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INTRODUCTION ABOUT THE GNOSTIC KNOWLEDGE Between 1950 and 1977, Samael Aun Weor (a Hebrew name: ) wrote

te over seventy books about the practical knowledge that anyone can apply in their life in order to eliminate suffering and experience true happiness. His first book, "The Perfect Matrimiony," (1950) was so direct and powerful that it sparked a spiritual revolution in Latin America, and the outraged Catholic Church pressured the police to arrest him charged with the crime of "offending the public and healing the ill." He went on to inspire millions of readers around the world, although his books are only now being made available in English. IDEAS You should not depend upon ideas or someone elses concepts because within yourself is wisdom. The truth does not move away from human nature then it cannot be true. If what we consider true moves away from human nature then it cannot be true. The Seven Deadly Sins, also known as the Capital Vices or Cardinal Sins, is a classification of objectionable vices (part of Christian ethics) that have been used since early Christian times to educate and instruct Christians concerning fallen humanity's tendency to sin. The currently recognized version of the sins are usually given as 1. 2. 3. 4. 5. 6. 7. Wrath (ira), greed, sloth (pereza) laziness, pride, lust, envy, and gluttony.

THE MAYAS: MYSTERIES, PROPHECIES AND COSMIC VISION PART I


Written by Samael Aun Weor ATLANTIS: THE ORIGIN OF THE MAYAS AND EGYPTIANS The Mayas themselves represent the Atlantean culture. Atlantis was a vast continent that now lies submerged on the bottom of the ocean that carries its name. Atlas was the most ancient of its astrologers and was also its king. This is why the poetic mind of the children of Hellas represented him as a giant with the celestial machinery upheld upon his shoulders and powerful mind. His children, the Titans, attempted to climb and reach up to heaven, but God confounded them and one night the sea and thunder furiously roared. Europe, tremulously shaken, awakened by the rumble, did not see its brother-world anymore Only Teide remained, so as to say onto humanity: Here is where in a forgone time the famous Atlantis was found. Each Root Race has seven subraces and then dies. The fourth Atlantean Root Race had also its subraces. The third and fourth subraces became tall with pride, saying, We are the Kings; we are the Gods. They took wives fair to look at, wives from the mindless, the narrow-headed. They bred monsters, wicked demons, male and female, also khados with little minds. They built temples of the human body; male and female they worshipped. Then the third eye (the intuitive eye or double-sight eye) acted no longer. They built huge and beautiful cities; they cut their own images, in their size and likeness, and worshipped them. Internal fires had destroyed the land of their fathers (Lemuria); water threatened the fourth race (Atlantis). The first great waters came and swallowed the seven great islands. All the holy were saved, the unholy destroyed. Few men remained; some yellow, some brown and black, and some red, remained. Those moon-colored, the Tuatha, were gone forever. Now we transcribe the translation of a Maya manuscript, part of the famous Le Plongeon collection and the Troano manuscripts, which can be seen at the British Museum. In the year 6 KAN, in the 11th Mulac, in the month Zac, there occurred terrible earthquakes, which continued without interruption until the 13th Chuen. The country of The Hills of Mud, the Atlantean land, was sacrificed; being twice upheaved it suddenly disappeared during the night, the basin being continually shaken by volcanic forces. Being confined, these caused the land to sink and rise several times and in various places. At last the surface gave away and ten countries were torn asunder and scattered; unable to stand the force of the convulsions, they sank with their sixty-four million inhabitants 8,000 years before this book was written. In the archives of an ancient Buddhist temple of Lhasa (Tibet), a very ancient Chaldean inscription can still be read, one that was written 2,000 years before Christ. It states: When the Baal star dropped to the right where there is nothing more than sky and sea (Atlantic Ocean), the seven cities trembled and worried with its gold towers and transparent temples as the leaves of trees 2

do during a storm. A torrent of fire fell over the palace. Cries from dying persons and moans in the crowd filled the air. The people went to find a hiding place in the temples and in the castles. So the wise Mu, great priest of Ra-Mu, stood up and said: Didnt I predict all this to come? Men and women, dressed with their precious clothes, covered with precious stones, begged: Mu, save us! Mu answered: You will die, with your slaves and your treasures. From your ashes new people will come. If these people (referring to the present fifth Aryan Root Race) forget that they should not amass material things, not only for their own progress, but also for the generosity towards mankind, the same fate will surprise them. Tradition states that the flames and the fog choked the words of Mu. In a few months, the country and its inhabitants were smashed and swallowed in the abysms of the ocean. What would critics say before these two stories, one from Oriental Tibet and the other from Mesoamerica? Both separately narrate the Atlantean catastrophe. The history of the famous Universal Flood can be found within the traditions of all human races, and are all just recollections of the great Atlantean catastrophe. All of the ancient populaces venerated and worshiped those Holy Gods who lived in Atlantis and who now inhabit the Empyrean. America was geographically united with the Old World (Europe and Africa) through Atlantis. The ancient Indo-American civilizations have their root in the Atlantean continent. A selected people were taken away moments before the Atlantean catastrophe. Some survivors came to Mesoamerica and others to the central plateau of Asia. They colonized Tibet, Persia, Egypt, etc. Mayan pyramids still exist in Egypt. There exists full documentation that the great Master Jesus learned Maya in Tibet, thus he spoke the Mayan language. As a proof of this, we have the phrase pronounced by him on Golgotha. This was a Mayan phrase that the Jews did not understand, because they did not speak Mayan. When Jesus uttered: Eli, Eli, lama sabachthani, the Jews said, This man calls for Elias let us see whether Elias will come to save him. How would they have understood him? In rigorous Mayan language, Heli Lamah Zabac Tani signifies: Now, I immerse within Him, before the dawning of his presence. It has been established that the science-religion learned by Jesus Christ in Egypt, India, and Tibet was Mayan. A profound Mayan occultism existed and Christ undoubtedly knew it; he elected his (Mayan) symbols as a base for his ideas of fertilizing love. It cannot be coincidence that he chose the Mayan cross, the Trinity, the twelve apostles, and many other symbols to become the foundation of the great religious and scientific significance of his preaching. The Mayan-Atlanteans brought their science-religion and wisdom to Mesoamerica, Tibet, India, Persia, Egypt, etc. They were great civilizers. Twelve Katuns have already passed and we are awaiting the thirteenth, year 2043. From here on, the final catastrophe of the Aryan Root Race, which perversely inhabit all the continents of the world, is inevitable. The thirteenth Katun is definitive. The Mayas are awaiting it. An elder Mayan sage was asked (1977), Will your son witness it? He answered, No, my son will not witness it. Will your grandson witness it? 3

Yes, my grandson will witness it. So, Hercolubus will arrive with the Thirteenth Katun and the great universal bonfire that will burn everything that is alive will occur. Later on, the revolution of the axis of the Earth will occur, provoking the total and absolute sinking of all the continents that exist. Thus, of this rotten Aryan Root Race that perversely dwelled in all the continents, not even its ashes will remain. Only a small group of select people will be saved, to serve as a seed-plot for the future sixth great Root Race that will be named Koradi and that will inhabit what today is the polar cap. This perverse Aryan Root Race is perfectly described in the Thirteenth Mayan Katun. It will perish by fire, and with the total revolution of the axis of the Earth the water will end consuming everything, washing everything. Thus, everything will remain on the bottom of the oceans. Question: Venerable Master, is it true that the Mayas traveled throughout the solar system? Samael Aun Weor: The Mayas, as Mayan-Atlanteans, traveled throughout the solar system. The rockets guided by the Mayan sages performed these portentous trips. Their cosmic ships were propelled with nuclear energy. The Mayas are great scientists and they continue to exist with their entire science in secrecy. However, I am not referring to those Mayas that publicly appear in Mesoamerica; instead I am talking about the Mayas who dwell in a parallel universe, within the fourth dimension of this planet, who preserve their magical cities, who continue with their same customs, with their same science, dedicated to their studies and calculations. Mayan cities exist within the fourth dimension, within the fourth coordinate or fourth vertical, where the Mayas kept their great, ancient wisdom; these are marvelous temples of massive gold that they did not leave to the Spaniards. Obviously, modern scientists do not know anything about this, nor they will admit it, but what does it matter to science or to us? --------------MORE EXPLANATION OF ATLANTIS AND THE PRE-COLOMBUS CIVILIZATIONS Let us now remember that submerged primeval continent named Atlantis. In the land of the Pharaohs, ancient Egypt, the priests of Sais told the great Athenian Solon that Atlantis had been destroyed nine thousand years before they had such a conversation with him. Our boastful modern civilization has not yet surpassed the Atlantean civilization. The Atlanteans also knew about atomic energy and utilized it in times of peace as well as in times of war. Atlantean science had a tremendous advantage because it was united to magic. Therefore, with that knowledge, they were able to create extraordinary mechanical robots that the Atlanteans endowed with certain types of superior elementals in order to control them. Thus, this is how these robots were in fact converted into intelligent androids, which looked like human beings and who devotedly served their masters. Any robot could inform its owner about all the dangers that were threatening him/her; ingeneral, these robots could inform them about multiple things dealing with everyday life. The Atlanteans had such extraordinary and marvelous machines. There was one that could telepathically transmit wonderful intellectual information into the mind of any human being. Atomic lamps illuminated the Atlantean palaces and temples of transparent walls. The maritime and aerial ships from that ancient submerged continent of Atlantis were propelled by nuclear energy. 4

Atlanteans learned how to de-gravitate bodies at will. They could levitate any given body, as heavy as it might be, with a small device that fit in the palm of a hand. The God Neptune governed Atlantis wisely. The very sacred temple of this Holy God was dazzlingly admirable. The stockade or silver-coated walls of this temple were amazing with their remarkable beauty. All of its pinnacles and ceilings were made out of the best quality solid gold. With all of the royal splendors of ancient times, the ivory, silver, gold, and brass radiantly glowed within the Temple of Neptune. The gigantic sacred sculpture of the God Neptune was made completely out of pure gold. The minds of his Atlantean devotees were infused with profound veneration by the mysterious, ineffable golden statue, which was mounted on a beautiful chariot and pulled by exotic, winged steeds, with the respectable court of one hundred gleaming sea nymphs around him. While its inhabitants remained loyal to the religion of their forefathers, fulfilling the precepts of the God Neptune and not violating law and order, the Atlantean cities flourished. Yet, when they profaned sacred things, when they abused sex, when they stained themselves with the seven capital sins, then they were punished and submerged with all of their wealth into the bottom of the ocean. The priests of Sais said onto Solon: All bodies moving in the heavens around the Earth suffer perturbations that determine a great conflagration of things upon the earth, which causes to recur after long intervals many destructions of mankind arising out of many causes; the greatest have been brought about by the agencies of fire. The Atlantean continent extended and oriented itself towards the austral regions and the most elevated areas towards the septentrional ones. Its mountains exceeded in grandiosity, elevation, and quantity all those that presently exist. The history of the Universal Flood can be found within the traditions of all human races, and are all simply recollections of the great Atlantean catastrophe. All of the religious teachings from primeval America (such as the sacred cults of the Incas, Mayas, and Aztecs, as well as the Gods and Goddesses of the ancient Greeks, Phoenicians, Scandinavians, Hindustanis, etc.) have Atlantean origins. The Gods and Goddesses cited by Homer in his Iliad and Odyssey were heroes, kings, and queens of Atlantis. America was geographically united with the Old World (Europe and Africa) through Atlantis. The ancient Indo-American civilizations have an Atlantean origin. The religions of the Egyptians, Incas, Mayas, etc. came from the religions of the Atlanteans. The Phoenician alphabet, father of all the famous European alphabets, has its origin in an ancient Atlantean alphabet. The latter was correctly transmitted from the Atlanteans to the Mayas. All the Egyptian and Mayan symbols and hieroglyphics come from the same Atlantean source. This is the only way that the similitude of these alphabets can be explained; indeed, the similarity is too enormous to even consider that it is an outcome of chance. PROPHECIES This cataclysm is perfectly described in the Ahau Katn, which is the 13 Ahau Katun, the thirteenth to be counted. Cabal lxbach Chachalaca town. Kinchil Coba, Chachalaca of solar face is the base of the thirteenth Katun. The branch of the lords of earth will be black by the universal justice of God, our Lord. The Sun will turn away. The face of the Moon will turn away. 5

Blood will run on trees and stones. The heavens and earth will burn by the word of God the Father, God the Son and God the Holy Ghost. Holy Justice, Holy Judgement of God, our Lord. The force of heaven and earth will be worthless when the big cities and the hidden towns, and the great city Maax-Monkey and all the small towns everywhere in the flat country of Maya-Cusamil-Mayapn, Mayan-swallowdeer-banner, become Christians. It will be the time when two-days-humanoids (homosexuals and lesbians) will raise, in the heat of lechery, as the children of the wicked and the perverse height of our perdition and shame. Our children will be offered to the May flower and there will be no good for us. The rising Moon will be the beginning of death by bad blood, and on the coming of the full Moon, the whole of the blood will come. The good stars will also show kindness to the dead and the living. Until here we read what the book of the books of Chilam Balam, sacred jewel of the Mayan people, textually states.

THE MAYAS: MYSTERIES, PROPHECIES AND COSMIC VISION PART II: UNVEILING THE MAYAN STELAS 1. STELA C: THE STONE OF SELF REALIZATION We see four faces in this stela, which is how the Tetragrammaton is represented. The first face shows us Adi Buddha, the unknowable, the unmanifested, the one who does not enter into creation. The second face is represented by the three forcesFather, Son and Holy Spiritwhich do enter into creation. Adi Buddha is the Father of our Father. Jesus named him Yew, and he said of him, "the Father of my Father." Yew, the unknowable, the unmanifested, never enters into manifestation. So, on stela C, we clearly see this. On the highest part of this stela a semblance of a face is shown, yet it is faded and is noticed only by paying a lot of attention. It is faded in order to provide understanding about the unknowable. This stela is a very well adorned theological piece. The belt indicates that there is a need to work hard, to dominate the lower passions or animalistic instincts, in order to grasp the scepter of command, the scepter of the kings. Its hands in that position indicate the necessity of directing upwardly and inwardly the totality of the creative forces. Pay attention to wisdom, and never, ever forget that each one of us is the final outcome of the distinct unfoldments of the Tetragrammaton. The work in itself is perfect completion. On its head we see how the work glows when by means of it one attains perfection. The miter on its head, the belt on the region of Hodthe astral worldand the scepter of power on the centerYesodclearly tell us about the perfection of a human being that has attained selfrealization. But, what is the inner realization of the Being? Let realization of the self be understood as the harmonious development of the infinite completeness of human possibilities. Realization of the self is not about intellectual data capriciously scattered, nor is it about mere, insubstantial wordiness of ambiguous chatter.

Everything that we are saying must be translated to authentic, lived, and real experience. In the name of truth, we solemnly declare that the Being is the only real existence, and before his ineffable and terrible, divine transparence, that which is called "I," ego, or myself is merely exterior darkness, weeping and gnashing of teeth. To know ourselves and become realized on the horizon of infinite possibilities implies the entering or re-entering into the creative host of the Elohim. 2. STELA N: COATLICUE Ometecuhtli Omecihuatl (Lord and Lady of duality). Ome: two; tecuhtli: lord serpent. Ome: two; chuatl: lady eagle. The entire universe emanated from this masculine and feminine, dual principle. According to the Nahuas, this god and goddess had four children, the four Tezcatlipocas: 1. Xipetotex, the red 2. Tezcatlipoca, the black 3. Quetzalcoatl, the white 4. Huitzilopochtli, the blue The four colors of the four races that presently populate the world were born from this divine and invisible binary. The creative forces of Ometecuhtli-Omecihuatl express themselves during the sexual coenobium; they descend into the organs of human procreation with the sole objective that a new being can manifest in the physical plane. At the threshold of the sanctuary of the temple, the Masters present to the initiate a book, within which all the laws of the Divine Mother are written. Before that book many withdraw, filled with terror, when knowing that they have to annihilate the personality. Few are those who pass the ordeal of the threshold of the sanctuary. Those who do pass it receive a heavy ring of fine gold, a symbol of power. Whosoever does not know the laws of the Mother will never reach the Father. Coatlicue is none other than the blessed Mother Death. As an alternative of the four hands shown by the Mexican Coatlicue, here, this stela points towards the four natural forces: fire, air, water, and earth. Its face has a very well done skull. The miter has very noticeable adornments. It does not lack a scepter in its center, indicating power.

3. THE STAIRCASE OF HIEROGLYPHICS This sculpture is a clear allusion to the twelve tasks of Hercules. The twelve tasks of Hercules (prototype of the authentic man) indicate, point to, the secret pathway that leads us through the degrees of Perfect Master and Great Elected One. First task: Capture and death of the lion of Nemea (the strength of the uncontrollable instincts and passion that devastates and devours everything). Second task: Destruction of the Hydra of Lerna, symbolic monster of immortal origin, endowed with nine threatening heads that regenerate each time they are destroyed, menacing the herds as well as the harvests. This polyfacetic Hydra can be interpreted as an allegorical image that clearly personifies the mind with all of its psychological defects Third task: Capture of the Cerynitian stag and the boar of Mount Erymanthus. We can see in the Cerynitian stag (golden-horned deer with bronzed hooves) a clear allusion of the human soul, the superior manas of theosophy. In the terrible boar, perverse as no one, the living symbol of all the lower animal passions. Fourth task: The extraordinary cleaning of the famous stables of Augeas, king of Elis, whose daughter knew the virtues of the plants and prepared magical beverages. These stables are the living representation of our own submerged depths of the subconsciousness that host innumerable herds (those multiple psychological bestial aggregates that constitute the ego). Fifth task: Hunting and killing the anthropophagous birds that tenebrously inhabited the Stymphalean Lake and that killed men with their sharp bronzed feathers which, similar to deadly arrows, they hurled against their defenseless victims. Sixth task: The capture of the bull of Crete. Seventh task: Capturing the Mares of Diomedes that were killing and eating the castaways who reached the coasts of the Bistones, a very war-like Thracian people. An allusion to passionate, infrahuman elements that are profoundly submerged within our own unconscious abysses, symbolic beasts grazing alongside the spermatic waters of the first instant, they are always ready to devour the failures. Eighth task: To eliminate the giant-thief Cacus, the evil thief who, hidden within the tenebrous cave of human infraconsciousness, treacherously squanders the sexual center of our organism in order to satisfy his brutal animal passions. Ninth task: The conquest of the girdle of Hippolyta, Queen of Amazons, an allusion to the feminine psychic aspect of our interior nature. Tenth task: The conquest of the flock of Geryon by killing the monster who confronted him after having killed the watch dogs Orthrus and Eurythion. Eleventh task: The theft of the golden apples from the garden of Hesperides, the nymphs daughters of Atlas, living representation of the planet Venus, the delectable star of love.
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Evidently this former task has a fine relationship with the biblical narratives about the Garden of Eden and the fruits of the tree of the science of good and evil. Twelfth task: The taking of the dog Tricipite (Cerberus the guide dog, the sexual instinct) from its plutonian dominions that kept it [read The Three Mountains by the same author]. Seven centers marvelously protrude on the center of the staircase; these have an intimate concordance with the seven magnetic centers of the dorsal spine of the human being. This is pretty clear; these are the same seven churches of the Apocalypse of Saint John. 4. STELA M It is found at the base of the staircase and even when it is much damaged, it indicates that only with the profound man can one reach the final liberation. The miter is high, indicating the great priesthood. The face is unrecognizable, damaged. Its hands, even when damaged, indicate the ascendant course of the sexual forces. The central area is showing us a figure, which is a clear allusion of the true causal man. The scepter is very well done, yet it is damaged by time or by human barbarism. Just because it is placed there, at the base of the staircase, it is telling us about a Great Mayan Master, a deity, a priest.

5. STELA H: THE PRIESTESS The face of this deity has a completely hieratic countenance. Her miter carries all the characteristics of the true priesthood; she is omnipotent, marvelous. The form of her ears indicates the Verb, the Word. The pectoral that rises from the center of her chest until practically connecting it with her ears indicates that the true man, Tiphereth, the human soul that is in the center of her chest, must know how to listen the Verb, the Word, the sapience, the wisdom. Her hands are indicating the ascendant forces. In the center between her hands there is a human resemblance, a profile that clearly signifies the true man, the causal man. The scepter appears like on the other stelas, however here we notice a change because it reaches the belt, which in Hebrew corresponds to Hod. Hod in Hebrew corresponds to the astral world; this same thing is applied to all the sacred scriptures of all nations.
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The central rod (scepter) rising until connecting with the belt indicates the work with Hod and Yesod in order to convert us into workers of the Great Work. The aspect of this stela is feminine. At the sides of the scepter or central rod, the famous cross of Saint Andrew is appreciated. When this cross carries the rose at its center, it becomes the rosicross. The belt indicates the upwardly ascension of the energies. Again, the face that appears in the center, between the two hands, clearly indicates Tiphereth, the human soul. 6. STELA F We appreciate a pectoral that rises to its cheeks; it correctly indicates the soul of things: the Being. The arms that reach the center of its chest always indicate the two ascending forces. The Masonic apron that covers its sexual organs is much appreciated on its waist. A face indicating the third force is shown on the superior part of the apron. A precious belt with the "X" embossed on it is much appreciated. The work that every Mason, every Masonic architect, has to perform in order to reach the Mastery is shown on the posterior part of this stela. One has to work upon oneself according with the learned teachings, according with the taught esoteric education. It is necessary to study the doctrine and to perform the work. 7. STELA 1: THE SOLAR MAN It has a solar countenance. We can appreciate the miter on top of its head, which is equivalent to the miter that the pontifices use in this day and age. The miter has always represented the Logos. The fact that this stela is displaying a miter clearly indicates that it is representing a great Mayan priest, since it is impossible to conceive a lunar creature with a miter. The two upward arms indicate the positive and negative forces that must flow inwardly and upwardly. They can only flow like that within a higher initiate. The wrists are adorned with liturgical bracelets. Its circular shaped ears displaying a dot in the middle clearly indicate the necessity of listening to the Verb, the Word, the Voice.
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Remains from fish, shells, coral fragments, and clay pots were found underneath this stela. We know very well the significance, the symbolism, of the fish. The fish symbolizes the mercury of wise. The sulfured mercury is the sacred sperm, properly transmuted. The mercury itself is always represented by the pure waters of life, yet the fish represents that the mercury is now prepared, that it has already received the fire. The fragments of coral indicate the philosophical stone. The sea shells indicate the mercury that has not yet received the sulfur, which means the fire. The clay pots represent the esoteric work needed in order to become a solar man; these clay pots are the hermetic cups. 8. STELA D: THE ANIMALISTIC EGO Its face appears with a mask. The ears are chiseled in that way to indicate that we must learn how to listen to the teachings, the Word, to know how to pay attention to what it is saying to us. The attitude of its hands is very well known among high initiates. The attitude in which they appear on this stelahands over the chest, fingers touching each other applies very much to meditation. On the center of its chest there is a magnetic point, known in the Hebraic Kabbalah by the name of Tiphereth, the region of the soul. This is enough reason to comprehend why these deities have their hands over their chest in the clear attitude of meditation. The scepter is a kind of a formidable rough, heavy bar with two lateral wings, which gives us the idea of the Caduceus of Mercury of the wisein other words, the positive and negative forces. The bar itself represents the third force, the creative energy, which is the force that can carry us to the realization of the intimate Self, the Being; it is the force employed for the Great Work. The scepter also gives the idea of the double-edged ax. In these moments, the case comes into my memory of what is often spoken in esotericism about the "hermaphrodite lumberjacks." This is an order of perfect androgynes or Helios. They are called "lumberjacks" because with their axes they chop trees that personify, typify, orbetter saidsymbolize our errors from the past. Let us clarify here that when we talk about hermaphrodites, we are talking about perfect, androgynous beings and not about those degenerated homosexuals of this day and age. We find on this stone a very vivid illustration of the work that we must perform in ourselves in relation with the disintegration of the ego. We see here with completely dazzling clarity the Hebraic doctrine of Judas Iscariot: the disintegration of the ego.
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Judas Iscariot is not as many think, a man who betrayed his Master. No! Judas Iscariot performed a script taught by his Master, and that is all! Jesus of Nazareth himself prepared him, and Judas learned this script by memory, thus, consciously, he played his role in public. The doctrine of Judas signifies the elimination of all our psychological aggregates: death to the ego. This is why Judas "hung himself," in order to indicate that the ego must be reduced to ashes. Judas followed a script, and nothing else. He prepared himself conscientiously in order to not contradict at all the sacred scriptures. Just as any actor performs his role, Judas rehearsed it many times before performing it in public, and nothing more. Judas is and continues to be the most exalted disciple of Jesus of Nazareth. Judas achieved Christification. Some animal figures can be seen on this stela; these are a vibrant representation of our psychological errors. There is an urgent necessity of working on the death of the ego in order to liberate the Essence, the consciousness, the Buddhata. The miter is very damaged, but still shows the idea of the three forces: holy affirmation, holy negation, and holy conciliation.

9. STELA B: MAYAN TLALOC This stela shows Tlaloc, the god of rain. The simple fact it is carrying a miter clearly tells us about the great priesthood, an initiate, a great priest. The attitude of its hands indicates the region of Tiphereth and the necessity of orienting our energies inwardly and upwardly. The pectoral on the zone of Tiphereth, on the center of its chest, with two upwardly angles towards its cheeks, indicate that we must pay attention to the deep, animating principles of our Being, which are what really count. The Mayans knew the esoteric mysteries in depth. Each sculpture in itself indicates this. At its sides we can appreciate the guacamayas, a clear symbol of chastity. The guacamayas also represent sulfur and the mercury of the wise. These were made by initiates who knew what they were doing. We can see that the initiates who chiseled these stones knew esoteric culture in depth. In other cultures, sulfur and mercury are represented in different ways, such as by the unicorn and the horse, by the eagle and the fox, by the two fish of the constellation of Pisces, by the two
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colossuses of Rhodes, etc. All of these allegories are nothing more than the sulfur and mercury of which the alchemists from the middle ages often spoke. The scepter is wisely placed in the center. An undefined, strange, and unusual face is displayed; it is placed on the superior part of the scepter, as if indicating the marvelous neutral or third force. The chiseling of this stone is extraordinary; it has been done with admirable perfection. Stones as rich as these cannot be bought, not even with all the gold of the world. As artistic work, they are very impressive; they give the idea of a figure and a mantle at the same time. We see a figure that with his hands is distributing the beneficial rain. This little figure's seated position is a Buddhist attitude. There is no doubt that it is necessary for all the universal floods to fall upon us in order to totally clean and purify us; thus, this is what the Mayan Tlaloc from Copn indicates. In synthesis: all of these stelas are very antique carvings; they are made by artists, by geniuses endowed with an extraordinary wisdom, which they pour within these books of stone that clearly speak to us about the realization of the Inner Self, the Being. 10. THE SERPENT Even though this stone is a little destroyed, it represents the serpent. We know well that in the East the serpent is called Kundalini. What does Kundalini mean? What does that word signify? The Kundalini is the sacred fire of the Holy Spirit. The Kundalini is the igneous serpent of our magical powers. The Mayan culture is serpentine, and speaks to us of the power of the serpent. Only serpentine civilizations are true cultures, true civilizations. In the Popol Vuh of the Mayans, the bird and the serpent feature as sexual creators of the universe. Tepeu and Gucumatz sent a sparrow hawk to the immense ocean of great life to bring the serpent, whose marvelous blood they kneaded into yellow and white maize. The Popol Vuh states that with this dough of white and yellow maize mixed with the blood of the serpent, the God Tzacol formed the flesh of people. The Bird represents the universal Spirit of life. The serpent represents the sexual fire of the Third Logos. The blood of the serpent represents the waters of Genesis, the great universal sperm, the ens seminis or Christonic semen, in whose waters is the germ of all life. These waters are the blood of the Earth, according to the Mayan philosophers. The goddess Coatlicue is the mother of life and death (the ens seminis). Indeed, the sexual fire of the Third Logos makes the waters of life fertile in order for the universe to emerge.
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In the Mayan theogony, two gods intervened in creation: one who gives life and form to man, and the other who gives him consciousness. The Third Logos makes the waters of life fertile, and when they have been fertilized, the Second Logos intervenes, infusing consciousness into every organism. The ineffable gods are the vehicles of action for all the Logoic forces. The sparrow hawk H'ch'uuy, the macaw Mo, the kestrel X'Cen Cen Bac, the tapir, Tzimink, Aax and the serpent Can are the basic components of the Mayan geogenetic myths. These symbols are used exoterically and esoterically. In the exoteric or public field, they symbolize tribal facts, historical incidents, etc. In the esoteric or secret aspect, this matter is highly scientific, profoundly philosophical, sublimely artistic, and tremendously religious. Amongst the Mayans, the terrestrial paradise is Tamoanchan, the sacred place of the serpent bird. Tamoanchans are in fact the initiates of the serpent. The myth of the Tamoanchans is the myth of the serpent bird. The Tamoanchans are descended from the Toltecs, Olmecs, and Mayans. The feathered serpent clearly represents the serpent bird. The feathered serpent was identified with Quetzalcoatl, the Mexican Christ. Quetzalcoatl is always accompanied by the sacred symbols the eagle and serpent. The feathered serpent discloses everything. The eagle of the Spirit and the serpent of fire transform us into gods. The quetzal of the Mayans is the feathered serpent, the serpent bird. The igneous serpent resides enclosed within a membranous pocket situated in the chakra Muladhara.

11. RUNE THORNE This chiseled stone figure is very strange. Where else can we find such strange representations? We see a human head crowned with thorns, similar to the crown of thorns of the Master Jesus of Nazareth. This is a clear allusion to willpower. This is the same rune Thorn or Dorn of the Nordics. The cavity where the head is placed is a yoni; the head crowned with thorns appears instead of the phallus. Clearly, this is an allusion to sacrifice and willpower. No book can express what this representation in stone is saying. It is extraordinary, unique. Many crowns with thorns were found on faces during the age of bronze. This indicates willpower. Only with willpower is it possible to come from the darkness into the light. The divine face crowned with thorns symbolizes conscious willpower.

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12. STELA AT THE TEMPLE OF WISDOM Symbols shown on this engraved stone: Four circles also appear that not a single anthropologist could have understood, and that also appear in Mexico, Peru, the East, Mesoamerica, Yucatan, etc. It is clear that the four circles represent the Tetragrammaton, and serve in order for us to remember the trinity within the unity of life. The three angles on top of the circles indicate the three forces of creation: Father, Son, and Holy Spirit. On its sides we see two human semblances who walk towards the temple and that symbolize the two Colossuses of Rhodes, the lion and the eagle, the unicorn and the horse, etc. It is a clear representation of the mercury and the sulfur of the wise, the foundation for every work. A door, the holy urn, the holy temple is shown at its center. 13. THE STONE OF SACRIFICE When the Mayan civilization was in its splendor, they never committed those sacrifices that present humanity bequeaths to some ancient cultures. The Mayan culture is solar. The Mayans were instructed by perfect solar beings. Thus, the sacrifice that we refer here, on this stone is: A) Elimination of the ego B) Transmutation of the sexual energies C) Sacrifice on behalf of suffering humanity The two circles in the shape of crescent moon, repeated, indicate the mercury. The shape of the stone indicates the work. We see a resplendent sun in the center, the culmination of the work. 14. RELIGIOUS BALL COURT Commonly, this precinct is called the "ball field," yet this is a mistaken name. Let us recall history: in London, in the nineteenth century, a jobless tramp had the idea of inflating a piece of rubber. Thereafter, he thought to cover it with a piece of leather, and wonder what could be the great finale of his idea. Thus, the outcome was a football. Subsequently, he started to kick his swollen leather ball. He seemed to experience good pleasure by doing it, and in a few days many youngsters in London were doing the same thing. In the beginning, people were protesting, because they were breaking glass and trampling people. The newspapers were also protesting, yet they continued playing their "swollen baloney." Now, they want to see this London's vagabondage even within sacred matters. Among the Mayans there was a liturgical ritual performed with a stone-ball. Each movement was carefully studied. The ritual represented the struggle between light and darkness, between the powers of light and the powers of darkness.
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These rituals were also practiced in the gothic temples, the cathedrals of the Middle Ages. This is a very carefully studied religious ceremony. Modern people, who do not see anything but the swollen leather ball of the vagabond of London, want to see their "swollen baloney" in sacred matters. However, our simple logic invites us to reflect: How did they play football with a stone ball? How many broken knees? How many dead people? One single whack on the head by the ball, and death. One single whack on the knee and an obvious fracture, or crippled for the rest of their life. Hence, their assumption seems absurd. So, this liturgical ritual existed, also in the gothic cathedrals of the Middle Ages. See for yourselves: the court has a tao cross shape, and there are temples around. 15. CROSS OF THE ELEMENTS This square with the cross in the center are very well done. This invites us to reflect, since the cross was very well known very much before than the Christian era. When the horizontal line is above the center of the vertical line, this indicate us the cross of sacrifice. However, as it is represented on this stone of Copn, is clearly indicating us the cross of the elements; the cross of equal sides inside the perfect square. We see human faces above and below on the square's border, possibly two more existed, one on each side. The point in the center of the cross indicate us the Being, who is the one on which the cross revolves around. The elements are earth, water, air, and fire. The four gospels also indicate the four elements: Mark symbolized the Lion (element fire) Luke symbolizes the Bull (element earth) Matthew represents a Youngster (element water) John represents the Eagle (element air). The intersection of the vertical phallus in the horizontal cteis forms a cross. This is the cross of the initiation that we must bear upon our shoulders. The cross also indicates: the spirit, the matter, the movement and repose, etc. 16. THE FIGURE OF A LOGOS Its face is very well done. Because of their shape, its ears indicate the Word, the Verb. It has always been stated that the Verb sounds. A resemblance of a human face that appears over the miter is shown on top of its face; this resemblance indicates the superior Being within ourselves, which is the most elevated part of the Being.
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We already know that the four circles represent the trinity within the unity of life. Its very well developed pituitary gland indicates vision of the things of the ultra. Until now you have only heard comments about oriental Tibet and of the holy masters who dwell there. Franz Hartmann commented about the occult temple of Bohemia and its Masters. Krumm-Heller (Huiracocha) commented about the temple of Monserrat in Spain and the temple of Chapultepec in Mexico. In South America, there are temples of Goddess Mother Nature; these are the temples of the sacred mysteries of the Mayan Ray. There are millions of human beings who belong to the Mayan Ray. For the first time I am going to remove the veil that hides them. Master Kalusuanga, the primeval god of light, the great master of the Sun, has a storehouse of esoteric wisdom in the temple of Buritaca, headquarters of ancient wisdom (Atlantic coast) in Magdalena, Colombia. Kunchuvito Muya, a powerful god. Kakasintana, a powerful god, Nuestro Seyancua. Nuestro Padre Seukul. 'Mama' Kaso Biscunde. 'Mama' Batunare. La 'Saga' Maria Pastora, a female master of wisdom. The god Kuinmagua. This master is the god of tempests, who has power over the seasons of spring, summer, autumn, and winter. The god Temblor is an innocent child who who makes the earth tremble; his name [Trembling] says it all.

These masters from the Mayan Ray of the venerable White Lodge are the silent vigilantes of Latin America. The mountain of the Sierra Nevada from Santa Marta (Colombia) is another powerful and very ancient Tibet. 17. THE MEDITATION TEMPLE Certainly, the name "temple for meditation" fits the work that was performed there, since this was a temple where meditation was practiced. We know very well that meditation is the daily bread of the wise. When one is meditating, one is searching for God or is searching for power. On the above left, we can appreciate a human face that is sunken or submerged into meditation. Below is another human face that indicates Yesod, which shows where the source of power is. On its base is a semblance of a human head that indicates the "monster of the earth" that will swallow or devour us if we do not achieve our final liberation.
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The "monsters of the earth" of the Mayans are the infernos, the inferior or submerged worlds that open their jaws in order to devour those who do not fight for the realization of their inner Self, the Being. In our book Hell, the Devil, and Karma, we unveil all of this, together with practices in order for us to touch, verify, and see.

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