187

187.
Joan Miró (Spanish, 1893-1983)

Plate XV from FLUX DE L’AIMANT, 1964, edition of 75

(Dupin, 385). Monogrammed “M” in pencil l.r., numbered
“41/75” in pencil l.l., identified on a label from Retina Gallery,
Boston, on the reverse. Color drypoint and aquatint on paper, 188
plate/sheet size 19 x 23 in. (48.2 x 58.3 cm), framed.
Condition: Deckled edges to three sides, subtle handling creases,
not examined out of frame.
189.
Provenance: A private New England collection.
Joan Miró (Spanish, 1893-1983)
$1,500-2,500
L’Oiseau destructeur, 1969, edition of 75 (Dupin, 512). Signed
188. “Miró” in pencil l.r., numbered “68/75” in pencil l.l. Color
Joan Miró (Spanish, 1893-1983) etching, aquatint and carborundum on paper, image/sheet size
28 1/2 x 37 in. (72.3 x 94.0 cm), framed.
La Chouette et l’escargot/A Greeting Card from Aime Maeght, Condition: Deckled edges, gentle rippling, not examined out of
1964 (Dupin, 388). Unsigned, identified “Aime Maeght vous frame.
presente ses meilleurs voeux pour 1964...” in text in the interior. $12,000-18,000
Drypoint with color aquatint on BFK Rives paper with
watermark, plate size 6 5/8 x 4 1/2 in. (16.7 x 11.3 cm),
framed.
Condition: Toning, sheet folded to create a card.
$300-350

189

76
 191

190

192

190. 191.
Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)

La Femme arborescent, 1974, edition of 50 (Dupin, 649).
Signed “Miró” in pencil l.r., numbered “3/50” in pencil l.l.
Color etching and aquatint on paper, image/sheet size 43 1/2 x
28 1/2 in. (110.4 x 72.3 cm), framed.
Condition: Deckled edges, rippling, several subtle handling
creases, not examined out of frame.
$18,000-22,000
Image from QUELQUES FLEURS POUR DES AMIS, 1964,
edition of 225 plus proofs (Mourlot, 340). Signed “Miró” in
pencil l.r., inscribed “H.C. III/XI” in pencil l.l. Lithograph
printed in black and gray on paper, image/sheet size 16 1/8 x 12
3/4 in. (41.0 x 32.3 cm), framed.
Condition: Deckled lower edge, not examined out of frame.
$800-1,200

192.
Joan Miró (Spanish, 1893-1983)

La Japanaise, 1971, edition of 150 plus proofs (Mourlot, 829).

Signed “Miró” in pencil l.r., numbered “58/150” in pencil l.l.
Color lithograph on paper, sight size 13 3/4 x 19 1/4 in. (34.8 x
48.8 cm), framed.
Condition: Pale mat burn, not examined out of frame.
$2,000-3,000

77
 193

193.
Joan Miró (Spanish, 1893-1983)

Lot of Four Works from MIRO LITHOGRAPHS I: Plates IV,

VIII, IX, and X, 1972 (Mourlot, 860, 864, 865, and 866).
Unsigned, each identified in text on the reverse. Color
lithographs on paper, sheet sizes approximately 12 1/2 x 19 1/2 194
in. (31.6 x 49.5 cm), unmatted, unframed.
Condition: Each with a centralized vertical crease (with staple
holes and binding residue) and pale staining from inks to the
reverse.
$800-1,200 194.
Joan Miró (Spanish, 1893-1983)

Plate Five from ODA A JOAN MIRO, 1973, total edition of

535 (Mourlot, 907). Signed “Miró” in pencil l.r., numbered
“70/75” in pencil l.l., stamped “GALERIA KREISLER DOS...
MADRID...” on the reverse. Color lithograph on paper, image
size 34 x 23 1/2 in. (86.3 x 59.5 cm), unmatted, unframed.
Condition: Soft diagonal creases to image, old hinges to upper
edge.
$2,500-3,500

195.
Henry Moore (British, 1898-1986)

Three Sculptural Motives, 1970, edition of 50 plus proofs

(Cramer et al., 158). Signed “Moore” in pencil l.r., numbered
“44/50” in pencil l.l., identified on a label from Harcus, Krakow,
Rosen and Sonnabend, Boston, on the reverse. Etching on paper,
plate size 11 1/2 x 7 7/8 in. (29.2 x 19.9 cm), framed.
Condition: Margins over 1/4 inch, not examined out of frame.
$600-800

195

78
 196

196. 198.
Henry Moore (British, 1898-1986) Richard Mortensen (Danish, 1910-1993)

Six Reclining Figures, 1974, edition of 99 plus proofs (Cramer,
353). Signed “Moore” in pencil l.r., numbered “42/99” in
pencil l.l. Lithograph in colors on paper, image size 15 x 19 3/4
in. (38.0 x 50.0 cm), framed.
Condition: Margins over 1/2 inch, not examined out of frame.
$1,500-3,000
Untitled (Blue Figure), 1966-1968, edition of 75. Signed and
dated “Richard Mortensen 1966-68” in pencil l.r., numbered
“41/75” in pencil l.l. Screenprint in blues on paper, image size
15 1/8 x 13 in. (38.3 x 33.0 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$300-500

197.
After Thomas Moran (American, 1837-1926)

The White Mountains, 1874, published by The Aldine. Signed in

the matrix, identified on a label on the reverse.
Chromolithograph on paperboard, image/sheet size 11 1/4 x 15
5/8 in. (28.5 x 39.6 cm), framed.
Condition: Toning, soiling.
$400-600

197

198

79
 199 200

199. 200.
Kaiko Moti (Indian, 1921-1989) Shiko Munakata (Japanese, 1903-1975)

Girl in Profile. Signed “K Moti” in pencil l.r., inscribed “IX/C”
in pencil l.l. Lithograph in grays on paper, image size 22 1/4 x
18 in. (56.4 x 45.7 cm), unmatted, unframed.
Condition: Margins 2 inches or more, rub/paper loss to upper
margin, masking tape on verso along edges.
$300-500
Landscape, 1958. Signed and dated “...Munakata 1958...” and
in Japanese characters in pencil l.l., chop mark l.l. Woodcut with
hand-coloring on paper, image size 13 1/4 x 12 1/2 in. (33.5 x
31.7 cm), framed.
Condition: Unobtrusive cockling, not examined out of frame.
$5,000-7,000

201.
Thomas Willoughby Nason (American, 1889-1971)

Winding Road, 1939, edition of 125, published for the New

Haven Print Club (BPL, 286). Signed and dated “TWNason
1939” in pencil l.r. Engraving on paper, plate size 6 x 7 7/8 in.
(15.0 x 19.9 cm), framed.
Condition: Not examined out of frame.
$300-500

201

80
 203

202.
202
LeRoy Neiman (American, b. 1926)

The Green Table, 1974, edition of 300. Signed “LeRoy Neiman”

in pencil l.r., numbered “132/300” in pencil l.l. Color
screenprint on paper, image size 39 3/4 x 26 in. (100.8 x 66.0
cm), framed.
Condition: Not examined out of frame.
$2,000-4,000

203.
Louise Berliawsky Nevelson (American, 1900-1988)

Untitled/Sculpture for The American Book Award, 1980,

edition of 100. Unsigned, identified on a label affixed to the
reverse. Black cast polyester resin, 15 1/4 x 15 3/4 in. (38.7 x
40.0 cm), framed.
Condition: Minor surface grime.

N.B. The present work was awarded in 1983 to William Steig for
the children’s picture book, Doctor de Soto, published by Farrar,
Straus & Giroux.
$700-900

204.
Louise Berliawsky Nevelson (American, 1900-1988)

Sky Gate I, 1982, edition of 90 plus proofs. Signed and dated

“Nevelson - 82” in pencil l.c., numbered “63/90” in pencil l.l.,
identified on a label from Pace Editions, Inc., New York, on the
reverse. Cast paper relief, sheet size 33 1/2 x 20 1/4 in. (85.0 x
51.5 cm), framed.
Condition: Not examined out of frame.
$2,000-4,000

204

81
 205

205. 207.
Louise Berliawsky Nevelson (American, 1900-1988) Dean Nimmer (American, 20th/21st Century)

Untitled, 1985, edition of 250, published by Pace Editions.
Signed and dated “Nevelson-85.” in pencil l.r., numbered
“122/250” in pencil l.l., identified in information affixed to the
reverse. Cast paper relief print, 13 5/8 x 14 1/4 in. (34.5 x 36.2
cm), framed.
Condition: Not examined out of frame.
$1,000-1,500
Spiral 42, 2003. Signed “DNimmer” in pencil l.r., signed,
inscribed and dated “DNimmer #4400 2003” in pencil on the
reverse. Color monotype on paper, image/sheet size 15 1/8 x
11 1/4 in. (38.3 x 28.5 cm), framed.
Condition: All but the lower edge deckled.
$500-700

206.
Dale Nichols (American, 1904-1995)

Sleigh Ride. Signed “+DaleNichols” in pencil l.r. Lithograph on

paper, image size 9 1/4 x 13 1/4 in. (23.4 x 33.4 cm), framed.
Condition: Toning, unobtrusive mat burn, not examined out of
frame.
$300-500

206 207

82
208 209

208.
Dean Nimmer (American, 20th/21st Century)

Untitled, 2003. Signed “DNimmer” in pencil l.l. and in white

l.r., signed, inscribed and dated “DNimmer #4136 2003” in
pencil on the reverse. Color monotype on paper, image/sheet
size 15 1/8 x 11 1/4 in. (38.3 x 28.5 cm), framed (without
glass).
Condition: All but the lower edge deckled.
$500-700

209.
Claes Oldenburg (American, b. 1929)

Geometric Mouse Scale D “Home-Made,” 1971, edition of

approximately 3,000 (Axsom & Platzker, 73). Signed and
identified in the matrix on the base piece. Offset lithography on
five laminated paper pieces affixed with metal fasteners and chains,
base size 19 5/8 x 16 5/8 in. (49.7 x 42.2 cm).
Condition: Unobtrusively toned and light struck, creases to base
piece.
$300-350

210.
José Clemente Orozco (Mexican, 1883-1949)

Hombre con Manos, Sobre la Cara, 1928, edition of 100

(Orozco, 7). Signed “J.C. Orozco” in pencil l.r. Lithograph on
paper, image size 11 3/4 x 9 7/8 in. (29.9.x 25.1 cm), framed.
Condition: Subtle toning, not examined out of frame.
$2,500-3,500

210

83
 211
211.
Victor Pasmore (British, 1908-1998)
Lot of Four Images: By What Geometry Must We Construct...
from WORD AND IMAGE, 1974, edition of 60 (Pasmore, 39c);
Am I the Object Which I See... from WORD AND IMAGE,
1974, edition of 60 (Pasmore, 39d); When the Lute is Broken,
1974, edition of 60 (Pasmore, 40); and Linear Motif in Two
Movements, 1974, edition of 60 (Pasmore, 46). Each
monogrammed and dated “VP 74” in pencil l.r. Etchings with
aquatint on paper, plate sizes approximately 15 x 15 in. (38.0 x
38.0 cm), framed.
Condition: Not examined out of frames.
$800-1,200
213
84
212
212.
Margaret Jordan Patterson (American, 1867-1950)
Coast Cypress, edition of 100. Signed “Margaret Patterson” in
pencil l.r. and in pencil within the image l.l., numbered “no
29/100” in pencil l.l., titled in pencil l.c. Color woodcut on
paper, 7 1/4 x 10 3/8 in. (18.3 x 26.3 cm), unmatted,
unframed.
Condition: Margins 1/4 inch or more with deckled lower edge.
$2,000-3,000
213.
Gerry Peirce (American, 1900-1969)
Arizona, edition of 100. Signed “Gerry Peirce” in pencil l.r.,
titled and numbered “...81/100” l.l. Drypoint and aquatint on
paper, plate size 6 x 8 in. (15.2 x 20.3 cm), matted, unframed.
Condition: Margins 3/4 inches or more.
$300-350
 214

214. 215.
Joseph Pennell (American, 1860-1926) Joseph Pennell (American, 1860-1926)

View to San Giorgio Maggiore, 1883. Signed, dated and
inscribed “...Venice 6 9 1883 Saturday 7 pm” in the plate.
Etching on paper, plate size 4 x 8 3/8 in. (10.0 x 21.2 cm),
framed.
Condition: Subtle toning and rippling, not examined out of
frame.
$300-500
Lot of Two Views: Leadenhall Market, II, 1903, edition of
about 50 (Wuerth, 254); and The Woolworth Building, 1915,
edition of about 100 (Wuerth, 675). Both signed and inscribed
“JoPennell imp” in pencil along the lower edge. Etchings on
paper, plate sizes to 11 x 8 1/2 in. (27.8 x 21.5 cm), matted,
unframed.
Condition: Both with unobtrusive toning and staining, former
with mat burn, the latter with masking tape residue to edges.
$300-500

216.
Joseph Pennell (American, 1860-1926)

Great Cranes, South Kensington, 1903, edition of about 50

(Wuerth, 288). Signed and inscribed “JoPennell imp” in pencil
l.c. Etching in sepia on laid paper, plate size 8 3/4 x 11 in. (22.2
x 27.9 cm), unmatted, unframed.
Condition: Deckled left edge, soiling, subtle toning.
$300-500

215 216

85
217 218

217. 218.
Joseph Pennell (American, 1860-1926) Joseph Pennell (American, 1860-1926)

Bridge of Alcantara, Toledo, 1904, possibly from the 1909
edition (Wuerth, 322). Signed or inscribed “J.Pennell” in pencil
l.c. Etching on paper, plate size 10 x 8 in. (25.4 x 20.0 cm),
unmatted, unframed.
Condition: Margins about 1/2 inch, toning.
$300-350
St. Paul’s Pavement, London, 1905, from the 1910 edition
(Wuerth, 366). Unsigned. Etching on paper, plate size 8 1/2 x
11 in. (21.5 x 27.9 cm), framed.
Condition: Toning, mat burn, gentle rippling, not examined out
of frame.
$300-400

219.
Joseph Pennell (American, 1860-1926)

New York, From Brooklyn Bridge, 1908, edition of about 150

(Wuerth, 490). Signed and inscribed “JoPennell imp” in pencil
l.c. Etching on paper, plate size 11 x 8 3/8 in. (27.8 x 21.3 cm),
framed.
Condition: Subtle toning, not examined out of frame.
$300-500

219

86
 220

220.
Joseph Pennell (American, 1860-1926)

Song of the Search Light, published 1920 (Wuerth, 687). Signed 221
and inscribed “JoPennell imp” in pencil l.c., identified on a label
from Rose B. Lee Fine Prints, Los Angeles, on the reverse.
Aquatint on paper, plate size 4 x 7 in. (10.0 x 17.7 cm), framed.
Condition: Subtle toning, not examined out of frame.
$400-600
221.
Joseph Pennell (American, 1860-1926)

Standard Oil Building, 1923, edition of about 50 (Wuerth,

817). Signed and inscribed “JoPennell imp” in pencil l.c.
Etching on paper, plate size 12 1/4 x 9 1/4 in. (31.0 x 23.6 cm),
unmatted, unframed.
Condition: Margins 3/8 inches or more with minor nicks to
some edges, gently light struck.
$300-500

222.
Joseph Pennell (American, 1860-1926) and Elizabeth Robins
Pennell (American, 1855-1936)

Lithography & Lithographers; Some Chapters in the History of

Art, published by The Century Co., New York, 1897, including
original lithographs by John McLure Hamilton (American, 1853-
1936), Alphonse Legros (French, 1837-1911), Alexandre Lunois
(French, 1863-1916), Charles Haslewood Shannon (British,
1863-1937), William Strang (British, 1859-1921), Thomas
Robert Way (British, 1862-1913), and James Abbott McNeill
Whistler (American, 1834-1903). Identified on the title page, 14
x 11 in. (35.5 x 27.8 cm), cloth cover.
Condition: Unobtrusive wear and toning.
$1,000-2,000

222

87
 223.
Gabor F. Peterdi (American, 1915-2001)

Lot of Three Images: La Grande Bataille, 1939, artist’s proof,

etching and engraving; The Hunter Hunted, 1948, edition of 35,
engraving; and Murdered in the Cathedral, 1964, edition of 25,
etching and aquatint in blue/black ink. Signed and dated
“Peterdi...” in pencil l.r. and inscribed in pencil l.l., two titled in
pencil l.c. Plate sizes to 35 1/2 x 21 3/4 in. (90.0 x 55.2 cm),
framed.
Condition: Not examined out of frames.
$1,000-1,500

224.
Lot of Two Prints:

Gabor F. Peterdi (American, 1915-2001), Untitled, 1953,

edition of 35, color etching and aquatint; and Walter Spies
(German, 1895-1942), Hymenoptesa, 1925, woodcut. Both
signed and dated in pencil l.r. Image sizes to 15 3/4 x 11 3/4
in. (39.9 x 29.8 cm), framed.
Condition: Latter with staining and losses to margins, not
examined out of frames.
$300-500

225.
Gabor F. Peterdi (American, 1915-2001)

Lot of Two Images: Stormy Sea, 1962, edition of 50; and

Under the Reef, 1969, edition of 130. Both signed and dated
“Peterdi...” in pencil l.r., titled in pencil l.c. and numbered in
pencil l.l. Etchings with aquatint, each printed in a different
223 blue/green ink, on paper, plate sizes approximately 18 1/2 x 23
3/4 in. (46.9 x 60.2 cm), both matted, the former framed.
Condition: Margins over 1/2 inch, several pale fox marks to
Reef, Sea not examined out of frame.
$800-1,200

225
224

88
 226

226.
Gabor F. Peterdi (American, 1915-2001)

Blooming..., 1965, edition of 25. Signed and dated “Peterdi ‘65

Imp” in pencil l.r., numbered “14 - 25” in pencil l.l., titled in
pencil l.c. Color etching and aquatint on heavy cream paper,
plate size 19 3/4 x 31 1/2 in. (50.2 x 80.0 cm), unmatted,
unframed. 227
Condition: Margins 2 inches or more, several gently pressed
vertical creases, subtle soiling, hinges on verso near upper corners,
annotations l.r.
$400-600
227.
Pablo Picasso (Spanish, 1881-1973)

Céphale tue par mégarde sa femme Procris from LES

METAMORPHOSES D’OVIDE, 1931 (Geiser, 156; Cramer,
19). Signed “Picasso” in pencil l.r. Etching on laid paper, plate
size 12 1/2 x 9 5/8 in. (31.5 x 24.2 cm), unmatted, unframed.
Condition: Mat burn and other staining, foxing, deckled right
and lower edges, edges reinforced, annotation to lower edge
(recto and verso).

Provenance: From the estate of Mary Gershinowitz, sold for the

benefit of the Harvard Art Museum.
$1,500-2,500

227A.
Pablo Picasso (Spanish, 1881-1973)

A la ville de Cordoue from VINGT POEMES, by Luis de

Gongora y Argote, 1948, total edition of 275 (Cramer, 51).
Unsigned, numbered “II/XXV” in pencil l.l. Aquatint on paper
with crest watermark, image size 11 7/8 x 9 1/8 in. (30.1 x 23.2
cm), unmatted, unframed.
Condition: Toning, mat burn, annotation to lower edge.
$300-500

227A

89
 229

228
228.
Pablo Picasso (Spanish, 1881-1973)

Le Vieux Roi, 1959, edition of 1,000 (Bloch, 869). Stamped

signature in red l.r., signed or inscribed “Bon a Tirer Picasso” in
blue pencil l.l. Lithograph on Arches paper with partial
watermark plus Mourlot watermark, image size 25 3/4 x 19 3/4
in. (65.4 x 50.0 cm), unmatted, unframed.
Condition: Narrow margins with deckled right and lower edges,
several minor nicks to edges, creases to corner l.l. (slightly into
image) plus minor handling creases.
$2,000-4,000

229.
After Pablo Picasso (Spanish, 1881-1973)

Image from PORTRAITS IMAGINAIRE, c. 1969. Signed and

dated in the matrix, numbered “319/375” in pencil l.l. Color
lithograph on paper, image/sheet size 26 1/4 x 20 in. (66.5 x
50.7 cm), framed.
Condition: Soiling to edges, not examined out of frame.
$1,500-2,500

230.
Pablo Picasso (Spanish, 1881-1973)

Vase with Two High Handles, 1952, edition of 400 (Ramie,

141). Inscribed “EDITION PICASSO” on base and stamped
“EDITION PICASSO” on base. Turned earthenware vase with
engobe and knife decoration with glazes in black, white, and gray,
height 15 in. (38.0 cm).
Condition: Surface grime.
$3,000-5,000

230

90
 231

231.
Pablo Picasso (Spanish, 1881-1973)

Tête de chevre de profil, 1952, edition of 250 (Ramie, 145).

Stamped “EMPREINTE ORIGINALE DE PICASSO” and
“MADOURA PLEIN FEU” on the base. Oblong earthenware
dish with engobe decoration with glazes in black, white, green,
and blue, 12 1/4 x 20 in. (31.4 x 50.7 cm).
Condition: Surface grime.
$8,000-12,000

232.
Pablo Picasso (Spanish, 1881-1973)

Dishevelled Woman, 1963, edition of 100 (Ramie, 509).

Inscribed “51/100” on the base, incised “T.103” on the base,
stamped “EMPREINTE ORIGINALE DE PICASSO” and
“MADOURA PLEIN FEU” on the base. Earthenware plate with
engobe decoration with glazes in black, white, green, and blue,
232 diameter 10 1/2 in. (26.4 cm).
Condition: Surface grime.
$1,500-2,500

233.
Giovanni Battista Piranesi (Italian, 1720-1778)

Veduta del Palazzo Farnese, plate 113 from LE VEDUTE

PITTORESCHE DI ROMA, 1773, probably an edition before
the Paris edition. Signed and identified within the plate. Etching
with engraving on paper, plate size 16 1/2 x 26 1/4 in. (41.8 x
66.5 cm), framed.
Condition: Subtle rippling, probably cleaned, not examined out
of frame.
$700-900

233

91
 235
234
234.
Andre Racz (American, b. 1916)

MOTHER AND CHILD/A Portfolio of Twenty Works, Plus

a Title Page and Cover Image, 1949, edition of 50 plus proofs.
Each numbered, signed and dated “2/50 Andre Racz 49” in
brown ink beneath images, and on the colophon page. Etchings
and engravings with plate tone (some with aquatint and/or
printed in blue inks) on paper, sheet sizes 20 1/4 x 15 3/4 in.
(51.4 x 40.0 cm), presented in the original portfolio.
Condition: Minor handling marks and creases, unobtrusive wear
to cover.
$4,000-6,000

235.
Odilon Redon (French, 1840-1916)

Christ, 1887, edition of 25 (Mellerio, 71). Unsigned.

Lithograph on tissue paper, image size 13 1/8 x 10 3/4 in. (33.3
x 27.0 cm), framed.
Condition: Margins 1 1/2 inches or more with deckled left edge,
glued to facing mat along upper margin, subtle rippling.

Provenance: The estate of Sir Edwin A.G. Manton.

$700-900

236.
Odilon Redon (French, 1840-1916)

Je me suis enfoncé dans la solitude, j’habitais l’arbre derriere

moi, plate IX from TENTATION DE SAINT-ANTOINE, 1896,
edition of 50 (Mellerio, 142). Unsigned. Lithograph on chine
collé, image size 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm), framed.
236 Condition: Not examined out of frame.
$400-600

92
 237 238

237.
Odilon Redon (French, 1840-1916)

Untitled (Femme coiffee d’une toque et rejetant le buste en

arriere), 1900 (Mellerio, 188). Unsigned. Lithograph on paper,
image size 9 x 8 in. (22.8 x 20.3 cm), framed.
Condition: Subtle rippling and toning, not examined out of
frame.

Provenance: The estate of Sir Edwin A.G. Manton.

$300-500

238.
Ad Reinhardt (American, 1913-1967)

Untitled from TEN WORKS + TEN PAINTERS, 1964, edition

of 500 plus proofs, published by the Wadsworth Atheneum,
Hartford. Unsigned, Ives-Sillman, New Haven dry stamp l.r.,
Fogg Art Museum duplicate stamp on the reverse. Color
screenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm),
unmatted and with original folder, unframed.
Condition: Margins 4 inches or more, hinge residue and
annotations to the reverse.

Provenance: Property of the Fogg Art Museum, Harvard Art

Museum, sold to benefit the acquisition fund.
$500-700

239.
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)

Self Portrait in a Velvet Cap and Plume, 1638, an 18th century

or later impression (Hind, 156; Bartsch/White & Boon, 20).
Signed and dated in the plate. Etching on paper, plate size 5 1/2
x 4 1/8 in. (14.0 x 10.4 cm), framed.
239 Condition: Margins over 1/4 inch, not examined out of frame.
$4,000-6,000

93
 240
241

240.
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)

Self Portrait Drawing at a Window, 1648, probably a late 18th

century impression (Hind, 229; Bartsch/White & Boon, 22 v/v).
Signed and dated in the plate, identified on a label from Otto
Lambert, New York, on the reverse. Etching on paper, image size
6 1/4 x 5 1/8 in. (16.0 x 13.0 cm), framed.
Condition: Margins trimmed to or within the plate mark,
staining, not examined out of frame.
$800-1,200

241.
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)

Woman Bathing Her Feet at a Brook, 1658, probably an 18th

century impression (Hind, 298; Bartsch/White & Boon, 200).
Unsigned. Etching on paper, plate size 6 3/8 x 3 1/8 in. (16.0 x
7.9 cm), framed.
Condition: Margins 1/8 inch or more, not examined out of
frame.
$700-900

242.
After Frederic Remington (American, 1861-1909)

An Arizona Cowboy from A BUNCH OF BUCKSKINS, 1901,

published by Robert Howard Russell. Signed and with
publication information within the matrix. Color lithograph on
paper, image size 15 3/4 x 13 3/4 in. (40.0 x 35.0 cm), framed.
Condition: Laid down, subtle toning, several pale fox marks or
242 stains, not examined out of frame.
$1,000-1,500

94
243 244

243.
After Frederic Remington (American, 1861-1909)

A Breed from A BUNCH OF BUCKSKINS, 1901, published by

Robert Howard Russell. Signed and with publication information
within the matrix. Color lithograph on paper, image size 16 3/4
x 13 1/2 in. (42.5 x 34.3 cm), framed.
Condition: Laid down, subtle toning, several pale fox marks or
stains, not examined out of frame.
$1,000-1,500

244.
Pierre-Auguste Renoir (French, 1841-1919)

Femme nue couchée, tournée à droite (2e planche), 1906,

probably a later impression (Stella, 14). Unsigned. Etching on
paper, plate size 5 3/8 x 7 5/8 in. (13.5 x 19.3 cm), framed.
Condition: Unobtrusive toning, rippling, and mat burn, not
examined out of frame.
$500-700

245.
Grant Tyson Reynard (American, 1887-1967)

Art Dealers Window. Signed “Grant Reynard” in pencil l.l.,

signed in the plate. Etching on paper, plate size 8 x 6 7/8 in.
(20.3 x 17.4 cm), matted, unframed.
Condition: Margins 1 inch or more, subtle toning.
$300-500

245

95
 246.
Aiden Lassell Ripley (American, 1896-1969)

Grouse and Grapes. Signed “A. Lassell Ripley” in pencil l.r.

Etching on paper, plate size 6 1/2 x 8 3/8 in. (16.4 x 21.2 cm),
unmatted, unframed.
Condition: Margins 1 inch or more.
$400-600

246

247.
Manuel Robbe (French, 1872-1936)

Lot of Two Images of Paris: Le Jardin des Tuileries, 1904, and

Aux Tuileries, 1906. The former signed in the plate. Color
etching with aquatint on paper, image sizes 13 x 19 1/4 in. (32.9
x 48.8 cm), framed.
Condition: Toning, not examined out of frames.
$300-500

247

248.
Manuel Robbe (French, 1872-1936)

Booksellers Along the Seine. Signed “Manuel Robbe” in pencil

l.r. Color aquatint on paper, plate size 9 3/8 x 11 3/4 in. (23.8
x 29.8 cm), framed.
Condition: Unobtrusive toning and staining, not examined out
of frame.
$300-500

248

96
 250

249
249.
Georges Rouault (French, 1871-1958)

Le condamné s’en est allé..., 1922, from MISERERE, published

in 1948, total edition of 450 (Wofsy, 125). Dated and initialed
(twice) in the plate. Etching and aquatint on paper, plate size 19
3/4 x 13 1/2 in. (50.0 x 34.3 cm), framed.
Condition: Toning, subtle rippling, not examined out of frame.
$300-500

250.
Georges Rouault (French, 1871-1958)

Lot of Two Images from MISERERE: Celui qui croit en moi,

fut-il mort, vivra and Mon doux pays ou etes-vous?, published
1948, edition of 425 plus proofs (Wofsy, 135 & 151). Both
signed and dated in the plate. Etching with aquatint on Arches
paper with “Arches” and “Ambroise Vollard” watermarks, plate
sizes approximately 16 1/2 x 23 in. (41.5 x 58.5 cm), unmatted,
unframed, presented in their original folders.
Condition: Deckled edges, subtle handling marks.
$500-700

251.
Georges Rouault (French, 1871-1958)

Homme Conduisant Un Autre, 1936, from PASSION, published

1939, total edition of 270 (Wofsy, 340). Initialed and dated in
the plate. Color aquatint on paper, plate size 12 7/8 x 9 1/8 in.
(32.6 x 23.0 cm), framed.
Condition: Unobtrusive toning, not examined out of frame.

Provenance: From the estate of Mary Ann and Frederick Lippitt,

Providence, Rhode Island.
$1,000-1,500

251

97
 252
252.
Jan Pietersz Saenredam (Dutch, 1565-1607), After Hendrik
Goltzius (Dutch, 1558-1617)
Minerva Leaning on Her Shield. Identified in the plate, John
Witt Randall Collection and Fogg Art Museum duplicate stamps
on the reverse. Engraving on laid paper with armorial watermark,
plate size 13 1/2 x 10 in. (34.2 x 25.5 cm), hinged to backing
mat, unframed.
Condition: Margins trimmed to just outside the plate mark,
subtle toning and fox marks, thin spots to some corners,
annotations on verso.
Provenance: Property of the Fogg Art Museum, Harvard Art
Museum, sold to benefit the acquisition fund.
$400-600
254
98
253
253.
Fritz Scholder (Native American, 1937-2005)
War Cry, edition of 100. Signed “Scholder” in pencil l.r.,
numbered “76.100” in pencil l.l. Color lithograph on paper,
image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrink-
wrapped.
Condition: Not examined out of wrap.
$300-500
254.
Georges Schreiber (American, 1904-1977)
Southern Siesta, c. 1945, edition probably of 250, published by
Associated American Artists. Signed “Georges Schreiber” in
pencil l.r., titled in pencil l.l., identified on an AAA label on the
reverse. Lithograph on paper, image size 8 3/4 x 11 7/8 in.
(22.0 x 30.0 cm), framed.
Condition: Not examined out of frame.
$300-500
255 256

255.
Emil Schumacher (German, 1912-1999)

Untitled, c. 1961. Signed “Schumacher” in pencil l.r. Etching

and aquatint on paper, plate size 9 x 8 3/4 in. (22.8 x 22.0 cm),
framed.
Condition: Not examined out of frame.
$300-500

256.
Ronald Searle (British, b. 1920)

Image from HOMMAGE A TOULOUSE-LAUTREC, 1969,

edition of 200. Signed and dated “Ronald Searle 1969” in pencil
l.r., numbered “154/200” in pencil l.l. Lithograph on paper,
sight size 9 7/8 x 9 1/4 in. (25.0 x 23.4 cm), framed.
Condition: Not examined out of frame.

Provenance: The estate of Sir Edwin A.G. Manton.

$300-500

257.
Kurt Seligmann (Swiss/American, 1900-1962)

Image from THE MYTH OF OEDIPUS, 1944, edition of 50.

Signed and dated “K Seligman 1944” in pencil l.r. Etching on
paper, plate size 17 3/4 x 11 3/4 in. (45.0 x 29.8 cm),
unmatted, unframed.
Condition: Margins 2 inches or more with deckled edges, subtle
soiling and rippling.
$600-800

257

99
 258.
Paul Signac (French, 1863-1935)

Le Pont des Arts avec remorqueurs, c. 1927, edition of 250

(Kornfeld & Wick, 24). Signed within the plate. Etching and
aquatint on paper, plate size 5 x 7 1/2 in. (12.6 x 19.0 cm),
framed.
Condition: Subtle toning and rippling, not examined out of
frame.
$600-800

258

259.
Tavik Frantisek Simon (Czech, 1877-1942)

Lot of Two Views: Park in Winter and The Market Place.

Both signed “T.F. Simon” in pencil l.r. and monogrammed in the
plate, the former with the artist’s chop l.l. Color etchings with
aquatint on paper, plate sizes approximately 13 x 13 in. (33.0 x
33.0 cm), framed.
Condition: Subtle toning, former with breaks to sheet along
plate mark and gentle rippling, not examined out of frames.
$1,000-1,500

260.
Richard Smith (British, b. 1931)

Horizon I, 1970, edition of 75. Numbered, signed and dated

“48/75 R. Smith 70” in pencil l.l. Color lithograph with collage
on paper, image size 9 1/4 x 22 1/4 in. (23.4 x 56.4 cm),
framed.
Condition: Staining near edges, not examined out of frame.
$300-500

259

260

100