Canon ...........Exc / E++ 99-179
EOS 3 + E1 Booster Canon .......................E++ 229
EOS 3 Body Only Canon ...As Seen / E++ 99-169
EOS 5 + VG10 Grip Canon ..........................E++ 59
EOS 5 Body Only Canon .............Exc / E++ 49-59
EOS 50E Body Only Canon .................E+ / E++ 59
EOS RT Body Only Canon......................E+ 59-69
15-85mm EFS IS USM Canon...........Ex Demo 549
17-40mm F4 L USM Canon...............E++ 479-509
17-85mm F4-5.6 IS USM Canon
.......................................Ex Demo / Mint- 249-319
18-55mm F3.5-5.6 IS EFS Canon.......E++ 99-109
20-35mm F3.5-4.5 USM Canon .................E++ 159
24mm F2.8 EF Canon .....................Mint- 289-299
24-70mm F2.8 L USM Canon ....................E++ 799
24-85mm F3.5-4.5 USM Canon .................E++ 149
24-105mm F4 L IS USM Canon .................E++ 749
28mm F2.8 EF Canon ................................E++ 109
28-80mm F3.5-5.6 EFII Canon.....................E++ 59
28-80mm F3.5-5.6 USM Canon .....................E+ 59
28-105mm F3.5-4.5 USM Canon..................E+ 119
28-135mm F3.5-5.6 IS USM Canon
...................................................E+ / E++ 199-259
45mm F2.8 TSE Canon ............................Mint- 899
50mm F1.2 L USM Canon ...E++ / Mint 999-1,099
70-300mm F4.5-5.6 DO IS USM Canon
................................................E++ / Mint- 699-749
75-300mm F4-5.6 EF Canon..........................E+ 99
75-300mm F4-5.6 USM Canon ..Exc / E++ 79-119
75-300mm F4-5.6 USM III Canon.............Mint- 129
80-200mm F4.5-5.6 EFII Canon ..................E++ 59
85mm F1.2 L USM Canon ........................Mint- 899
85mm F1.2 L USM MkII Canon.Mint- 1,349-1,399
90-300mm F4.5-5.6 EF Canon...................E++ 109
90mm F2.8 TSE Canon .........E++ / Mint- 849-899
100-400mm F4.5-5.6 L IS USM Canon .......E+ 999
135mm F2.8 EF Soft Focus Canon ..........Mint- 249
180mm F3.5 L USM Macro Canon ...........Mint- 999
400mm F2.8 L USM Canon ......................E+ 3,299
400mm F4 IS DO USM Canon ...............E++ 4,499
600mm F4 L IS USM Canon .................Mint- 5,299
600mm F4 L USM Canon ........................Exc 2,750
2x EF Extender MK1 Canon .....................Mint- 169
Sigma 1.4x EX Converter Sigma................E++ 109
Sigma 8mm F4 EX Fisheye Sigma ............E++ 449
Sigma 12-24mm F4.5-5.6 EX DG Sigma..Mint- 399
Sigma 15-30mm f3.5-4.5 EX DG Sigma ....E++ 199
Sigma 24mm F1.8 EX DG Sigma.............Mint- 259

Sigma 24mm F2.8 Sigma.............................E++ 59
Sigma 28-200mm F3.5-5.6 UC Sigma...........E+ 79
Sigma 50-500mm F4-6.3 Apo EX Sigma...E++ 649
Sigma 70-300mm F4-5.6 DG Sigma............E++ 79
Sigma 70-300mm F4-5.6 DL Sigma ............E++ 59
Sigma 100-300mm F4 APO DG HSM Sigma
....................................................................E++ 799
Sigma 105mm F2.8 EX Macro Sigma........Mint 269
Sigma 120-300mm F2.8 Apo HSM Sigma
.................................................................E++ 1,399
Sigma 120-300mm F2.8 EX Apo DG Sigma
.................................................................E++ 1,499
Sigma 150mm F2.8 Apo EX DG Macro Sigma
Mint- 399
Sigma 170-500mm F5-6.3 Apo Sigma......Mint- 499
Sigma 300mm F2.8 Apo EX HSM.............E+ 1,299
Sigma 300mm F4 Apo SigmaE++ / Mint- 299-329
Tamron 28-300mm F3.5-6.3 XR Tamron ....E++ 159
Tamron 90mm F2.8 SP Di Macro Tamron .Mint- 259
Teleplus 2x Converter Teleplus .....................E++ 39
Tokina 50-135mm F2.8 DX ATX Pro Tokina ...Mint- 449
Voigtlander 19-35mm F3.5-4.5 Voigtlander ..E++ 89
300EZ Speedlite Canon ................E+ / E++ 19-39
420EZ Speedlite Canon ...............................E++ 39
430EZ Speedlite Canon .........As Seen / E+ 39-79
480G Speedlite Canon .................................E+ 129
BP50 Battery Grip Canon ......Unused / E++ 29-35
ML3 Macrolite Canon ..........................E++ 99-139
ST-E2 Transmitter Canon...........................Mint- 129
E2 Booster Canon ..........................................E+ 99
E1 Booster Canon ........................................E++ 79
VG10 Vertical Grip (EOS 5) Canon ...E+ / E++ 15-35
Extension Tube EF25 Canon.......................Mint- 79
LC3 Wireless Set Canon.............................Mint- 99
LC5 Wireless Set Canon ............................E++ 229
Canon Manual
F1NAE Black Body Only Canon ..Exc / E++ 179-299
T90 Body Only Canon............As Seen / E+ 69-99
T70 Body Only Canon ...................E+ / E++ 29-39
T50 Body Only Canon ..................................E++ 19
A1 Black Body Only Canon............................E+ 79
AE1P Black Body Only Canon .......................E+ 59
AE1P Chrome Body Only Canon ...................E+ 59
EF Black + 50mm F1.8 Canon .......................E+ 99
EX Auto + 50mm F1.8 Canon As Seen / E+ 59-79
FTB QL Chrome + 50mm F1.8 Canon...........E+ 69
FTB QL Chrome Body Only Canon..............E++ 69
FX Chrome + 50mm F1.8 Canon..................Exc 39
U.S.Coastguard F1 + 50mm F1.4 Canon .....E+ 399
U.S.Marine F1 Body Only Canon .................E+ 499
24mm F1.4 FD L Canon.............................E++ 650
24mm F2 FD Canon...................................E++ 189
24mm F2.8 B/lock Canon...............................E+ 65
24mm F2.8 FD Canon....................................E+ 79
24-35mm F3.5 FD L Canon.......E+ / E++ 249-399
28mm F2.8 B/lock Canon ...........................Mint- 29
28mm F2.8 FD Canon..........As Seen / Mint 15-49
28-55mm F3.5-4.5 FD Canon.........................E+ 39
35mm F2.8 FD Canon...................E+ / E++ 35-45
35mm F2.8 Tilt/Shift Canon........................E++ 399
35mm F3.5 B/lock Canon..............E+ / E++ 25-35
35-70mm F3.5-4.5 FD Canon.........................E+ 29
35-70mm F4 FD Canon..................................E+ 25
35-105mm F3.5 FD Canon.............................E+ 75
50mm F1.4 B/lock Canon...............................E+ 35
50mm F3.5 FD Macro Canon.......................E++ 95
70-210mm F4 FD Canon......As Seen / E++ 29-65
75-200mm F4.5 FD Canon ..........Exc / E++ 29-59
80-200mm F4 B/lock Canon...........................E+ 69
80-200mm F4 FD Canon .............................E++ 99
100mm F2.8 B/lock Canon......................E+ 59-75
100mm F2.8 FD Canon..................................E+ 69
100mm F4 B/lock Macro Canon.................E++ 199
100mm F4 FD Macro Canon.................E+ 99-169
100mm F4 FD Macro + Tube Canon ............E+ 179
100-200mm F5.6 B/lock Canon ....E+ / E++ 39-49
100-200mm F5.6 FD Canon .........E+ / E++ 29-39
100-300mm F5.6 FD Canon...........................E+ 79
135mm F3.5 FD Canon................................E++ 25
200mm F2.8 FD Canon ................................Exc 89
200mm F4 FD Canon............................As Seen 20
300mm F2.8 FD L Canon ...........................Exc 850
300mm F5.6 B/lock Canon.............................E+ 65
300mm F5.6 FD Canon.................E+ / E++ 75-79
500mm F8 Reflex Canon..............................E+ 159
U.S.Marine 400mm F4.5 B/lock Canon......E++ 499
1.4x Extender A Canon ...........................E+ 49-59
2xB Extender Canon ....................E+ / Mint- 39-59
177A Speedlite Canon.....................E+ / E++ 9-15
188A Speedlite Canon..................................E++ 15
244T Speedlite Canon..................................E++ 19
277T Speedlite Canon..................................E++ 35
300TL Speedlite Canon.................E+ / E++ 39-59
533G Speedlite Canon ................E+ / E++ 99-109
ML3 Macrolite Canon.................E+ / E++ 129-149
AE Powerwinder FN Canon .........E+ / E++ 79-119
Powerwinder F Canon ....................................E+ 59
MA Drive Set Canon.....................................E++ 49
Winder A2 Canon ..........................E+ / E++ 20-39
Winder A Canon ..............................E+ / E++ 9-29
Angle Finder B Canon.................E++ / Mint 59-79
Autobellows + Release Canon ...................E++ 109
FL Bellows Canon .................................E++ 59-99
Contax 645
645 Body Only Contax..................................E+ 449

35mm F3.5 Distagon Contax Exc / E++ 799-1,299
45mm F2.8 Distagon ContaxE++ / New 749-1,099
55mm F3.5 Distagon Contax........................E+ 899
120mm F4 Apo Macro Contax ...............Mint- 1,199
140mm F2.8 Sonnar Contax E++ / New 749-1,099
210mm F4 Sonnar Contax........................Mint- 899
Magazine + Insert Contax.......E++ / New 169-249
Polaroid Magazine Contax ..........E+ / New 99-199
AE Prism Finder Contax .............................E++ 199
TLA480 Flash Contax.................................E++ 279
MSB1 Flash Bracket Contax ......................E++ 199
Contax G Series
G2 Millennium Kit Contax .........................Mint- 899
G2 + 35-70mm Contax .................................E+ 699

G2 + 45mm F2 Contax...............................E++ 499
G2 Black Body Only Contax.......................E++ 449
G2 Body Only Contax.................................E++ 449
G1 + 45mm F2 Contax...............................E++ 299
G1 + Databack Contax ...............................E++ 249
21mm F2.8 G + Finder Contax .................Mint- 399
35mm F2 G Contax................E++ / Mint- 229-239
90mm F2.8 G Contax ..............Exc / New 109-239
G1 Leather Case Contax...............E+ / E++ 29-49
TLA140 Flash Contax ...................E+ / New 45-75
TLA200 Flash Contax .................................E++ 119
Contax SLR
N1 + 24-85mm Contax.............E+ / Mint- 399-699
NX + 28-80mm Contax ...........E++ / New 399-499
AX Body Only Contax ..............Exc / E++ 299-499
RTS3 Body Only Contax ...........E+ / E++ 399-499
RX Body Only Contax.......As Seen / E++ 179-299
Aria Body Only Contax ...............................E++ 249
167MT Body Only Contax.............................E+ 109
RTS + 50mm F1.7 Contax............................E+ 245
RTS + Winder Contax...................................E+ 195
159MM Body Only Contax..........................E++ 159
137MA Body Only Contax..........E+ / Mint- 99-129
Preview Body Only Contax ........E+ / E++ 179-249
15mm F3.5 AE Contax ..............................E+ 1,099
18mm F4 MM Contax...............Exc / E++ 449-599
25mm F2.8 AE Contax ...............................E++ 299
25mm F2.8 MM Contax................................E+ 349
28mm F2 MM Contax.................................E++ 799
28-70mm F3.5-4.5 MM Contax E+ / Mint- 249-379
28-85mm F3.3-4 MM Contax ..E++ / New 349-749
35mm F2.8 AE Shift Contax.......................E++ 949
35-70mm F3.4 MM Contax .......E+ / New 259-649
35-135mm F3.3-4.5 MM Contax
................................................E++ / New 849-949
60mm F2.8 AE Macro Contax ...E+ / New 349-749
70-300mm F4-5.6 AF Contax E++ / Mint- 449-699
80-200mm F4 MM Contax........E+ / New 279-599
85mm F1.2 MM (60 Year Edition) ContaxNew
3,500
100mm f2.8 AE Macro Contax ..........E++ 599-649
100mm F2.8 AF Macro Contax..................New 999
100mm F3.5 AE Contax .............................E++ 249
135mm F2 (60 Year Edition) Contax..Unused 2,499
135mm F2.8 AE Contax .............................E++ 145
135mm F2.8 MM Contax .............E+ / E++ 99-169
180mm F2.8 AE Contax...........E+ / Mint- 349-550
180mm F2.8 MM Contax ..........E+ / New 329-649
200mm F2 MM Contax ..........................Mint- 3,249
200mm F3.5 AE Contax...As Seen / E++ 149-245
200mm F4 MM Contax...............................E++ 199
300mm F4 AE Contax ................................E++ 429
300mm F4 MM Contax .............E+ / New 349-750
500mm F8 Mirotar Contax .........................New 649
Mutar II converter Contax........E++ / New 179-249
Mutar III Converter Contax ........E+ / New 139-199
FE-1 LCD Viewfinder Contax .....................E++ 269
P7 Battery Holder Contax ............................New 99
P9 Battery Holder Contax...........................E++ 129
TLA280 Flash Contax...............E++ / Mint- 99-119
TLA30 Flash Contax......................E+ / E++ 39-59
TLA360 Flash Contax ................E+ / E++ 179-199
W7 Winder (159MM) Contax ........................E++ 49
Digital Cameras
Canon EOS 1DS MkIII Body Only Canon
....................................................E++ 3,399-3,499
Canon EOS 1DS Body Only Canon
............................................As Seen / E+ 699-899
Canon EOS 1D MkIIN Body Only Canon.....E+ 899
Canon EOS 1D MKII Body Only Canon.......E+ 899
Canon EOS 1D Body Only Canon ....E++ 499-599
Canon EOS 5D Body Only Canon ......E+ 799-849
Canon EOS 30D Body Only Canon ..E++ 299-319
Canon EOS 20D Body Only Canon E++ / Mint- 249
Canon EOS 10D Body Only Canon...E++ 179-199
Canon EOS 300D + BG-E1 Grip Canon ......E+ 169
Canon EOS 300D Body Only Canon ...........E+ 159
Canon EOS Rebel + 18-55mm Canon .........E+ 199
Canon Angle Finder C Canon E++ / Mint- 109-129
Canon BG-E1 Grip (300D) Canon..................E+ 45
Canon BG-E2 Grip (20/30/40D) CanonE+ / E++ 79
Canon BG-E4 Grip (5D) Canon.....E+ / E++ 89-99
Canon BG-E5 Grip (500D) Canon ..............Mint- 79
Canon BG-ED3 Grip Canon..............E++ / Mint- 79
Canon Powershot G1 Canon.................As Seen 59
8mm F3.5 Zuiko fisheye Olympus ............Mint- 449

7-14mm F4 ED Zuiko Olympus ..................E++ 959
11-22mm F2.8-3.5 Zuiko Olympus .............E++ 399
12-60mm F2.8-4 SWD Olympus ................E++ 549
14-54mm F2.8-3.5 Zuiko Olympus....E++ 249-299
18-180mm F3.5-6.3 Zuiko Olympus...........E++ 279
40-150mm F3.5-4.5 Zuiko Olympus.............E++ 99
40-150mm F4-5.6 Zuiko Olympus
....................................................Unused / New 139
50-200mm F2.8-3.5 Zuiko Olympus .E++ 499-549
50mm F2 Macro Zuiko Olympus ................E++ 299
Leica 14-50mm F2.8-3.5 Asph Leica .........E++ 399
Leica 25mm F1.4 D Summilux Leica/Panasonic
..................................................................Mint- 499
Sigma 24mm F1.8 E DG............................E++ 269
Sigma 30mm F1.4 DC HSM.......................E++ 249
Sigma 55-200mm F4-5.6 DC Sigma............E++ 59
Panasonic L1 + 14-50mm F2.8-3.5 Panasonic
....................................................................E++ 599
Panasonic LC1 Panasonic..........................E++ 399
Ricoh GX200 + Finder Ricoh.....................New 399
Ricoh GX100 + Finder Ricoh.....................New 220
Sigma DP1 + Finder Sigma ......................Mint- 279
Sigma EF-530DG Super Flash Sigma.......Mint- 119
Sony HVL-F36M Flash Sony ....E++ / Mint- 99-119
Sony HVL-F58AM Flash Sony....................E++ 249
Sony DSC-R1 Sony....................................E++ 299
Lighting
2x Interfit 3200 heads.................................E++ 129
Arrilite 800W Three Head Kit Arrilite.....Unused 799
Bowens 9 Lite Bowens ...............................E++ 249
Bowens Prolite 41 + Stand Kit Bowens ......E++ 149
Prolinca 2x250, 1x500 Three Head Kit Prolinca
....................................................................E++ 599
Metz Flashguns
32C2 Flash Metz.........................................Mint- 29
32Z2 Flash Metz.............................................E+ 29
34CS2 Digital Flash Metz.............................E++ 49
45CL3 Flash Metz ........................................E+ 109
45CL3 Nicad Metz........................................E++ 89
45CL4 Battery Metz......................................E++ 85
45CL4 Nicad Metz........................................E++ 89
45CT1 Nicad Metz..........................................E+ 69
45CT3 Flash Metz...................................E+ 59-79
50MZ5 Flash Metz........................................E+ 159
60CT2 Flash Metz ..........................................E+ 89
70MZ5 Flash Metz......................................E++ 169
76MZ5 Digital Metz ................E++ / Mint- 399-449
Fuji
GA645 Pro + Strobe Fuji.............................E++ 399
GA645Zi Fuji..............................E+ / E++ 379-429
GS645S Fuji ...............................................E++ 279
GSW690 MkIII Fuji .................E++ / Mint- 649-749
GW690 MkIII Fuji........................................E++ 699
GX617 + 105mm F5.6 Fuji ........................E+ 2,699
GX617 + 90mm F5.6 Fuji ........................E++ 2,799
105mm F8 (GX617) Fuji ..........................E++ 1,099
180mm F6.7 W (GX617) Fuji...................E++ 1,499
77mm ND2x Centre Filter (GX617) Fuji ....Mint- 125
GX617 Aluminium Case Fuji.........................E++ 99
GX680 Mk1 Complete Fuji............................E+ 649
GX680 MkII Complete Fuji ................E++ 849-949
GX680 MkIII Complete Fuji........................E+ 1,099
120 Insert (680) Fuji ..............................E++ 25-35
80mm F5.6 GXM (680) Fuji..........................E+ 299
135mm F5.6 GX (680) Fuji .......................Mint- 299
135mm F5.6 GXM (680) Fuji....E+ / Mint- 249-550
150mm F4.5 GXM (680) Fuji ....................Mint- 399
180mm F5.6 GXM (680) Fuji...E++ / Mint 399-449
190mm F8 Soft Focus (680) Fuji................E++ 499
210mm F5.6 GX (680) Fuji........E+ / Mint 249-499
300mm F6.3 (680) Fuji..............................Mint- 499
Angle Finder (680) Fuji .................................E+ 125
Instant Film Holder Mk1 (680) Fuji E+ / E++ 69-99
Instant Film Holder MkII (680) Fuji ...............E++ 75
MkII Mag + 120 Insert (680) Fuji ..................E+ 109
MkII Mag + 220 Insert (680) Fuji ..................E+ 109
MkII Mag + 120 Insert (680) FujiExc / Mint- 49199
MkII Mag + 220 Insert (680) Fuji.........E++ 99-125
MkIII Mag + 120 Insert (680) Fuji ...................E+ 99
Pro Shade (680) Fuji.....................................E++ 99
Remote Release (680) Fuji...........................E++ 45
Standard Bellows (680) Fuji..........................E++ 20
Wide Bag Bellows (680) Fuji ..........................E+ 25
Hasselblad
Contax N Digital Body Only Contax ........E++ 1,099

Epson RD1S Body Only Epson...............E++ 1,049
Epson RD1 Body Only Epson....................E++ 999
Fuji S2 Pro Body Only Fuji..........................E++ 249
Kodak Pro14N Body Only Kodak................E++ 499
Kodak DCS520 Body Only Kodak.......As Seen 349
Leica M8.2 White Body Only Leica.Ex Demo 4,500
Leica M8 Panda Body Only Leica...........New 3,390
Leica M8 Black Body Only Leica
...........................................E+ / Mint- 1,750-1,799
Leica Dlux 2 + Case Leica........................Mint- 229
Leica Digilux 1 Leica.....................................E+ 199
Minolta 7D Body Only KonicaMinolta .........E++ 249
Minolta Dimage A200 Minolta.....................E++ 119
Nikon D3 Body Only Nikon ....................Mint- 2,499
Nikon D2X Body Only Nikon....E+ / Mint- 799-949
Nikon D1X Body Only Nikon ........................E+ 499
Nikon D1 Body Only Nikon...........................E+ 249
Nikon D80 Body Only Nikon..............E++ 349-399
Nikon D70S Body Only Nikon ....................E++ 199
Nikon D70 Body Only Nikon .....................Mint- 199
Nikon D100 + MB-D100 Nikon.....................E+ 239
Nikon D100 Body Only Nikon.....................E++ 179
Nikon MB-D100 Grip Nikon..As Seen / E++ 45-89
Nikon MB-D200 Grip Nikon..........................E++ 79
Nikon Coolpix 3500 Nikon............................E++ 39
Olympus E3 Body Only Olympus..............Mint- 749
Olympus E30 Body Only Olympus.............E++ 549
Olympus E1 + 14-45mm Olympus..E++ / Mint- 299
Olympus E1 + HLD2 Grip Olympus .............E+ 279
Olympus E1 Body Only Olympus......E++ 179-199
Olympus FL-50R Flash Olympus ..............Mint- 299
Olympus HLD-2 Power Grip Set OlympusMint- 129
Olympus SRF-11 Ringflash Set Olympus...Mint 449
503CW Gold Supreme Hasselblad .........Mint 3,499

503CW Complete Hasselblad .................E++ 1,499
503CW Chrome Body Only Hasselblad .......E+ 549
501CM Complete Hasselblad.......................E+ 999
501C Complete Hasselblad....E+ / E++ 799-1,099
500CM Complete Hasselblad....E+ / E++ 599-699
500C Complete Hasselblad..........................E+ 449
500ELX Black Body Only Hasselblad...E++ 449-450
500EL Body Only Hasselblad.......................E+ 199
201F Complete Hasselblad .....................E++ 1,250
2000FCW Complete Hasselblad..................E+ 699
903SWC Complete Hasselblad.................E+ 2,299
30mm F3.5 Cfi Fisheye Hasselblad ........E++ 3,299
40mm F4 CF FLE HasselbladExc / E++ 8991,199
50mm F4 C Black Hasselblad...E+ / E++ 279-399
50mm F4 C Chrome Hasselblad..................E+ 449
50mm F4 CF Hasselblad .........Exc / E++ 379-449
60-120mm F4.8 FE Hasselblad.E+ / E++ 749-849
60mm F3.5 C Black Hasselblad..................Exc 399
120mm F4 CF Macro Hasselblad
...................................................E+ / E++ 599-949
135mm F5.6 C Macro Hasselblad
...................................................E+ / E++ 299-349
150mm F3.2 HC Hasselblad ...................E++ 1,399
150mm F4 C Black Hasselblad
..........................................As Seen / E++ 149-299
150mm F4 C Chrome Hasselblad...............Exc 149
150mm F4 CF Hasselblad..As Seen / E+ 299-399
150mm F4 Cfi Hasselblad.................E++ 799-899
160mm F4.8 CB Hasselblad ......................E++ 649
180mm F4 CF Hasselblad.........E+ / E++ 649-699
250mm F4 F Hasselblad.....................E+ 299-349

250mm F4 FE Hasselblad ............................E+ 749
250mm F5.6 C Black Hasselblad.................E+ 249
250mm F5.6 C Chrome Hasselblad
..........................................As Seen / E++ 149-299
250mm F5.6 CF Hasselblad.........................E+ 499
350mm F5.6 C Black Hasselblad................Exc 449
500mm F8 C Black Hasselblad....................E+ 549
2xE Converter Hasselblad..........................E++ 449
Cambro 2x Converter Cambro......................E++ 60
Komura 2x Converter Komura ........................E+ 59
Vivitar 2x Converter Vivitar ............E+ / E++ 49-79
12 On Magazine Hasselblad .................As Seen 59
70 Chrome Mag Hasselblad .................E+ / E++ 69
A12 Black Mag Hasselblad ....As Seen / E+ 79-99
A12 Chrome Mag Hasselblad
............................................As Seen / E++ 59-149
A16 Chrome Mag Hasselblad .............E++ 99-149
A16S Chrome Mag Hasselblad ......................E+ 69
A24 Black Mag Hasselblad............E+/E++ 49-145
A24 Chrome Mag Hasselblad.....Exc/Mint- 49-125
A24 TCC Black Mag Hasselblad ..................E+ 139
Polaplus Mag Hasselblad......................E++ 69-79
Polaroid 100 Mag Hasselblad .................E+ 45-75
Polaroid 80 Mag Hasselblad.........................E++ 35
Extension Tube (40630) Hasselblad.............E++ 45
Extension Tube 10 Hasselblad........................E+ 35
Extension Tube 21 Hasselblad .....................E++ 35
Extension Tube 32 Hasselblad ......E+ / E++ 30-35
Extension Tube 55 Hasselblad .....................E++ 35
Extension Tube 8 Hasselblad..........................E+ 35
Prism Magnifier...............................................E+ 25
D Flash Hasselblad ......................................E+ 199
HC1 Prism Hasselblad....................................E+ 39
Meter Prism Hasselblad ........................As Seen 49
PM Prism Hasselblad ...................................E+ 149
PM5 Prism Hasselblad ...............................E++ 249
PM90 Prism Hasselblad............................Mint- 299
PME3 Meter Prism Hasselblad...................E++ 299
PME51 Meter Prism Hasselblad...................E+ 299
PM5 Prism Hasseln;ad...............................E++ 249
Hasselblad H Series
H2F Body + Prism + Magazine Hasselblad
.................................................................E++ 2,999
H2 Body + Prism + Magazine Hasselblad
...............................................................Mint- 2,499
H1 Complete Hasselblad...........................E+ 1,999
28mm F4 HCD Hasselblad .....................Mint 2,250
35mm F3.5 HC Hasselblad .....................E++ 1,399
50-110mm F3.5-4.5 HC Hasselblad.......Mint- 1,599
120mm F4 HC Macro Hasselblad
.........................................E++ / Mint- 1,399-1,450
150mm F3.2 HC Hasselblad ...................E++ 1,399
Phase One H10 Back................................E+ 1,250
HC Film Insert Hasselblad..........................E++ 129
HM 16/32 Magazine HasselbladE+ / E++ 199-369
HMi100 Polaroid Mag Hasselblad ..............E++ 149
Hasselblad XPan Series
Xpan II + 45mm F4 Hasselblad .................................

E+ / E++ 1,499-1,699
Xpan + 45mm F4 Hasselblad .Exc / E+ 999-1,099
30mm F5.6 Apsh + Finder Hasselblad....E++ 1,599
90mm F4 Hasselblad ...............E+ / Mint- 319-399
49mm Centre Filter Hasselblad....................E+ 149
Large Format - Please Phone
Leica M Series
M6 Jubilee Set Leica .........................Unused 4,999
M6 Ein Stuck + 35mm F1.4 Asph Leica Mint- 3,999
M6 Royal Photo Society Leica...........Unused 2,999
M6TTL Titanium + 50mm F2 Leica
...................................Unused / Mint- 2,499-3,250
M6TTL 0.85x LHSA Black Body Only Leica
...........................................................Unused 2,999
MP Anthracite Body + Leicavit Leica ......New 2,699
M6TTL Millennium Body Only Leica......Mint- 1,750
M7 0.58x Black Body Only Leica ............E++ 1,599
M7 0.72x Black Body Only Leica E++ 1,449-1,550
M7 0.72x Chrome Body Only Leica
..........................................E++ / Mint 1,550-1,699
M6 0.72x Ttitanium Body Only Leica .....Mint- 1,450
M6TTL 0.72x Black Body Only Leica .........E++ 749
M6TTL 0.85x Black Body Only LeicaE++ 899-949
M6TTL 0.85x Chrome Body Only Leica.....E++ 949
M5 Black Body Only Leica ...........................E+ 599
M5 Chrome Body Only Leica .....................E++ 750
M4 Chrome Body Only Leica ..............E+ 599-750
M4-2 Black Body Only Leica .....E+ / E++ 550-599
MD2 Black Body Only Leica.........................E+ 399
MDA Chrome Body Only Leica.....................E+ 499
CL + 40mm + 90mm Leica.........................E++ 799
CL Black Body Only Leica............................E+ 349
21mm F2.8 Asph M Black 6Bit Leica.....Mint- 1,799
35mm F1.4 Asph M Black 6bit Leica .....Mint- 1,999
35mm F2.8 Chrome (M3) Leica ...................E+ 299
35mm F3.5 Chrome (M3) Leica ...................E+ 299
65mm F3.5 Chrome Leica............................E+ 299
90mm F2 Black Leica...................................E+ 399
90mm F2.8 Chrome (Viso) Leica .................E+ 245
90mm F4 Elmar C Leica ............................E++ 249
90mm F4 Chrome Leica.................................E+ 99
90mm F4 Collapsible Leica..........................E+ 249
135mm F2.8 M Black Leica .......As Seen 225-250
135mm F4 Black Leica..............E+ / E++ 249-299
135mm F4.5 Chrome Leica....As Seen / E+ 45-99
Konica 28mm F2.8 M Konica....................Mint- 499
Konica 35mm F2 M Konica ........................E++ 549
Minolta 28mm F2.8 M Minolta ......................E+ 399
Minolta 90mm F4 M Minolta .......................E++ 169
Voigtlander 50mm F2 Classic Voigtlander Mint- 399
Zeiss 18mm F4 ZM + Hood Zeiss ............Mint- 849
Zeiss 25mm F2.8 ZM Zeiss ......................Mint- 699
Zeiss 50mm F2 ZM Zeiss .........................Mint- 499
14127 M to R Adapter Leica...........................E+ 99
16/18/21 Universal Finder Leica ........Ex Demo 499
24mm Finder Leica.......................................E+ 199
28mm Finder Leica.....................................E++ 199
Bellows II Leica...............................................E+ 79
Handgrip M Leica........................................Mint- 59
Leicavit - Black Chrome Leica ...................New 399

Leicavit - Chrome Leica .............................New 399
Motor M Leica.............................................E++ 249
M2 Leather Case Leica ...........................E+ 25-30
M6 Leather Case Leica ..................................E+ 45
SF20 Flash Leica...........................E+ / E++ 65-85
A42 Swing Polariser Leica ....................E++ 69-85
Universal Polariser M Leica....E++ / Mint- 195-199
Leica R Series
R3 Gold + 50mm F1.4 Leica .............Unused 1,999

R9 Anthracite Body Only Leica ..............Mint- 1,099
R9 Black Body Only Leica ..E++ / Mint- 999-1,199
R8 Chrome Body Only Leica.....E+ / E++ 399-449
R6.2 Black Body Only Leica.......................E++ 649
R6.2 Chrome Body Only Leica .................Mint- 799
R6 Black Body Only Leica.........E+ / E++ 399-449
R4 Black Body Only Leica............................E+ 159
R3 MOT + Winder Leica.............................E++ 299
R3 MOT Black Body Only Leica ...........As Seen 99
SL2 Anniversary Body Only Leica..............E++ 649
SL MOT Black Body Only Leica.................E++ 299
SL Black Body Only Leica..........................E++ 349
SL Chrome + 50mm F2 Leica.............As Seen 229
SL Chrome Body Only Leica ........................E+ 199
15mm F2.8 Asph Super ROM Leica......Mint- 2,999
19mm F2.8 ROM Leica ...........................E++ 1,149
24mm F2.8 R 3cam LeicaAs Seen / E++ 249-399
24mm F2.8 ROM Leica..........E++ / Mint- 599-699
28mm F2.8 PCS Shift Leica ..E++ / Mint- 899-950
28-70mm F3.5-4.5 ROM Leica..E+ / E++ 319-399
28-90mm F2.8-4.5 Asph ROM Leica
.........................................E++ / Mint- 1,499-1,599
35mm F1.4 ROM Leica..........................Mint- 1,250
35mm F2 ROM Leica..........................As Seen 795
35mm F4 Shift Leica ....................................E+ 239
35-70mm F3.5 R German Leica.........E+ / E++ 449
35-70mm F4 ROM Leica.....................E+ 349-450
60mm F2.8 Macro ROM Leica ...................E++ 649
70-210mm F4 R 3cam Leica.....E+ / E++ 375-449
75-200mm F4.5 3Cam Leica ......................Exc 159
75-200mm F4.5 R 3cam Leica.....................E+ 199
80-200mm F4 R 3cam Leica......................E++ 499
80-200mm F4 ROM Leica ......E++ / New 749-999
80-200mm F4.5 R 3cam Leica.....................E+ 249
100mm F2.8 Apo Macro R 3cam Leica
.................................................E+ / Mint- 849-999
105-280mm F4.2 ROM Leica..................E++ 1,999
105-280mm F4.2 Vario ROM Leica............................
Ex Demo / New 2,499-3,499
135mm F2.8 R 3cam Leica...............E++ 245-249
180mm F2.8 3rd Cam Leica .........................E+ 349
180mm F2.8 R 3cam Leica......Exc / E++ 399-499
180mm F4 R 3cam Leica....................E+ 249-299
250mm F4 R 3cam Leica .............................E+ 449
400mm F6.8 Telyt Leica ...............................E+ 395
2x Apo Extender R Leica .......E++ / Mint- 449-499
2x Extender R Leica...................E+ / Mint 119-189
11842 Lens Head 400/560//800mm Leica
...............................................................Mint- 3,499
11843 Focus Module 280/400mm F2.8 Leica
...............................................................Mint- 1,650
11844 Focus Module 400/560mm F4 Leica
...............................................................Mint- 1,999
Angle Finder R (14300) LeicaE++ / Mint- 125-199
E55 Cir Polariser Leica...................................E+ 75
E77 Circular Polariser Leica .......................E++ 125
Elpro 3 Close Up Leica.................................E++ 20
Elpro for 100mm F2.8 Leica......................Mint- 195
Macro Adapter R Leica..............................Mint- 125
Motordrive R4 Leica.....................Exc / E++ 69-79
Motorwinder R Leica ......................................E+ 59
Motorwinder R4 Leica ....................................E+ 59
Motorwinder R8/R9 Leica ..........E+ / E++ 149-199
Leica Screw
Oscar Barnack Edition No 800 Leica .....New 1,250
Standard + 50mm F3.5 Leica......................Exc 499
IIIF R/Dial D/A Chrome Body Leica ....E+ 299-349
IIIF R/Dial Chrome Body Leica.....................E+ 299
IIIF B/Dial Chrome Body Leica ..E+ / E++ 219-299
III Chrome + 50mm F2 Leica ......................Exc 295
III Chrome Body Leica................Exc / E+ 225-275
IIF R/Dial Chrome Body Leica......................E+ 350
IIF B/Dial + 50mm F3.5 Leica .............E+ 449-450
IIC Chrome Body Leica ................................E+ 275
90mm F4 Elmar Leica..................As Seen / Exc 45
135mm F4.5 Hektor Leica ....As Seen / E+ 39-125
200mm F4.5 Telyt Leica ..............................Exc 225
280mm F4.8 Telyt Leica..............Exc / E+ 175-245
Ricoh 28mm F2.8 GR + Finder ....................E+ 699
ADVOO Close Up Set Leica.........................E++ 95
FIKUS Hood Leica ......................................Mint- 79
FISON Hood Leica .......................................E++ 29
IUFOO Hood Leica.........................................E+ 30
SBOOI 5cm Finder Leica .............................E++ 95
SFTOO 20cm Finder Leica.............................E+ 79
SGVOO 9cm Finder Leica............................E++ 75
SHOOC 13.5cm Finder Leica .....................Mint- 75
IIIG Leather Case Leica..................................E+ 45
Mamiya 6/6MF
6 + 50mm/75mm/150mm Lenses Mamiya E+ 1,699
6 Body Only Mamiya ....................................E+ 599
150mm F4.5 L (6/6MF) Mamiya.................E++ 349
Mamiya 645 AF/D/DII
645AFDIII Complete Mamiya ..........Ex Demo 2,999

645AFDIII Body Only Mamiya.........Ex Demo 1,999
645AFD Complete Mamiya ........................E++ 899
28mm F4.5 AF D Mamiya ...............Ex Demo 2,699
35mm F3.5 AF Mamiya...Ex Demo / E++ 599-649
55mm F2.8 AF Mamiya ............Ex Demo / E++ 499

55-110mm F4.5 AF Mamiya ..............E++ 799-899
80mm F2.8 AF Mamiya......................Ex Demo 269
80mm F2.8 AF D Mamiya ..................Ex Demo 499
105-210mm F4.5 AF ULD Mamiya.............E++ 699
120mm F4 Macro MF Mamiya.................E++ 1,099
150mm F3.5 AF Mamiya Ex Demo / New 349-449
210mm F4 AF ULD Mamiya
.........................................Ex Demo / E++ 699-749
300mm F4.5 AF Apo Mamiya..................E++ 1,399
120/220 Insert 645AF/D Mamiya..................E++ 79
120/220 Mag 645AF/D MamiyaE++ / Mint- 99-199
Auto Extension Tube NA401 Mamiya ...........E++ 99
Mamiya 645
ProTL Complete + AE Prism Mamiya .........E++ 549
Pro TL Complete + FK402 Prism Mamiya ..E++ 399
Pro TL Complete Mamiya ...........................E++ 399
Pro Complete Mamiya ..................................E+ 499
Super Complete + AE Prism Mamiya..........Exc 329
Super Complete + Prism Mamiya...............E++ 299
M645J Complete + PD Prism Mamiya..........E+ 199
35mm F3.5 N Mamiya ..................................E+ 249
45mm F2.8 C Mamiya ................................E++ 149
45mm F2.8 N Mamiya ................................E++ 199
50mm F4 C Shift Mamiya ......E++ / Mint- 349-450
55mm F2.8 N Mamiya ................................E++ 159
70mm F2.8 Leaf Shutter Mamiya .................E+ 125
80mm F2.8 Leaf Shutter Mamiya .................E+ 199
105-210mm F4.5 C ULD Mamiya........E+ 199-249
105-210mm F4.5 C ULD Mamiya ..............New 379
150mm F2.8 A Mamiya ..............................E++ 249
150mm F3.5 C Mamiya ......As Seen / E++ 39-115
150mm F3.5 N Mamiya.....As Seen / Mint- 65-145
150mm F3.8 Leaf Shutter Mamiya .............E++ 295
150mm F4 C Mamiya...........As Seen / E++ 59-99
150mmm F3.5 C Mamiya ...............................E+ 59
210mm F4 C Mamiya .........As Seen / E++ 75-199
210mm F4 N Mamiya.................E+ / E++ 109-119
300mm F2.8 A Apo Mamiya....................E++ 1,949
500mm F5.6 C Mamiya................................E+ 399
500mm F8 Reflex Mamiya .........................E++ 399
2x Teleconverter Mamiya............................New 145
Teleplus 2x Converter Teleplus .....................E++ 39
120 Insert Mamiya ................................E+ / E++ 15
135N Pro Mag Mamiya ...................................E+ 75
135N Super Mag Mamiya ..........E++ / Mint- 75-85
135W Mag Mamiya.........................................E+ 85
220 Insert Mamiya.................................E++ 10-20
Polaroid Mag Mamiya....................E+ / New 25-79
AE Prism Finder (FK402) MamiyaE+ / E++ 99-109
AE Prism Finder N Mamiya .......E+ / E++ 139-199
Prism Finder (FP401) Mamiya Mint / New 109-149
Prism Finder N Mamiya .......................E++ 75-119
Plain Prism 645 Mamiya.................................E+ 49
Auto Extension Tube 1 Mamiya .....E+ / E++ 20-25
Auto Extension Tube 2 Mamiya .....E+ / E++ 25-29
Auto Extension Tube 3S Mamiya.........E+ / Mint- 25
Autobellows + Release Mamiya .................E++ 159
Flash L Grip (GL402) Mamiya......................E++ 29
Power Drive 645 Mamiya................................E+ 49
Pro Shade Mamiya .......................................E++ 39
Mamiya 7/7II
7II Black + 80mm F4 L Mamiya ..E++ 1,149-1,199
7II Black Body (Demo) Mamiya..........Ex Demo 749
7 + 80mm F4 L Mamiya ............E+ / E++ 899-949
43mm F4.5 L + Finder Mamiya
...............................................E++ / Mint- 949-999
50mm F4.5 L (No Finder) Mamiya ......As Seen 499
50mm F4.5 L + Finder Mamiya
...............................................E++ / Mint- 699-899
65mm F4 L Mamiya ...............E++ / Mint- 499-549
150mm F4.5 L Mamiya ..........E++ / Mint- 369-499
210mm F8 L + Finder Mamiya..................Mint- 699
Close-up Adapter Mamiya ..........................E++ 149
Panoramic Adapter AD701 Mamiya
...................................................E++ / Mint- 75-79
Mamiya RB67
Pro SD Complete Mamiya........E+ / Mint- 499-599
Pro S Complete Mamiya...........Exc / E++ 249-399
Pro S Body Only Mamiya ...........Exc / E+ 125-149
65mm F4.5 Mamiya ......................................Exc 99
65mm F4.5 C Mamiya ..................................E+ 149
90mm F3.5 Mamiya ......................................Exc 99
90mm F3.8 C Mamiya................Exc / E++ 99-199
140mm F4.5 C Macro Mamiya ............E+ 199-239
150mm F4 C Soft Focus Mamiya......E++ 149-159
180mm F4.5 Mamiya..........As Seen / E++ 99-179
180mm F4.5 C Mamiya ......As Seen / E++ 89-189
180mm F4.5 KL Mamiya............................New 325
250mm F4.5 C Mamiya.......................As Seen 125
Pro 220 Mag Mamiya ............................As Seen 35
Pro SD 120 Mag Mamiya...............E+ / E++ 65-75
ProS 120 Mag Mamiya ...................................E+ 39
ProS 220 Mag Mamiya ................E+ / E++ 49-145
Extension Tube No1 Mamiya........E+ / E++ 65-119
Extension Tube No2 Mamiya ........................E++ 59
Mamiya RZ67
210mm F4.5 Apo Mamiya ..........................E++ 599

250mm F4.5 Mamiya....................................E+ 179
250mm F4.5 K/LA Mamiya...........................E+ 299
250mm F4.5 W Mamiya .............................E++ 225
350mm F3.5 Apo Mamiya ............................E+ 799
350mm F5.6 Apo Mamiya...........................E++ 749
360mm F6 Mamiya.......................................E+ 299
1.4x Converter Mamiya......................E++ 199-249
120 Pro Mag Mamiya..........As Seen / E++ 49-145
120 Pro Mag (6x4.5) Mamiya........................E+ 145
120 ProII Mag Mamiya...................E+ / E++ 59-89
Polaroid Mag Mamiya ....................E+ / E++ 35-45
AE Prism Finder Mamiya..As Seen / E++ 149-249
PD Prism Finder Mamiya..............................E+ 225
Prism Finder Model 2 Mamiya....................E++ 125
Mamiya TLR - Please Phone
Meters - Please Phone
Minolta - Please Phone
Nikon AF
F5 Body Only Nikon..............................Unused 750
F5 Body Only Nikon ...................Exc / E+ 199-399
F4E Body Only Nikon.................................E++ 349
F100 + MB15 Grip Nikon............................E++ 229
F100 Body Only Nikon ..............E+ / E++ 159-599
F90X + MB10 Grip Nikon .....As Seen / E+ 59-129
F90X Body Only Nikon............................E+ 79-89
F90 Body Only Nikon...................E+ / E++ 59-125
F80 Black Body Only Nikon...........E+ / E++ 79-99
F80 Chrome Body Only Nikon ...E++ / Mint- 79-99
F65 Chrome Body Only Nikon.......E+ / E++ 39-59
F601 Body Only Nikon ...................Exc / E+ 45-49
12-24mm F4 G AFS IFED DX Nikon..........E++ 499
14mm F2.8 AFD Nikon..............................Mint- 950
17-55mm F2.8 G AFS DX IFED Nikon
...................................................E+ / E++ 639-699
18mm F2.8 AFD Nikon ...............................E++ 799
18-70mm F3.5-4.5 G AFS ED DX Nikon
...................................................E+ / E++ 149-159
18-105mm F3.5-5.6 G AFS DX VR Nikon..................
E++ / Mint- 149
18-135mm F3.5-5.6 G AFS DX Nikon ........E++ 159
24mm F2.8 AFD Nikon...............................E++ 239
24-50mm F3.5-4.5 AFD Nikon....................E++ 149
24-50mm F3.3-4.5 AFN Nikon......................E+ 109
24-85mm F2.8-4 AFD Nikon.........................E+ 199
24-120mm F3.5-5.6 ED AFD Nikon..............E+ 159
24-120mm F3.5-5.6 G AFS ED VR Nikon
..........................................................E++ 389-449
28mm F2.8 AFD Nikon ...............................E++ 159
28-80mm F3.5-5.6 AFD Nikon
..............................................As Seen / E++ 49-79
28-100mm F3.5-5.6 AFG Nikon ...................E++ 59
28-105mm F3.5-4.5 AFD Nikon ................Mint- 199
35-105mm F3.5-4.5 AF Nikon ......................E++ 95
55-200mm F3.5-5.6 AFS DX G Nikon
..........................................Ex Demo / E++ 99-129
70-200mm F2.8 G AFS ED VR Nikon
.........................................E++ / Mint- 1,199-1,249
70-300mm F4-5.6 AFG Nikon ......................E++ 89
70-300mm F4-5.6 ED AFD Nikon ..............E++ 179
70-300mm F4-5.6 G AFS ED VR Nikon.....E++ 329
80-200mm F2.8 ED AF Nikon ......................E+ 399
80-400mm F4.5-5.6 AFD VR Nikon....E+ / E++ 899
85mm F2.8 AFD PC Nikon.........................E++ 849
85mm F1.4 AFD Nikion ..............................E++ 699
180mm F2.8 ED AFD Nikon.......................E++ 499
300mm F4 D AFS IFED Nikon...................E++ 799
Sigma 15mm F2.8 D EX DG Fisheye SigmaE+ 349
Sigma 18-35mm F3.5-4.5 Asph Sigma.......E++ 119
Sigma 20mm F1.8 DG RF Sigma ..............E++ 299
Sigma 28-80mm F3.5-5.6 Sigma .................E++ 49
Sigma 28-200mm F3.8-5.6 UC Sigma.........E++ 79
Sigma 30mm F1.4 DC EX HSM Sigma .....E++ 279
Sigma 50mm F2.8 D EX Macro Sigma ......E++ 179
Sigma 50-500mm F4-6.3 Apo HSM D Sigma
....................................................................E++ 699
Sigma 70mm F2.8 EX DG Macro Sigma..Mint- 289
Sigma 70-300mm F4-5.6 Apo Macro Sigma
....................................................................E++ 109
Sigma 80-400mm F4.5-5.6 Apo DG OS Sigma
...................................................E+ / E++ 629-659
Sigma 100-300mm F4 D Apo EX HSM Sigma
......................................................................E+ 699
Sigma 150-500mm F5-6.3 Apo DG HSM Sigma
....................................................................E++ 599
Tamron 11-18mm F4.5-5.6 XR Di II Tamron ....E++ 249
Tamron 14mm F2.8 SP AF Tamron ............New 599
Tamron 17-50mm F2.8 XR Di II Tamron
...........................................................E++ 199-239
Tamron 20-40mm F2.7-3.5 SP Tamron .......E++ 149
Tamron 70-210mm F2.8 SP AF LD Tamron ....E++ 399
Teleplus 2x Pro300 Converter Teleplus.........E++ 79
Tokina 10-17mm F3.5-4.5 DX Fish Eye ATX Tokina
...................................................................New 400
Tokina 12-24mm F4 Pro DX Tokina ...........Mint- 349
Tokina 50-135mm F2.8 ATX Pro DX Tokina E++ 399
DW20 Waist Level Finder Nikon...................E++ 89
DW4 Waist Level Finder Nikon....................Mint- 85
MB10 Grip (F90/X) Nikon ..............E+ / E++ 35-50
MB15 Grip (F100) Nikon ..............................E++ 39
SB20 Speedlight Nikon .........................E++ 39-49
SB21A Macro Speedlight Nikon.................Mint 225
SB21B Ringflash Nikon .....................E++ 149-179
SB22S Speedlight Nikon ..............................E++ 49
SB23 Speedlight Nikon ................................E++ 39
SB29S Speedlight Macro Nikon .................E++ 199
SB30 Speedlight Nikon .........................E++ 35-39
SB50DX Speedlight Nikon ....................E++ 69-79
Nikon Manual - Please Phone
Olympus
Pro II Complete Mamiya ....................E++ 799-849

Pro Complete + AE Prism Mamiya ...............E+ 599
Pro Complete Mamiya ...............E+ / E++ 549-599
50mm F4.5 Mamiya .................Exc / E++ 350-369
50mm F4.5 ULD Mamiya...........................New 699
50mm F4.5 W Mamiya ......................E++ 349-369
65mm F4 L-A Mamiya................................New 549
65mm F4 W Mamiya ....................................E+ 299
75mm F4.5 SB / LM + Spacer Mamiya......E++ 949
75mm F4.5 Shift W Mamiya................E+ 449-549
100-200mm F5.2 W Mamiya........................E+ 399
110mm F2.8 W Mamiya..............................E++ 199
140mm F4.5 Macro Mamiya.........................E+ 299
140mm F4.5 Macro ML-A Mamiya..............E++ 299
140mm F4.5 W Macro Mamiya ..................E++ 259
150mm F3.5 W Mamiya..........E++ / New 350-499
180mm F4 VSF / DL Mamiya............E++ 499-599
180mm F4.5 W Mamiya .............Exc / E+ 189-199
180mm F4.5 WN MamiyaEx Demo / Mint- 149-395
OM4Ti Black + 50mm F1.8 Olympus..E+ 299-349

OM4 Black Body Olympus ..........................Exc 129
OM2N Chrome Body OlympusAs Seen / E+ 59-85
OM2 Black Body Olympus .............................E+ 79
OM2 Chrome Body Olympus ..................E+ 79-89
OM1N Chrome + 50mm F1.8 Olympus..........E+ 79
OM40 Black Body Olympus ...........................E+ 79
OM30 Chrome + 50mm F1.8 Olympus
................................................As Seen / E+ 49-69
OM10 Black + 50mm F1.8 Olympus ..............E+ 69
OM10 Chrome + 50mm F1.8 Olympus ........E++ 69
OM10 Chrome Body Olympus .......Exc / E+ 29-39

21mm F3.5 Zuiko Olympus ..........................E+ 299
28mm F2.8 Zuiko Olympus ............................E+ 45
28mm F3.5 Zuiko Olympus .....................E+ 49-55
35mm F2.8 Zuiko Olympus ............................E+ 59
35mm F2.8 Zuiko Shift Olympus..................E+ 249
35-70mm F3.5-4.5 Zuiko Olympus........E++ 49-95
35-70mm F4 Zuiko Olympus.........................Exc 39
35-105mm F3.5-4.5 Zuiko Olympus...............E+ 99
38mm F3.5 Macro Zuiko Olympus .............E++ 299
50mm F2 Macro Zuiko Olympus ..................E+ 329
50mm F3.5 Zuiko Macro Olympus .................E+ 99
50-250mm F5 Zuiko Olympus....................E++ 349
65-200mm F4 Zuiko Olympus ...E+ / E++ 109-159
75-150mm F4 Zuiko Olympus ........................E+ 49
80mm F4 Auto Macro Zuiko Olympus..........E+ 225
80mm F4 Macro Zuiko OlympusE+ / E++ 159-199
100-200mm F5 Zuiko Olympus............E+ / E++ 69
135mm F4.5 Macro Zuiko Olympus
....................................................Exc / E+ 129-139
135mm F4.5 Zuiko Macro Olympus ...........E++ 249
180mm F2.8 Zuiko Olympus .....E+ / E++ 349-499
300mm F4.5 Zuiko Olympus ........................E+ 149
400mm F6.3 Zuiko Olymous......................E++ 599
600mm F6.5 Zuiko Olympus...............E+ 599-649
2xA Converter Olympus..................................E+ 59
Autobellows + Release Olympus ................E++ 119
Auto Extension Tube 7 Olympus ..E+ / Mint- 15-25
Auto Extension Tube 14 Olympus.................E++ 25
65-116 Extension Tube Olympus ....................E+ 79
Varimagnifier Olympus .................E+ / Mint- 49-99
F280 Flash Olympus .....................E+ / E++ 75-79
T10 Ringflash Olympus ..................................E+ 75
T20 Flash Olympus .........................E+ / E++ 9-25
T28 Twin Flash Olympus ............................E++ 125
T32 Flash Olympus .......................E+ / E++ 20-55
250 Film Back Olympus.......Unused / E++ 95-195
Handy Copystand Olympus..........................E++ 39
Recordata Back 1 Olympus...................As Seen 25
Winder 2 Olympus..........................................E+ 19
Pentax 645
645NII + 45-85mm Pentax............................E+ 799
645N + 45-85mm F4 FA Pentax.................E++ 799
645N Complete Pentax.................................E+ 499
35mm F3.5 FA AL Pentax...........................E++ 499
45mm F2.8 A Pentax .................E+ / E++ 199-225
45mm F2.8 FA Pentax................................E++ 295
45-85mm F4.5 FA Pentax .......E++ / New 449-699
55-110mm F5.6 FA Pentax .........................E++ 599
75mm F2.8 Leaf Shutter Pentax...................E+ 149
80-160mm F4.5 A Pentax ..........E+ / E++ 369-399
120mm F4 A Macro Pentax...............E++ 299-349
150mm F2.8 FA Pentax ..............................E++ 299
150mm F3.5 A Pentax ................................E++ 159
200mm F4 A Pentax .....................................E+ 159
200mm F4 FA Pentax................E+ / E++ 199-249
300mm F4 EDIF A Pentax..........................E++ 499
300mm F4 EDIF FA * Pentax .......................E+ 449
400mm F5.6 EDIF FA Pentax.......................E+ 749
120 Insert Pentax...........................E+ / E++ 65-75
220 Insert Pentax..................................E+ / E++ 49
Auto Bellows Pentax...........................Ex Demo 399
Finder Magnifier Pentax..................................E+ 45
Pentax 6x7
67II Complete Pentax .................................E++ 949
67II + AE Prism Pentax...............................E++ 749
67 Mirror Up Complete Pentax .....................E+ 599
67 Mirror Up Body + Prism Pentax ...............E+ 349
67 Mirror Up Body Only Pentax...................Exc 199
6x7 Mirror Up + Prism Pentax.......................E+ 279
35mm F4.5 Fisheye Takumar Pentax
...................................................E+ / E++ 399-650
55mm F4 SMC Pentax...............E+ / E++ 179-269
55-100mm F4.5 SMC Pentax............E++ 499-549
75mm F2.8 SMC AL Pentax......................Mint- 399
75mm F4.5 Shift Pentax.............Exc / E+ 499-699
90-180mm F5.6 SMC Pentax .....................E++ 649
135mm F4 SMC Macro Pentax .........E++ 249-299
150mm F2.8 Pentax......................................E+ 149
150mm F2.8 Takumar Pentax
............................................As Seen / E+ 109-179
165mm F2.8 Pentax .................Exc / E++ 139-249
165mm F2.8 SMC Pentax.............................E+ 179
200mm F4 Pentax .....................E+ / E++ 199-249
200mm F4 Takumar Pentax.......E+ / E++ 139-199
300mm F4 SMC Pentax .............................E++ 349
300mm F4 Takumar Pentax
..........................................As Seen / E++ 199-349
400mm F4 Takumar Pentax........................E++ 449
500mm F5.6 Pentax ..........................E++ 749-899
500mm F5.6 SMC Pentax .......................E++ 1,399
800mm F4 Takumar Pentax.....................E++ 2,999
800mm F6.7 SMC Pentax .......................E++ 2,299
1.4x Rear Converter Pentax .......................E++ 295
2x Rear Converter T6 Pentax........................E+ 179
Vivitar 2x Converter .......................E+ / E++ 49-79
NPC Polaroid Mag ........................................E+ 149
67 - PK Lens Mount Adapter Pentax............E++ 99
Magnifying Hood Pentax.................................E+ 95
TTL Meter Prism Pentax................................Exc 75
Pentax A/F - Please Phone
Pentax Manual - Please Phone
Projectors - Please Phone
Rollei 6003/6/8 - Please Phone
Rollei SL66/E/SE - Please Phone
Rollei Twin Lens - Please Phone
Voigtlander
Bessa R4A Black Body Only Voigtlander...E++ 499
Bessa R2M + 50mm F2 Voigtlander .........Mint- 849
Bessa R2 Olive Body Only Voigtlander......E++ 299
Bessa T Chrome Body Only Voigtlander...Mint- 179
12mm F5.6 + Finder Voigtlander
...............................................E++ / Mint- 449-499
15mm F4.5 + Finder Voigtlander
.................................................E+ / Mint- 249-299
21mm F4 Color Skopar Voigtlande
r ................................................E+ / Mint- 199-249
25mm F4 + Finder Voigtlander........E++ / Mint- 239
28mm F1.9 Ultron Voigtlander .........Mint- 249-269
75mm F2.5 Color Heliar Voigtlander ..........E++ 239
90mm F3.5 Apo Lanthar Voigtlander..........E++ 239
15mm D Black Finder Voigtlander...............Mint- 99
28mm Black Finder Voigtlander ................Mint- 109
AngleFinder + 21mm Attachment Voigtlander
...................................................................Mint- 119
T Winder Voigtlander ....................................E++ 79
Zeiss - Please Phone
NICHOLAS
15 CAMDEN HIGH STREET, LONDON NW1 7JE

TEL: 020 7916 7251 or 0207 387 3355
MON-SAT 10-6pm FAX: 020 7419 1719
www.nicholascamera.com
50 YARDS MORNINGTON CRESCENT TUBE
CAMERA COMPANY FOR THE AMATEUR/PROFESSIONAL PHOTOGRAPHER, CAMERA COLLECTOR

NEW UK DIGITAL SLRs and LENSES
CANON 300/400f2.8L IS IN STOCK......low
CANON 500/600mm F4LIS IN STOCK ..low
NIKON D3,s,x/D700D300sIN STOCK ..low
CANON 1D-MK1V/1DS-I1I IN STOCK ....low
CANON EOS 5D MK11 IN STOCK ........low
CANON EXTENDERS,SPEEDLITES ......low
SIGMA 20f1.8,30f1.4 CAF/NAF ........399
SIGMA 10-20mm CAF/NAF/SONY ......389
SIGMA 17-35mm 20-40mmDG ..........375
SIGMA 70-200 f2.8DG,CAF ..............565
SIGMA 300mm f2.8 EX CAF............1975
SIGMA 105 MICRO CAF/NAF/SONY ....375
MOST NIKON/CANON LENSES & ACCS ..LOW
KENKO PRO-300 1.4/2x CAF/NAF ......179
PROFESSIONAL DIGITAL MEDIUM
FORMAT,NEW.
HASSEL H3D-11 39MP,(SPECIAL) ......NEG
HASSEL 39MP BACK,ANY FIT ..........NEG
LEAF APTUS 65/75/+ (SPECIAL) ........NEG
RODENSTOCK 45mm f4.5,COPAL ......NEG
APO-DIGITAR 28-120mm IRIS/COPAL ..NEG
DIGITAR 60,80,90,100mm-ELECTRONIC
SHUTTER.
LEAF/ROLLEI6008 40/80/180mm ......NEG
LEAF/ROLLEI 55mmTILT&SHIFT ........NEG
PROFOTO 7a12/2400/7b PROFLASH ..NEG
ESOTERICA/EXOTICA/CLASSICA
APPLE PWRBK G4 1.667,17 ......395-675
APCAM MOTOR,HASSEL500,BXD ........695
ALPA 11 SI BODY,Nr.NEW ..................1945
ALPA 6c,9d,10d,11 body......................NEG
ALPA LENSES 24-500mm....................ASK
APO-SYMMAR 480mm(10x8-12x16) ....NEG
ARC HASSELBLAD 35/75mm LENS ....ASK
ARC HASSElBlAD+35/45mm.......from2675
ARCA 10x8,5x7,5x4 Outfits..................ASK
BESSA R/2/3/4 BODIES ..............195-495
BESSA-R LENSES(12-90mm)NEW ......ASK
BESSA-L/T/NEW..........................119-275
BERTRAM-BEWI ZOOM SPOTMETER ..275
BRONICA RF645+65/UNUSED? ..575-795
BRONICA EC/TL, comp................245-399
BRONICA S2A/EC lenses 40-400mm ....ask
BRONICA 645RF+65,BXD,UNUSED......ASK
BRONICA 45mm-RF/NEW? ........375-499
BRONICA 60mm f2.8PE,ASNEW ..........445
BRONICA 180mm f4 PE,ASNEW ..........495
BRONICA 110f4.5 PS1:1,NEW? ............795
BRONICA 105f4.5 PE1:1,NEW? ............645
CANON 1DS MK111/UNUSED 32504225`
CANON 1D MK111/UNUSED ..1875-2275
CANON WFT-E2 TRANSMITTER ..475-599
CANON 1DS MK11,ASNEW,UNUSED? ..2795
CANON 1DS MK11 ..................1495-2275
CANON EOS 1DS/asnew............875-1275
CANON EOS 1D MK11/n............825-1395
CANON EOS 1D/BXD/ASNEW......475-725
CANON EOS 5D/BXD/ASNEW......799-975
CANON EOS 50D,ASNEW/NEW ..645-735
CANON EOS 40D,BXD,ASNEW ............525
CANON 24mm,45mm Tilt&Shift ..........895
CANON EOS IV/HS/ASNEW ........375-995
CANON EOS 5,30V,T90,UNUSED ......ea375
CANON F1n,ASNEW,UNUSED ............1125
CANON SPEED FNDR-FN,UNUSED ......395
CANON FD 17/20mm/ASNEW ....325-495
CANON FD 24mm f1.4L ..............645-895
CANON FD 100 MACRO/+TUBE ..199-495
CANON FD 85mmF1.2L ..............595-799
CANON FD 200 MACRO+Rngflash ........595
Canon FD 50-300mm L+Hood,nice ....1475
CANON FD 300mm f2.8 ............745-1395
CANON FD 400mm f2.8,800mm5.6 ....NEG
CANON VT/V1T+50mm(L39) ..............NEG
CANON 50mm f1.2,L39 ..............395-595
CANON EOS 85mm f1.2L/11 ..1225-1575
CANON EOS 100mm MACRO ......265-375
CANON EOS 14mm f2.8/11 ....1195-1695
CANON EOS 15mm FISHEYE ......395-495
CANON 300mm f2.8LIS/asnew2575-3195
CANON 300mm f2,8L/asnew ..1425-2575
CANON 300mm f4L/IS/asnew ..599-1095
CANON 400mm f2.8L/11 ........2850-3795
CANON-SIGMA 400f5.6 HSM ..............575
CANON 600mm f4L/IS ............3475-5950
CANON 11-17mm TAMRON..................375
CANON 16-35 f2.8L/11................745-995
CANON 17-35mm f2.8L ..............525-745
CANON EOS 17-40L/asnew ........475-575
CANON EOS 20-35 f2.8L ............475-575
CANON EFS 10-22mm/asnew......475-575
CANON 24-70 f2.8L/asnew..........745-895
CANON 24-105mm L/NEW..........675-895
CANON 28-70 f2.8L/asnew..........575-725
CANON 28-300L/ASNEW ........1495-1925
CANON 35-350mm-L/asnew ....795-1345
CANON 70-200 f2.8L/IS ............845-1375
CANON 70-200 f4L/IS ................375-849
CANON EOS 100-400L IS ..........845-1125
CAF-SIGMA 120-300f2.8 ........1695-1995
CAF-SIGMA 100-300f4 ASNEW ............875
CAF-12-24 TKNA-DX/SIGMA ......365-599
CANON EX SPEEDLITES..............125-325
CANON MR14 EX RINGFLASH..............425
CONTAX N1 BODY/UNUSED........345-695
CONTAX 24-85AF/NEW?..............325-495
CONTAX 25mm,28mm/MM ........195-445
CONTAX 85mm f1.4/MM ............375-575
CONTAX T /UNUSED....................275-595
CONTAX T2,GOLD,UNUSED?................595
CONTAX DATABACK-T2 GOLD ..............175
CONTAX T2,TITN/ASNEW............225-345
CONTAX T3,ANNIV.70YR......................ASK
CONTAX 645 comp/+Digiback ..............talk
CONTAX 645 35mm,120MAKRO ..1195-1495
CONTAX G2+45mm/BLACK/NEW? ..575-995
CONTAX-G LENSES/BLACK/NEW ........ASK
DALLMEYER 5cm f1, T mount ..............ask
EBONY 6x9 FIELD,BXD,UNUSED ........1995
EPSON P3-5000 PORTABLE STORG ....ask
FLUID HEAD/OTHER TRIPODS COME TO SHOP
FUJI SWD65mf5.6/360f6.3,COPAL ......750
FUJI 645,MF/AF ..........................245-595
FUJI GW670/690,90mm..............595-995
FUJI GSW690,65mm ................845-1195
FUJI GSW680 MK111,65mm..............1395
FUJI GX 617+90mm/105mm ..2595-3395
FUJI GX 617LENSES-90/105mm ........ASK
FUJI 300mm+FINDER-GX617 ............2495
FUJI GX617 90-300 LENSHADES......ea195
FUJI GX680-111+135mm,asnew ........2175
FUJI GX 680 MK1-3 Comp ........895-1875
FUJI GX680 LENSES-50-300mm ........ASK
FUJI GX680 500mm+Accs,rarity ..........ASK
FUJI GX680 AE-FINDER,asnew ............575
FUJI GX680-111 BEATTIE SCREEN ......225
FUJI GX680 POLABACK-11,BOXED ......325
FUJI GX680-111 220 insert ..................225
GRAFLEX VIEW 5x4+168mm,rare ........595
GERMAN ENNA 400mm f4.5 M42 ........ask
HASSEL PME 45,BOXED,NEW?..........1195
HASSEL PME 90/ASNEW ............425-675
HASSEL PM45/BOXED,NEW ......395-625
HASSEL ACUTEMAT-GRID/SPLIT ........169
HASSEL EXPAN 30mm,C-fltr,Etc..........NEG
HASSEL EXPAN 45mm/90mm ....375-545
HASSEL EXPAN CAPS/HOODS ............ASK
HASSEL FLEXBODY,CASED,NEW?......1995
HASSEL 100mm CF/i/ASNEW ..899-1645
HASSEL 903SWC/ASNEW ......2575-3295
HASSEL 205TCC,COMP,ASNEW ........2895
HASSEL 205FCC**COMP,UNUSED ....5995
HASSEL E12/E16 Mag,NEW..................995
HASSEL 60-120mm FE,NEW ..............1995
HASSEL 501C COMP,BXD,ASNEW......1595
HASSEL 501CM,COMP,ASNEW ..........1699
HASSEL 503CW,COMP/CFE ....1395-2625
HASSEL H1,Comp/ASNEW......1825-2675
HASSEL H1+PHASE ONE P25..............NEG

HASSEL H system 35-300mm lenses....ask
HASSEL 180mm CF/E/asnew ....795-1525
HASSEL 150/250mm T*,ASNEW 795-999
HASSEL 120mm CF/E MAKRO ..895-1475
HASSEL 140-280mm/ASNEW ..895-1695
HASSELBLAD H2,COMPLETE NEW ....3475
HASSEL 202FA comp. asnew..............1975
HASSEL 40mm CF-FLE/asnew ..995-1995
HASSEL 40mm CFE-IF ............2595-3475
HASSEL 250mm FE/ASNEW......895-1345
HASSEL/METZ 4504 TTL FLASH..........ASK
HASSEL SCA 390 ADAPTER ................145
KONICA HEXAR RF+50mm........875-1495
LPL 5x4 ENLARGER/DUPLICATOR ......995
LEICA PRADO 6x6 PROJECTOR ..........575
LEICA DIGITAL MODULAR-R..............2475
LEICA M8,BL/CHR/NEW? ........1875-2475
LEICA UV/IR FILTERS,NEW?................ASK
LEICA SUMMARIT-M,35,50,75 ............ASK
LEICA 111G BODY ....................599-1175
LEICA 5cm,9cm SUMMICRON SCREWASK
LEICA SUMARIT L39 5cmf1.5,ASNEW 595
LEICA 5cm-SUMMARIT UV/HOOD ......ASK
LEICA 21mm f2.8M/ASPH ........895-1895
LEICA 28mm f2 APO/6BIT ......1775-2195
LEICA 35mm f2M/NEW ............775-1895
LEICA 35mm f1.4/ASPH ............895-2145
LEICA 50mm f1.4/ASPH ............695-1795
LEICA 50mm f2M/NEW ............495-1475
LEICA 50mm f1 NOCTILUX 1st&2nd ..NEG
LEICA 50mm f1 6-bit,UNUSED ............POA
LEICA M1,M2R,really nice ....................neg
LEICA M2,M3,M4-2/P ..........................ASK
LEICA CL/ANNIV body ................325-795
LEICA M4,CHR/BOXED/ASNEW ..........NEG
LEICA MR4,CASED,ASNEW ..................295
LEICA M4 CASE,BOXED,UNUSED ........325
LEICA M5,3L,BOXED,UNUSED ..........1499
LEICA M5 CASE,BXD,UNUSED ............345
LEICA M6 PLATINUM+50f1.4,boxed ..4995
LEICA M6 TITANIUM/UNUSED 1475-1695
LEICA M6/TTL,CHR/BL-UNUSED........1695
LEICA M7/Boxed/UNUSED? ....1375-1995
LEICA R8/R9 body ......................425-875
LEICA PRADO-66 +300mm f2.8 ..........NEG
LEICA PROJECTOR LENSES,NEW........ASK
LEICA REPROVIT 11a Outfit..................neg
LUMIDYNE PORTABLE FLASH ............ASK
MAMIYA RZ67-11+110,BXD,UNUSED ..995
MAMIYA 645 AFD COMP ..........995-1395
MAMIYA 35mm AF ......................525-745
MAMIYA 150mm f2.8,645 ....................475
MAMIYA 7/7-11 Body..................399-995
MAMIYA 7 LENSES-43mm-210mm ....ASK
MAMIYAFLEX 55mm/105DS/180S....ea275
MAMIYA 6,6x6cm Folding,(MIOJ)........NEG
METERS-DAYLIGHT/FLASH,LOTS-OF ..ASK
MINOLTA/SONY 15f2.8SIGMA FISH ....475
MINOLTA/SONY 17-35 f2.8-4,NEW ......595
MINOLTA/SONY 28-70f2.8 SIGMA........225
MINOLTA/SONY 70-200f2.8SIGMA ......575
MINOLTA 70-210f4,CASED,ASNEW......295
MINOLTA/SONY 170-500 SIGMA DG....545
MINOLTA/SONY 600f8 SIGMA,NEW? ..575
MINOLTA/SONY 35-105f2.8 TMRN ......475
MINOLTA/SONY 50mm MACRO,asnew 275
MINOLTA/SONY 1.4x,2xAPO ......225-375
MINOLTA DYNAX 7,9/NEW?........145-575
MINOLTA 1200/4000+grip ................ea195
MINOLTA SPOTMETER-F ......................275
MINOX MDC/TOURING,ASNEW ........ea495
NIKKOR 65f4,90f4.5COPAL ......795-1175
NIKON F6 body/UNUSED ..........995-1545
NIKON S3 2000 KIT,UNUSED ............offers
NIKON S3 OLYMPIC+50f1.4 ................NEG
NIKON SP Sp.Ed+35f1.8,NEW? ..........4275
NIKON 35Ti/unused? ..................245-425
NIKON 28Ti/BOXED/UNUSED? ....425-675
NIKONOS 1VA/V+35/UNUSED? ..295-795
NIKON PC-SHIFT 28mm,35mm ............ask
NIKON 14mm/18mm f2.8AFD ....745-995
NIKON 8mm f4 SIGMA AFD FISHEYE ..495
NIKON 8mm f2.8AIS,CASED RARITY 3295
NIKON 15 f3.5AIS/asnew ..........675-1295
NIKON 16mm f2.8D Fish ............ 395-575
NIKON 16mm f2.8AIS,asnew................675
NIKON 18mm f3.5 AIS ................495-895
NIKON 18mm f4 AI,rare........................745
NIKON GN 45mm f2.8,asnew ................ask
NIKON 60mm f2.8D Micro ..........175-295
NIKON 85mm f1.4 AIS ................495-875
NIKON 105f1.8/135f2 AIS............499-899
NIKON 120 MEDICAL/NEW? ....745-1495
NIKON 200mm F2 ED AIS ......1795-2975
NIKON 600mm f5.6/AIS ..........1895-3250
NIKON 600mm f4AIS ..............2775-3995
NIKON D300/700/D3/UNUSED ............ASK
NIKON 12-24mm AFS..................575-699
NIKON 14-24,24-70mm N ........975-1125
NIKON 17-35mm f2.8 AFS ........995-1495
NIKON 17-55mm f2.8DX ............645-775
NIKON 20-35mm f2.8 AFD ..........445-795
NIKON 18-70/135 DX AFS ..........165-245
NIKON 18-200mm VR ................375-475
NIKON 28-45mm AI,scarce ..................475
NIKON 28-70mm f2.8AFS..........895-1295
NIKON 24-120mm/VR ................225-449
NIKON 35-70mm AF/D ................345-475
NIKON VR 70-200f2.8 ............1145-1525
NIKON 70-210AFD/70-300ED......225-295
NIKON 80-200mm f2.8AFS........995-1295
NIKON 80-400mm VR ................745-995
NIKON 50-300mm f4.5 1st Ver ..........1125
NIKON 300mmf2.8 AI/S ............875-1475
NIKON 300mm f4 ED/AFS ..........445-795
NIKON 300mmf2.8AF-ED ........1495-1950
NIKON 300mm f2.8 VR,NEW ..............3745
NIKON 500mm f4 AF/S............3250-4625
NIKON-AF 200-500 TMRN,NEW? ........845
NIKON SB 29 MACROLITE....................299
NIKON SB-21 MACROLITE-F3 ..............275
NIKON SB-17(F3) NEW? ......................199
NIKON DW1(F2)WLF,UNUSED?............195
NORMAN 400B PORTA-FLASH ............625
NORMAN 200B PORTA-FLASH ............425
OLYMPUS 7-14mm,BXD,UNUSED......1195
OLYMPUS 20mm f2 ZUIKO MACRO ....775
OLYMPUS OM4Ti,CHAMP,NrNew ........795
OLYMPUS MACRO STAGE,ASNEW ......795
OLYMPUS PEN FT,Bl+42mm f1.4..........645
PENTAX LX BODY/UNUSED ........275-875
PENTAX 35mm FISH SMC 6x7 ............595
PENTAX 15mm SMC-M/A............375-695
PENTAX 24mm f3.5,M42asnew ............295
PENTAX FA 40 PANCAKE,asnew ..........199
PENTAX FA 50mm/100mm MACRO..275-395
PENTAX 50-135 f2.8ED UNUSED?........775
PENTAX AF TAMRON 28-75f2.8............325
PENTAX SPOTMETER/V/ASNEW 225-295
POLAROID 180/190/195..............295-495
PROFOTO 7B BATTERY ........................395
PROFOTO 7B MULTI-CHARGER............295
QUANTUM Q-FLASH OUTFITS ............ASK
ROLLEI 2.8GX/GX-ANNIVERSARY ......NEG
ROSS 10x8 Mahogany+Brass Lenses ..neg
RODENSTOCK 55mm,75,90f4.5..695-975
RODNSTK-SINARON 115mm(10x8) ..1375
RAYNOX 180deg PRO VERTER,new ....545
ROLLEIFLEX-1,1929,CASED,CAP ........995
ROLLEIFLEX WIDE ANGLE/Late...........NEG
ROLLEI-SL35,GERMAN,BOXED,NEW? NEG
ROLLEI 50,80,150mm HFT,SL66..........ASK
ROLLEI SL66 PENTAPRISM ........175-295
ROLLEI PQ 60mm SCHNEIDER,RARE 1395
ROLLEI PQS50/PQ180f2.8,ASNEW ea1895
ROLLEI PQ 110mm f2 ZEISS,NEW ......NEG
ROLLEI PQ 140-280mm,asnew ..........2275
ROLLEI AFM 35 Supercompact ............245
SEKONIC L308/S METER ..............89-115
SEKONIC L718/778 DUALSPOT ..275-495
SIGMA 180f2.8 1:2 MACRO,NAF ..........475
SIGMA 70-200mm f2.8DG/CAF/NAF ....525
SIGMA 135-400,CAF/NAF,NEW? ..........399

SIGMA 170-500DG,CAF?NAF,SONY......545
SINAR NORMA 10x8&5x4,superb ......1245
SIGMA 14mmf2.8 PENTAX-AF ....375-545
SIGMA 10-20 CAF/NAF/PAF ........275-349
SIGMA 12-24mm CAF/NAF..........445-525
SIGMA 17-35mm,24-70 CAF/NAF ........255
SIGMA 135-400 CAF/NAF ....................395
SONY HDV Z1E PRO-CAMCORDER ....2275
SONY HDV HC5 HiDef CAMCORDER ....599
SONY PD150/170/UNUSED ......875-1495
SUNPAK AUTO-DX12R RINGFLASH ....295
SUPER_ANGULON/XL 58/65/75/90 ....ASK
TAMRON 300mm f2.8 MF ..........495-875
TOKINA 80-400mm,CAF/NAF................495
WALKER TITAN 5x4,superb ..................995
WIDELUX 150 PANORAMA(120) ....1445-1995
WESTON EUROMASTER-11,NEWCELLS ....159
YASHICA DENTAL-11,100mm MICRO ..475
ZEISS BIOTAR 7.5cm f1.5(M42) ..........neg
ZEISS 40/120mm PQ,ROLLEI SL6008 ASK
ZEISS 300mm f2.8APO CONTAX AE ....POA
ZEISS 300mm f4 CONTAX AE......399-525
ZEISS 21mm+FINDER-CONTAREX ......695
ZEISS 35mm f2,BLACK-CONTAREX......995
ZONE-V1 SPOTMETER (NOT LED)........375
ZUIKO 21mm f2 OM,SUPERB ..............795
ZUIKO 24mm SHIFT/ASNEW ..1495-1995
ZUIKO 350mm f2.8(OM)BL.CASED ....NEG
SONY-MINOLTA FANSNEW SONY
35mmf1.4G995, 85mmf1.4Zeiss ZA975,
70-200mmf2.81350, 500mmf8499,
2xverter279, 100mmf2.8macro455,
50mmf2.8macro369, 50mmf1.4245, 1118mm375, 18-250mm375, 1870mm109, 75-300mm159, HVLRLAMringflash299, HVLF42AMflash179, AC-VQ900125, VGB30grip129, VF-62circpol79, VF62NDfilter69, VF-6249
SIGMA300mmf4525,SIGMA400f5.6545,S
IGMA70-300DGMAKRO115
USED DIGITAL SLR CAMERAS AND LENSES
CANON 1DS MK111/NEW? ....3850-4275
CANON 1D MK111/UNUSED? 1995-2575
CANON 1DS MK11 ..................1595-2275
CANON EOS 1D MK11/n............895-1425
CANON EOS 1DS/asnew............995-1275
CANON EOS 1D ..........................375-545
CANON EOS 5D ........................795-1075
CANON EOS 10D/D60..................145-195
CANON 30D BODY/ASNEW ........345-425
CANON 40D/BXD/UNUSED..........475-575
CANON 50D/BXD/UNUSED..........575-699
CANON 20D + 18-55....................295-395
CANON 10D BODY ......................165-199
CANON 300-400D+18-55 ............195-375
CANON D2000 Classic DSLR ................ask
BG ED3-D30,D60,10D ..................69 - 89
FUJI S1/S2/S3PRO ......................169-399
KODAK P20 FLASH,NEW ........................99
Kodak DCS Pro(C,N)/new? ..................ASK
Kodak DCS Pro14N/512 ..............545-745
Kodak DCS 420,520C,760 ................offers
LEICA DIGILUX-3 +14-50 ....................825
Minolta RD175(Dynax Mount) ..........offers
SAMSUNG GX20,14.6mp,NEW ............549
SONY A100/350/700 bodies........189-475
SONY VGC 70-A700 GRIP ..........145-175
SONY 75-300mm/unused............125-169
NIKON D70/70s/D100..................185-295
NIKON D70S,BOXED,UNUSED..............425
MBD100 Grip/new(D100) ................69-99
Nikon D1/X kit/asnew ..................225-495
NIKON D2H..................................595-995
NIKON D2X/D2XS......................795-1275
NIKON D3,D700,D300/UNUSED? ........ASK
NIKON D3X,BOXED,UNUSED? ............ASK
NIKON D80 BODY........................345-425
NIKON D200/ASNEW ..................475-599
OLYMPUS E1/BXD/ASNEW..........245-375
OLYMPUS E420-520+14-45 ........225-345
OLYMPUS HLD-2+BTRY..............169-225
OLYMPUS 14-54f2.8-4 ................269-325
LEICA 14-50mm f2.8-4(4/3rd)..............525
PENTAX K10/20/100D+18-55 ..............ASK
HOYA 80/81/85ABC,ND2/4,FL-W,CIR-POL-43mm-82m ASK
PROFESSIONAL DIGITAL BACKS + BODIES
ALL MAKES OF NEW PRO BACKS
SUPPLIED AT REALLY LOW PRICES!
Carnival 2020 Hassel-V sys...................595
Eyelike Pro scan back............................neg
Kodak DCS-Contax/Mamiya ....1795-2195
Kodak DCS Pro+ Hassel V ..................2295
LEAF 22 MP,HASSEL H or V..................neg
LEAF APTUS 65/75,(SPECIAL)..............neg
Leaf Cantare-Hassel V ..........................neg
Mamiya 645AFD comp/new ....1075-1575
Mamiya RZ Pro IID,new......................1995
Mamiya RZ Comp+Hassel Digiback ......neg
HASSEL V96C Digiback,asnew ............NEG
HASSEL IMACON 384c 4SHOT 39mp ..neg
PHASE ONE P25,HASSEL-V,22MP........neg
PHASE ONE P25-HASSEL-H,22MP ......neg
LCD & VIDEO PROJECTORS
VARIOUS BY SONY,NEC,KODAK,
SHARP,PANASONIC,ETC ......................Low
SONY VPLL-FM21 f2 PROJ LENS ......2275
FIXED LENS DIGITAL CAMERAS
CANON POWERSHOT PRO-1................345
CANON POWERSHOT G10....................345
CANON POWERSHOT G2-G9 ........99-295
CONTAX TVS DIGITAL,Bxd,asnew ........275
FUJI Finepix 7000............................75-99
FUJI E900,9mp NEW ............................175
HP 967 (10.1mp) NEW ........................199
LEICA DIGILUX-1,asnew ......................295
LEICA D_LUX 2,UNUSED......................275
Minolta Dimage Z2-Z5 ................119-149
Nikon Coolpix 5000/5700................from69
NIKON P3(VR)8.1mp,NEW UK..............175
NIKON COOLPIX P5000........................225
NIKON COOLPIX 4500 ..........................175
Olympus E20 SLR,asnew......................225
OLYMPUS SP510,NEW ........................199
Olympus Camedia C5050......................175
RICOH GR DIGITAL ..............................185
RICOH GX100/+VF/NEW..............195-275
SAMSUNG i85 8.2MP,5x ......................129
SONY H9,15x,asnew ............................195
Sony DSC P/W/T**/asnew ............95-215
Sony DSC F717 classic ........................225
Various 2-12MP cameras ......................low
TEMBA HIGHEST QUALITY CAMERA BAGS
-WEVE BAGGED THOUSANDS
OF THESE FOR YOU. SIZES FROM DIGITAL
COMPACTS,THROUGH
DSLR KITS AND MEDIUM FORMAT
OUTFITS.AT LOW LOW LOW PRICES
RAYNOX HIGH DEFINITION FRONT-LENS
CONVERTERS TO FIT MOST
COMPACTS,DSLR
LENSES,CAMCORDERS,EXTRAWIDE&TELE.L
OW PRICES
LARGE FORMAT-5x4,5x7,10x8 ETC
ARCA SWISS 5x4 ........................145-945
CAMBO 5x4,10x8 ........................195-995
DEVERE 5x4 ................................125-275
GANDOLFI-ORIG/MODERN ..................ASK
GRAFLEX/GRAFLEX VIEW....................ASK
HORSEMAN 5x4 ..........................295-995
LINOF 5x4MONORAILS ............295-1475
LINHOF TECHNIKA 5x4 ............345-1775
MPP 5x4......................................245-525
PLAUBEL 5x4 ..............................225-375
SINAR 5x4,10x8 ........................345-1725
LARGE FORMAT LENSES APLENTY
..............................................PLEASE ASK
WALKER TITAN 5x4,nice ......................995
DIGITAL CAMCORDERS
Canon XL1,XL1s Kits ..............1295-1595
Canon XM1/asnew ......................595-895
Panasonic 120 3CCD ..................295-495
PANASONIC-PRO 100A ......................2245
PANACONIC DVC PRO ..........................ask
SONY PD150/170/NEW ............875-1475
Sony DVD200/HC19E ..................175-245
Sony IP1/5/7 NEW ......................375-575
Sony VX1000/2000....................495-1275
SONY HDV Z1E,Nice ..........................2245
SONY HDV HC5,new? ..........................545
Various amateur/pro camcorders ..........ask
BRONICA LARGE STOCKS PLEASE
PHONE/EMAIL US
CANON AF
EOS 1DS MK111/UNUSED? ....3750-4275
EOS 1D MK111/UNUSED? ......1795-2275
EOS 1DS MK11,UNUSED....................2795
EOS 1DS MkII..........................1775-2375
EOS 1DS/BOXED ......................895-1275
EOS 1D Mk11/n/boxed ..............825-1495
EOS 5D/BOXED/UNUSED? ........775-1045
EOS IV/HS body/UNUSED ........445 - 795
EOS 1NRS,10fps,Serviced ....................595
EOS 1/N/HS bodies....................145 - 375
EOS 3/BOXED/ASNEW ................195-495
EOS 5,5QD bodies ....................125 - 225
EOS 10/100,300/V/new ..............69 - 169
EOS 600/620/650 ..........................45 - 85
EOS EF(manual) ............................49 - 89
EOS 500/N/1000/f/n ......................39 - 79
EOS 1X, 1X7 APS ........................89 - 145
EOS 1 Polaroid back ..........................offers
20mm f2.8USM/asnew................195-275
24mm f2.8/asnew......................185 - 295
24mm TSE,45mm TSE/asnew ....625-895
28mm f2.8 ......................................from99
28mm f1.8/NEW..........................275-395
28mm f3.5 Nikkor,PC, ..........................995
50mm f1.4 USM/NEW UK ..........195-299
50mm f1.8Mk11............................55 - 79
85mm f1.8 USM ..........................from 175
85mm f1.2L/L11......................1225-1725
100mm f2/f2.8 Macro..................225-395
300mm f2.8L/IS ......................1895-3495
300mm f2.8 SIGMA EX,NEW ..............1745
300mm f4 Sigma APO-HSM ................475
300mm f4 L/IS/asnew ..............545-1045
400mm f2.8L,Mk1/11/IS ............from 2875
400mm f5.6 APO-SIGMA,HSM ............575
500mm f7.2 SIGMA COMPACT ............395
500mm f4.5L/f4-L IS ..............1895-4695
600mm f4L/IS ........................4295-5995
1000mm f8 Sigma,trunk ....................3795
10-22mm EFS/NEW ....................499-695
16 35mm f2.8L/asnew..............725-995
17 40mm f4L/asnew ................495-575
20 - 35mm USM ..........................from 185
20 35mm f2.8L ........................375-595
24 70mm f2.8L ........................695-925
24 85mm USM ........................165-245
24-135mm TAMRON SP ......................275
28 70mm f2.8L........................475- 695
28 - 80mm f2.8-4 ................................545
28 105mm/MK11 ..................129 - 195
28 135mm IS/NEW ..................245-395
28-300L-USM/ASNEW ............1495-1995
35 105,35-135 USM ................85 - 165
35 - 350mm L............................845-1345
70/75-300mm IS/NEW ................295-415
50-500mm SIGMA-DG NEW ................845
100-400mm LIS/asnew ............895-1175
70-200mm f2.8SIGMA-DG ..................545
120-300mm f2.8 Sigma DG................1975
170-500mm SIGMA,asnew ..................545
Extender 2x,1.4x/11 ....................175-225
SPEEDLITE 380-580EX11............115-325
PB-E2 Booster/unused? ..............145-199
Command Back E1/BPE1 ..................ea125
Macrolite ML3/ asnew ..................95-165
Pola-filter 400f2.8/600f4 ......................225
ACCESSORIES GALORE ........PLEASE ASK
CANON MF--(CANON FD)
CANON F1N,asnew,UNUSED ..............1125
CANON F1N WL Finder,unused ............195
CANON Speedfinder-Old F1 ..................275
CANON F1n(old)+Motor+250Mag ........995
F1N/AE,various ............................225-675
F1/n (original),various ................145-445
F1,LAKE PLACID,used ..........................495
F1n+Motordrive ....................................695
BOOSTER FINDER,boxed,asnew ..........325
CANON PELLIX+50mmf1.4fl ................299
Canon EF,rare........................................225
T90,various..................................125-225
A1,various ....................................75-185
AE1/Programme,various................59-159
T50/T70/T80,various ....................45-139
FTB/n,various ................................49-175
15mm f2.8 fisheye ................................499
17mm f4,20mmf2.8/unused........245-425
20-35mmL,24-35mmL ..........................ask
24mm f2.8 ......................................99-149
24mm f1.4L,superb ..............................895
28mm,35mm,50mm,various ..........29-99
28f2,35f2,85f1.8..........................125-225
35mm TILT/SHIFT ......................425-575
100mm/Macro,135mm,200mm ....45-325
200mm f2.8/unused ....................175-345
300mm f2.8,various ..................725-1245
400mm f4.5,various ....................299-495
600mm f4.5,800mm f5.6/L ..................Neg
NUMEROUS ACCESSORIES ......Please ask
CONTAX 645 AUTOFOCUS
CONTAX 645 complete, various ..995-1495
CONTAX 645 FLASHBRACKET ..............195
645+80+Kodak/Imacon-Digital ..from 2795
645 Body ....................................325-595
35mm Distagon ......................1125-1495
45mm Distagon/asnew..............775-1195
120mm Apo-Macro-Planar ................1495
140mm Sonnar/asnew ..............775-1195
210mm Sonnar/asnew ..............795-1295
Battery Holder MP-1 ............................225
120/220 Vacuum Inserts ......................ask
120/220/Polaroid backs................from 149
Accessories ................................Please ask
CONTAX REFLEX/CONTAX-G
PHONE/FAX/EMAIL
FUJI
FUJI GX617 Panorama+90mm............3395
FUJI GX617+105mm ..............2395-2975
FUJI GX 617 body/unused? ....1425-2295
FUJI 90mm FINDER GX617 ..................395
Fuji GX680 MK1-111 ................695-1745
Fuji 680-III RFB+insert..........................495
GX 680 Accessories ..............................ask
Fuji-W(5x4) 360mm f6.3 ......................725
Fuji SWD 65mm f5.6 ............................875
GA 645/Boxed unused? ..............345-495
GS645+45/75mm ........................225-375
GX/S Lenses-50to300mm ......................ASK
GS/W690 6x9cm 65mm,90mm 550-1195
GSW 680-111 Rngfd 65mm,rare ........1275
GS670/690-90mm MKI-III ..........525-995
HASSEL 80mm-H ......................745-1175

HASSEL 120mm Macro-H ......1495-1995
HASSEL 210mm-H,user ....................1245
HASSEL 300mm-H,Superb ................1975
HASSEL CW(+CX1)winder ..........245-395
Hassel 140-280mm user ......................775
HASSEL 1.4PC MUTAR/new? ....895-1495
HASSEL 110mm f2 FE,asnew ............1295
HASSEL 205 TCC comp ..............from2995
Hassel 205TCCPrototype ......................neg
903/905SWC/UNUSED ............2995-4295
EXPAN-11 + 45mm ....................from1399
EXPAN 30mm COMP ..........................NEG
EXPAN 45mm/asnew ..................375-575
EXPAN 90mm/asnew ..................445-695
EXPAN LENSHOODS,GADGETBAG ......ASK
PHASE 1 P25,22MP(V)/(H)..................NEG
ZEISS 2xMUTAR/ASNEW ............575-995
60-120mm FE, NEW ..........................1995
H2 COMPLETE,NEW UK......................3695
205FCC,complete,UNUSED ................5995
500SWC/M Superwide ..............995-1895
2000FCW+80mm-F+A12 ..............from795
500/553ELX Bodies ....................375-995
553ELD Digital body/asnew ....1275-1995
503CW,complete/ASNEW ........1225-2695
503CX/CXI+80CF+A12 ..............895-1375
500C/CM,complete Various ........445-995
500C,500CM Bodies......................95-225
500EL/M bodies ..........................145-275
30mm Distagon/CF/UNUSED? 1675-3795
40mm Distagon,C/T/CF/FLE ......895-1925
50mm f2.8 DistagonF/FE ..........525-1195
50mm Distagon C/T/F/FI............325-1595
60mm CT/CB/CFi/ASNEW..........545-1395
60mm Distagon f5.6..............................ask
80mm f2.8 F/C/CT/CF-E ..............225-775
100mm Planar/T*/CF/CFi ..........495-1695
110mm f2 F/FE/NEW? ..............595-1475
120mm f5.6/chr/Bl ......................425-695
120mm Makro CF/i/CFE ............795-1995
135mm Makro-PlanarCF........................ask
150mm F2.8 F/FE/NEW?............425-1295
150mm F4 C/T/CF/CFi................295-1195
180mm Sonnar CF/CFE ............725-1375
250mm C/CT/CF/CFi ..................375-1395
250mm F4 F/FE/NEW ................775-1575
350mm f5.6 C/Ct ..........................from675
350mm f4 FE/NEW? ................2475-3995
500mm f8 Apo-Tessar ..........................ask
140 250mm Variogon................from 795
Extender 1.4E/2XE........................from 475
PM45/PME45/ASNEW ..............375-1295
PM5/PME5/UNUSED? ................245-475
PME51/BXD/UNUSED?................275-595
Magnifier PM/E 90,51,NEW ..................149
PM90/PME90/BOXED/UNUSED? 225-795
NC2 Prism/Early Meterprism ........69-175
HC-3, HC-3-70 Prism ..................145-275
A12,A16,A24/Latest/NEW?............89-595
A24 back latest ............................169-395
12-on/Pola-80 Backs ......................69-99
70mm Magazines ........................from 105
Pola100,Pola+,PolaCombi ............89-195
H1 Polaroid Back ........................245-345
Tubes 8mm to 56E,........................49-139
Bellows,Semi/Auto ......................195-445
Pro-Lenshades,various..........................ask
Winder-F,Winder-CW ..................195-395
Cable release-Winder CW........................40
Filter 93 POLA/CR,NEW ........................ask
Filter series 60 CB1.5 ............................ask
Polarising Filter S60 New......................185
Polarising Filter S70 NEW ....................225
Softar I,II,III S60 new ............................ask
Softar 1 series 70,NEW ........................175
IR release unit 555ELD,NEW ................285
Step up ring 60-70 ................................ask
Flashguns/ Brackets..............................129
WELL-USED BODIES,LENSES ....TO CLEAR
D-Flash-40,/asnew ......................275-425
HASSEL/METZ 4504 TTL FLASH ..........295
645/J + 80mm ............................125-225

35mm C/N .................................. 225-395
55mm,45mm C/N........................125-295
55mm Perspective Control(Shift) from 345
70mm C, leaf shutter ..................125-159
55mm,80mm,150mm leaf shuttereach 275
80mm f1.9/110mm C/N ..............145-245
80mm f4 Macro+tube,asnew ................375
120mm f4 Macro 1:1 ..................395-745
150mm f2.8,A ......................................395
150mm,210mm C/N....................125-225
200mm f2.8 Apo,unused? ....................745
300mm f2.8APO-A,Cased ..................2495
75-150mm/105-210mm c/n..........from225
120 backs,Polaroid backs ..............from 65
AE Prism/Right Angle finder..........from115
Screens, pro shades, etc, etc ................ask
LEICA M
KONICA HEXAR-RF KIT ............995-1495
FOCOMAT 11c,(Last)+ILFD 500HD ......Neg
LEICA M8,Bl/Chr/BXD UNUSED ..........ASK
LEICA M1,bODIES ......................695-995
Leica M2 Black Paint,unused. ..............neg
LEICA M3 BLACKPAINT,Orig ................neg
LEICA M3 Exquisitely Painted Black ......ask
Leica M3,late dw,glass p/p ....................ask
LEICA M3,No.700xxx(1stbatch) ............neg
LEICA M4 BODY ........................595-1195
LEICA M5 BODY ........................595-1295
Leica M6 Platin+50f1.4,unused? ........4950
M6 TITANIUM,BOXED,UNUSED..........1695
LEICA M6/TTL/UNUSED ............545-1495
LEICA M7/MP BODIES ............1245-1875
LEICA MDa,DATASTRIP,Nice ................845
90mm f2.8 ELMARIT-M,BOXED,NEW?
....................................................495-895
90mm Summicron-M,Ch/Bl ........575-995
Leica Apo-Telyt-M 135mm f3.4,nice ..1195
Leitz 400+560mmf5.6,Viso+R..............ASK
Leitz 400+560mmf6.8,Viso+R..............ASK
Coll.50mm Summicron-M*blackpaintoffers
Leitz Mooly Motor,Black,superb ........offers
M6 Panda,very nice ..............................ask
M4 Body,Chrome,boxed,UNMARKED 1875
M4-P,M4-2 bodies........................from 495
M4-P Winder,really nice........................245
MDA-Datastrip body ............................995
MD2,black,un-common ........................795
M2-R,nice,rare....................................1595
M2/M3 body, ..............................395-945
Leica CL bodies ............................from275
Minolta CLE bodies........................from295
21mm f2.8/ASPH ......................995-1895
28mm f2.8 Elmarit ......................595-875
35mm f1.4 Summilux/ASPH......575-2195
35mm f1.4 M3,boxed,asnew ..............1350
35mm f2 Summicron/NEW ......675-1845
35mm f2/f2.8 M3 ........................395-975
50mm f1 NOCTILUX/2nd ......................neg
50mm f2,collapsible BLACKPAINT......2895
50mm f2 Summicron/Black ......495-1175
50mm f2.8 Chr/bl/asnew ............345-595
50mm f1.2 Canon+M Adapter ..............ASK
90mm f4,135mm f4.5, several ..............ask
90mm f2.8 Tele-Elmarit/German, from 345
Russian 20mm+Finder..........................345
Leitz Duo-24 Synchroniser....................125
Pradovit CA 2500+90mm,asnew ..........275
135mm f2.8, f4, f4.5 choice ............PHONE
Finders 21, 28, 35, 50, 90, 135 Vidom ..ask
Voigtlander lenses from 12-90mm........low
Winders-M4-2,M4P,M6,SF20/24 ..........ask
V35 B+W Enlarger+40/50mm ..............495
SUPER COLORPLAN PRO 90mm NEW 265
BRITISH/GERMAN CLASSICS,FOLDERS. ASK

US
LEICA REFLEX/LEICA SCREW-LARGE

STOCKS,PHONE,FAX,EMAIL
MAMIYA RZ/RB67 LARGE STOCKSPHONE,FAX,EMAIL
MAMIYA 7 RANGEFINDER LARGE STOCKS
PLEASE PHONE/EMAIL
MAMIYA 645-645AF
645/RB/RZ,TO CLEAR ..........................ASK
MAMIYA 645-35mm Back ....................145
645AFD comp+Kodak Digiback ............Neg
645AFD COMPLETE/UNUSED....995-1395
35mm AF ..............................................675
55mm/150mmAF,asnew....................ea475
55-110mm/AF/New ..................375-1475
AF Extension Tubes ......................from125
120 Backs/Polaroid back AF ..........from145
HASSELBLAD
645 Pro/TL AE,drive,etc,..............425-675
HASSEL HI,COMP/asnew ........1975-2495 645 Super + 80 + back ................from 225
HASSEL 50mm-H Superb ..................1645 645 1000s+80mm ......................145-245
MAMIYAFLEX TWIN LENS PLEASE

PHONE/FAX/EMAIL
MINOLTA/SONY ALPHALARGE
STOCKS.PHONE/FAX/EMAIL
NIKON AF
F6 BODY/unused? ....................995-1495
F5/BOXED,unused ......................345-995
F100 body/boxed,unused ............245-495
F3AF+80mm f2.8Af,asnew....................Neg
F90/F90x/asnew/unused? ..............From99
F801/801S/unused ........................75-225
F4/S/E/BXD UNUSED ..................225-995
F4 Polaroid Back....................................ask
F50/55/60/65/70/75 ........................from49
F601/501/F401/S/x ........................from 49
14mm/18mmf2.8 AFD ................795-995
20mm f2.8AF/D ........................245 - 425
24mm f2.8 AF/D ........................175 - 295
28mm f2.8 AF/D ........................105 - 195
105mm f2.8 Micro-AFD ..............345-475
85mm f1.8 AF/AFD ......................145-295
180mm f2.8 AF/D ........................245-495
200mm f3.5 IFED-F3-AF ......................Neg
300mm f2.8 AF/D ....................895 - 1995
300mm f2.8 AF Tamron LD-IF ..............995
300mm f4/AFS/asnew ................495-845
400mm f2.8 AF/I/S ..................2495-3995
500mm f4P(notAF)/asnew ........1750-2495
17 - 35mm AFS ........................825-1395
20 35mm f2.8AFD ....................425-695
20 35mm f2.8D Tokina ATX ..............375
24 85mm AFD ........................275 - 445
24 120mm AFD/VR ..................225-469
28 70mm AF/D ......................125 - 215
28 70mm f2.8AFS ..................775-1195
28 85mm AF/asnew ................145 -245
35 70mm f2.8 AF/D ..................295-445
35 135 AF ..........................................295
80 200mm f2.8 AF/D ..............425 - 795
80 200mm f2.8 AFS................995-1275
80-400mm Tokina ATX..........................495
SB 20, 24, 25, 26, 28, 80DX ..................ask
Metz 34-54AF DIGITAL Flash ................ask
MF15/19/21/22/25/26/28 ..............69-245
Nikon Ringflashes..................................ask
MF-24 250-Exp,Action Finder-F4 ............Neg
MC30,MC20 Remotes/New ............39 -79
Nikon filters, several ..............................ask
NIKON MF HUGE STOCKS-PLEASE
PHONE/FAX/EMAIL
OLYMPUS 35mm,HUGE STOCKS
PHONE/FAX/EMAIL
PENTAX 35mm,645,6x7 HUGE STOCKS
PHONE/EMAIL
PROJECTORS HUGE STOCKS PLEASE PHONE
ROLLEIFLEX - 6x6,35mm HUGE STOCKS
PHONE/EMAIL
STUDIO LIGHTING/PRO FLASH PHONE/EMAIL

MINOLTA OC-1100 OFFCAM CABLE 59
MINOLTA RC-1000L/RC-1000/EC1000 49
SPECIALS
ALPA 6c,9d,10d bodies ..............295-995
ALPA 11 EL, 11SI bodies ..........995-1995
ALPA lenses 24-300mm ........................ask
ART PANORAMA 6x12/17/24................neg
BESELER TOPCON SUPER D outfit ......ask
BESSA 11,6x9cm,SKOPAR ........ 375-495
BESSA II,6x9cm, HELIAR .......... 395-595
BRONICA S2A COMPLETE....................245
BRONICA SQAi comp, SUPERB .......... 595
BABY(SEMI)IKONTA....................275-495
CANON ACK500/CA600 new............49/75
CASABLANCA VIDEO EDITOR........To Clear
COMMERCIAL EKTAR 360mm..............595
CONTAFLEX SuperB /BC..............145-345
CONTAREX CYCLOPS +50mm..............495
CONTAX IIA+50 ..........................225-495
CONTAX 1 + 5cm, EARLIEST? ..............995
CONTAX MP-1 battery holder 645 ........275
CONTAX 645 Pro lenshade....................225
CONTAX right angle finder ....................145
ENSIGN 6x4.5cm, Ensar ........................99
ENSIGN SELFIX 6x4.5 xpress ..............175
FUJI PICTROGRAPHY 3-500 ................low
FUJITA 6x6, various ..............................ask
GANDOLFI plate/5x4..........................ask
GOSSEN ULTRASPOTMETER ..............395
GRAFLEX 6x9cm +101mm ..................445
ILOCA STEREO,cased,asnew .............. 425
HORSEMAN 5x4 GEARED ....................875
HORIZON PANORAMA,BXD ..................575
KIEV 88 KIT,BXD,UNUSED? ..................495
KODAK CAROUSEL PROJECTORS ........ASK
KODAK RETINA II/III c/C..............175-295
KOMAFLEX 127-SLR OUTFIT................695
KONICA FS1+LENSES ..........................ASK
KONICA HEXAR m.i. occupied Japan....695
KOWA 6+85mm ....................................249
KOWA 6 LENSES 55-250mm ..............ASK
LEICINA SPECIAL Super 8 ....................ask
LEITZ FOCOMAT IIc+Ilford Hd............ Offers
LEITZ ZEICHEN APPARAT ....................195
LINHOF 220 (120) 6x7 cm....................595
LINHOF MASTER TECHNIKA ......from1575
LINHOF PRESS 70+80Planar ............1375
LINHOF 105mm f2.8 S/Compur .......... 475
MAMIYAC220+80,BXD,NEW................ 475
MAMIYAFLEX 55/135/180NEW .......... ASK
METZ 70 MZ5,new................................345
METZ Flash adapters, various................ask
Minolta/Sony Hot Shoe/PC adapter ........39
MINOLTA/SONY WILESS FLSH CNTR ..195
MINOLTA A1-1000 IR Trigger ..............145
MINOLTA COLORMETER II ..................495
MINOLTA TC1 Classic boxed,asnew......795
MINOX 35 AF NEW ..............................275
MINOX GT, GTE, ML ....................125-195
MINOX TOURING DB, boxed ................495
MPP MICROFLEX/BOXED............345-495
MULTIBLITZ 200/500 flashkit ......345-545
NAGEL PUPILLE +5cm ELMAR ............ASK
NIKON Rangefinder Lenses..................ASK
NIKKOR 85mm f1.5/105f2.5 M39 ........POA
NIKKOR 150mm F5.6, COPAL ..............395
NIKKOR W 450mm COPAL 3 ..............895
NIKON Rangefinder S2,S3,S4,SP ........NEG
NIKON AI 24mm f2 /boxed............from445
NIKON 20mm AF/AI/AIS ........................ask
NIKON 35mm 28mm PC-SHIFT ..345-945
NIKON 28ti, cased,UNUSED?................645
NIKON WC-E80 verter .......................... ask
NIKON 200mm F2 AIS............ 1345-2275
NIKON 300mm F2.8 AIS ...................... ask

NIKON 400mm F2.8 AIS..........2950-3575
NIKON F3T, BLK,BXD,UNUSED ..........1395
NIKON DW31 F5 ................................345
NIKON F+Prism,Chrome,asnew 495
NIKON PHOT TN, bl+ 50,asnew............NEG
NIKON F2,BL,Very Clean ......................375
NIKON F2AS+MD3,Nice ........................795
NIKON MD4 (F3) unused ......................199
NIKON TC 14E AFI ................................245
NIKON-SW 65mm f4 COPAL ................795
NIKON 135mm f5.6 COPAL ..................445
NIKON 210mm f5.6 COPAL ..................495
NIKON 240mm f5.6 COPAL ..................695
NIKON 450mm f9 m COPAL ................995
NIKON EN-EL7 battery, new....................39
NIKON MB-18,F75, new..........................69
NIKON MB-16,F80, new..........................89
NIKON EH-62A ac adapter ......................69
NIKON D50 battery grip Hahnel ..........89
NIKON LS30 Coolscan III......................295
NIKON EN-EL2 Clpx 35-4500..................39
NIKKOR 85-48 lens Nikkorex ................169
OLYMPUS 180mm f2.8................445-575
OLYMPUS 35mm f2 ......................from145
OLYMPUS 35mm shift lens ........395-495
OLYMPUS 500mm f8, as new ..............475
OLYMPUS 60/70mmPEN-FT..............ea495
OLYMPUS 90mm f2 MACRO ................795
OLYMPUS OM4 ..........................175-345
OLYMPUS PEN-D ..........................99-195
OLYMPUS XA,SERVICED ............125-175
OLYMPUS XA4+A1L Flash ....................225
OLYMPUS PEN-FT, black ......................395
OLYMPUS T45 FLASH outfit ................295
OLYMPUS FL50 FLASHGUN ................195
OLYMPUS TCON-17+ADPT. ..................125
OLYMPUS TCON 14B Pro Verter .......... ask
OLYMPUS Li-30B battery, new .............. 29
PANORAMA 35mm CAMERAS ............ ASk
PENTACON 6TL + 80mm ......................175
PENTACON 6 fit Lenses........................ASK
PENTAX Z1/Z1P ............................95-145
PENTAX AF SIGMA 50 MAKRO ............169
PENTAX AF SIGMA105MAKRO ............295
PENTAX SUPER-A MOTORDRIVE ........145
PENTAX 2000mm f13.5 ASNEW ........ POA
PENTAX Spotmatic F, Bl + 55mm ........ 225
PENTAX 24mm f3.5 Screw,rare .......... 295
PENTAX Sigma 14mm f2.8 AF ..............475
PENTAX AF SIGMA 17-35mm ..............275
PENTAX LX MOTORDRIVE ..........245-445
PENTAX SMC-A 28-135mm..................295
PENTAX 67 fit 45mm to300mm ............ask
Projectors, converters,cases,bags.
Flashguns , Enlargers
PHOTON B. 800W redhead kit ..............395
PHOTON B./KINO DIVA light..................ask
POLAROID 10x8 Processor..................ASK
PERIFLEX GOLD* +50 f2.8 ..................295
REID 3+5cm TTH,SUPERB..................1795
RICOH GR1/1s/1v........................165-345
RETINA I/1a ..................................69-115
RETINA REFLEX 4 ......................275-425
ROLLEI-35,GERMAN ..................245-375
ROLLEI SL35,GERMAN,BOXED ............Neg
ROLLEI 2.8GX PLATIN ANNIV. ............1995
ROLLEI 6000 HIGH-D SCREN ..............145
ROLLEI 6001/3/8 comp .............. 595/995
ROLLEI 6006 COMP,ASNEW ................699
ROLLEI 6008i ............................875-1195
ROLLEI 6008 Integral II as new ............neg
ROLLEI PQ /S 40to250mm lenses ........ask
ROLLEI PQ 140-280mm..........................ask
ROLLEI P11 6x6cm PROJECTOR..........595
ROLLEI SL66 METERED HOOD ............295
ROLLEI SL66/E/SE 45 Prism ......195-325
ROLLEI filters, ROLLEINAR 1-3 ............ask
ROLLEI 6x6 proj.lens 110-160mm........345
SEKONIC L778 SPOT METER ..............445
SIGMA12mm Fisheye T mount ............545
SIGMA 300mm f4 APO,CAF..................425
SIGMA Apo 400mm f5.6 CAF................295
SIGMA 600mm MF,OM,MD,NIK............345
SIGMA 180mm Macro CAF/NAF ..........475
SINAR P 10x8, SINAR P2 10x8 ............ask
SINAR P2 5x4, as new ......................offers
SINAR P2, 10x8 & 5x4........................1995
SINAR-C 5x4 ........................................795
SINAR NORMA 5x7 & 5x4, user ..........395
SUNPAK DX12R PRO RINGFLASH........225
SUPER SYMMAR 80mm f4 ................1275
SUPER IKONTA IV (6x6) ......................399
TAMRON 28-105f2.8 CAF,NEW ............495
TAMRON AF 300mm f2.8 NAF ..............995
TAMRON 500mm MIRROR ..................ask
TAMRON 200-400 Minolta AF ..............495
TOKINA ATX 28-70f2.8 NAF..................325
-VISATEC Soft Box................................ask
VOIGTLANDER BESSA R2 M ................375
VOIGTLANDER BESSA II 6x9 ......245-495
VOIGTLANDER R2A+RAPIDWINDER ....ask
VOIGTLANDER Prominent + 50 f2 ........475
VOIGTLANDER 54mm UV/Focar lenses ask
VOIGTLANDER 150 Apo Lanthar ..........695
VOIGTLANDER 240mm HELIAR ..........595
VOIGTLANDER 12to75mm M39............ask
VOIGTLANDER VIRTUS-645 ................475
VOIGTLANDER VITOMATIC IIa ......75-145
WALLACE HEATON 6x9 camera............275
WIDELUX 150 PANORAMA ................1995
WRAYFLEX 1 MILITARY body boxed ....ask
YASHICA AF35-70/28-85/70-210 ........ASK
YASHICA 500mm f8(Contax fit) ..........395
YASHICA T-T5,Zeiss T* ................ 85-225
ZEISS 35mmf2,bl.,CONTAREX..............999
ZEISS CONTAREX250mm ....................995
ZEISS BIOGON 75mm US Military ........ask
ZEISS PLANAR 80inCOMPUR..............NEG
ZEISS SONNAR 250inCOMPUR ..........NEG
ZEISS CONTAX 300mm f2.8 AE ..........NEG
ZEISS IKONTA 6x4.5-6x9 ....................ASK
ZEISS TROPEN(TROPICAL)ADORO ....NEG
ZEISS TENNAX 1, serviced ..................169
ZEISS CONTAX I-IIIvarious....................ask
ZEISS CONTAX rangefinder lenses ........ask
ZEISS IKON 1.7x TELESKOP ................225
ZEISS SUPER IKONTA-1V,cased ..........475
WHATS NOT LISTED?
Filters from 22mm 133mm,CAMERASOLD,VERY OLD,ODD,WEIRD,
UGLY,BEAUTIFUL. Lenses to fit most
cameras..Finders..
PRICES???------NOTHING IN LIFE IS FIXED,
AND THIS APPLIES TO OUR SECONDHAND
PRICES!!!
WHAT YOU EXPECT FROM NICHOLAS KNOWLEDGE, EXPERIENCE, EXTENSIVE STOCKS

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13 February 2010 | www.amateurphotographer.co.uk | 85
Campkins
CAMERA
CENTRE
11 Rose Crescent,
Cambridge CB2 3LP
PART-EXCHANGE STILL POSSIBLE
LEICA R
35-70/3.5 Japan......................330
28-70 3.5/4.5 ..........................450
35/2.8 R ..................................399
135/2.8 R ................................250
180/f4 R ..................................330
180/3.4 APO ..........................500
35mm f1.4 Summilux R ........1200
80mm f1.4 Summilux R ........1200
28mm f2.8 Elmarit R ..............300
LEICA M LENSES
28/2.8 Elmarit M......................740
50/f2 Summicorne M ..............659
50/f2.8 Collapsable M ............359
90/2.8 Elmarit..........................320
135/f4 Tele Elmar ....................480
135/f2.8 Elmarit M ..................499
Bellows 2 inc Viso 2 ..............199
Leica M8 Black boxed ........2250
CANON FD LENSES + ACCESS
Canon 70-210/F4 FD ................80
Canon 28/2.8 FD ......................50
Canon 35-105/3.5 FD ............125
Canon 35-75/3.5/4.5 FD............65
Canon 135/2.8 FD ....................65
Canon 100-200/5.6 FD..............75
Canon 50-135/F3.5 FD..............99
Canon 135/3.5 FD ....................39
Canon 50/F1.4 FD ....................89
Canon 400/4 FD ....................389
Canon FL 50/F1.4 ....................99
Canon fit set of 3 extn tubes ....35
Canon fit 75-300 Sigma FD ......50
Canon fit 75-205/3.5 Soligor FD ......35
LATEST FILM SLRS

Olympus OM2N + f1.8 ..........110
Min Dynax 40 + 28/80 ..............79
Olympus OM25P F1.8 ............149
Minolta X700 + F1.7 ..............149
EXA 500, 2.8 Iscotar ................50
Fuji ST60N, F2.2........................79
Canon E05 30 b/w..................275
Canon E05 50E b/w ..................85
Minolta SRT1016 F1.4/50 ......150
Canon FT GL +F1.8/50 ............90
Olympus OM10 +F1.8/50 ........60
Minolta X300 +35/70 MO..........99
Cosika CS2 +F1.7/50................60
Pentax Prog A +F2/50A..........120
Minolta XGM +F1.7/50 ..............80
Canon T50 +F1.8/50 ................50
Pentax MZ7 +28-80 ..................89
Minolta XE7 +F1.4/50 ............150
Canon A1 +F1.8/50 ................140
Olympus OM250 +F1.8/50 ....140
LEICA SCREW ITEMS

3G +F2/50 Summicron ........1299
3F RD DA Black ....................399
3F RD F2/50............................399
2 Chrome b/w ........................299
2F RD F2/50............................399
50/F2.8 Elmar..........................275
90/F4 Chrome ........................190
90/F4 Black ............................120
IUFOO low hood ......................70
5cm Xbook v/f ........................100
NIKON LATEST SELECTION
F100 +28-70 AFD ..................450
F2 Prof +43-86........................375
F5 +35-70/F28 ........................550
F90X +35-80 AF ....................190
28-105 F3.5/4.5 AFD ..............175
24-50 F3.3/45 AF ....................170
55-200 DX AFD ......................129
300/F4.5 N/AIS........................270
135/F2 N/AI ........................440
35/2.8 NAIS ........................100
105/F1.8 Nikkon A15 ..........379
75-300 F4.5/5.6 NAF ..........229
105/2.8 Macro AIS ..............150
28-85 35/4.5 AIS ................150
18-200mm VR ED IF............399
80-200mm f4 AIS ................130
FE2 chr b/o..........................200
18-70 AFS DX ..................169.99
28/f1.8 Sigma D-AF ............150
FM2 Black b/o ....................200
STOCK AVAILABILITY
Canon EOS 7D
Canon EOS 5D Mk 2
Nikon D700
Nikon D300S (sugar)
Nikon D300
Nikon D5000/D3000
AFS ;18-200 Mk2
AFS DV 35f1/9 G
AFS 85/3.5 GVR
AFS 24-70/2.8
AFS 14-24 2.8G
as of December 11/2009
LOOKING FOR ITEMS? WRITE/FAX E YOUR REQUIREMENTS
Post & Packing add 6 extra Prices include 15% VAT

Callers welcome Mon-Sat 8.45am to 5.30pm. - Fax line 24 hours
Tel: 01223 364223
86
Fax 01223 313852 www.campkinsonline.co.uk

You can Skype us
username: campkinscameras
11 Rose Crescent,
Cambridge CB2 3LP
subscribe 0845 676 7778
To advertise here, call Ellie on 020 3148 2929 Email: ellie_smith@ipcmedia.com

Accessories
COMMERCIAL CAMERAS
SUPPLIERS OF QUALITY NEW AND PRE-OWNED EQUIPMENT

AS AT 28-01-10
CLASSIFIED
Mamiya 120 Filmback. Mint boxed ....................................95
Nikon
Nikon 50mm f1.4 AF-D Lens. Unused as new boxed ......180 Mamiya 35mm f3.5 N lens. Mint boxed............................215
Nikon 24mm f2.8 AF-D Lens. Unused as new boxed ......260 Large Format
Nikon CF64 Case for F6. Unused as new boxed ..............65 Toyo 45 AII Field camera. Mint- ......................................749
Nikon F3HP Body. Mint boxed ........................................375 Schneider 90mm f5.6 XL Super Angulon. Mint ..............695
Nikon SP 2005 Special Edition. Unused boxed ............3,495 Schneider 150mm f5.6 Apo-Symmar. Mint ......................349
Nikon D2x Body. Mint- boxed ..........................................790 Darkroom
Cameras For Sale
Nikon 105mm f2.8 AF-D Micro. Mint- boxed ....................395 Please check website. Nice De-Vere 504 in stock
Nikon 24-85mm f2.8/4 AF-D. Mint- boxed........................289 Hasselblad ARC Body Kit
Nikon 8000 ED Scanner (35mm-6x9cms). Mint- boxed ..875
Nikon 70-200mm f2.8 G inc case. Mint- ......................1,195
Tamron 11-18mm DI II SP.NK Fit. Mint- boxed ................220
Sigma Apo Tele converter 1.4x Nik fit. Mint- boxed ........125
Leica
Leica M6 TTL chrome body. Mint- boxed ........................849

Leica M6 TTL Millennium black print. Exc++ boxed ....1,195
Leicavit M. Black paint. Mint- boxed ................................320
Leica Winder M. Exc++ ......................................................70
Leica IIIG Body. Exc++ ....................................................595
Leica 90mm f2.5 Summarit. Unused / Boxed ..................795
ARC Body Kit inc 45mm APO + Accs. Mint-................2,295

35mm f4.5 APO-Grandagon for ARC. Mint- ................1,995
75mm f4.5 Grandagon-N + Tube 26. Mint- ..................1,995
Hasselblad
Flexbody (1996). Mint- boxed ......................................1,149

555 ELD Body c/w. WLF. (1999) chrome. Mint- ..............695
500CM Outfit. Just arrived 50/80/150. Boxed. Mint- ..........Call
60mm f3.5 CFI Distagon. Mint/Boxed ..........................1,149
1.4x E. Teleconverter. Mint-..............................................320
Prism Magnifier 42462 Latest. Mint ................................175
Winder CW. Exc++ ..........................................................195
Rolleiflex
Rolleiflex 2.8 FX. As new boxed ............................Please Call 250mm f5.6 CFI. Mint boxed ........................................1,195
Rolleifflex 2.8 AURUM. As new boxed ..................Please Call 50mm f4 CFI FLE. Mint- ..................................................995
Rolleiflex 6008 Outfit 50/80/150. Just arrived ....................Call 150mm f4 CF lens. Mint-..................................................449
250mm f5.6 CF lens. Exc++/Mint- ..................................439
Mamiya
Mamiya 43mm f4.5L + V/F. for 7. Mint- boxed..................895 60mm f3.5 CFI Distagon. Mint- boxed ............................795
Mamiya 645 AF Body + 120/220 Back. Mint- boxed........295 503CX body chrome + WLF. Mint- boxed ........................490
Mamiya 120mm f4 Macro MF. (Latest). Mint boxed ........895 Lots more Hasselblad in stock. Please call
Mamiya 7 body. Exc++ boxed ..........................................375 Hasselblad Digital. Supplied new at excellent prices
Mamiya 210mm lens + V/F for 7. Mint-............................495 H3D-39M Boxed as new. 1,300 Actuations ..................6,750
Mamiya 645 Pro TL body. Mint boxed..............................225 HCD. 28mm f4 AF lens. Mint- boxed ............................2,150
Mamiya FE401 AE Prism. Mint boxed ..............................95 HC 35mm f3.5 AF Lens. Mint- boxed............................1,595
Mamiya Power Drive WG 401. Mint/boxed ........................70 Hasselblad CF Lens Adaptor for H Cameras ..................595
MALCOLM TAYLOR
FOR CLASSIC LEICA
SALES & REPAIRS SERVICE
Good stock of used Leica bodies,

lenses and accessories available. Fully
equipped workshop on premises for repair
and service of your classic Leicas, R/F
Nikons and Canons including
accessories and lenses and also vacuum
coating facilities. Request list and details.
Bit coding of lense ASK
* Adhesive back foam now available *
Tel: 01568 770542

CANON 5D EXCELLENT condition,
boxed, all cables and software included
800 ono. Canon 24 105mm F4 EF L
series, image stablised, as new 650
ono.
Tel:
01796482258
ronaldweir@btinternet.com
NIKON D100 BODY. 2G card. MB D100
grip. Excellent condition. Nikon 18-135
lens. 3.5-5.6G IF ED. DX boxed.
Instructions. Mint. Nikon holdall. 370
the lot. Buyer collects. Please telephone
07956438044 Bromley, Kent
NIKON D200 EXCELLENT condition
boxed 450. Nikon 18-17 F3.5-4.5 G-DX
lens excellent condition boxed 130
phone 01387267853 Dumfries
ROLLEIFLEX. T GREY. As new.
Overhauled. Erc. Rolleinar 1.2.3 case
latest hood. 250 01159333990
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NIKON D200 WITH with Nikon 18-200

VR lens plus Hoya pro-one uv lter
together with MBD 200 battery grip. All
mint and boxed. Little Amateur use.
850 07876663168
OLYMPUS E-P1 MICRO four thirds
camera, 14-42mm lens. Boxed Mint.
Only 206 photographs taken. 450. Tel:
01253823353 (Lancs).
OLYPUS CAMEDIA C-8080 wide zoom.
3 extra batteries + memory + bag. 220
o.n.o. Konica Minolta Dynax 505 lm
camera. 70 o.n.o. Tel: 01924223134 or
07985243495 West Yorkshire Area.
Lenses For Sale

GOLDEN NAVITAR 70-120MM F2.8.
The best projector lens in the world,
probably! Rack focussing to t kodak
ektapro, carousel extagraphic etc. Mint
condition, two available 59 each o.n.o.
Phone 01516083361
OLYMPUS
OM
SLR
camera
accessories. Zuiko Lens 24mm F2.8
boxed 70. Zuiko lens 135mm F3.5 30,
Zuiko lens 75-150mm F4 50. Flash
power bounce grip 2 + leads 60. Tel:
01803315214
SIGMA 70MM-200MM F2.8 APO lens
mint condition, marks around tripod
collar. With case and boxed 400 ovno
1.4 extender available sererately Tel
07957302934 based in Ascot
Darkroom
AGFA VARIOSCOP 60 enlarger 105mm
and 65mm lenses. Glass carrier 6x6 +
6x7, glassless 35mm from 1960s.
Before AGFA joined with Gevart 200
Tel 07927532316
P h o t o g ra p h i c
Backgrounds
PLAIN
CLOUDED
8 x 8 .15 8 x 8 .27
8 x 12 24 8 x 12 44
PLUS P&P
8 x 16 29
PLAIN 10 COLOURS INC BLACK, WHITE & CHROMA
CLOUDED 20 COLOURS. SPECIAL OFFER: 8X12 CLOUDEDS - 2 FOR 80 OR 3 FOR 115
Hard wearing
Low crease
Washable
01457 764140 for free colour brochure or visit
www.colourscape.co.uk

Black & White Processing
Cine & Slide Projectors
Colour Processing
PROFESSIONAL B/W COLOUR AND DIGITAL PRINTING AND

PROCESSING AND PRINTING EST 25 YRS. ALL TYPES OF B/W
& COLOUR, C41, INFRA RED FILMS, 35M TO 5X4
Digital prints from 4x4 to 18x12 from 40p each.

All prints on genuine photographic papers
CINE TRANSFERS TO DVD & VHS

CINE & SLIDE PROJECTORS
CINE CAMERAS
PROJECTOR LAMPS
PHOTOGRAPHIC LAMPS
Cheques & 2 P&P to:

Karl Howard, 16 Chalfont Close,
Hemel Hempstead, Hertfordshire, HP2 7JR
Tel: 01442 231993
LEES CAMERAS
Develop and Contacts 5.50 each

2 or more films 4.50 each
Develop/5x7s @ 12 per roll
Develop/6x8s @ 18 per roll
10x8s 4.20/12x16 6.20
16x20s 9 each
KAREN WILLSON BRISTOL, Superior

quality processing & printing. Tel: 01179
515671 www.kwlmprocessing.co.uk
Wanted Wanted
BRONICA EC LENSES, lm backs,
focussing screens. Must be clean, tidy,
fully functional, lenses with bright clear
optics. Harry Kitchen, 11 Sparry Lane,
Carharrack, Cornwall, TR16 5SJ
WANTED ISCORAMA ANOMORPHIC
Lens 36 or 42. George Purlock dufade
manual fading audio visual device. Tel:
01620830266
Miscellaneous
Tel: 020 8202 9918

Fax: 020 8203 6684
Email: sales@leescameras.demon.co.uk
Film Scanning
Film Scanning Services
Professional scanning service
35mm - X Pan - 120 - 6x18 - 5x4
Call Chris on 020 8449 9495
chris@film-scanning-services.co.uk
www.film-scanning-services.co.uk
Specialist Repairers
Studios
THE STUDIO
Fully equipped studio for hire in
Bedford. Tuition available.
From 20 per hour.
Visit www.mark-hatton.com
or call 07854 901282
for more details
Newton Ellis & Co

CLASSIC CAMERA REPAIR
SPECIALISTS
Tel: 0151 236 1391
Postal service available

Repairs to all photographic equipment
cameras (classic, modern and digital)
lenses, camcorders, binoculars, etc
29 Cheapside, Liverpool L2 2DY
www.newtonellis.com
Send with your remittance to: Amateur Photographer Classified Advertisement Department, Blue Fin Building, 110 Southwark Street, London, SE1 0SU
88
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Camera Repairs
Printing
All cameras repaired.
Specialists in Konica Minolta and Fuji
Camera Repair Workshop
PENTAX
Classic - Modern - Digital
PENTAX TRAINED TECHNICIANS
Free Estimates / Next Day Repairs
*WE SELL SPARE PARTS*
for discontinued and current cameras.
Speak to a technician Direct;
Tel: 020 8232 8111
Asahi Photo,
5 Albany Parade, High Street,
Brentford, Middlesex, TW8 0JW
REPAIRS
CAMERA
Unit 9 Wharfside, Bletchley, Milton Keynes, MK2 2AZ

Phone: 01908 378 088 Fax 07812 427 677
Email: cameraworkshop@tiscali.co.uk
www.asahiphoto.co.uk
Holidays & Courses

Cash from your Camera
Study Freelance Photography in
your spare time and make extra
Cash from your Camera
Phone 020 8348 1805 Now!
Camera Fairs
CAMERA AUCTION LEEDS Feb 23rd,
viewing 11am. Sale starts 2pm.
www.camerafayre.co.uk
CAMERA
FAIR
BEACONSFIELD.
Sunday 14th February, 10.30am2.30pm. Beaconseld, HP9 1SJ. Half
mile old town church M40 junc 2 close
M25. This is now a no smoking site.
Adm early bird 9:15am 4 after
10:30am 2. Refreshments. Details
Peter Levinson Tel: 02082051518
CAMERA FAIR CARLISLE Sun 21st
Feb 11am, Houghton Village Hall,
Junction 44 M6 motorway. Tel:
07979913156
Internet Services
clikpic
Websites for photographers
Professionally designed websites for only 35 p.a.
Easy-to-use system with no

technical expertise required.
Choose from a variety of templates

designed especially for photographers.
Change your site whenever you want.
Take orders via your website.
No catches to the pricing.
Visit www.clikpic.com for a FREE 7 day trial
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Amateur Photographer - 13 February 2010

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TESTED: LIGHT PANELSS

FOR YOUR HOTSHOE

HOW ONE PHOTOGRAPHER

Create sublime histograms for

Saturday 13 February 2010

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From the Editor

Amateur Photographer For everyone who loves photography

News, views and reviews

The latest books, exhibitions and websites

AP readers speak out on the weeks issues

AP reader Mick Bidewell on why World Press

90 The nal frame

On test and technical

45 Epson Stylus Pro 3880

Our experts answer your questions

Moth and dust doth corrupt. Roger Hicks thinks

Another selection of superb reader images

Damien Demolder examines your images,

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News I Analysis I Comment I PhotoDiary 13/2/09

Were giving one lucky

National Trust rule reversal l Amateur interior shots now allowed

NT/CHRISTOPHER SIMON SYKES

National Trust opens doors to amateurs

Trust] Flickr group.

Some of our signage

policy on using tripods

Fuji promises faster, cheaper 3D photo printing

parks, according to Fujilm.

However, under the

viewing of 3D images oncamera without the need for

13 February 2010 I www.amateurphotographer.co.uk I 5

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A week of photographic opportunity

EXHIBITION Circus by Anderson and Low, until 11 April at The Lowry,

EXHIBITION Crazy God by Yvonne De Rosa, until 6 March at Diemer/

EXHIBITION STHLM by photographer Jannica Honey, until 13 February

DONT MISS 25th Annual Jorvik Viking Festival at Jorvik Viking

EXHIBITION Guns and Roses by Guido Mocafico, until 20 February at

EXHIBITION by Gina Glover, until 5 March at Hoopers Gallery, London

Pentax unveils SLR

ENTAX has unveiled

reminiscent of the beloved

This is handy when the

Design a bag and win a Canon DSLR

just important but a highly

6 I www.amateurphotographer.co.uk I13 February 2010

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the chance to own the