HOUSE OF DOOM PART V

By: CHRIS SNYDER

As a deadly battle rages over John Wakefield's brutal legacy, Jill Tuck tries to go into hiding. Meanwhile, Shane Johnson has set up a new game.

-We open when HOUSE OF DOOM IV ended. -We see Jill walking to the door. JILL: Game over. SHANE: (muffled) No. No. You fucking bitch -Jill leaves Shane in the room. -We see she is waiting outside the room. -We see Shane breaking the head contraption in the glass door. -We see Shane on his knees, screaming, as half is face is ripped. -We see Jill is running and hides in a closet. -We see Shane walking down the hall where the closet it. -He sets the head contraption on the table -He grabbed some medical supplies and picks up the head contraption. -We cut to Jill walking in the hospital. She has an envelope in her hand. She walks up to an office door and slips the envelope in the mail slot.

HOUSE OF DOOM V

-We open when we see Shane entering a warehouse. He turns on a TV. NEWS REPORTER: The body of Umbrella Health CEO William Easton has been identified. -We see Shane is stitching himself up while he is looking in the mirror. -We cut to the police station. -We see a male detective, Detective Matt Gibson walking into the room next to the interrogation room where his partner, Detective Laurence Rogers is there. GIBSON: Hey man. -We see Jill waiting in the interrogation room. GIBSON: What's this? ROGERS: Thats Jill Tuck. John Wakefield's widow. GIBSON: What does she want? ROGERS: All she said was that she didn't trust IA and she didn't trust FBI. And she only wants to talk to you. GIBSON: Why me? ROGERS: I don't know. Only you though.

GIBSON: All right, let's get this over with. -Gibson enters the interrogation room. -Jill and Gibson shake hands GIBSON: Detective Matt Gibson. Homicide. My colleague said you needed to speak with me. JILL: Yes. But I need complete immunity. GIBSON: Why do you want immunity, Ms. Tuck? JILL: Because of what I know. GIBSON: Which is what? JILL: Do we have a deal? GIBSON: You've got to give before you can receive in this house, Jill. JILL: My husband John, he had an accomplice. A person who assisted him in almost every murder. GIBSON: Look, dont get me wrong I'm all ears if you got something legit that you want to put on the table.

JILL: This person will go on killing until he's stopped. You know him. And he defiantly knows you. GIBSON: Is that right? JILL: It's Shane Johnson. GIBSON: Are you willing to sign a sworn avidavid? JILL: Yes. GIBSON: You swear to be totally open? You'll tell me everything no matter how personal or private? JILL: Yes. I'll give you evidence. Whatever you want. As long as I have your protection and complete immunity. Do we have a deal? GIBSON: Oh yeah. Yeah, we have a deal -We cut to Shane who is in a warehouse. -He opens an envelope. He sees a photo of Gibson. -We cut to Jill walking out of the police station. -The killer appears and captures Jill. -We see Jill waking up with her arms and legs strapped in on an

abandoned subway track. -Shane is standing on the other end behind a go-kart contraption with a blade on the end of it. JILL: Oh god. SHANE: You want to know the only thing wrong with killing you, Jill? I can only do it once. -Shane activates the go-kart. The go kart goes towards Jill JILL: Oh my god! -The go-kart cuts Jill into peices. -We Jill waking up in her bed. It was a nightmare. -We cut to a man, Eddie, who is walking by an abandon auto parts junkyard. -The killer appears and slits Eddie's throat. -We cut to the morgue where we see Dr. Heffner walking in. -We cut to a flashback. -We see Dr. Heffner waking up with his foot shackled up in the basement of the Wakefield house. -We see Dr. Heffner trying to get his foot out. -He sees a hacksaw in reach. He grabs the hacksaw and starts yelling and sawing off his foot.

-After his foot is sawed off he starts crawling on the basement floor -Flashback ends. -We see Dr. Heffner looking at his foot and then he examines William's body. -We cut to Gibson who is walking the police station. -His phone rings. Rogers is on the other line GIBSON: What's up, man? ROGERS: (on phone) I'm at a junkyard on 58th GIBSON: Junkyard, why are you there?

ROGERS: (on phone) It's not just a junkyard, it's a crime scene. GIBSON: How many bodies? ROGERS: (on phone) So far, just one. GIBSON: All right, I'm on my way. -We see Rogers and Gibson investigating Eddie's crime scene. ROGERS: What do you think?

GIBSON: Why? Why this display? Why him? Why now? ROGERS: You know he likes to put on a show. GIBSON: No, there's got to be something else. -Rogers goes into a small room inside the building. ROGERS: Gibson. Shane is expecting you. -Gibson walks in the room. -There is a mirror with words on it written in blood. It reads "Gibson, See For Yourself" -They see the head contraption on the floor.

GIBSON: Get Forensics in here. Tell them to haul ass. This needs to be dusted for prints. ROGERS: I'm on it. -We see Gibson walking to a holding cell at the police station. -Jill is in it. -Gibson puts the head trap on the table. GIBSON:

That's a really clever design. Yours or your husband's? JILL: Everything was him. GIBSON: Well here's my problem. Your fingerprints are all over it! When you told me Shane had it in for you, you didn't mention that was because you tried to kill him. There's a new game going on. Does that surprise you? JILL: No. GIBSON: No? Well here's what we're going to do. Until I catch Shane Johnson this is your new home. Get comfy. -Gibson walks out of the room. -We see a female detective, Mary Palmer, walking up to Gibson as he is coming out. PALMER: We just got this tape sent to us addressed to Jill. Shane knows her location.

GIBSON: Goddamn it. Goddamn it! All right. Play it. -They put a disc in. On the disc is Shane. SHANE: (on tape) Hello Gibson. It's been a long time. What I want is simple: Give me Jill Tuck. You're protecting her despite the fact that she has direct knowledge throughout. Which makes her complicate in every death. I'll make you a deal: Give her to me, the game stops and no one else dies.

If not, everyone dies and you'll be to blame. Make your choice. The clock is ticking. -The tape ends. -We cut to Gibson arriving at the junkyard. -He goes up to Rogers who is next to Evan's body. GIBSON: Bag his body, get it back to the corner's office right away. ROGERS: Okay. -Gibson goes outside. -A few moments later we see a bomb go off in the junkyard. -Rogers rushes out. ROGERS: Are you okay? GIBSON: Yeah. You? ROGERS: Yeah. GIBSON: I got to get back to Jill Tuck. -We cut to Dr. Heffner in the mourge. -Rogers enters pulling Evan's body in the body bag on a gurney.

ROGERS: Gibson wants you on this right away. It's from the junkyard. HEFFNER: Okay, I'll get to it. Thanks -Rogers exits. -We see Gibson walking towards the holding cell where Jill is in. -Palmer stops him PALMER: We got another message from Shane. GIBSON: Shit. Play it. -Palmer plays the message. -On the tape is Shane SHANE: (on tape) Hello Gibson. Once again we're at a moral crossroad. I don't blame you for not giving me Jill Tuck. But you shouldn't let an old grudge cloud your judgment. Look to where you're being led. Look beyond the crossroad to the clear dawn. Do you see it? -The tape ends GIBSON: I get it. -Gibson exits -We see Gibson and Rogers arriving at the back of an abandon building.

ROGERS: There's nothing here. GIBSON: Oh yeah there is. -They see something from the background of Shane's tape. ROGERS: Why would he want us to come here? GIBSON: To help me remember. This is where he saved my life. Back when I was in uniform I responded to a distress call here when this place was house for junkies and homeless people -We cut to a flashback -We see Gibson in a police suit walking around the an abandon building. -A homless man comes out and attacks Gibson. He takes Gibson's gun. -All of a sudden Shane appears and takes the gun and shoots the homeless man. -Shane offers his hand to help Gibson up. SHANE: Next time, shoot first. You owe me. -Flashback ends. GIBSON: Yeah he assaulted me but it didn't deserve the death sentence. This place was called Crossroads Manufacturing before it closed. "Look beyond the crossroad...to the clear dawn"

ROGERS: I don't follow. GIBSON: The guy who assaulted me was released from the Clear Dawn Psychiatric Hospital when the state shut it down. That building has been abandon for years. That's where Shane's hiding. Stay with Jill Tuck. Don't let her out of your sight. ROGERS: Okay. -They both leave. -We see Gibson arriving at Clear Dawn. It is abandoned. -Gibson's phone rings. GIBSON: What? PALMER: (on phone) I know where those tapes were sent from. GIBSON: Where? PALMER: (on phone) A business called Pete's Auto Body on 58th GIBSON: The location of Eddie's death? PALMER: (on phone) Yeah, that's correct.

-Gibson hangs up. -We see Rogers watching Jill in the cell. -Rogers' phone rings. ROGERS: Hello? What? Ok. -Rogers hangs up. JILL: What happened? ROGERS: Gibson got Shane's location. The game isn't over. -We see Gibson arriving at Pete's Auto Body. -Gibson walks in the room where he found the head contraption. -He sees the mirror with the message on it "Gibson, See For Yourself." -He takes a shotgun and breaks the mirror. He realizes there is a hallway behind the mirror. -Gibson opens the door and goes down the hallway -He walks down the hallway until it leads to a room. We see someone in a cloak with the hood up sitting in the chair. GIBSON: Shane! Freeze! I want you to slowly put your hands in the air! -Gibson kicks the person in the cloak off the chair. -It is Eddie's dead body.

-We see Gibson discovers something from the background of the tapes from Shane. It was the same item that was at Crossroads Manufacturing. -We cut to a flashback of Shane recording a tape in there at the hidden room. SHANE: Make your choice. The clock is ticking. -We see Shane turn off the camera. -Flashback ends. -We flashback to Gibson talking to Rogers. GIBSON: Bag his body. Get him to the coroner's office right away -Flashback ends. -We see Gibson discovers that Shane had security cameras watching them at Pete's crime scene. GIBSON: Shane tapped into the station's security system. He's been watching us the whole time. -We cut to a flashback to see that Shane was the one who activated the bomb. -When Rogers runs outside, we see Shane coming out of the hallway behind the mirror and unzipping the body bag and dragging Eddie's body in the hallway.

-Flashback ends. -We see a camera in the morgue. -Gibson gets out phone. PALMER: (on phone) Hello? GIBSON: You get every available officer back to the station! PALMER: (on phone) Im sorry sir? GIBSON: Right now! -Gibson starts running back. He trips against a wire with knifes on it, cutting his foot -He is on the ground. -We see knives above him, they drop down and kill him. -We cut to Dr. Heffner walking out of the morgue. -The body bag unzips itself. We see Shane was hiding in there. -He walks out of the morgue. -There is a cop approaching the morgue. -Shane stabs him in the back. -Shane walks in the room Palmer is in.

-Shane walks behind Palmer and covers her mouth and pulls her hair back, snapping her neck. -Shane looks in the peephole of the door. There is a cop watching Rogers in the next room. -Shane uses Palmer's body to get the cop to open the door. -Shane drops Palmer's body and stabs the cop in the stomach. -Jill hears some rukus nearby. JILL: What was that? -Shane takes the cop's gun and shoots through the glass and shoots Rogers' eye out, killing him. -Jill screams -Shane walks in the room where the holding cell is. SHANE: I've been looking for you. -Shane takes Rogers' keys and opens the cell. Jill is against the wall. -Shane walks up to Jill really close. SHANE: How do I look? -Jill stabs Shane in the neck with a nail filer and runs away. -Shane takes the filer out of his neck SHANE: Bitch.

-Jill runs and as she is running she sees every officer that Shane has killed. -She sees a door open and she runs in the room and hides. It is an evidence room -Shane sees the room that Jill ran into. He walks in and turns on the lights. -He searches the room for a moment. And then he sees Jill and kicks her in the gut. -Shane drags her across the floor. He goes and gets a chair, she tries to stand up. -Shane takes her head and bangs it on the table three times. SHANE: (as he is banging her head on the table) You fucking cunt. -Blood is dripping out of her head. Shane picks her up and puts her in the chair where he straps her arms in. -Shane sees the head contraption Jill put on him. -He picks it up and walks towards the chair. -He puts it on Jill's head. She is knocked out. -He locks up the head contraption. -Jill wakes up. -Shane activates it. -Shane walks to the door as Jill is struggling to get out of the chair.

-We see quick flashbacks of John and Jill happy together. -Shane stops when he gets to the door and turns around to watch -The head contraption goes off and splits Jill's jaw, killing her. -Jill's blood flys out at Shane. -Jill is dead. SHANE: Game over. -Shane locks the door and leaves the police station. -We see arriving at the place he stitched himself up. This is his new hideout. -The TV is on. NEWS REPORTER: Over the last two hours it seems our entire city has been shaken to it's core. In addition to the five police employees killed tonight, Jill Tuck, wife of serial killer John Wakefield has been found dead. -He grabs a bag and loads it with money and a gun. -Shane pours gasoline everywhere and lights it on fire -Shane leaves his hideout and is walking away. -We see three people dressed in the killer costume come out of no where and attack Shane. -One injects him with a tranquilizer that will put him to sleep in a couple moments.

-The one who injected him takes off mask, revealing Dr. Heffner's face. SHANE: What the fuck? -We flashback to Jill dropping off the package. -We see it went to Dr. Heffner. It is a tape. He plays it. -On the tape is John. JOHN: (on tape) Hello Dr. Heffner. You are perhaps my greatest asset. -We cut to a flashback -We see Dr. Heffner asleep in the basement right after he sawed off his foot -We see John entering the basement and finding Dr. Heffner. He drags him off to the side. -John pours water on Dr. Heffner so he wakes up JOHN: Congratulations Dr. Heffner. You survived. -We see John fixing Dr. Heffner's foot up -We see Dr. Heffner leaving the house after he is healed. JOHN: (from tape but we do not see it) Without you my work over the last few years would not have been possible. -We see Dr. Heffner examining Richard Wakefield's body. -We flashback to John chasing Richard in HOUSE OF DOOM

-We see Dr. Heffner showing John a picture of Shane. HEFFNER: Your son. Shane Johnson. -We flashback to John giving Shane an envelope in HOUSE OF DOOM III flashback -We cut back to Heffner showing John a picture of Shane HEFFNER: He'll be perfect. -We see Dr. Heffner examining Detective Mark Koules' body. -We see the killer attacking him in HOUSE OF DOOM II -We see Dr. Heffner writing down Shane's name on a piece of paper and giving it to Monica -We cut back to present time. -We see Shane falling asleep -We cut back to Dr. Heffner watching the tape from John JOHN: (on tape) That having been said I have a request. Watch over Jill. And should anything happen to her, I want you to act immediately on my behalf. In return for that, I will keep no more secrets from you. -We cut back to present time. -We see Dr. Heffner turning on lights. JOHN: (from tape but we do not see it): I've shown you a lot of places but there is one that will be perhaps the

most meaningful to you. -We see he was turning on the lights to the basement of the Wakefield house. -We flashback to Shane revealing himself to Raven -We flashback to Wade falling down the stairs in HOUSE OF DOOM -We flashback to the killer stabbing Wade in the throat with two knives in HOUSE OF DOOM -We see Shane waking up in the basement. -His foot is shackled. He is trying to get out of it. -Dr. Heffner is walking toward him. -Shane sees a hacksaw. He tries to reach for it. -Dr. Heffner pulls the hacksaw away. -We flashback to Heffner sawing off his foot. -We cut back to present time. HEFFNER: I don't think so. -Dr. Heffner throws the saw up the stairs. SHANE: What do you think you're doing? -Dr. Heffner begins walking away. SHANE:

What the fuck do you think you're doing?! Huh? -Dr. Heffner walks up the stairs and turns around when he gets to the door. -He turns off the lights. SHANE: No! You can't fucking do this to me! Fuck you! No! HEFFNER: Game over. SHANE: No! -He closes the door. -Screen cuts black.