Meunarodni festival dugometranog dokumentarnog lma

20- 28. maj 2011. Podgorica

Organizator festivala / Festival organizer: NVO Crnogorski lmski festival / NGO Montenegro Film Festival

UnderhillFest 2011 UnderhillFest je posveen dugometranim dokumentarnim filmovima nastalim u malim kinematograjama i nezavisnim produkcijama, filmovima koji su se nametnuli inovativnou, idejom i snagom svojih pria. UnderhillFest kao takav predstavlja pravi izazov u Crnoj Gori, i u programskom i producentskom smislu. Cilj naeg festivala je prvenstveno edukacija javnosti o posebnom mjestu koje ovaj filmski rod uiva u svjetskoj kinematografiji, kao i o moi koju dokumentarni filmovi imaju u predstavljanju i rjeavanju kako onih goruih, tako i onih naizgled nebitnih, drutvenih problema u svijetu. Na festival je u svakom smislu human i drutveno angaovan projekat: izdvojen iz bilo kakvih institucionalizovanih okvira, otvoren, pomalo alternativan i buntovan, namijenjen je iskljuivo slobodnom, radoznalom i kreativnom posjetiocu koji voli filmsku umjetnost i koji prepoznaje ozbiljnost problema kojima se dokumentarni filmovi bave. Na festival je uspio da nae put do svoje autentine publike, od regularnih ljubitelja dokumentarnog filma, preko studenata eljnih saznanja o ovom filmskom izrazu, pa do strune javnosti koja doprinosi kolektivnoj filmskoj edukaciji. UnderhillFest is dedicated to the full-length documentaries made in small cinematographies and independent productions, that is, to films that imposed themselves by innovation, idea and the power of their stories. UnderhillFest, as such, represents a real challenge in Montenegro, in terms of its program and production. The aim of our festival is primarily to educate the public about the special place that this kind of movie enjoys in the world of cinema, as well as about the power that documentary films have in representing and addressing both the urgent and seemingly irrelevant social problems in the world. Our festival is humane and socially engaged project in every sense: it is set aside from any institutionalized framework, open, slightly alternative and rebellious, intended solely for the free, creative and curious visitor who loves cinema and who can recognize the seriousness of the problems depicted in documentary films. Our festival has managed to find a path to its authentic audience, from the regular documentary films lovers, students who want to learn more about this cinematographic expression, to professional public contributing to the collective film education.

Udahnite dokumentarce Dokumentaristi preispituju prolost, kao i dananjost, savremeni svijet. Oni najhrabriji krenu u misiju istine kao kambodanski novinar koji je cijelu deceniju posjeivao ovjeka koji je odgovoran za smrt njegove porodice, da bi ga tri godine zatim snimao. Oni matoviti, kao Vik Muniz, spremni su da pronau ljepotu i umjetnost tamo gdje je niko ne vidi i sa ljudima koji misle da nemaju sposobnost da je stvaraju. Donose prie i o onima koji su sve vrijeme znali da su umjetnici ak i kada su bili beskunici. Neki govore o loim vladama i njihovim odlukama, nehumanim zatvorima, drugi sasvim otvoreno, licem u lice, sa ljudima sa druge strane zakona, njihovim pravilima i vezama sa politikom. Neki e vas odvesti na romantino, nestvarno putovanje cepelinom, dok e pojedini preispitati granice ljubavi. Oni provociraju visoke zvaninike, monike, prozivaju nau savjest i rovare po naim emocijama. Tjeraju nas da ponovo razmislimo, da preispitamo naizgled vrsta stanovita. Govore i o kokotima, o zavoenju, filmovima kakve smo voljeli, periodima i ljudima koje smo zaboravili, muzici koja je mnogima promijenila ivote. Poslije ovakvih filmova, neete biti isti. Ne samo zbog vie nego zbunjujue svijetske medijske slike, ume informacija iz kojih je teko probrati one prave i istinite, mnogi kau da vrijeme dokumentarnog dugometranog filma u stvari tek dolazi. Autorskog dokumentarnog filma. Takvi dokumentaristi vam serviraju istinu, jo na umjetniki nain. Utisak je da su dokumentarni filmovi ponovo doli na svoje mjesto - u bioskope. Vie od dvadeset filmova u devet dana, na svjeem vazduhu, otvorenom bioskopu. Uz svojevrsni soundtrack Undrehillfesta, koncerte Elementala i Svi na pod! Duboko udahnite ispod Gorice! Vuk Perovi Breathe in the documentaries Documentarists review the past, as well as modern, contemporary world. The bravest among them go in a mission of truth as a Cambodian journalist who had been visiting the man responsible for the death of his family, for the entire decade, proceeding to make the movie with him for the next three years. The imaginative ones, as Vik Muniz, are ready to nd beauty and art where no one can see them and to nd people who think they have no ability to create art at all. They tell us stories about those who knew that they were artists even when they were homeless. Some speak of bad governments and their decisions, inhumane prisons; others openly speak with people on the other side of the law, of their rules and their connections with politics. Some will take you to the romantic, surreal Zeppelin journey, while some re-examine the boundaries of love. They provoke the high offcials, the powerful, and call upon our consciences, they probe into our emotions. They force us to re-think, to question the seemingly strong points. They speak about the roosters, about seduction, about the movies we liked, times and people that we have forgotten, the music that changed many lives. After watching these movies, you will not be the same. Not only because of the confusing worlds media landscape, and the jungle of information from which it is diffcult to pick out the real and true, many say that the documentary lms time, is yet to come. The time of authors documentary lms. Such documentarists serve you the truth, yet in an artistic way. The impression is that the documentary lm came back to its real place - in cinema. More than twenty lms in nine days in the fresh air outdoor movie theater. With an original Undrehillfest soundtrack, concerts of Elemental and Svi na pod! You can take a deep breath under the Gorica hill! Vuk Perovic

NETO MRDA ISPOD BRDA: DOKUMENTARNI FILM Povodom prve edicije UnderhillFest-a Evo me uzbuenog, u predveerju novog snimanja; sutradan sedam u auto i odlazim u nepoznato. Oprema je spremna a kamerman dolazi zorom - novca ima toliko da se pone, snima nekoliko dana i posle vidi gde to vodi... Ja volim dokumentarni film jer je to nain ivota: put pod noge pa u nejasno i neizvesno. Dokumentarni film moe biti urban, prigradski ili nas odvesti u divljinu, rat i bespue ali je svakako nomadski, lutalaki, nestacionarni nain ivota i rada koji se odupire industriji, dosadi i porobljavanju oveka - sve to je upisano u njegovu sutinu jo pre nego to sumirate rezultate... Dokumentarista se uvek nalazi tamo gde se po njegovom miljenju dogaaju vane stvari, inei nevidljivo vidljivim. A davati lice nevidljivom je i posao pesnika i maioniara koji u hokus-pokus preobratu mora svojim vruim emocijama ili dimu i magli, dati oblik. Meutim, u dokumentarnom filmu je fiziki aspekt preovlaujui - reditelj material uzima iz svakodnevnog, fizikog sveta. Zato mora zaroniti u njega, proputovati ga i pipnuti, emocionalno se vezati za aktere i situacije, izloiti samog sebe, esto uinti sebe indirektnim (ali stvarnim) uesnikom nekog drutveno-istorijskog procesa, samo zato da bi ga snimio, dokuio i obznanio. To je esto opasno a uvek je zanimljivo i uvek izazov... to je vie stvarnosti, rizika, strasti i linog angaovanja u dokumentarcu, oni su zanimljiviji, jai i ubedljiviji - blef je nemogu, akademski fingiran dokumentarac je uglavnom ki. Ali ima tu i drugih stvari... Mene je u avanture dokumentarnog filma prvenstveno gurala elja za upoznavanjem sveta oko sebe; elja za razgrtanjem ideoloke magle i spoznavanje nepatvorene istine. A istina je uvek revolucionarna.. Obznanjivanje istina o svetu koji nas okruuje je dakle pokuaj ureenja tog sveta i borba za odreene vrednosti. To je zadatak svakolike stvarne umetnosti. U stara, bogom dana i romantina vremena, kada se je vie panje poklanjalo umetnikoj formi i jeziku nego istini i stvarnosti, dokumentarni film se je na festivalima pojavljivao zajedno sa svojim igranim sabratom. I ve tada je dokumentarni film izazivao specifine efekte uzrokovane stvarnom, nesumnjivo faktualnom sadrinom. Naravno, postoje i dokumentaristi, a ti su katkad i u veini, koji vie vole bavljenje formom (zvanom filmski jezik), nego istinom. Suoenje sa stvarnou je uvek teak posao i zato je mnogima umetnost uopte, pa i umetnost dokumentarnog filma, komforan i isplativ eskapizam. Takvi umetnici nude utoita pred stvarnou i vetake rajeve, a stvarnost preputaju strunjacima ili odgovornima (tj. politiarima). Oni ne veruju ni sebi ni javnosti. Meutim, to, da ste u svom umetnikom radu upueni na delie stvarnosti (stvarne stvarnosti, rekao bih) ipak ini dokumentarni film posebnom, drutveno angaovanom, i specifinom umetnou. Da li je sve to potrebno rei u obraanju jednom novom festivalu dokumentarnog filma, posebno ako taj festival uspeno i elekventno progovora ve prvom svojom edicijom, kao to je sluaj sa UnderhillFest-om u Podgorici? Ja mislim da jeste, jer je fenomenoloko razmiljanje korisno ako elimo autentino trajanje i razumevanja odreenih dogaaja... Dimitar Anakiev

There is something shifting under the hill: Documentary film On the occasion of the first edition of Underhill Fest Here I am, excited, at the dawn of a new filming session; tomorrow, at seven oclock, I will sit in the car and go into the unknown. The equipment is ready and the cameraman will come at dawn theres enough money to start, film for a few days and later see where it all leads... I like the documentary film because it is a way of life: the path is under your feet, and it leads somewherevague and uncertain. Documentary film can be urban, suburban, or take us into the wilderness, war or wasteland, but it is certainly a nomadic, wandering, unsteady way of life and work that resists the industry, boredom and the enslavement of man - all these aspects are engraved in its essence even before you summarize the results... Documentarists are always located where important things happen, making the invisible - visible. Giving a face to invisible is the work of poets and magicians whose hocus-pocus must convert their emotions or hot smoke and fog into a form. However, physical aspect prevails in documentary movies director picks material from the everyday physical world. Therefore he has to dive into it, traverse it and touch it, emotionally tying himself to the actors and situations, exposing himself, often turning himself into an indirect (but real) participant of a socio-historical process, just to get it filmed, comprehended and published. It is often dangerous, but at the same time always interesting and always a challenge... The more reality, risk, passion and personal involvement in the documentary, the more interesting, stronger and more convincing it becomes - bluff is impossible, an invented academic documentary is mostly kitsch. But, there are other things... I was pushed into the adventures of a documentary film primarily by the desire to learn more about the world around myself; the desire to clear ideological fog and discover the genuine truth. The truth is always revolutionary... Publicizing the truth about the world around us is therefore an attempt to arrange the world and fight for certain values. This is the task of all kinds of real art. In the good old romantic days, when we paid more attention to artistic form and language than to the truth and reality, documentary film appeared at festivals along with its feature counterpart. And even then the documentary had specific effects caused by the real, doubtlessly factual content. Of course, there are documentary filmmakers, sometimes representing the majority, who prefer to engage in a form (called film language), than to the truth. Confrontation with reality is always a difficult job and that is why many perceive the art in general, and the art of documentary film, as a comfortable and cost-effective escapism. These artists offer a refuge from the reality and artificial paradises, while reality is left to experts or responsible (i.e. politicians). They do not trust either themselves or the public. However, it is your attachment to the pieces of reality (actual reality, I would say) in artistic work that makes a documentary special, socially engaged, and unique art. Is all this necessary to say in an address to a new documentary film festival, especially if the festival successfully and eloquently speaks through its first edition, as is the case with UnderhillFest in Podgorica? I think it is, because the phenomenological reflection is useful if we desire an authentic duration and understanding of certain events... Dimitar Anakiev

MARIJA DIDEVA (MK) Roena 24.12.1970. u eveliji, Makedonija. Diplomirala na Filolokom fakultetu (1994) i na Fakultetu dramskih umjetnosti (2000) u Skoplju. Marija Dzidzeva was born on 24.12.1970 in Gevgelija, Macedonia. Graduated Macedonian Literature (1994) and Film an TV directing (2000). Filmography and awards: Miss Amnesia (2000) showen at: 7 Film festival Pali, 2000; 21 IFCK Manaki Brothers Bitola, Makedonija, 2000; (Kodak Prize ) Alpe Adria Cinema Festival Trst, Italia, 2001; Toni Mandzas list (2004) showen at: BalkanBlackBoxBerlin, Njemaka, 2004; (Best documentary); Saraevo FilmFestival Sarajevo, BIH, 2004; 25 IFFKManaki Brothers Bitola, Makedonia, 2004; 2 Roma Film Festival Golden Wheel Skoplje, Macedonia 2004, (Best Director); ZagrebDox, Zagreb, Hrvatska, 2005; Festival of short documentary movie, Beograd, Serbia, 2005; AsterFest, Strumica, Makedonija, 2005; Dokufest, Prizren, Kosovo, 2006; You are alive (2005)Look at the life through my Eyes(2008) shown at: Underhill Fest, Podgorica, Montenegro 2010. (Best documentary) ; Some other stories(2010)segment Macedonian Story is her first feauture film. OLIVER SERTI (HR) Medijski je aktivista, producent i novinar iz Zagreba. Objavljivao i ureivao u tampi, na webu, radiju i televiziji. Osniva je RESTART media centra koji se bavi edukacijom, produkcijom i distribucijom socijalno angaovanog filma i videa. Programski je voditelj jedinog dokumentarnog kina u regiji - Dokukina CROATIA. Reirao je i producirao nekoliko kratkih dokumentarnih filmova. Saraivao je i jo sarauje s brojnim filmskim festivalima u regiji kao PR, producent i savjetnik (Zagreb Film Festival, ZagrebDox, Vukovar Film Festival, Dokufest, DORF...). Selektor je Liburnia Film Festivala, Supetar Super Film Festivala, predselektor dokumentarnog programa Zagreb Film Festivala, jedan od selektora Human Rights Film Festivala kao i programski savjetnik Festivala MakeDox, Skoplje. Suosniva je Revije amaterskog filma - RAF, Autonomnog kulturnog centra - Attack! i projekta Cross-radio. Trenutno priprema novi dokumentarni film kao reditelj. Oliver Sertic is a media activist, producer and journalist from Zagreb. He published and edited print, web, radio and television media. He is the founder of the RESTART media center that specializes in training, production and distribution of socially engaged film and video. He is a program manager of the only documentary cinema in the region - Dokukino CROATIA. He has directed and produced several short documentaries and has produced three feature films in various stages of production. He cooperated and still cooperates with numerous film festivals in the region as a PR, producer and consultant (Zagreb Film Festival, ZagrebDox, Vukovar Film Festival, Dokufest, DORF...). He is a selector of Liburnia Film Festival, Supetar Super Film Festival, pre-selector of the documentary program of Zagreb Film Festival, one of the selectors of the Human Rights Film Festival and program advisor to MakeDox Festival, Skopje. He is a co-founder of the Review of Amateur Film RAF, Autonomous Cultural Center - Attack! and Cross-radio project. He is currently working on a new documentary film as a director.

PETAR PEJAKOVI (MNE) Petar Pejakovi je roen 1970. godine u Kotoru. Osnovnu i srednju kolu zavrio je u Rijeci. Na Filozofskom fakultetu u Beogradu je apsolvirao filozofiju.Diplomirao je Pozorinu i radio reiju na Fakultetu dramskih umetnosti u Beogradu. Od 1999. godine radi na Fakultetu dramskih umjetnosti na Cetinju kao saradnik za predmet Pozorina reija, a 2009. godine je biran u zvanje docenta. Od poetka studija bavi se neprekidno pedagokim radom sa mladima i djecom. Osniva je nekoliko pedagokih dramskih studija u Srbiji i Crnoj Gori. Dvadeset godina radi pozorine projekte sa posebno osjetljivim socijalnim grupama (iseljena lica, maloljetni delinkventi, nezbrinuta djeca, Romi). U pojedinim predstavama pojavljuje se i kao autor teksta i scenografije. Reirao je preko pedeset pozorinih predstava i performansa u Crnoj Gori i inostranstvu. Za rad u pozoritu dobio je vie domaih i internacionalnih nagrada, meu kojima su i dvije nagrade na Festivalima crnogorskog teatra 08 i 09 u konkurenciji OFF programa. Saradnici i glumci iz predstava koje je reirao dobitnici su vie strukovnih nagrada. Osniva je internacionalne grupe KUD NIKUD. Umjetniki je direktor NVO Vertigo. Petar Pejakovic was born in 1970 in Kotor. He finished elementary and secondary school in Rijeka. He is a senior at the Department of Philosophy at the Faculty of Philosophy in Belgrade. He graduated from the Faculty of Dramatic Arts in Belgrade at the Department for the theater and radio directing. Since 1999 he has been working at the Faculty of Dramatic Arts in Cetinje, as a teaching associate for the subject Theater directing, and was elected to the position of assistant professor in 2009. Since the beginning of his study, he is involved in continuous educational work with young people and children. He is the founder of several educational drama studies in Serbia and Montenegro. He has been working on various theater projects with a particularly vulnerable social groups (displaced persons, juvenile delinquents, abandoned children, Roma) for twenty years. In some theatrical performances, he appeared as the author of the text and scenographer. He has directed over fifty plays and theatrical performances in Montenegro and abroad. For his work in the theater, Pejakovic received several national and international awards, including two awards at Montenegrin Theatre festivals 08 and 09 in the so called OFF program competition. Collaborators and actors from his productions are winners of several professional awards. He is the founder of the KUD NIKUD international group. He is the art director of NGO Vertigo.

MEUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

DEPONIJA / Wasteland KRADLJIVCI PO ZAKONU / Thieves by Law MEU ZVIJEZDAMA / Position among the Stars NEPRIJATELJ NARODA / Enemies of the People PORODINI INSTINKT / Family instinkt RASTANAK / Farewell RUIASTI SARIJI / Pink Saris TI NE VOLI ISTINU 4 DANA U ZATVORU GVATANAMO / You dont like the truth - 4 days inside Guantnamo

DEPONIJA / WASTELAND
Brazil, UK / Brasil, UK / 2010.
Reija / Director: Lucy Walker Scenario / Script: Lucy Walker Kamera / Photography: Dudu Miranda Montaa / Editing: Pedro Kos, Karen Harley Muzika / Music: Moby Produkcija / Production: Almega Projects Ltd Producent / Producer: Angus Aynsley, Hank Levine Trajanje / Running time: 98 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: OSCAR 2011. nominacija za najbolji dokumentarac / SUNDANCE FF / BERLIN FF - nagrada publike programa Panorama, Amnesty International Human Rights Film Award / IDFA nagrada publike / Rotten tomato - Golden Tomato Award, najbolje recenzirani dokumentarac / Dalas FF Target Filmmaker Award / Full Frame Documentary FF - nagrada publike / Seattle International FF najbolji dokumentarac, Golden Space Needle nagrada publike / Sao Paolo International FF Film Deponija sniman je gotovo tri godine. U njemu pratimo putovanje renomiranog umjetnika Vika Muniza od njegovog doma u Bruoklinu do rodnog Brazila, odnosno do najveeg odlagalita otpada na svijetu smjetenog na periferiji Rio de aneira, Jardim Gramacho. Muniz tamo snima catadorese, aroliku skupinu samoprozvanih skupljaa otpada za reciklau. Reditelj je na poetku samo elio da oslika otpad koji skupljaju, ali saradnja s inspirativnim likovima rezultirala je neim mnogo veim: Muniz je istovremeno razotkrio njihov oaj i dostojanstvo dok iz otpada stvaraju fotografske slike samih sebe, iznova zamiljajui svoje ivote. Filmed over nearly three years, Waste Land follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the worlds largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of catadores self-designated pickers of recyclable materials. Munizs initial objective was to paint the catadores with garbage. However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives. Lusi Voker odrasla je u Londonu. Jo kao srednjokolka je reirala pozorine predstave. Kod snimanja dokumentarnih filmova koristi dramatine filmske tehnike koje daju jedinstveni pristup u zatvorene svjetove nezaboravnih likova na putu transformacije. Osim filma Zemlja smea / Waste Land reirala je jo jedan dokumentarac, Odbrojavanje do nule, premijerno prikazan 2010. godine na Sandensu. Njen raniji film Blindshight premijerno je prikazan u Torontu, a osvojio je nagrade publike na festivalima u Berlinu, Ghentu, AFI i Palm Springsu. Prvi dokumentarni film koji je reirala, Devils Playground, premijeru je imao 2002. na Sandensu, a nagraen je na festivalima u Karlovim Varima i Sarasoti (SAD). Lucy Walker grew up in London, England, started directing theater in high school and continued as an undergraduate at Oxford University, where her plays won prestigious Oxford University Dramatic Society awards. Walker uses dramatic filmmaking techniques to make documentary films, following memorable characters on transformative journeys that grant unique access inside closed worlds. In addition to Waste Land, Walker directed a second feature documentary that premiered at Sundance 2010 Countdown to Zero, previous film Blindsight premiered at Toronto and received audience awards at the Berlin, Ghent, AFI and Palm Springs film festivals. Walkers first feature documentary, Devils Playground premiered at the 2002 Sundance Film Festival and went on to win awards at the Karlovy Vary and Sarasota film festivals.

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KRADLJIVCI PO ZAKONU/ THIEVES BY LAW

Izrael, Njemaka, panija / Israel, Germany, Spain / 2010.
Originalni naziv / Original Title: Ganavim ba Hok Reija / Director: Alexander Genetelev Scenario / Script: Alexander Genetelev Kamera / Photography: Sergei Freedman Montaa / Editing: Alik Baskin Produkcija / Production: S.M.S. Productions/Israel - L.E. Productions/Germany Producenti / Producers: Simone Baumann, Sasha Klein, Maya Zinshtein Trajanje / Running time: 90 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: Tribeca film festival 2010 -USA HotDocs 2010-Canada DocAviv 2010Israel Prize Europe 2010-Germany Warshaw Film Festival 2010-Poland Ima li neto to ruska mafija ne moe? Nakon ovog pogleda iznutra na svijet, recimo hipotetskih zloina, prilino je jasno da odgovor glasi njet. Pratei prie trojice mafijakih biznismena, Kradljivci po zakonu istkali su nevjerovatnu tapiseriju ljudi pred kojima bi se postidio i Toni Soprano. Od Staljinovih gulaga do prelaska u meunarodnu organizaciju, mafija i lopovski kodeks uvijek su u direktnoj vezi s politikim borbama u Sovjetskom Savezu, to odraava drutvo na licu vlasti kao u iskrivljenom ogledalu. Ovi su ljudi proli kroz dobre i loe trenutke, opstali naoruani ulinom inteligencijom, dovitljivou i odanou kodeksu, da bi se najzad iz lukavih kradljivaca preobrazili u mudre biznismene. Zahvaljujui dosad nevienom pristupu i postavljanju pravih pitanja, reditelj Alexander Genteljev pokazuje tano to se dogodi kada se mrane trbuine prevrnu na lea: nanesu kremu za sunanje, narue Molotovljev koktel i krenu da upijaju zrake sunca na Francuskoj rivijeri. The Russian Mafia: what cant they do? After this insiders look into the world of, ahem, hypothetical crimes, it is pretty clear that the answer is nyet. Following the stories of three mafiosi-cum-businessmen, Thieves By Law paints a fascinating tableau of men that would make Tony Soprano cringe. Most intriguing, though, are their personal histories interwoven with the evolution of the Russian Mafia itself. Beginning in Stalins gulags and slowly transforming into an international organization, the mafia and Code of Thieves have always directly correlated to the political struggles of the Soviet Unionreflecting society back to the government like a funhouse mirror. These men have been through bad times as well as good, persevering with the ammunition of street smarts, savvy, and loyalty to their code, and eventually transforming themselves from cunning crooks to shrewd businessmen. Through unprecedented access and a knack for asking all the right questions, director Alexander Gentelev shows us exactly what happens when a dark underbelly is flipped on its back: It slaps on some sunscreen, orders a Molotov cocktail, and soaks up those French Riviera rays. Aleksandar Gentelev emigrated from Russia to Israel in 1992. He returned to Russia to collect materials for a film about the Russian oligarchs the award-winning The Rise and Fall of the Russian Oligarchs. Besides that one, his films include Generation of Loneliness, Yolki-Palki, The Operation Successor, and Just Like Home. Alexander Genteljev emigrirao je 1992. iz Rusije u Izrael. U Rusiju se vratio prikupljajui grau za film o ruskim oligarsima nagraivani The Rise and Fall of the Russian Oligarchs. Autor je i filmova Generation of Loneliness, Yolki-Palki, The Operation Successor i Just Like Home.

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MEU ZVIJEZDAMA / POSITION AMONG THE STARS

Holandija / Netherland / 2010.
Originalni naziv / Original title: Stand van de Sterren Reija / Director: Leonard Retel Helmrich Scenario / Script: Hetty Naaijkens-Retel Helmrich, Leonard Retel Helmrich Kamera / Camera: Ismail Fahmi LubishLeonard Retel Helmrich Direktor fotografije / Director of photography: Leonard Retel Helmrich Montaa / Editing: Jasper Naaijkens Muzika / Music: Danang Faturahman, Fahmy Al-Attas Sound design / Dizajn zvuka: Ranko Paukovi Produkcija / Production: Scarabeefilms, HUMAN Broadcasting Producenti / Producers: Danang Faturahman, Fahmy Al-Attas Trajanje / Running time: 111 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: IDFA 2010 - best documentary; Sundance Film Festival 2011 - Special jury award in World Cinema program; ZagrebDox 2011 - Best documentary award. Leonard Retel Helmrich punih je dvanaest godina slijedio indonezijsku porodicu koja ivi u slamovima Dakarte. Kao i u dva prethodna vie puta nagraena dokumentarca, The Eye of the Day (2001) i Shape of the Moon (2004), Retel i ovdje nastavlja da prikazuje temeljne obrasce ivota u Indoneziji. Inovativnim nainom rukovanja kamerom gledaocima prikazuje mikrokosmos u kojem se otkrivaju najvaniji problemi drutva koje se brzo mijenja: korupcija, meureligijski konflikti, zavisnost o kocki, generacijski jaz i rastue razlike izmeu bogatih i siromanih. Iako su sva tri filma povezana, svaki je jednako dopadljiv i kao samostalno djelo. For twelve years, filmmaker Leonard Retel Helmrich has followed an Indonesian family living in the slums of Jakarta. Just as in his previous two multiple award-winning documentaries The Eye of the Day (2001) and Shape of the Moon (2004), Retel continues to show us the underlying patterns of life in Indonesia with his revolutionary camera work, offering viewers a microcosm revealing the most important issues in the countrys fast-changing society: corruption, conflict between religions, gambling addiction, the generation gap, and the growing difference between poor and rich. Although the three films are obviously connected, each film is equally strong as a stand-alone feature. Leonard Retel Helmrich je holandski filmski radnik, pozorini reditelj i kamerman. Uhapen je 1995. snimajui demonstracije u Indoneziji i zatvoren pod sumnjom da je pijun, a zatim je proglaen nepoeljnim, zbog ega dvije godine nije mogao da se vrati u Indoneziju. Za to je vrijeme radio u Holandiji kao reditelj-dokumentarista i kamerman. Godine 1997. vraa se u Indoneziju da bi snimio prvi dokumentarni film iz trilogije organizirane po razdobljima prije, tokom i nakon ostavke tadanjeg predsjednika Indonezije Suharta. Prvi dio trilogije The Eye of the Day (2001) donio je Leonardu reputaciju filmskog radnika svjetske klase. Nastavak trilogije, Shape of the Moon, nagraen je 1995. kao najbolji dokumentarni lm u dokumentarnoj konkurenciji Sandensa, a osvaja i nagradu Joris Ivens na amsterdamskoj IDFA-i. Promised Paradise (2006) zabranjen je u Indoneziji zbog kontroverznog sadraja. Leonard Retel Helmrich is a Dutch filmmaker, drama director and cameraman. While fi lming a demonstration in Indonesia in 1995, Leonard was arrested and imprisoned as a suspected spy, then declared persona non grata. He was unable to return to Indonesia for two years, during which time he worked as a documentary director and camera operator in the Netherlands. In 1997 Leonard returned to Indonesia to make the first documentary in a trilogy set before, during and after the period when Suharto resigned as Indonesias leader. The trilogys initial instalment, The Eye of the Day (2001) made Leonards reputation as a world-class filmmaker. The sequel, The Shape of the Moon, won Best Documentary in the World Docs Competition at Sundance in 2005, and the Joris Ivens Award at the 2004 International Documentary Film Festival Amsterdam (IDFA). Promised Paradise (2006), was banned in Indonesia, due to its controversial subject.

13

NEPRIJATELJI NARODA / ENEMIES OF THE PEOPLE

Kamboda, UK / Cambodia, UK / 2009.
Reija / Director: Thet Sambath, Rob Lemkin Scenario / Script: Rob Lemkin Kamera / Photography: Rob Lemkin, Thet Sambath Montaa / Editing: Stefan Ronowicz Muzika / Music: Daniel Pemberton Produkcija / Production: Old Street Films Producenti / Producers: Rob Lemkin, Thet Sambath Trajanje / Running time: 93 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: 2010. Norwegin Documentary Festival najbolji dokumentarac / 2010 Beldocs najbolji dokumentarac / 2010 FULL FRAME Documentary / 2010. Hong Kong International Film Festival best documentary / 2010. Sundence Film Festival 2010 World Cinema posebna nagrada irija / 2010. True False Festival, Columbia MO nagrada True Life / 2010. Santa Barbara International Film Festival 2010 -best documentary / 2010. VERA, Finska / 2010. One World Film Festival, Prag dobitnik velike nagrade irija / 2009. IDFA Amsterdam Crveni Kmeri pobili su gotovo dva miliona ljudi krajem 70-ih godina prolog vijeka. Polja smrti u Kambodi ostala su neobjanjena... Sve do sada i to zahvaljujui Thetu Sambathu nepretencioznom, ali lukavom novinaru koji je proveo deceniju ivota kako bi zadobio povjerenje ljudi koji su poinili masakre. Od najnie rangiranih vojnika koji su rezali grkljane do Pol Potove desne ruke, zloglasnog Brata Broj Dva, Sambath je snimio nevieno okantno svjedoanstvo. Zanemarivi godinama sopstvenu porodicu, Sambathov rad imao je i svoju cijenu. Ali njegova je misija posebna, jer je na Poljima smrti izgubio i roditelje i brau. U Sambathovoj potrazi za razlozima zato mu je ubijena porodica, prvi put saznajemo pravu istinu o tragediji u Kambodi. The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pots right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambaths work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodias tragedy. Rob Lemkin Filmografija / Filmography: (Ten Days That Shook Soho, Black and White Trio (1989), Viva Mandela! (1990), Who Really Killed Aung San_ (1997), Malaya: The Undeclared War (1998), Chine:Handle with Care (2001), Bearers of the Sword (2002), The Real Dr. Evil (2003), Enemies oh the People (2009) Thet Sambath Filmografija / Filmography: Enemies of the People (2009)

14

PORODINI INSTINKT / FAMILY INSTINCT

Latvija / Letonija / 2010.
Originalni naziv / Original title: imenes lietas Reija / Director: Andris Gauja Scenario / Script: Andris Gauja Kamera / Photography: Aleksandrs Grebnevs Montaa / Editing: Andris Gauja Produkcija / Production: Fa Filma Producent / Producer: Madara Melberga Trajanje / Running time: 58 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: Triest FF, Italy / DocPoint - Helsinki Documentary Film / Festival, Finland / Docpoint Talinn, Estonia / IDFA Amsterdam, Netherlands / Planete doc review, Poland / Tallinn black nights FF, Estonia / True/False Film Fest, Columbi; Awards:Silver Eye 2010, Mid-length Category Porodini instinkt je film koji nudi putovanje u sfere drutva koje su vrlo esto nepristupane. U pitanju je grupni portret ljudi koji ive u uslovima ekstremnog siromatva u jednom zabaenom letonskom selu. Pria prati Zandu (28) koja ivi u incestuoznoj vezi sa bratom Valdisom (34), sa kojim ima dvoje djece. Radnja se zasniva na njenim pokuajima da preivi sa djecom u godini koju njen brat-partner provodi na odsluenju zatvorske kazne za neke ranije grijehe. Ona mora da se bori sa siromatvom i potencijalnim ljubavnicima koji pokuavaju da je zavedu. Da li je u stanju da pobjegne iz takvog drutva i da ispuni nadanja u bolji ivot? Ovo je kljuno pitanje filma i kao takvo je paradoks koji se odnosi na skoro svakoga na ovom svijetu. Family Instinct is a film which offers an excursion into a society which is normally inaccessible. Its a group portrait of people living in extreme poverty in a remote Latvian village. The story follows Zanda (28) who lives in incest relationship with her brother Valdis (34) having two children together. The plot is based on Zandas trying to survive with both children during a year which her brother partner serves in prison sentenced for old sins. She has to cope with poverty and potential lovers trying to seduce her. Can she escape her society, to fulfill her hopes for better life? That is the key question of the film and thats a paradox that refers to almost everyone in the world. Andris Gauja, roen je u Letoniji, studirao je pozorite, film i TV scenario na letonijskoj Akademiji za kuturu; radio je kao TV i pres novinar, nauio je da svira flautu u Jazapi u Medina muzikoj koli i jo uvijek svira. Trenutno radi dokumentarne filmove. Born in Latvia, 1978, studied theatre, film and television screenwriting in Latvian Academy of Culture; he has worked as a television and press journalist, learned playing flute in Jazepa Medina Music School and is still playing music. At the present time, he is engaged in documentary film making.

15

RASTANAK / FAREWELL
Holandija / Netherlands / 2009.
Reija / Director: Ditteke Mensink Scenario / Script: Ditteke Mensink Istraiva / Research: Gerard Nijssen Montaa / Edited by: Jessica de Koning Muzika / Music: Paul M.van Brugge Produkcija / Production: Pieter van Huystee Trajanje / Running time: 90 Crno-bijeli / Black and white: DVD Festivali i nagrade / Festivals and Awards: Svjetska premijera / World premiere: November 22nd 2009 International Documentary Film Festival Amsterdam Rastanak je pria o lejdi Grejs Dramond-Hej, jedinoj putnici na prvom putovanju oko svijeta Graf Cepelinom, koje se odigralo 1929. godine. Grejs pie o avanturama sa putovanja, ne samo u lancima za novine Herst ve i u lini dnevnik. Putovanje kroz visine, iznad svijeta, na nain na koji nikada nije iskusila ranije, mijenja Grejs. Njen nekadanji ljubavnik Karl fon Vigand jedan je od putnika. Tokom dugog putovanja, njihova ljubav jo jednom biva iskuana. Kada Cepelin preleti preko Njujorka, Grejs se pozdravlja sa Karlom i ljubavnici gube dalji kontakt. Po slijetanju u Njujork doekana je kao filmska zvijezda. Godine 1929. svi su bili ubijeeni da je ovo putovanje divna prekretnica u istoriji ovjeanstva. Svega nekoliko sedmica kasnije, Vol Strit je propao i zapoeo je mraan period istorije. Farewell tells the story of Lady Grace Drummond-Hay, the only female passenger on the first journey around the world of the Graf Zeppelin in 1929. Grace writes about her adventures on the journey, not only in articles in the Hearst Newspapers, as a reporter, but also in her diary. Traveling high in the sky, up over a world, in a way she has never experienced before, Grace changes. Her former lover Karl von Wiegand is amongst the other passengers. During her long voyage their love is once again tested. When the Zeppelin finally flies over New York Grace says goodbye to Karl and the lovers lose touch. Landing in New York she is welcomed like a cinema star. In 1929 people were convinced this journey would be a splendid turning point in history. A few weeks later Wall Street crashed and a dark period in history began. Ditteke Mensink Filmografija / Filmography: 25 Cent (1991), Portret van een liefde (1992), Het blauwe huis (1996), Bleeneusje (1998). Kamer met uitzicht (2001), Farewell (2009).

16

RUIASTI SARIJI /PINK SARIS

Engleska / Indija / England, India / 2010.
Reija / Director: Kim Longinotto Scenario / Script: Kim Longinotto Kamera / Photography: Kim Longinotto Montaa / Editing: Ollie Huddleston Muzika / Music: Midival Punditz Produkcija / Production: Women Makes Movies Producenti / Producers: Girja Shanker Vohra, Amber Latif Trajanje / Running time: 96 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: British Academy of Film and Television Arts (BAFTA), 2011 Nomination, Best Single Documentary; Sheffield Doc Fest, Special Jury Prize Abu Dhabi Intl Film Festival 2011- Best Documentary,CPH:DOX 2010, Amnesty Award,Nominated as a 2011 ALA Notable Video for Adults Sampat Pal, nepismena ena iz niske kaste, osniva Udruenje Gulabi Gang, zbog nepravde i bespomonosti koje je iskusila tokom ivota. Prije nego to e napuniti dvanaest godina, poslata je u udaljeno selo kako bi se udala, ali tamo je naila na maltretiranje od muevljeve porodice. Pobunila se protiv strogih pravila sela i zavrila je na ulici sa petoro djece. Pokretanje Udruenja Gulabi Gang, bio je njen in inspirisanog oaja. Stotine ena, obuenih u ruiaste sarije, okupljaju se kako bi natjerale korumpirane policajce da sprovode svoje zakonom propisane obaveze ili da se usprotive nasilnom supruniku. Sampat, vrhovni komandant ovog Udruenja, sada je poznata irom oblasti Utar Prade. Ona vie i ne mora okupljati Gulabi Gang, jer sada koristi svoju slavu da postigne eljene rezultate. Ali, slava je opasna stvar, to znai da Sampat ulazi u novi dio period svog ivota. Ukoliko niste osjetili ljubav tokom svog djetinjstva, ukoliko ste bili zlostavljani, onda je jako teko istinski brinuti o drugima. U ovom filmu gledamo kako se to klupko odmotava. Sampat Pal, an illiterate, low-caste woman, set up the Gulabi Gang because of all the feelings of injustice and helplessness shed experienced in her life. Before she was 12 years old, she was sent to a remote village to marry and was bullied by her in-laws. She rebelled against the stringent village rules and ended up on the streets with five young children. Setting up the Gulabi Gang was her act of inspired desperation. Hundreds of women, all dressed in bright fuchsia saris, would gather to make a corrupt policeman enforce the law or to challenge a violent husband. Sampat, the Commander in Chief of this group, is now famous throughout Uttar Pradesh. She doesnt need to summon the Gulabi Gang anymore, she uses her own fame to get results. But fame is a perilous thing and it means that Sampat is now moving on to another stage in her life If you havent experienced any love in your childhood, if you have been abused, its very hard to truly care about other people. We watch these threads played out in the film. Kim Longinotto roena je u Londonu. Studirala je kameru i reiju na engleskoj Nacionalnoj koli za film. Dobitnica je brojnih nagrada, ukljuujui i nagradu irija World Cinema za dokumentarni film na Sundansu za Rough Aunties (2008), nagradu Peabody za Sisters in Law (2005), kao i Nagradu za posebno postignue u karijeri na ovogodinjem festivalu Hot Docs. Autorka je filmova: Dream Girls (1993) i Ruiasti sariji (2010). Kim Longinotto was born in London, England. She studied camera and directing at Englands National Film School. She has won numerous awards, including the World Cinema Jury Prize in Documentary at the Sundance Film Festival for Rough Aunties (2008), a Peabody Award for Sisters in Law (2005) and the Outstanding Achievement Award for career accomplishment at this years Hot Docs film festival. Her other films include: Dream Girls (1993) and Pink Saris (2010).

17

NE VOLI ISTINU - 4 dana u zatvoru Gvantanamo / YOU DONT LIKE THE TRUTH - 4 days inside Guantnamo
Kanada / Canada / 2010.
Reija / Director: Luc Ct, Patricio Henrquez Scenario / Script: Luc Ct, Patricio Henrquez COMPUTER GRAPHICS: Robert Audet, Kara Blake On-line Editing: Denis Boisvert Montaa / Editing: Andrea Henriquez Sound editing / Zvuk: Claude Langlois Produkcija / Production: Les Films Adobe Trajanje / Running time: 100 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: World premiere: October 14TH 2010, Festival du Nouveau Cinma de Montral October 13th to 24th 2010, Winner at IDFA International Documentary Film Festival Amsterdam November 17th to 28th, 2010, DocPoint Festival Finland - Estonia - January 2011, ZagrebDox Zagreb, Croatia - February 27th to March 6th 2011Winner at Its All True - 16th International Documentary Film Festival So Paulo/Rio de Janeiro, Brazil - March 31 to April 10 2011, Doclisboa Portugal - October 2011Investigations Competition. Susret tima kanadskih obavjetajaca i djeteta-zatvorenika u zatvoru Gvantanamo kakav do sada nije vien. Ovaj dokumentarac, zasnovan na sedam asova dugom video zapisu, koji je nedavno objelodanjen odlukom kanadskih sudova, razvija se u etvorodnevnu igru make i mia izmeu onih koji zarobljavaju i zarobljenog. Drei se kadra sigurnosne kamere, ovaj film analizira politiki, pravni i nauni aspekt dijaloga pod prisilom. This encounter between a team of Canadian intelligence agents and a child detainee in Guantanamo has never before been seen. Based on seven hours of video footage recently declassified by the Canadian courts this documentary delves into the unfolding high-stakes game of cat and mouse between captor and captive over a four day period. Maintaining the surveillance camera style this film analyzes the political, legal and scientific aspects of a forced dialogue. Lik Kote se reijom i produkcijom bavi od etrnaeste godine. U proteklih 35 godina putovao je svijetom, stvarajui dokumentarce sa socijalnom tematikom kojima je cilj da uhvate i prikau ovjekov duh. Ranih osamdesetih, osniva prvu produkcijsku kuu u Njujorku pod nazivom On Track Video. Godine 1986. pridruio se Robiju Hartu u Montrealu i pokrenuo Adobe Productions. Njih dvojica su, zajednikim radom, reirali i producirali vie od trideset filmova, ukljuujui i dvije nagraivane dokumentarne serije: Napuniti esnaestu (Turning 16) i udotvorci (Rainmakers). 2005. godine, reirao je Prinudno slijetanje (Crash Landing), film o poremeaju pod nazivom post-traumatski stres, koji se prikazan na brojnim festivalim irom svijeta i osvojio nekoliko nagrada ukljuujui i Priznanje za kvalitet u kategoriji najboljeg kanadskog dokumentarnog filma na festivalu Hot Docs u Torontu 2005. Pored svog stvaralakog rada na polju filma, Lik predaje dokumentarni film na Meunarodnoj koli filma na Kubi. Luc Ct has been directing and producing films since the age of fourteen. For the past 35 years, he has traveled extensively around the world, making social documentaries that capture the human spirit. In the early eighties, he founded his first production company in New York, On Track Video. In 1986, he joined Robbie Hart in Montreal and launched Adobe Productions. Together, they produced and directed more than 30 films including two award winning documentary series: Turning 16 and Rainmakers. In 2005, he directed, Crash Landing, a film about post-traumatic stress disorder that was selected to be shown in many festivals around the world and won several awards including an Honorable Mention for best Canadian Documentary at the Hot Docs Toronto Festival in 2005. Along with his work as a filmmaker, Luc teaches documentary film making at the International Film School of Cuba.

18

Patrisio Enrikez radio je, kao reditelj, za ileansku televiziju prije nego to se preselio u Montreal 1974. godine, nakon pada vlade Salvadora Aljendea. Svoj prvi film Jaser Arafat i Palestinci (Yasser Arafat et les Palestiniens, 1980.), reirao je u Libanu, prije nego to e poeti da radi za televiziju u Kvebeku, za koju e nainiti brojne meunarodne priloge u periodu izmeu 1981. i 1993. 1996. godine, postao je su-osniva produkcijske kue Macuma International. Enrikez je osvaja preko 60 nagrada irom svijeta, ukljuujui Grand Prix za najbolji televizijski dokumentarac u Francuskoj 1998. godine, koji dodjeljuje Graansko drutvo multimedijalnih autora (Socit civile des auteurs multimdia). Nagradu je osvojio za film Poslednje uporite Salvadora Aljendea (The Last Stand of Salvador Allende), koji je, takoe, nagraivan na Kubi, u Sjednjenim Amerikim Dravama, Argentini i Indiji. Patricio Henrquez worked as a director for Chilean television before moving to Montreal in 1974 after the overthrow of the Salvador Allende government. He directed his first film, Yasser Arafat et les Palestiniens (1980), in Lebanon before working for television in Quebec, where he made numerous international reports between 1981 and 1993. In 1996, he co-founded the production company Macumba International. Henrquez has won over 60 awards around the world, including the 1998 Grand Prix for best television documentary in France awarded by the Socit civile des auteurs multimdia in Paris for The Last Stand of Salvador Allende; this film was also rewarded in Cuba, the U.S.A., Argentina and India.

19

REGIONALNA SELEKCIJA / REGIONAL SELECTION

BIJELO DUGME / White Batton CINEMA KOMUNISTO / Cinema Komunisto DON UAN: OPROSTITE, GOSPOICE / Don Juan: Excuse me, Miss HOTEL RAJ / Hotel Paradise IMALI SMO VE DVADESETDVIJE GODINE / Avevamo gia 22 Anni MILENA / Milena SVIJET PO JONU B. / World according to Ion B. TRKA ZA IVOTOM / Run for life IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA / Trials, Tribulations & Sustainable Growth of a cock

BIJELO DUGME / WHITE BUTTON

Srbija / BH / Hrvatska / Serbia / BH / Croatia / 2010.
Reija / Director: Igor Stoimenov Scenario / Script: Igor Stoimenov Kamera / Photography: Marko Stoimenov Montaa / Editing: Ana Dunji Muzika / Music: Petar Antonovi Produkcija / Production: Absinthe production Trajanje / Running time: 86 Kolor / color: DVD Festivali i nagrade: Sarajevo, Vancouver, Utrecht, Los Angeles, Minchen, Krakow, Beograd, Rovinj, Zagrebdox Bijelo dugme je za ex Jugoslaviju znailo isto to i Bitlsi za globalnu popularnu kulturu u to vrijeme. Bijelo dugme je bio najpoznatiji rokenrol bend u istonoj Evropi tokom 20. vijeka. Frontmen benda, Goran Bregovi je danas svjetski poznati kompozitor filmske muzike. Dokumentarac o uvenoj grupi govori o efektima zapadnjake popularne kulture na komunisatiku zemlju , bivu Jugoslaviju. Zahvaljujui njima , rokenrol je masovno prihvaen. Njihovi koncerti su okupljali stotine hiljada fanova od Beograda do Moskve, njihovi albumi su se prodavali u milionskim tiraima, o skandaloznim lanovima benda su se na ovim prostorima prvi put pisale prie o drogi i dekadenciji. What The Beatles mean for global popular culture is what Bijelo Dugme means for ex Yugoslavia and Balkans. Bjelo Dugme were the most famous rock and roll stars of the C20th in Eastern Europe. The leader of the band was Goran Bregovic - today a globally acclaimed composer of film scores and world music. This documentary film delves into the effects Western popular culture had on a very particular communist country - this being the former Yugoslavia. Rock and Roll was accepted on a massive scale thanks to them. Their concerts gathered hundreds of thousands of fans from Belgrade to Moscow, their albums was released in the millions of copies, their bend members were the first to scandalize region with stories of drugs and decadence. Igor Stoimenov Srpski reditelj, pisac i producent roen je 1971. Studirao je filmsku i tv reiju u Beogradu i Njujorku (1994 2000). Nakon diplomiranja, bavi se reijom televizijskih reklama i muzikih spotova. U meuvremenu, postaje jedan od boljih reisera balkanskog vesterna kroz serije Crni Gruja, Fudbal, Nogomet i jo po neto, Robna kua. Reirao je jedan igrani tv film Ne skrei sa staze. Posljednjih godina se posvetio dokumentarnom filmu. Reirao je tri dugometrana dokumentarna filma Partizanski film, Novo vrijeme, Bijelo dugme i nekoliko kratkih igranih filmova. Serbian director, writer and producer born in 1971, studied film and tv directing in Belgrade and New York (1994 2000). After graduation, he became a director of tv commercials and music videos. In the meantime, profiled as one of the best television director of the Western Balkans, through the series Black Gruja, Soccer, Football and Something More, Department Store, and feature tv movie Not Turn From the Path.In recent years devoted to documentary films and directed three feature-length documentary film Partisan film, New time, White Button and several short films.

23

CINEMA KOMUNISTO / CINEMA KOMUNISTO

Srbija / Serbia / 2010.
Reija / Director: Mila Turajli Scenario / Script: Mila Turajli Kamera / Photography: Goran Kovaevi Montaa / Editing: Aleksandra Milovanovi Kompozitor / Composer: Nemanja Mosurovi Dizajn zvuka / Sound design: Aleksandar Proti Produkcija / Production: Dribbling Pictures, 3K Productions & Intermedia Network Producenti / Producers: Dragan Peikan, Iva Plemi Divjak, Dejan Petrovi Trajanje / Running time: 100 Kolor / Color: DVD Festivali i nagrade / Festivals and Awards: First Appearance Competition at IDFA 2010; Magnificent 7 European Feature Documentary Film Festival 2010; Alpe Adria Cinema Award for the best documentary at the 2011 Trieste Film Festival 2010; Tribeca Film Festival 2011; Its All True Festival in Brazil-Mention, 2011. Cinema Komunisto nas vodi na putovanje kroz ostatke Titove filmske industrije ispitujui uspon i pad jugoslovenske filmske iluzije. Pomou rijetko vienih scena iz desetina zaboravljenih jugoslovenskih filmova, kao i ekskluzivnih arhivskih snimaka sa snimanja filmova i Titovih privatnih projekcija, ovaj film sklapa sliku o naoj zemlji, onu zvaninu koja se vidi na ekranu, i onu skrivenu, iza scene. Dodatni sjaj cijeloj prii daju filmske zvijezde kao to su Riard Barton, Sofija Loren i Orson Vels, koji nastupaju u velikim produkcijama koje finansira drava. O tome kako je istorija Jugoslavije kreirana na filmskom platnu govore Titov lini kinooperater, koji mu je putao filmove svake veeri tokom 30 godina. Cinema Komunisto takes us on a journey through the crumbling remains of Titos film industry exploring the rise and fall of the cinematic illusion called Yugoslavia. Using rare footage from dozens of forgotten Yugoslav films, as well as never-seen-before archive from film sets and Titos private screenings, the documentary recreates the narrative of a country, the stories told on screen and the ones hidden behind it. Stars such as Richard Burton, Sofia Loren and Orson Welles add a touch of glamour to the national effort, appearing in super-productions financed by the state. Titos personal projectionist who showed him films every night for 30 years. Mila Turajli je roena 1979. u Beogradu, Srbija. Diplomirala je na London School of Economics i stekla diplomu iz politike i meunarodnih odnosa, kao i na Odseku za filmsku i televizijsku produkciju, Fakulteta dramskih umetnosti Univerziteta umetnosti u Beogradu. Tokom studija osnovala je Nevladinu organizaciju koja je na Beogradskom univerzitetu poduavala debate, uestvovala je na brojnim debatnim turnirima i osvojila nagradu kao najbolji govornik na Debatnom ampionatu evropskih univerziteta u 2001. godini. Politika realnost post-revolucionarne Srbije okrenula ju je ka pravljenju filmova u uvjerenju da e umjetnost uvijek biti subverzivnija od politike. Sa stipendijom Majkl Pikok zavrila je master studije na London School of Economics u oblasti Medija i komunikacije. Potom je specijalizirala dokumentarni film na univerzitetu La Femis u Parizu. Born in Belgrade, Serbia in 1979. Bsc in Politics and International Relations, London School of Economics, BA in Film and TV Production, Faculty of Dramatics Arts in Belgrade MSc in Media and Communications at the London School of Economics. Took the long road to being a documentary filmmaker. On the run from political activism and mindnumbing academi. Converted to filmmaking in the belief that art will always be more subversive than politics; Seduced by cinema as art preaching of French cineastes during studies of documentary cinema in Paris.

24

DON UAN: OPROSTITE GOSPOICE / DON JUAN: ExCUSE ME, MISS

Hrvatska / Croatia / 2010.
Reija / Director: Goran Devi Scenario / Script: Goran Devi, Sanja Potkonjak Kamera / Photography: Vedran Samanovi, Bojana Burnac, Branimir Hajns, Almir Faki Montaa / Editing: Iva Kraljevi Muzika / Music: Pavao Miholjevi, Jurica Neven Farina Production / Produkcija: PETNAESTA UMJETNOST Producent/ Producer: Vanja Jambrovi Trajanje / Running time: 42 Format / Format: HDV, Beta SP Pal, Digi Beta Festivali i nagrade / Festivals and Awards: World premiere: Slobodna Zona , Zagreb Dox Festival, Hrvatska Osnovna pripovjedaka linija ovog dokumentarnog filma prati prilino neobinu radionicu odranu u Zagrebu. Cilj radionice bio je da naui uesnike vrlo temeljnoj vjetini kako da zavedu enu i odvedu je u krevet. Ovaj dokumentarac prati promjene, strahove, male uspjehe i velike nesporazume dvanaest uesnika radionice. Uesnici su bili raznovrsni, iz razliitih zemalja (Austrija, Njemaka, SAD) i razliite rase. Ovim zanimljivim ljudima zajedniko je bilo jedno: nali su se u kolskim klupama u zagrebakom hotelu Sheraton s jednim ciljem da zavedu djevojku s Balkana. The basic narrative line of this documentary follows a rather peculiar workshop held in Zagreb for the foreigners with big pocketbooks. The aim of the workshop was to teach the participants one very basic skill how to seduce a woman in order to get her to bed. The workshop was consisted of a theoretical part which was held in the hotel and a daily practical checkup on Zagreb streets and nightclubs. The most intriguing paradox is showing that the most frequent source of problems in relationships between men and women is actually very simple bad communication. Goran Devi je roen 1971. u Hrvatskoj. Diplomirao je filmsku reiju na Akademiji dramskih umjetnosti u Zagrebu, gdje radi kao asistent na Odsjeku za dokumentarni film. Born in 1971 in Croatia. He has graduated Film directing at Academy of drama art in Zagreb where he now works as assistant in Documentary Film department. Filmography: Documentaries: 2010. Don Juans: Oprostite gospodina!, 40 minutes, PETNAESTA UMJETNOST ; 2010. Poplava, 42 minutes, PETNAESTA UMJETNOST; 2009. Sretna Zemlja, 51 minutes, PETNAESTA UMJETNOST; 2009. Susjedi, 25 minutes, PETNAESTA UMJETNOST; 2008. Tri, 26 minutes, FACTUM; 2008. Park u izgradnji, 25 minutes, PETNAESTA UMJETNOST; 2006. Nemam ti ta rei ljepo, 30 minutes, FACTUM; 2004. Uvozne vrane, 22 minutes, ADU; 2004. Jesam li se zajebo?, 17 minutes, ADU ; 2004. Knin 2004, 30 minutes, HTV

25

HOTEL RAJ / HOTEL PARADISE

Bugarska / Bulgaria / 2010.
Reija / Director: Sophia Tzavella Scenario / Script: Sophia Tzavella Kamera / Photography: Boris Missirkov, Georgi Bogdanov Montaa / Editing: Nina Altaparmakova Dizaj zvuka / Sound design: Momchil Bozhkov Produkcija / Production: Agitprop Producent / Producer: Anna Stoeva Trajanje / Running time: 54 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: Message to Man IFF 2010 St. Petersburg, Sarajevo Film Festival 2010, Two Riversides Film and Art Festival Poland, Jihlava IFF 2010 - Nomination Silver Eye Award, Cinema Verite Iran International Documentary Film Festival 2010, Festival on Wheels Ankara 2010, Golden Rython Bulgarian Documentary and Animation Film Festival 2010. Mladi Demir sanja vjenanje, ali romsko naselje na obodu provincijalnog bugarskog grada i nije mjesto za romantiku. Prije etvrt vijeka, ovo naselje je imalo sve to je bilo neophodno za socijalistiki panel raj: od parketnih podova do interfona, ugraenog centralnog grijanja za vodu, uline rasvjete, klupa pod kronjama jabukovog drveta koje je utalo. Neko je ovo mjesto jednom nazvao Hotel Raj te se naziv zadrao. Parket je nestao. Voda je prestala da tee. Svjetla su se pogasila. Ali, svaki od 1500 stanovnika ima plan kako da se povrati izgubljeni raj. Ukoliko zaete u polje iza Hotela Raj, gdje se nebo i zemlja spajaju, upoznaete Boidara, Bogom datoga, koji titi svakoga od zla i pretjerane sree u dokumentarcu o integraciji, ljubavi, nesrei, mnotvu snova i jednom romskom vjenanju. The young Demir dreams of a wedding. But his Roma tower block at the outskirts of a provincial town in Bulgaria is no place for romance. 25 years ago it had all it takes for panel socialist heaven: from parquet floors to intercom, the coveted hot water central, street lamps, benches under murmuring apple trees. Someone called the place Paradise Hotel and the name stuck. But with the years the block gradually changed. The parquet disappeared. The water stopped. The lights went off. But each of the 1500 inhabitants has a plan how to get back the dream of Paradise Lost. And if you cross the field behind Paradise Hotel where heaven and earth meet, you will see Bozhidar The God Given who protects everyone from evil and excessive happiness in a documentary about panel integration, love, misery, a lot of dreams, a little lyrics and one Gypsy wedding. Sofija Cavela, je neobina TV novinarka, scenaristkinja i rediteljka. Poto je radila na bugarskoj nacionalnoj televiziji cijelih 5 godina postala je poznata po dubokoj ironiji i filozofskom, zadivljujuem nainu prianja na izuzetno profesionalan nain. Ona je originalna autorka brojnih istraivakih televizijskih izvjetaja i intervjua za jednu od malobrojnih visoko-profilnih nezavisnih bugarskih politikih i socijalnih emisija pod nazivom Panorama. Autorka je jedne knjige i tri dokumentarna filma, ukljuujui i NDE ili Prie o smrti. Fondacija Fridrih Herbert odlikovala ju je zvanjem istaknutog autora u pogledu objektivnosti medija. Author and director Sophia Tzavella is an unconventional TV journalist, scriptwriter and director. Having worked as an author for the Bulgarian National Television for 5 years, Sophia is well-known for her thorough irony and philosophical, enchanting way of highly professional storytelling. She is the original author of numerous investigative TV reports and interviews for one of a few high-profile independent view Bulgarian political and social TV shows Panorama. Author of 1 book, and director and author of 3 documentaries, including NDE or the Stories About Death. Distinguished as an outstanding author for media objectivity by the Friedrich Herbert Foundation.

26

IMALI SMO VE 22 GODINE / WE WERE ALREADY 22 YEARS OLD

Italija/ Italy / 2009.
Originalni naziv / Original title: Avevamo gia 22 anni Reija / Director: Federico Mazzi Scenario / Script: Federico Mazzi Kamera / Photography: Alessandro Dominici, Giuseppe Gallo Montaa / Editing: Gennaro de Pand Muzika / Music: Ominostanco Produkcija / Production: Associacione Polistyle Trajanje / Running time: 78 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: SOTTODICIOTTO FESTIVAL 2010 Posljednjih decenija, percepcija godina se mijenja. U dananjem vremenu ostajemo due mladi. Ovaj dokumentarnoigrani film se fokusira na ivot pod tekim socijalnim uslovima, koji nas elie i daju nam snagu za drutveno djelovanje. U meuvremenu, primorani smo da ivimo u emotivnoj i poslovnoj nesigurnosti. Dva potpuno razliita pristupa, koji su doprinijeli nekonvencionalnim nainima ivota. Meutim, kakve posljedice ovi trendovi imaju po nae drutvo? Zahvaljujui svjedoenju ljudi koji su u razliitim periodima imali dvadeset i dvije godine, pokuali smo da istraimo posljedice ovakvog fenomena u naem drutvu. In the last decades, perception of age changed. WE nowadays stay longer young. This docu-fiction will focus on the living with hard social rules that gave us strength in our social and human role. In the meantime, were forced to live in emotional and working precarity. Two very different approaches of life, that gave birth to unconventional ways of living. But what are going to be the consequences in our society? Thanks to testimonies of people who were 22 at different periods, we will analyze the consequences of this phenomenon in our society.The testimonies will be crossed with the memories of a peculiar character, Ettore Giacoletto aka Rabain: he was a former Resistant who hid in the mountains at fascist times. Nowadays he often tells his memories in schools, municipal events... Federiko Mazi is a video-maker born in Torino (Italy). His first experiences in video making were at the Audiovisual Laboratory of the Architectural Department under the influence of Stefano Tealdi. After studying theatre and cinema at DAMS he started working with theatre in 1990 as an Actor and Author/Director. During this period hes been writing several plays with the Kontrast Teatro, Polistyle and collaborating with Director Gabriele Vacis and Roberto Tarasco from Teatro Settimo. Since 97 hes been working with several national TV Channels (TMC2, La7, AllMusic) as a Director and Author/Screenwriter, and with many Cinema Productions, producing Shorts and Documentaries mainly written by himself. Federico Mazzi is a video-maker born in Torino (Italy). His first experiences in video making were at the Audiovisual Laboratory of the Architectural Department under the influence of Stefano Tealdi. After studying theatre and cinema at DAMS he started working with theatre in 1990 as an Actor and Author/Director. During this period hes been writing several plays with the Kontrast Teatro, Polistyle and collaborating with Director Gabriele Vacis and Roberto Tarasco from Teatro Settimo. Since 97 hes been working with several national TV Channels (TMC2, La7, AllMusic) as a Director and Author/Screenwriter, and with many Cinema Productions, producing Shorts and Documentaries mainly written by himself.

27

MILENA / MILENA
Srbija / Serbia / 2011.
Reija / Director: arna Radoii Scenario / Script: arna Radoii Kamera / Photography: Dalibor Tonkovi Montaa / Editing: Mateja Rackov Muzika / Music: ore Miljenovi, Aleksandar Sedlar Produkcija / Production: Tuna Fish Studio Trajanje / Running time: 72 Kolor / color: DVD Dokumentarno-igrani film Milena je pria o umjetnici Mileni Pavlovi Barili (Poarevac, Srbija 1909 Njujork 1945), uvenoj i originalnoj slikarki, ilustratorki, dizajnerki i pjesnikinji. To je inspirativna pria o njenom zanimljivom ivotu, jedinstvenoj senzibilnosti i stilu, kao i o njenom uticaju na savremenu umjetniku scenu i drutvo. Docu-fiction film Milena is a story about artist Milena Pavlovi Barilli (Poarevac, Serbia 1909 - New York, NY 1945), famous and authentic female painter, illustrator, designer and poet. Its an inspirational story about her extraordinary life, unique sensibility and style as well as her influence on contemporary art scene and circumstances in art and society. Rediteljka iz Beograda arna Radoii roena je 1979. godine. Dobitnica je Gran Pri-a na 50. Festivalu kratkog i dokumentarnog filma u Beogradu, kao i mnogih drugih nagrada za isti film Tri line uline prie. Napisala je, reirala, snimila i producirala nekoliko dokumentarnih filmova. Reirala je tv serije i dogaaje. Bila je umjetniki direktor na prvom enskom filmskom festivalu na Balkanu ensko oko svijeta. Docent je na Akademiji umjetnosti u Beogradu, na odsjeku filmska reija. Born on 1979, film director from Belgrade. Winner of Grand Prix of 50th festival of short and documentary films in Belgrade, as well as many other prices for the same film Three personal street stories. Wrote, directed, shot and produced various documentaries. Directed many TV serials and events. Art director and selector of the first Women film festival in Balkan, Female eye of the world. She is a docent professor at Academy of Arts in Belgrade, on film directing.

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SVIJET PO JONU B. / THE WORLD ACCORDING TO ION B.

Rumunija / Romania / 2010.
Reija / Director: Alexander Nanau Scenario / Script: Alexander Nanau Kamera / Photography: Alexander Nanau Montaa / Editing: Mircea Olteanu Muzika / Music: Dan Parvu Produkcija / Production: HBO Romania, Alexander Nanau Production Trajanje / Running time: 60 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: Best Balkan Documentary, Dokufest, Prizren, Kosovo 2010.;Vision du Reel, Nyon, Switzerland 2010; HotDocs, Toronto 2010. Jon B. je ezdesetogodinji beskunik u Bukuretu. Tokom sedamdesetih je poeo da pravi kolae koje naziva moji filmovi. Mladi vlasnik galerije 2008. godine sluajno uje za Jona i njegova djela. Beskunik mu pokazuje nekoliko starih kofera u kojima je gotovo 1.000 kolaa koje je napravio od 70-ih do 90-ih godina prolog vijeka. Samo godinu dana kasnije, Jon ivi u pristojnom domu, priznat kao jedan od najvanijih, savremenih rumunskih umjetnika. Ovo je istinita pria o pravom umjetniku koji je ivio na margini drutva stvarajui umjetnost u pravom smislu te rijei - umjetnost za sebe. Iako ga danas smatraju jednim od najznaajnijih predstavnika Pop arta, on, najiskrenije, ne zna ko je Endi Vorhol. Ion B. is a 62 year old homeless man living in Bucharest. In the 70s he started creating collages that he refers to as my films. In 2008, a young gallery owner hears by chance about Ion and his works. The homeless man shows him a few old suitcases filled with almost 1000 collages he had made between the 70 and the 90.Only one year later, in 2009, Ion lives in a decent place and has become one of the most important contemporary Romanian artists. This is a real life story of a genuine artist living at the edge of society and creating art for himself in the real and true sense of the world. Extraordinarily, even though he is cosidered one of the most important representatives of Pop Art, Ion honestly doesent know who Andy Warhol is. Aleksandar Nanau je roen u Bukuretu 1979.godine. Studirao je filmsku reiju na njemakoj Akademiji za film i televiziju (DEFB) u Berlinu i radio kao asistent reditelja i koreditelj sa Petrom Zedekom na nekoliko pozorinih produkcija irom Evrope. Radi i kao fotograf. Born in Bucharest in 1979 and having lived in Germany since 1990, Alexander Nanau studied film directing at the German Film and Television Academy (DEFB) in Berlin and worked as Assistant Director and Co-Director to Peter Zadek in several theatre productions across Europe. He also works as a photographer.

29

TRKA ZA IVOTOM / RUN FOR LIFE

Srbija, Japan / Serbia / Japan / 2010.
Reija / Director: Mladen Matievi Scenario / Script: Mladen Matievi Kamera / Photography: Nikola Majdak Montaa / Editing: Suzana Stevanovi Muzika / Music: Dejan Vueti Produkcija / Production: Starhill Producent / Producer: Ana Stankovi Trajanje / Running time: 87 Kolor / color: DVD Run for Life je dokumentarni film o trojici sportista iz Etiopije, koji su svoju zemlju zamijenili Srbijom, u potrazi za boljim ivotom, sportskom karijerom i srpskim dravljanstvom. Film prati godinu i po dana provedenih u Srbiji, od trenutka kada su stigli, pa sve dok nisu bili prisiljeni da napuste Srbiju. Pria je i o njihovom prijateljstvu s rediteljem Mladenom Matieviem, ija su perspektiva i naracija okosnica filma. Run for Life is a documentary about three Ethiopian athletes that fled from their country to Serbia seeking better life, sport career and Serbian citizenship. It covers a year and half of their lives spent in Serbia, from the day they arrived until the moment they were forced to leave Serbia. It is also a story of their friendship with the director Mladen Matievi whose perspective and narration are the backbone of the film. Mladen Matievi roen je 1965. u Beogradu. Diplomirao je na Odsjeku za filmsku i TV reiju Akademije dramskih umetnosti u Beogradu. Radio je kao prvi i drugi asistent reditelja na nekoliko srpskih i stranih dugometranih filmova (1985-1990). Radio je na beogradskoj televiziji kao reditelj kratkih formi (igranih i dokumentarnih) za dokumentarni i djeji program (1985-1990). Njegov najpoznatiji dugometrani dokumentarac Ghetto Secret Life of the City (1996) uspjeno je prikazan na brojnim filmskim festivalima irom svijeta. How to Become a Hero (2007) prikazan je u dugometranoj dokumentarnoj kategoriji na IDFA-i. Mladen Maticevic was born in 1965 in Belgrade. He graduated from the Department for Film and TV directing at the Academy of Dramatic Arts in Belgrade. He worked as the first and second assistant director on several Serbian and foreign feature films (1985-1990). He worked on the Belgrade television as a director of short form (fiction and documentary) for the documentary and childrens program (1985-1990). Its most famous feature-length documentary The Ghetto - The Secret Life of the City(1996) was successfully screened at numerous film festivals around the world. How to Become a Hero(2007) was shown in the documentary feature film category at the IDFA.

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IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA / TRIALS, TRIBULATIONS & SUSTAINABLE GROWTH OF A COCK
Crna Gora / Montenegro / 2010.
Reija / Director: Vladimir Perovi Scenario / Script: Vladimir Perovi Director of photography / Direktor fotografije: Milan Stani Cinematographers / Snimatelji: Borislav Ristovi, Saa Nikoli Edited by / Montaer: Aleksandar Uhrin Sound design / Dizajn zvuka: Slobodan Maej Produkcija / Production: CZK TIVAT, Montenegro Producers / Producenti: Milena Radojevi, Neven Stanii Trajanje / Running time: 21 Kolor / color: DVD Festivali i nagrade: Festivals and Awards: 7th ZagrebDox, Zagreb, Croatia, Feb 2011 / * 1st Prize (Big Stamp of ZagrebDox) / 1. nagrada (Veliki peat ZagrebDoxa); 7th RAFF, Yekaterinburg, Russia, Apr 2011;1st SEE A PARIS, Paris, France, April 2011; BELDOCS, Belgrade, Serbia, May 2011; ARHAVI Film Festival, Turkey, May 2011; 2nd UNDERHILL Festival, Podgorica, Montenegro, May 2011 ; 4th Mediterranean Film Festival Split, Croatia, June 2011 Jednom godinje u primorskom gradiu Perastu jedan meu mnogim pijetlovima (kokotima) iz kraja uestvuje u posebnom dogaaju. Odabran, on e se suoiti sa neoekivanim iskustvima. Ovo je pria o njegovom ivotu u okruenju ljudskih pravila i rituala. Once a year in the small coastal town of Perast, Montenegro, one out of many cocks in the region participates in a very particular event. Being the chosen one, he will face unexpected experiences. This is the story of his life in the environment of human rules and rites... Vladimir Perovi (1955, Cetinje, Montenegro) graduated in Film & TV Directing from Faculty of Drama Arts, Belgrade, Serbia. He directs creative documentaries. His films were screened at the festivals worldwide and won 63 prizes and awards so far. He used to teach Documentary Direction at BK Academy of Arts in Belgrade. Jury member several times in Yugoslavia, Germany, Russia, Iran, Romania... Employed as an author (script writer and director) in Documentary Dpt. of RTV, Novi Sad, Serbia. Guest professor of Documentary at Faculty of Drama Arts in Cetinje, Montenegro. He lives in Belgrade, Serbia, and makes his films both in Serbia and in Montenegro Born in 1955, Cetinje, Crna Gora), diplomirao na filmskoj i televizijskoj reiji na Fakultetu dramskih umjetnosti u Beogradu, Srbija. Reira kreativne dokumentarce. Njegovi filmovi su prikazivani irom svijeta i nagraeni sa 63 nagrade. Predavao je dokumentarnu reiju na BK Akademiji umjetnosti u Beogradu. Vie puta je bio je lan irija u Jugoslaviji, Njemakoj, Rusiji, Iranu, Rumuniji... Radi kao urednik (pisac i reditelj) u Dokumentarnoj redakciji, RTV Novi Sad, Srbija. Gostujui je profesor na Fakultetu dramskih umjetnosti, Odsjek za filmsku reiju (na predmetu Dokumentarni film) u Cetinju, Crna Gora. ivi u Beogradu, Srbija, a svoje filmove snima u Srbiji i crnoj Gori... Filmografija / Filmography: 1989: Une maison - Kua (A House); 1992: Saga o Samuraju i Glibu (The Saga on Samourai & the Mud); 1996: Hodoae (Pilgrimage); 1997: U/deavanje glasa (Tuning Voices / Rigging Votes); 2000: Ura (The Clock); Sin (Son); Allegria (Allegria); 2001: Ljubav, zavet (Love, Vow); 2002: Mali kvar na mojoj sjajnoj zvezdi (A Slight Malfunction on My Shiny Star); uvar (The Guard); 2003: Nestajanje(Vanishing); 2004: Zov (The Call); 2006: Dim (The Smoke); Ribar ore razgoni mrak (Fisherman George scatters the Gloom); Koraci (The Steps) ; 2009/2007/: e kamenog mora (The Thirst of a Stone Sea) ; 2008: Da bude svetlost (Let There Be Light) ; 2010: Senka (Shadow); ivot, prikljuenija i odrivi razvoj jednog kokota (Trials, Tribulations & Sustainable Growth of a Cock)...

31

VANTAKMIARSKA SELEKCIJA / NONCOMPETITION SELECTION

SMEE, TU, PORED NAS / VIKILIKS / Wikileaks ESTOKA SNAGA RIME / Furious Force of Rhymes

VIKILIKS / WIKILEAKS
vedska / Sweden / 2010.
Reija / Director: Jesper Huor, Bosse Lindquist Scenario / Script: Jesper Huor, Bosse Lindquist Kamera / Photography: Lars Granstrand, Sven Lindahl Montaa / Editing: Michael Hallberg Produkcija / Production: SVT - Sveriges Television Trajanje / Running time: 58 Kolor / color: DVD Od ljeta 2010. do danas vedska televizija je pratila tajnu medijsku mreu WikiLeaks i njenog zagonetnog glavnog urednika Dulijana Asana. Jesper Huor i Bosse Lindquist posjetili su kljune zemlje odakle WikiLeaks djeluje, razgovarali s najvanijim lanovima poput Asana, nove portparolke Kristin Hrafnson i ljudima poput Daniela Domscheit-Berga, koji pokree svoju verziju: Openleaks.org! Kuda ta tajna organizacija stremi? Jesu li jai nego ikada ili su ih pokorile Sjedinjene Amerike Drave? Ko je Asan: ampion slobode, pijun ili silovatelj? Kakvi su njegovi ciljevi? Kakve su posljedice po Internet? From summer 2010 until now, Swedish Television has been following the secretive media network WikiLeaks and its enigmatic Editor-in-Chief Julian Assange. Reporters Jesper Huor and Bosse Lindquist have traveled to key countries where WikiLeaks operates, interviewing top members, such as Assange, new Spokesperson Kristinn Hrafnsson, as well as people like Daniel Domscheit-Berg who now is starting his own version Openleaks.org! Where is the secretive organization heading? Stronger than ever, or broken by the US? Who is Assange: champion of freedom, spy or rapist? What are his objectives? What are the consequences for the Internet? Bose Lindkist je roen 1954. Producent je na vedskoj radio televiziji i direktor je na vedskom radiju. Bio je producent i autor dokumentaraca od 1988. godine. Bosse Lindquist, born in 1954, is a Swedish radio and TV producer and writer who is head of the national radio broadcaster Swedish Radios Documentary Department since 2007. He has been a producer of documentaries and an author since 1988.

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ESTOKA SNAGA RIME / THE FURIOUS FORCE OF RHYMES

Francuska / France / 2010.
Reija / Director: Joshua Atesh Litle Scenario / Script: Joshua Atesh Litle Kamera / Photography: Joshua Atesh Litle Montaa / Editing: Martha Skolnik, Jrme Lefdup, Gloria Bremer Muzika / Music: Wendell Hanes Producent / Producer: Serge Lalou Produkcija / Production: Les Films dIci Trajanje / Running time: 82 Kolor / color: DVD Festivali i nagrade / Festivals and Awards: Locarno International Film Festival-Winner; IDFA Amsterdam 2010. Leeds International Film Festival; Valladolid Seminci 2010; Abu Dhabi Film Festival Njujork, Francuska, Palestina, Senegal, Kolumbija Hip-hop vremenski je putnik, svjetska buntovna muzika koja je prela mnoge granice. Ovaj film muziko je svjedoanstvo drutva iz perspektive onih koji su hip-hop uzdigli na dananji umjetniki nivo. Buntovni i kontroverzni jezik hip-hopa otkriva se kroz muziku, ples i dopadljive grafite, dok pratimo zvijezde i nove mlade umjetnike irom svijeta koji progovaraju o sloenim drutvenim i politikim sistemima. Ovo putovanje predstavlja hip-hop kao most preko kulturnih razlika, kao pokretaa drutvenih promjena. NY, France, Israel, Palestine, Senegal, Columbia Hip-hop has travelled through time and crossed many borders as a worldwide protest music. This film is a musical statement of society seen through the eyes of those that make hiphop the art form it is today. By following stars and up and coming new artists from around the globe, speaking out on complex social and political environments, this film sheds light on the rebellious and controversial language of hip-hop through its music, dance, and compelling graffiti. This journey shows hip-hop as a bridge of cultural differences and an activist for social change.

SMEE, TU, SVUDA OKO NAS / GARBAGE, HERE, ALL AROUND US

r. Marijana Kadi Bojani / Crna Gora / 2010 / 10
20 godina Crna Gora je ekoloka drava, po Ustavu. Za to sto se Ustav i stvarnost ne poklapaju, krivi smo svi. Film je raen u saradnji TV Vijesti sa Delegacijom Evropske Unije u Crnoj Gori. For 20 years Montenegro is an ecological state by its Constitution. Reality and whats written in the Constitution dont match, and we are all to blame for that. Documentary was produced by TV Vijesti in cooperation with Delegation of European Union to Montenegro.

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SADRAJ
UNDERHILLFEST 2011 UDAHNITE DOKUMENTARCE, Vuk Perovic, selector programa NETO MRDA ISPOD BRDA Dimitar Anakiev IRI MEUNARODNA SELEKCIJA / International Selection DEPONIJA / Wasteland KRADLJIVCI PO ZAKONU / Thieves by Law MEU ZVIJEZDAMA / Position among the Stars NEEPRIJATELJ NARODA / Enemies of the People PORODINI INSTINKT / Family instinkt RASTANAK / Farewell RUIASTI SARIJI / Pink Saris TI NE VOLI ISTINU 4 DANA U ZATVORU GVATANAMO / You dont like the truth - 4 days inside Guantnamo REGIONALNA SELEKCIJA / Regional Selection BIJELO DUGME / White Batton CINEMA KOMUNISTO / Cinema Komunisto DON UAN: OPROSTITE, GOSPOICE / Don Juan: Excuse me, Miss HOTEL RAJ / Hotel Paradise IMALI SMO VE DVADESETDVIJE GODINE / We were already 22 years old MILENA / Milena SVIJET PO JONU B. / World according to Ion B. TRKA ZA IVOTOM / Run for life IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA / Trials, Tribulations & Sustainable Growth of a cock VANTAKMIARSKA SELEKCIJA / Noncompetition Selection VIKILIKS / Wikileaks ESTOKA SNAGA RIME / Furious Force of Rhymes SMEE, TU, PORED NAS / Garbage, here, all around us INDEX FILMOVA / FILM INDEX INDEX REISERA / Director Index IMPRESUM / IMPRESSUM 04 05 06 08 10 11 12 13 14 15 16 17 18 22 23 24 25 26 27 28 29 30 31 32 33 34 34 36 37 38

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INDEx FILMOVA / FILM INDEx

AMIGO / AMIGO BIJELO DUGME / WHITE BATTON CINEMA KOMUNISTO / CINEMA KOMUNISTO DEPONIJA / WASTELAND DON UAN: OPROSTITE, GOSPOICE / Don Juan: Excuse me, Miss / DRAVLJAN A.T. / CITIZEN A.T. HOTEL RAJ / HOTEL PARADISE IMALI SMO VE DVADESETDVIJE GODINE / WE WERE ALREADY 22 YEARS OLD / AVEVAMO GIA 22 ANNI KRADLJIVCI PO ZAKONU / THIEVES BY LAW MEU ZVIJEZDAMA / POSITION AMONG THE STARS MILENA / MILENA NEPRIJATELJ NARODA / ENEMIES OF THE PEOPLE PORODINI INSTINKT / FAMILY INSTINCT POSLEDNJI ILNIK / LAST OF THE ILNIKS RASTANAK / FAREWELL RUIASTI SARIJI / PINK SARIS SMEE, TU, SVUDA OKO NAS / GARBAGE, HERE, ALL AROUND US SRPSKI EKSERI / SERBIAN NAILS SVIJET PO JONU B. / WORLD ACCORDING TO ION B. TI NE VOLI ISTINU 4 DANA U ZATVORU GVATANAMO / YOU DON T LIKE THE TRUTH - 4 days inside Guantnamo TRKA ZA IVOTOM / RUN FOR LIFE IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA / TRIALS, TRIBULATIONS & SUSTAINABLE GROWTH OF A COCK

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INDEx REISERA / DIRECTORS INDEx

Anakiev, Dimitar. Atesh Litle, Joshua. Devi, Goran Gauja, Andris Genetelev, Alexander Henrquez, Patricio Huor, Jesper Kadi Bojani, Marijana Lemkin, Rob Lindquist, Bosse Longinotto, Kim Matievi, Mladen Mazzi, Federico Mensink, Ditteke Nanau, Alexander Perovi, Vladimir Radoii, arna Retel Helmrich, Leonard Sambath, Thet Stoimenov, Igor Turajli, Mila Tzavella, Sophia Walker, Lucy

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IMPRESUM / IMPRESSUM
ORGANIZACIJA FESTIVALA / FESTIVAL ORGANIZATION Nvo Crnogorski Filmski festival / Ngo Montenegro Film festival Direktor festivala / Festival Director - Anelka Nenezi Selekcija / Selection - Anelka Nenezi, Vuk Perovi Producentski tim / Production tim - Sanja Jovanovi, Ilija Brkanovi, Silva Bakovi PR i odnosi sa medijima / PR & Press Service - Miro Mini Muzicki program / Music program - Ivan Vukevi Vizuelni identitet / Visual Identity - Jovo Vukevi Urednik kataloga / Editor - Anelka Nenezi Lektor kataloga / Catalogue Lector - Miroslav Mini Dizajn kataloga / Catalogue Design - Ivan ukovi Set Dizajn / Set Design - Mika Prevod / Translation - Danilo Lekovi Prevod i titlovanje / Translation and subtitling - Nevena Matovi Prevodi / Translations - Ministarstvo titlova www.ministarstvotitlova.com

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Vlada Crne Gore Ministarstvo kulture

www.underhillfest.me