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pleted, a short circuit." , BEING AND NO I HINGNESS.

P-623) I
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(Jp P~39) 'Ijr~1' \O{t~

II

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C~i{ 9ffiiBllfBI "'ot~" I lfn<]i' «'-i~."Consciousness, first of all, is what it is not and again, consciousness is not what it is."
in Sartrean sense, this in-itself is not full positivity. but a flighty present which is at once both past (it is not what it is aud future (it is what it is not). hence, a -..transcendent for-itself which the author means. Moreover, Sartre is very precise on the

* Of course,

"core when he says,"The' itself as consciousness'.

for-itself is the in-itself losing itself as in-itself in order to found For further elaboration the reader is referred to Chapter one NOTHINGNESS. -Ed. ) 1.'!i11cnf4~l projected) iii"! I-I!: I

[and two of Part Two of BEING AND

"'* ~-~~-Ij'et~ ( Being-for-its.If <iJt~J1 ~~1 lJ'f~<I

the crisp ;<.
!"c"-$t;"" -

~ o;;Ht'l)~ C~!il!it~ ( res cogitans and res extensa ) "'i:].i

~c~

l'fr7.:;:!l"'~

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illumined framed by thus

il1 I 1I"~r[O'li6<ti1l1III
CONCLUSION
"l~ 'J

~'1~

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when
lIe;vr

ca,~4fJ

u* This density of thought attains

lines in the

a sort of clarity
J

we get ourselves

G?

c~l..S

r t

(;1
~

of BEING

AND NOTHINGNESS

~v<t".q
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v.:

W:n-.l

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~\!i

9111" ~\!i"'T~n~~n:\!il 1Wl~ 'il'r;.j'~-iS1~<::r'r~~tf~~i!iT ~ 'I1ft1r.l£lf~r.\!j ~~ Cl)l!itilJ~ !If 'il1t~~ ~'1r.':'?:~f1 I ~r.~~til" "I!I09'fr"'\!i <l~~?;\!j f\!jf.l "ie vecu: ~1 "lived experience" ~rrlj 11J'1I~ ~t~<u ~f~r.~iI"<II~1~V'ijr.~iI : "Lived experience is always simultaneously pre· sent to itself and absent from itself'. ,,0 -li'r~-Clfu~ '(3l11f~1i1-h;\!.n CiJtit <lir~~ <l.~~

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I"

indeed are we

existent

as in-itself

would

be

what it is and as for-itself would be what it is not? If we wish to resolve these difficulties, we must take into account what is required of an existent if it is to be considered ___!sa totality: it is necessary that the diversity of its structures be held within a unitary synthesis in such a way that each of them considered apart is only an abstraction. but the in-itself And c';'tainly has consciousness the for-itself considered in order to apart be; is only an abstraction; no need of

the "passion" of the for-itself only cat ..ses there to be in-itself. in-itself is an abstraction without consciousness but its being

The phenomenon of is not an abstraction.

( B. N. P-622).
\!l~

-Ed.

"Ilti1i'''' ~~~ ~a<f~ "Critique de 1a Raison Dialectique" I21C~ -C"l~~ I I S I'It is consciousness itself, in the heart of consciousness, and yet out of reach ..... " (B. N. P-91). -·c~~.
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because it rises in being as perpetually able to be it; consciousne-ss, precisely losing itself as for-itself.

by a totality
reality,

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because it could not possibility

the in-itself without an unhappy stare.v"

therefore, is by nature

with no

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(B. N. P.-90} I

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lit(i1i~ Nausea .... of salvation has not. through

J'N(;i,fi

Maurice

Cranston

~~~

<f~~fu~~il', La Nausee thus this idea should

ends on a distinct note of hope; art.

and the source of that hope is the notion

And one can easily see why

appeal to Sartre. In Art one creates a world which has what the real world Order, harmony, predictability, the organizing genius. of a rational creator - all the characteristics wh'ch are wanting-for Sartre, painfully wanring -in the real universe, are present in the work of art. Art promises: salvation because it offers an escape from the sensible world of contingency
'I

into a created world of necessity. ~~,

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litrt:{~ -q:{0l, (~r.~~-<15 ~l 'i1T.'i <f.T.~~) ~0{~1~<!111 c~tr.~~ Ol~ I BE1NG AND

NOTHINGNESS-~~

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r:~rl~(Les
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Mouches e Le diable ~7[-"This

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play
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man and

God or if you prefer, of the relation between man and the

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absolute.)"

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is whore:

she sells her favours to the rich .',"" '!ittJ1("l character He is infinite ideal of man

<fr."fi{ ~j

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( God ), in reality

our Theology

may

ascribe

to Him

towards

whom men move

~?:~ ~t~ cq-~r"l \

'I

-C;;ij~<1i

Jean Paul Sartre.i.Maunce Cranston ( Encounters, April 1962 ) I Nausea-a C~rf~J1 '1rf~~H.15~1 ~H fxt~~~ l1U:U 'llT~il\!iTt~ ~tr."§i c~r.~r~~1 ~ C~~<fi I

~ Jean Paul Sartre- PhIlip Thoddy. Les Mouches-ae fSf!lr:i[~ ~'{3'C<lHf ~r~ ~~~~fi:~r~ 'l~ '~PDtr~~ ~c;~tl[_~<f ~mQ'l1\)~1 ~llt~ ~c~ ~~~4"'11; Jrfi!,~lfil~ N;f~\!i I
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