Using this manual

THE MANUAL
Version 4 for the Apple Macintosh and Microsoft Windows by John McKernon
Copyright 1995-1999 by John McKernon Software All Rights Reserved JOHN MCKERNON SOFTWARE 2650 Belvidere Rd Phillipsburg, NJ 08865 help@mckernon.com http://www.mckernon.com

This manual is distributed in Adobe Acrobat format, which means you can either view it onscreen or print it out. If you choose to view it onscreen (as you are likely doing now), notice the navigational tools available at the top and bottom of the Acrobat Reader window, especially the Find feature! If you decide to print this manual, it is formatted for landscape orientation with room for spiral binding along the left edge. Page numbers are on both the left and right edges of each page in case you print backto-back.

Tech Support: (908) 387-1994 during business hours Registration: (908) 387-9775 fax or at www.mckernon.com

Print History Copyright 1995-2003 John McKernon Software First Printing November 1995 Second Printing August 2003 Trademarks Lightwright and Beamwright are trademarks of John McKernon Software. Macintosh is a trademark of Apple Computer, Inc. Microsoft Windows is a trademark of Microsoft, Inc. Acrobat Reader Copyright (C) 1987-1997 Adobe Systems Incorporated. All rights reserved. Adobe and Acrobat are trademarks of Adobe Systems Incorporated. All other products mentioned in this documentation are the trademarks or registered trademarks of their respective owners. Limitation on Warranties and Liability John McKernon Software shall have no liability to purchaser or any other person or entity with respect to any liability, loss, or damage caused or alleged to be caused directly or indirectly by the software or this manual, including, but not limited to, any interruption of service, loss of business or anticipatory profits, or consequential damages resulting from the use or operation of this software. Some states do not allow the exclusion or limitation of implied warranties or liability for incidental or consequential damages, so the above limitation or exclusion may not apply to you. Having said that, please feel free to call John McKernon Software if you experience any kind of problem using Beamwright. It is possible that the software contains hitherto undiscovered bugs, and once they are found we will try to correct them within a reasonable time period. You should also feel free to contact us if you have suggestions for ways to improve this manual, the program, or our customer support. The best way to submit suggestions is in writing, sent to John McKernon Software by e-mail to john@mckernon.com. Production This manual was written on a Macintosh TiBook, MacOSX, using Microsoft Word X for Mac for the words and SuperPaint, DeskPaint, and Flash-It 3.0.2 for the graphics. Beamwright for the Mac was written using FutureBASIC by Staz Software. Beamwright for Microsoft Windows was written using Visual Basic by Microsoft.

Acknowledgments
Special thanks to Jane Head, who taught me how to interpret those charts in the manufacturer's catalogs, and to Ken Billington, whose extensive library of equipment catalogs provided most of the photometrics.

About the Author

John McKernon is the author of Lightwright and the ALD programs that preceded it, starting in 1979 on a Radio Shack TRS-80 Model I computer with 32k of memory and a cassette tape drive. A professional lighting designer, he has designed primarily for dance, covering most of the classical ballet repertory including productions of Giselle, Romeo & Juliet, Coppelia, A Midsummer Nights Dream, Sleeping Beauty, and The Nutcracker as well as numerous modern dance pieces. Off-Broadway designs have included Jelly Roll!, Further Mo, Othello, Hot Chocolate, and Whats a Nice Country Like You Doing in a State Like This?. Regional designs have included productions of Funny Girl, Dracula, The Little Foxes, the Mahagonny Songspiel, The Crucible, and The Skin Of Our Teeth. John has lit more benefits than he can count, featuring stars such as Chita Rivera, Victor Garber, Judy Kaye, Glenn Close, Betty Buckley, Dorothy Loudon, Eva Gabor, Ann Reinking, Gwen Verdon, Art Garfunkel, Burl Ives, Jason Robards, Beverly Sills, Tony Randall, Lynn Redgrave, Pete Seeger, The Chad Mitchell Trio, Tom Paxton, and Peter, Paul, and Mary. He has been an associate designer to Ken Billington since 1985, with whom he has been involved in a wide range of theatrical and architectural projects, including the national and international tours of Chicago , Journey to Atlantis for Sea World Orlando, and the New York productions ofThe Lisbon Traviata, Sweet Sue, Annie Warbucks, Lips Together Teeth Apart, the national tours of Chess, West Side Story, Annie Get Your Gun, and Nunsense. As architectural lighting supervisor for KB Associates, Inc. Mr. McKernon has been involved in the design of many outstanding restaurants and nightclubs from New York to Asia, including Tavern on the Green in New York, Java Jive in Tokyo, Sabai Dee in Thailand, King Xmhu in Sapporo, and Gladstones at Universal CityWalk in Los Angeles. John is a graduate of the North Carolina School of the Arts and a member of United Scenic Artists Local 829.

TABLE OF CONTENTS
Introduction .......................................................................1 System Requirements .......................................................2 Installation..........................................................................4 Microsoft Windows.................................................5 Macintosh .................................................................6 About Photometrics..........................................................4 Using Beamwright ..........................................................10 Starting Beamwright .............................................10 Browsing.................................................................12 Asking for Suggestions.........................................12 Limiting the Recommendations ..........................13 Using Groups .........................................................13 Editing Groups.......................................................14 Find Others Like This One...................................15 Adding Lights..................................................................15 Editing...............................................................................18 Removing Lights .......................................................18 File Merge...................................................................18 Preferences .......................................................................19 Library Contents..............................................................20

INTRODUCTION
I wrote Beamwright because I was frustrated that none of the other beamspread calculators think the way I do, as a designer. It seems like everybody has written some sort of program to calculate photometrics and beamspreads, but I've never thought one was particularly essential; after all, I already know what a 6x16 does! But then fate stepped in: I was asked to evaluate a new beamspread program that was being introduced. I tried it and once again found the whole experience frustrating. I told the developer, who immediately corrected many of the problems I encountered. However, I still found the program focused in the wrong direction: instead of being a useful tool for a designer, it was more of an encyclopedia for "techies." I resolved to take a stab at writing the "better mousetrap," and a couple of days later I had a rough working copy of what is now Beamwright. I showed it to some friends, and they all agreed that it really was useful! Then of course, I got busy with my design career and nothing more happened -- until a year or so later I found myself moving one of my shows into three theatres, all very different! One was even in London, where I didn't have a clue what equipment to use. So I used Beamwright to pick the equipment, discovered along the way the things in it that needed improving, and fixed them. And now Beamwright is in your hands -- small, quick, and useful. I hope you enjoy it, too! Thanks!

Page 1

Page 1

SYSTEM REQUIREMENTS
Both the Windows and Macintosh versions of Beamwright require Lightwright 4 to be installed on the computer. Beamwright for the Mac requires: Mac OSX 10.2 (Jaguar) or later A CD-ROM drive (for installation only) 8MB of available RAM This generally means a Mac with at least 128MB of RAM A hard drive with at least 2MB of available disk space Beamwright for Microsoft Windows requires: Microsoft Windows 98/ME/NT/2000/XP or later A CD-ROM drive (for installation only) 128MB of RAM A hard drive with at least 3 MB of available disk space

Page 2

Page 2

INSTALLATION
REGISTRATION
Before you can begin using Beamwright, you will need to register your copy of Lightwright 4 with John McKernon Software and obtain an approval code. In addition to validating your license, registering your software also helps us keep you informed of new versions of the software as they become available. Beamwright will read Lightwrights registration information after you enter it into Lightwright. Once you receive your approval code, be sure to keep copies of it in a safe place and you should also take a copy with you whenever you travel, in case your software is damaged or stolen and you need to reinstall or borrow someone else's copy. If you have any questions at any time, youll find the answers to 95% of users questions at www.mckernon.com under Technical Support.

YOUR LICENSE
Your license for Beamwright allows you to use either the Windows or Macintosh version of the software and to freely move back and forth between the two versions so long as you do not exceed the maximum number of concurrent users permitted under the terms of the license. If you have an Individual registration, this means only one person can use it at a time, but he or she can be using either the Windows or Mac version. If you have an Institutional registration, this means up to six people can be using Beamwright at any given time, and it does not matter which platform any of them are using.

Page 3

Page 3

THE CD-ROM
The CD-ROM includes Lightwright and Beamwright software for both Windows and the Macintosh. There may also be shareware and demo software you may find useful. If you use any of the shareware, please pay the authors their fees to encourage them to improve their software and keep freely available.

WINDOWS INSTALLATION
To begin the installation, insert the Lightwright CD-ROM into your CD-ROM drive and open it. Look for the Beamwright folder, open it, and double-click setup.exe to begin the installation program. The setup program will copy the software to your hard disk and will install various required DLL's and entries in the Windows registry. If at any time you need to uninstall Beamwright,use Windows Add/Remove Software control panel. When the installer finishes, eject the CD-ROM and put it away in a safe place. Do not, under any circumstances, rename Beamwright or move the Beamwright application from the folder where the setup program puts it.

MACINTOSH INSTALLATION
To begin, insert the Beamwright CD-ROM into your CD-ROM drive and open it. Look for the Beamwright folder, and drag into your Macs hard drive. Applications are normally put in the Applications folder, but this is not a requirement, and you can move Beamwright at any time. Once youve dragged Beamwright onto your hard drive you can eject the CD-ROM and put it away someplace safe. If you decide to uninstall Beamwright, you can simply drag the entire Beamwright folder into the Macs trash can.

Page 4

Page 4

SOME GENERAL NOTES

The library that comes with Beamwright has information on over 250 lights. You can make copies of this library and modify it at will. However, the Macintosh and Windows versions have slight differences in their library formats so they cannot be shared with each other. The pictures in this manual are from the Macintosh OS9 version of Beamwright, but the OSX and Windows versions have the same elements in the same places; everything is easily recognizable.

ABOUT PHOTOMETRICS
The basic principles of calculating how light behaves over distance are very clear and mathematical. Unfortunately, the process of interpreting lighting instrument photometrics is an interesting blend of science, wishful thinking, and marketing. I'm nobody's idea of an engineer, but here are some basics as well as some cautions from my point of view: First, some definitions: Candela - the international unit of liminous intensity. The term has evolved from a standard candle as the basis of evaluating the intensity of other light sources. Lumen - The basic unit of measurement for light. If a uniform point source of 1 candela is at the center of a sphere with a 1 foot radius with an opening of 1 square foot area at its surface, the quantity of light that passes through is called a lumen. Since a sphere with a 1 foot radius will have a total surface area of 12.57 square feet, a uniform point source of 1 candela produces 12.57 lumens. Candlepower - A measure of intensity expressed in candelas. A measure of the "strength" of a light source in a particular direction. It is independent of the distance from the source. Footcandle - The unit used to measure how much total light is reaching a surface. One lumen falling on one square foot of surface produces illumination of one footcandle. Lux - A measurement related to the footcandle: One lumen uniformly distributed over an area of one square meter.

Page 5

Page 5

When a spotlight shines on a surface, it typically produces a circle of light. Since the amount of light within the cone of light that produces that circle is never even (it's usually brighter in the middle), there are some terms to describe the distribution of the light: Field Angle - The angle where the intensity drops to 10% of the maximum intensity. Also known as "1/10 Peak Angle." Essentially the edge of the circle of light, although some purists will also say that that's the "Cut-Off Angle". My feeling is that anything less than 10% is essentially useless. Beam Angle - The angle where the intensity drops to 50% of the maximum intensity. Sometimes known as "1/2 Peak Angle" Peak Distribution - The light coming from the luminaire is concentrated in the center of the cone of light. Cosine Distribution - One half of the center intensity is reached at 2/3 of the total spread. This a very useful when you want to overlap units for smooth lighting of an area. There's no term or definition for the black hole you get in the center of the beam on a poorly-aligned instrument; sorry! Then some theory: The Inverse Square Law relates the candlepower of the source to the illumination it produces at a given distance. Footcandles = Candlepower divided by the square of the distance So if the Candlepower is 5000 and the distance is 20 feet, then the resulting footcandles equal 12.5.

Page 6

Page 6

Now for the reality: Okay, this all sounds pretty scientific, and it actually is. The hard part is reading manufacturer's spec sheets and interpreting them intelligently. For example, one manufacturer publishes these photometrics: Peak Focus Beam Angle: Field Angle: Center Footcandles at 30': Another one shows these: Beam Angle: Field Angle: Cosine intensity (candela): 17 26 138,079 11 30 171

One thing to notice right away is that the first manufacturer has adjusted his light for Peak Focus, which means there's a pretty definite hot spot. The second manufacturer has adjusted his light for Cosine distribution. The first manufacturer lists footcandles, the second gives us "Cosine intensity (candela)" which we have to convert into footcandles to make a semi-intelligent comparison. Using our formulas (or Beamwright), we get a result of 154 footcandles. But is this a valid comparison? There's a lot we haven't been told in this example. For example, what kind of lamp is in each light? It's fairly common practice to use a 1kw FEL lamp in a light that's UL listed only up to 750w. Since UL has only rated the lamp for 750w, that manufacturer is probably going to show photometrics for that light using the 750w bulb, and you can't really extrapolate footcandles based just on the wattages (as a look at a Source Four so clearly illustrates). And complicating things further, remember that we don't know the conditions under which these measurements were taken or how close the lights we have will match the performance from the test units. Were the measurements made using preproduction units or actual off-the-assembly-line product? Did they find one light that was made particularly well and measure it, or did they measure a lot of them and average the results? Are your lights (and bulbs!) anything as good as the ones they measured? Since there's no real way to resolve those questions, we do the best we can -- cross our fingers and mix the published data, our real-world experience, and a good dose of skepticism to choose between lights. Beamwright can help, if only by doing the calculations for you and making it quick and easy to swap back and forth between lights. Page 7 Page 7

However, it's very important to know what you're looking at. Remember that the Results area shows "Center footcandles," which can be misleading if one light's beam angle is radically different from another. It's the combination of the two that matters: Two lights with identical Center Footcandles and identical Field Angles can be producing very different amounts of light at the center if their Beam Angles aren't the same. The moral of this story? Be careful -- photometrics are part science, part advertising.

Page 8

Page 8

USING BEAMWRIGHT
Most of Beamwright is pretty self-explanatory, but the general concept is to set up a situation with a light hanging at some trim above the floor at some distance horizontally away from a person you want to light. Fill in the size of the area you want to cover and what height you want the center of the beam focused on, and then ask Beamwright to show you how various lights perform under that situation.

STARTING BEAMWRIGHT
When you first start Beamwright, it will prompt you to select a Library File. The one that comes with Beamwright is called Beamwright Library, or LIBRARY.BW1, or a similar name After you select a library, the main Beamwright window will open:

The edit fields for the situation are on the left under "CRITERIA". To the right of Criteria are two drawing spaces. The top is a section view and the bottom is a plan view.

Page 9

Page 9

You can enter trim heights and floor distances by either typing them into the appropriate fields, or by dragging the scroll bars. The horizontal scroll bar above the section view controls the Floor Distance and the vertical scroll bar to the right of the section view controls the Trim Height. By dragging these scroll bars around, the light source will move relative to the actor and the Section and Plan views will redraw automatically. If you type measurements into the edit fields manually and want Beamwright to draw based on those measurments, click the "Draw As Entered" button. Whether you drag the light or click on the "Draw As Entered" button, Beamwright will automatically recalculate everything in the "Results" area whenever it redraws the views, based on the current light selected in the pop-up menu. Beamwright draws a section view of the instrument, the beam of light, and a 6' high person surrounded by an outline showing your area's width and height. The outer edges of the beam of light are the field angle, and the lines inside show the beam angle. The bottom drawing shows a plan view of the same thing. The Section and Plan views are to scale, but not to any particular scale that you can measure. Beamwright will continuously adjust the scale as needed to keep the entire drawing within the bounds of the drawing space. The tick marks on the section view are every 10' (or every 2 meters if you're using metric), to help you keep in mind the relative scale. The "Results" are all calculated; you can't enter anything into them manually. Field Diameter is the width of the Field Angle portion of the light where it hits the acting area. Beam Diameter is the width of the Beam Angle portion of the light where it hits the acting area. Throw Distance is the actual straight-line distance between the light and the actor. Angle of Incidence is the angle at which the light strikes the actor, with 0 being horizontal. Center Footcandles is how bright the light is at the center of the beam. Wash Spacing is how far apart Beamwright recommends you space your areas if you want to make an even wash. Remember that 10% (or more) is entirely likely in the real world!

Page 10

Page 10

BROWSING
To choose a different light, select it from the pop-up menu on the right side of the window. Beamwright will immediately redraw and recalculate your situation, using that light's photometrics. If the light currently selected is a zoom unit (such as a zoom ellipsoidal, a fresnel, or a follow spot), you can use the zoom control that's located in between the Section and Plan views. To adjust the beamspread of the unit, drag the handle on the zoom control left and right. Beamwright will recalculate the photometrics and the drawing whenever you stop. In the bottom right-hand corner of the window you'll see a list of instrument categories. You can determine what kinds of instruments are in the pop-up list by checking these categories. If you want to see ALL of the lights in the checked categories, click the "Show All" button at the top right quarter of the window. You can also see what a particular beam or field angle would do, without a particular light being chosen. To do this, just type the numbers into the appropriate "Criteria" fields and then click the "Draw as Entered" button.

ASKING FOR SUGGESTIONS

If you want Beamwright to recommend suitable lights for your scenario, check the appropriate check boxes for the kinds of lights you want to use, then click on the "Find Best Match" button. Beamwright will go through the list of lights and come up with a short list of the most-suitable lights available, which becomes the list available on the pop-up menu. To go back to the full list, click the "Show All" button. When you ask Beamwright to find the best match, it takes into account how closely the beam size matches the area you want to cover. If a zoom unit could be suitable, Beamwright will zoom it to the appropriate beam size. It then sorts the list in order from brightest (in terms of initial candlepower) on down. Any light on the list will be within your range of acceptable limits (see Preferences). Remember that a narrow beam angle, with the resulting hot center, can put a light ahead of other lights with a flatter field that may be better suited for your purposes.

Page 11

Page 11

LIMITING THE RECOMMENDATIONS

There are several ways to control which lights Beamwright chooses from: By checking one or more of the "Instrument Type" categories By choosing Preferences from the Edit Menu and making Beamwright more or less picky in its beamspread size matching By choosing one or more groups of lights to be used

USING GROUPS
To make Beamwright select from only certain groups of lights when you click on either "Show All" or "Find Best Match", use the Groups Menu. "All" includes all of the lights in all groups as well as those that aren't in any groups at all. To browse or use all of the lights in the library, select "All." To use lights that are not in ANY group, select "None." You can use any group in combinations with each other, either with or without "None."

Page 12

Page 12

EDITING GROUPS
Any given light can be placed into one or more (or none) of six different groups. When you first receive Beamwright, the groups are labeled Favorites, Stock, Video-Film, Domestic, Overseas, and Other. To change these labels or assign lights to groups, choose "Edit" from the Groups Menu. When you do, the Groups window will open:

To edit the name of a group, click on it and type in the new name. For example, you might prefer to change "Stock" to "House." Due to the way pop-up menus are implemented on the Macintosh, the label cannot contain a slash character (/) on Macs. Sorry! To put a light into a group, click the appropriate column to the right of the light. A bullet mark () will appear. Click on the bullet mark to remove it. You might want to start by marking lights you have ready access to, so that Beamwright won't bother you by suggesting lights you can't get.

Page 13

Page 13

FIND OTHERS LIKE THIS

If you have one light you like, you can ask Beamwright to look for others that have similar beamspreads; just click on the "Find Others Like This" button. This doesn't mean the lights it finds are any more suitable for the situation at hand, it just means they have similar size Field and Beam angles. This could be useful if, for example, you're trying to find a PAR or fresnel replacement for an ellipsoidal. You can also enter beam and field angles into the Beamspread section and Beamwright will look for lights with those angles, instead of basing its search on the currently-selected light.

ADDING LIGHTS
You can add a new light to the current library at any time by choosing "New Instrument" from the Edit Menu. When you do, the Info window will open:

Page 14

Page 14

Fill in this form with the appropriate information. The "Name" is the name that will appear on the pop-up menu. Due to the way pop-up menus are implemented on the Macintosh, the name cannot contain a slash character (/) on Macs. (The menus in Windows work differently.) The "Other Info" field can be anything you want, but it's most often used for the lamp type and wattage. Check the appropriate Instrument Type radio button, and check the zoom box if the unit can zoom (such as a zoom ellipsoidal, fresnel, or follow spot). A note for our European friends: In the library that comes with Beamwright, Plano-Convex lights are classified as "Ellipsoidals" and Prism-Convex lights are classed as "Fresnels." Although this isn't really true, it's close enough for most purposes. If you need to distinguish between these kinds of lights, try assigning them to a group of their own. Enter the Center Beam Candlepower, Field and Beam angles in the fields provided. If all you know is how bright the light is at a given distance or how wide the beam of light is at at a distance, then click on the "Assistant" button. The Calculation Assistant window will open:

Page 15

Page 15

Fill in one or more of these fields and click "OK," and the assistant will do the necessary arithmetic for you. You don't need to put something in every field; if you already know the CBP you won't need to use the footcandles section, and if you know the field and beam angles you won't need the "feet wide at distance" parts. If you are using metric measurements, be sure you go to Preferences and check-mark "metric measurements." Then enter the appropriate information in lux and meters instead of footcandles and feet. Fractions of feet must be entered in decimal form (such as 10.5 for 10 1/2 feet). If the light you're adding is a zoom unit, then a second set of information fields will open for the unit when it's zoomed into wide focus. 4 Footcandles should be calculated using cosine distribution in order to keep everybody on an equal basis. A special note about PAR's: Most PAR's have elliptical beams -- one direction of its beam is longer than the other. In the Beamwright Library, each PAR has been entered twice: Once for the narrow angle/short dimension and one for the wide angle/long dimension. Example: PAR 56 MFL 500w, Narrow PAR 56 MFL 500w, Wide

The "Narrow" is the light measured across the narrow dimension and the "Wide " is the other dimension. Since terms like "height" and "width" are relative, we used "Narrow" and "Wide." We recommend you do the same with any similar lights you might add with this characteristic, but it's up to you.

Page 16

Page 16

EDITING
To change the photometrics for any given light, select it from the pop-up menu and then choose "Instrument Info" from the Edit Menu. The same Info window used for adding lights will open, filled with the data for your chosen light. Edit anything here as needed.

REMOVING LIGHTS FROM THE LIBRARY

To remove a light from the current library permanently, select it from the pop-up menu and then choose "Delete Instrument" from the Edit Menu.

FILE / MERGE
If you want to combine two Beamwright libraries into one, open the one of them and then choose Merge from the File menu. The contents of the second file will be merged into the currently-opened library. If any of the instrument names match, the information from the second file will replace the information in the current library. If the no match is found, then a new instrument will be added to the current library. Be sure to save your newly-revised library under a new name using File / Save As.

Page 17

Page 17

PREFERENCES
Use the "Preferences" item under the Edit Menu to determine some general ways Beamwright will behave.

The "Picky" slider controls how closely Beamwright will try to match actual Field and Beam angles on lights with the ideal angles. A setting of 70 on the Macintosh (20% in Windows) is usually fairly useful. Beamwright can look at either Field or Beam angles when it looks for the "Best Match." If you prefer to use metric measurements, check the "Metric measurements" item. When you do, all measurements will be in meters, and footcandles will be replaced by lux.

Page 18

Page 18

LIBRARY CONTENTS
As of February 1999, these lights are included in the standard Beamwright library: ADB A59Z ADB Europe C101 PC ADB Europe CN101 PC ADB Europe DN104 ADB Europe DN201 ADB Europe DN204 ADB Europe DS104 ADB Europe DSN104 ADB Eurospot DS51 ADB Eurospot DS54 ADB Eurospot DW54 Altman 1KL10-5 EHG Altman 1KL10-5 FEL Altman 1KL6-12 EHG Altman 1KL6-12 FEL Altman 1KL6-20 EHG Altman 1KL6-20 FEL Altman 1KL6-2040Z 4.5" Zoom Altman 1KL6-30 EHG Altman 1KL6-30 FEL Altman 1KL6-40 EHG Altman 1KL6-40 FEL Altman 1KL6-50 EHG Altman 1KL6-50 FEL Altman 1KL8-10 EHG Altman 1KL8-10 FEL Altman 1KL8-1424Z 8" Zoom Altman 3.5x10 3.5Q 10 Page 19

Altman 3.5x12 3.5Q 12 Altman 3.5x6 3.5Q 6 Altman 3.5x8 3.5Q 8 Altman 4.5" Baby Zoom 4.5-1530Z Altman 4.5" Baby Zoom 4.5-2550Z Altman 4.5" Baby Zoom 4.5-3060Z Altman 4.5x6.5 360Q EHD Altman 4.5x6.5 360Q EHG Altman 6x12 360Q Altman 6x16 360Q Altman 6x22 360Q Altman 6x9 360Q Altman Micro Ellipse, Medium Altman Micro Ellipse, Narrow CCT Silhouette 15 CCT Silhouette 25 CCT Silhouette 30 CCT Silhouette 40 Colortran 10 213-102 Colortran 12 213-092 Colortran 20 213-072 Colortran 30 213-062 Colortran 30 Mini Ellipse Colortran 4.5x6.5 650 Colortran 40 213-052 Colortran 40 Mini Ellipse - Peak Colortran 50 Mini Ellipse - Peak Colortran 5 213-112 Colortran 6x12 650 Colortran 6x9 650 Colortran Zoom Mini 15-30 Colortran Zoom Mini 25-50 Colortran Zoom Mini 40-65 Kliegl 1355 Kliegl 1355-8 Kliegl 1357-10 Kliegl 1357-12 Kliegl 1357-6W

Kliegl 1360 Kliegl 1360-W Lekolite 10x23 2123 Lekolite 15-40 Variable Focus 2206 Lekolite 25-50 Variable Focus 2205 Lekolite 4.5x6.5 2204 Lekolite 6x12 double-lens 2212 Lekolite 6x16 2216 Lekolite 6x16 2216-17 Lekolite 6x9 2209 EHF Lekolite 6x9 2209 FEL Lekolite 8x13 2113-14 Patt 23 Patt 23 w 23N tube Patt 263 Patt 264 Patt 264 W Prelude 16-30 Selecon Pacific 12-28 Zoomspot Selecon Pacific 26-50 Zoomspot Source Four-5 #405 Source Four-10 #410 Source Four-19 #419 Source Four-26 #426 Source Four-36 #436 Source Four-50 #450 Source Four Zoom 15-30 Source Four Zoom 25-50 Strand Cantata 11-26 Strand Cantata 26-44 Strand Minim 23 Profile Strand Prelude 16-30 Strand Prelude 28-40 Strand Quartet 22-40 Strand Quartet 25 ADB A57F ADB Europe C103 PC Page 19

ADB Europe C203 PC ADB Europe F101 ADB Europe F201 ADB Eurospot C51 PC ADB Eurospot F51 Altman 1000L 5" location fresnel Altman 1000S 7" Altman 2000L 7" location fresnel Altman 3" Fresnel 100 Altman 300L Altman 5" 575SE Altman 6" Fresnel 213-515 Altman 6" Fresnel 65Q Altman 6" TV Fresnel 100-515 Altman 6" die-cast 1KAF-MEPF Altman 650L Altman 7" 1200SE Altman 8" Fresnel 213-525 Altman 8" Fresnel 75 Altman 8" Fresnel 75Q Altman 8" TV Fresnel 100-525 Arri 1kw Fresnel 5" lens Arri 1kw Studio Fresnel 7" lens Arri 2kw Fresnel 7" lens Arri 2kw Studio Fresnel 10" lens Arri 300w Fresnel 3" lens Arri 5kw Fresnel 10" lens Arri 5kw Studio Fresnel 12" lens Arri 650w Fresnel 4" lens Arri Compact HMI 1200w Arri Compact HMI 2500w Arri Compact HMI 4000w Arri Compact HMI 575w Arri Daylight 12000 Arri Daylight 6000 Arrilite 1000 Arrilite 2000 Arrilite 600 Page 20

Arrilite 650 Patt 123 Fresnel Patt 223 Fresnel Patt 243 Fresnel Pepper 100 Pepper 200 Pepper 420 Pepper 650 Pepper Flood Pepper Soft Strand Bambino 10" Fresnel Strand Bambino 5" Fresnel Strand Bambino 6" Fresnel Strand Polaris Strand Pollux 12" Fresnel Strand Quartet F Strand Quartet PC Strand Vega 14" Fresnel Arri 40-25 2.5k Med Spot, Narrow Arri 40-25 2.5k Med Spot, Wide Arri 40-25 2.5k Super Wide ArriSun 40-25 2.5k Spot ArriSun 40-25 2.5k Super Spot Arrisun 12 MFL, Narrow Arrisun 12 MFL, Wide Arrisun 12 NSP, Narrow Arrisun 12 NSP, Wide Arrisun 12 VNSP, Narrow Arrisun 12 VNSP, Wide Arrisun 12 WFL, Narrow Arrisun 12 WFL, Wide CP60 Narrow Spot, Narrow CP60 Narrow Spot, Wide CP61 Spot, Narrow CP61 Spot, Wide CP62 Flood, Narrow CP62 Flood, Wide

CP95 Extra Wide, Narrow CP95 Extra Wide, Wide PAR 56 MFL 300w, Narrow PAR 56 MFL 300w, Wide PAR 56 MFL 500w, Narrow PAR 56 MFL 500w, Wide PAR 56 NSP 300w, Narrow PAR 56 NSP 300w, Wide PAR 56 NSP 500w, Narrow PAR 56 NSP 500w, Wide PAR 56 WFL 300w, Narrow PAR 56 WFL 300w, Wide PAR 56 WFL 500w, Narrow PAR 56 WFL 500w, Wide PAR 64 MFL, Narrow PAR 64 MFL, Wide PAR 64 NSP, Narrow PAR 64 NSP, Wide PAR 64 WFL, Narrow PAR 64 WFL, Wide PAR 64-1 VNSP, Narrow PAR 64-1 VNSP, Wide PAR 64-2 NSP, Narrow PAR 64-2 NSP, Wide PAR 64-5 MFL, Narrow PAR 64-5 MFL, Wide PAR 64-6 WFL, Narrow PAR 64-6 WFL, Wide Pani Beamlight P1001 Pani Beamlight P500 Source FourPAR Clear, Flat Source FourPAR MFL, Narrow Source FourPAR MFL, Wide Source FourPAR NSP Source FourPAR VNSP Source FourPAR WFL, Narrow Source FourPAR WFL, Wide Page 20

Altman 1000Q Altman 902 Altman 902 Jr. Altman Comet Altman Dyna Spot Altman Explorer Long Throw Altman Explorer Medium Throw Altman Explorer Short Throw Altman Marc 350 Altman Orbiter Long Throw Altman Orbiter Short Throw Altman Satellite I Altman Voyager Long Throw Altman Voyager Short Throw Colortran 210 Kliegl Follow Spot 1393 Lycian 1206 Lycian 1207 Lycian Clubspot 1236 Lycian SuperArc 400 LongThrow 1267 Lycian SuperArc 400 ShortThrow 1266 Strong 575 Strong Super Trouper (Arc) Strong Super Trouper (Xenon) Strong Super Trouperette Strong Trouper 1200 Strong Trouperette III Strong Xenon Gladiator II Strong Xenon Gladiator III Strong Xenon Super Trouper Strong Xenon Super Trouper Long Strong Xenon Super Trouper Short Altman 10" Scoop 153 Altman 14" Scoop 154 Altman 14" Scoop Focusable 160 Page 21

Altman 18" Scoop 155 MR-16 120v 150w EZK MR-16 120v 250w ENH MR-16 120v 250w EXX MR-16 FL 50w MR-16 FL 75w MR-16 NFL 1 50w MR-16 NFL 42w MR-16 NFL 50w MR-16 NFL 75w MR-16 NSP 20w MR-16 NSP 50w MR-16 NSP 75w MR-16 VNSP 20w MR-16 VNSP 42w

Page 21