Académique Documents
Professionnel Documents
Culture Documents
Ben St.ahl
JIQnl
Wlhit~;omb
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C:QfB1UfR'
eom,posh;~orn me,~TlS ..he s.e]e, don and ai:;!rr,arllgcuent, of approprlate elemen ts ''!I~~dd.n~htt p:i cture space so ~h~ut [hey [e~p]'1ess. th,e ~n~ses idea clearly ~I'nd, eiffe~·[vely. It makes a great deal ,ot di fferentc 'lliotv "lie p~;J)L toged, er tile' til:] D.gS we drnw 'w,m thin [our plkititlre space. OJ"em a :pictu:re wi] I succeed or r'a~1'1' l,e'pend:i 11 c g on: how well ~l~ O)mpo..~d~ is COtlupo:dti,[DIIl,run a basic sense, means corn bini ng forms and S.pilLC·~ produce to a harmonious w:hO:~e, 17\' hen we :mak:e ,3, p,j,ctur,e!
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'!liVe arrange the :I?ht:u;u:r:e elemen y'ou IiIl'>e'$hn::lI)ibiiS [girt 'ID E·S11'J1'1iI to malH p,l[e.-, fUJre\S;, ~1i1 ·,OlHi' CQ'U.r.!S9 ,,ou w'in ~earn to, [-"0.• people..".· ali1li-m ail s ~. "'1iI,aillli!Om [Q!b!i;'~C";I$. alme: ~ tll!1yllMng ,,0 III caml see· alt hlii p9ino.. B~f 'il' klk,es m[ore ·tbcuil dli:'t'lwi:n:BI to mlQke D IP,i:c... , ll!! rei.. Ilt [talk~$ dli'!~,wwng IP,h.-si IP'1 alliIlFlli;111 I.. Be-,
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much 'he wa, ~ ,r::,omlio~er of muslc i!t; r,;rnlgcs, musical not "s an themes 1[0 fo:r;m it hiJ~rmonlous result, ," he' compcser oJ iI11u~iccreates ,3Jl !lr,~ngcmell !n sound e = W'\e" :a's, :EIlrdsts,; create a vi SIUI:4lI, I ,~.r:r41I.:.:ngcn;e:n It. 1n (:000 po~;io,g it . picture we are chicH, :i~mj'te['e,tied in whe e '" e place our obje IES In the' plcmre sp~l,ce, ]lO~\~hn[:Jo.r~:lL;m:W~ ~nake' them "n si~e . nd ' alue, ·~IJd bO''!i\'he:~' relate (0, each. other and to she ou'tsf,.e
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tJhe, qJbj eets hil the p,'j"G;,tU[III'e' :5p ac;e is 5D 'ba5~c,,,,w,tII '![IIq' ·illtlf'()d!I!J'€ilfI.-g y'Ou to, 'Fts s.~m,pl!$ ·f,i!lndo..., _Jentalls " so[earl, (15, JGIUi' thi'rd ll~:~olill,la fe 1" b~(ilk 1'0 tlllli'$ ~e'$5a\n 'Qlfielii - it· wilU iill'!lclm~I!JSle liml ,If[U!Uilnl'n:9l ,arn.dl yuil,uo wirth e'v,eiry' pi·dure ','Ou. rnil!i:d,e~ lLate':" i~'ylOUI!" [CO ~se' w,e wU11 tallte III P i, Iii'I'DI'tCI ia.dlv~m:;@dl stu die.s 'in 'Ilhis ¥ery 'j mp,!i)II"-'
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(h.ol1.ghdess]l~ dUIC}\'I;I,i.n.g [oge~her miscellaneous ,obj;ecl.S or filHng up a, bact,:g[,"o~lmd ~IYi[h details, 'No mItL1atte~r b,ow 'w,eU we draw 0- pal: lit. UI:llh3SS ''!IIi'e' plan our pic l~~:re ,caJr~[l1]1YI ~t is ]ilel, [0 ]ea~ the "liiJewoe"t '~T-idl :j1I;nunsat jSfle(J1. [)12~[~'I1g. .J\. ·\\~e]j.~ ooflt1:po,OOd piN.Ut,e' on the ethet hand, \ in ..!Eve the viewer 3l iSati.sfi~d sense of order or ! f'auty, a.h.ho,ught be 'mar noe 'r,e,~,I.i.~: b, lvh:ilt[methods Ith,is $~ '[is£acti,o,:n \'!J~Sproduced, ' Eve'rypi:c<t'IiJ'r€: starts Wi~l an Jdea ~·.3o ':s~ar~lwe .h3,V~·to t!l;'!t, an eJfec:t or ~~oQd w'e' are S'trlving tocemmnnicate, Jb~ [o~'mpo~dng'i' we se'I!r!cl those :llings [OJ]" O,'I1:r 'Picture wbi'c.h ebtriIy OU[ wdea. and we I(U~~rd: :lho~ whl,ch ma l' dislr.-ac~,or eenfu se, ' No mane [ l\~'h,a' the sJlJbje t gf your p,i-tun:!: m.ay ibe. beg"" by a '1dug yOiUt~e.] f; '··'\+V]} .t ls 'he Dn.sk .idca :m: '!i¥iUlit I~O get ~crOiSS,? \V~h,atthings musr ,. [Jut 111 ,he 'p~cture so that the ",,i.~vel" ·w~U unders .and it ,~[ Qnce'? ':1 at is. impo 'ant = it d. l\!'hat isn [?~: I'll oo.ll1tpos.hlg~ rOll em,pibla,size' Ith~e elemenes of '~!n'lu·p:icl~'i!:Cf.e that ~lH dnmauI·C:' ]l, me most, su,lIJUYdiis relldre8 '3 change in the SWIe~. Q,F- tldng.~. '~Jt!O>u m!~dte' i~'iI!1IJP(}'~~t:;;m j[~c~s, ]~r,g~r or t 0[1) de zer '.r 5lr,o,ug~:r tba,~ imey nJ3') ,a:p[le;:]T in, te:1!liWl,Y and less. i[l:lpD:n~;L]ll Q. bjects you" .ake smal ~er QiII" less disdnct, O~J E:!l CEIJ n he Ieatured or phrfed down by .Id justi,mg Lhe~t' [ec posltlon as w,_·n ~Sl their size, For instance, Y.01!: m:ight p:Lace a :1)UWer,rH~, hrnl~orl,~n t ~;gl\u:~hl dj~ -nl~dd!,e'olf yQU'f pic ture S.l)'·I~ r.md dr-aw h]ll l~II'ge,so' be \~~oiiJIlld.d· m:iI ,3, 'e the .ietu e .. I31Y. contrasr, Sh'}'I' r~Li]f.i~lg eharseter 'might be shown much smaller and '~Othe sjld.. dominated e, by 'the sp;, ce ail:1Jd objects aroa nd him . the .~ be' artist can actual [y consrol which PM[ ,o,r ~is pierure t.h~ ·,delvel l;;'l,iJi, ]inp-r ow,er mnd find mest mt[U"i:ragluJ. By the ~lj,r,a'Y'he 31T3Jlge.S the obj[~'c~~che' ., an est:,;~bUsll a defi:rn~.te· fQca'~ PQli~~tor oelUl;lir' :i:m'le'~,-esti' and. ~eaJd the ,e,e tg' it [tid !:~eclly 0,],' dirocli'Jy. He can also Y se ].igi: it and. d, .-1-, i'ones ito ltdP eDl.phr size d~~
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,md tbe pl'"OpO tiOlls. o..r hi.s :r?,ktll:r,e','o,r !::x:m;mpi,e''i jf ~he subject :is; ~ nf~de cXpaOJ.se o,r 'llleadOl" lOr. ~a'i it 1'0i.g'ht !If U S>U~lt ,n pirt~~r,e (II~ ~ lang~ bo'J;'i~ zontuJ ,iShaJl}e~ 'For ,il. p(i.. tmr,e Ol[ 01 ,~Ol~g, na:n;'ow' 8:u.~j,ec [ Hke a t~U c 'm.an or ,iI clnucb 'mwer~a ·vertical. p[cture of s"ITl'l1Uar plopo:r~:io:ii1ls nli,gb:i [dt~~:m;a:tile the' h-.:elg[ln of the suilllj.. m..O>S,~ ~'[li'fk,rnnS}f' Di[cn i .£eror.n:or.rtis are 'O[r~el ben ex f\C s·s d, by di ffe:ren.'I:. pi~·t~~reshapes'. f e ief[ect
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compositi:O!n s. Q;i1a! )fOD ~ a;'l,r,e ')Jeai'n'oo bow Jl:)o tI~· dl(':$<e p .jncip]~s. yOlO 'win 'oem :Iti,md 'y urs.elf g[vin:t sharper, d~ater e~,pre, s~on It,o 'ym.~.r'idea;s '-. ,say.i'ng· l'\I.~:Th~~ Y,ii)U 'w~UU La 8~y dlre(;t:iy and iUlbft'est:i'ngly ~n ,pi.cti[~:r:e"
l ·.·n'.'" .·'U 'mil;jn- d_ __ ya- --r - ~Is pockee," Jmmedl~.tt:d:y 'we' '-gnj'~u;e 'lip' it :II1Wl,uil :imillJge':. a pIc rure o( the i!jlvhJO,le: u~nsion.~~tC~ed. s~e:rte.: du: car, :motar n:Ufii·· ning·. drawn up aJo'fi'gsidE:' 'toe gas pumps~ 'the dopr ~iDgiug Op~Il'I' the sini::nf:' fi.gul'[,~'of. the gl•. nman moV'.ing' !j.wifd'y 'l(r~,'\\'a:rd the stadon. Every '~vord is. llU~~ to the :ima,gillUllatlO'D,. 1tVeare alwa y' forn~Jn,! such menta] image.s Q..,f rh ln~s '!.\V·lnch 'we hear, read or ItbtnJt aibOiult~ These imaJges -are the t'a.'"rwmaleria] of whid, ' .j cnrres are made, ] he 'nit m,en Ua:~h'l']~gt!,1!Ivhf,dl OlU,,' mlnd :oorms in lJeSpOlllse to a picmre jdea Is j (lS'[ one poss;i!hi]hy .,' ~ we m~nk abous it, other and better '''ffi~ws.may occur to us, '\i\l'c rnw:J.U.5IL try' out ·hes.e vaJl"~a~ Li·ons Ibef,o.re ded:diing ~whi'i:b wil] make the bese plcture, T,Il,e iU·t]~t thwniks on paper,' .A'S one bn,a:ge Jollcws another tlu .. tugh dlC 11):[D.d~,'we pu't ", em d'O''!IIi;l':non p~p0'r :~n d1JE:' o h ~D;rm of
B·e.for.enW3Jking a. pi.ctur~.I!'be a'fl'~' L mus.rt d~dde' wba'l~ he' 'wants to $·hQ1lt\~·n it, He has '~O select hi s S~ bject rIla~I[~r! ~.nd. them 11U! i 1 as to ar.r.aW:ilge~r :so- Lila:t the picture l'viU 'be' as ,effecdv·eas po~'LI 'B" •. ..ill ld !k!,ly_ C;;. ."tJ I[~ lEO start Wlt~1.i 11 ne needs an I.', ea, ~'dea::; begin wn the tni nd, :~ndl t[1a.t, b predsel":f wher', pict'UI'es begi [jJ ['0.0., In. fact, the :111 ind '0(1" irr.u,gi narion is a natural IC~ eater ,r, ~ rdortbi k f ilk" 10:1pruCU.:JIl''f:5. "Il1i.:r~ irt den we h near 3J 'WOrn Or L1!!] n.,_, 0':': ,an '·,_1 ~ .• tne 1ilUa;g~ :n~i2~ ination eees 'to work a,t once and projects a p.h::t:ur~' Wll the mind, Su.p.] 'AJe "ve bear '~~b!!!: phrase "Two lovers ,n~e' ~U::blg' on (I. heacb i.n the park," l~'lsta'l1dy rJ:H? iUlagination creates a .pictLll·~· o£·a young man ~nd 'Wrom:mlJ elose together on a. benc.b,~ p.€Thaps, Inc~~d. -jill eacb oLl1·e:r's anlf.JJS~ ¥\Ie visu;:q;lize tbe WIn:;., dle ~:UW,~ rouadjn : trees, the: ~assy lawn, IOf'~'I1/V,e '(!lay 'be li;~te;nitru.g '[,0 the :r.ad'"o and hear ,a crime p'~a:y vdddl. begnts. '\vi'lth these' 'W'O.r,dJs.~· limit is ·dl1..uik. A. blue Sleda:l] d.dv'es· liP' to. a gas. ~tat[on. Fn:nu ,h. t~e Agur~ c,:f 3! man emerges, ~l~' ]cHyer 1aU o~ ld~ f~ce eeveted by' a handkerchlef He' moves :d~en tTI!y to'ward the: statlon ~h ls righ:l h a:rod. thrusr OLD] nously ~~
'11 J
$k,·eu:hes.; wOI""kin·.out the a_ITiU]gemen~ of d1J~ objects ·w.hj,ch. we s~ :i:o our :i:nt,tginaJn'Don. .1Botb. our tltilt~ing and our 'ketchlng .shou]d 'be 'broad ,and ,flex'ble at t.b:i~po~n,lt.,T'his ]51 noll:
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l\~'h~',11ou. h,~~'ve good memal :im.nage' what you "Iant 'to show y a gf ,iii: OUf picture, m,e p:ktll1::r,e is a ready partly composed. -he. nex E, step Is 'to ,H:"r-ange the objects as effectively as you can, h 'I '\.'" 1 r b '. .,1-.:' 1.· dr. , ,S.ere -\,v'eSb~OW. YOlU t re .t'i.. rn (I, or oasrc uun ... ll,g you m'pst -,0 Ul, n
• oompostng.ta:rt S ,.-. -1"'(-" 1~'·· " III' :lLiy.:sunp-,_Ly,[ug' t'[ie 1~)i.J.']ect$ yl~Yo,[ :plc't1JJlre.. 'JlJ.n 'J[ll
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your prel hl; [nary sken:hes, reduce these ob jeers 'no lhe:it' sjLnp]es:~ shapes, You need, to "1' I~hell"l out I 11.difte.~,;ent afli.;:rlJ;~'me I ts to find the one you ,I i"lk,e best, and th]~ wU ~ be easiesa ,iJ 'y(;.u ~gn.'~:r,e the d,eurlb; and! concen trate on, the big' if:orms. These bxge fO'fnls, mu it be: properly related if the pkt'U ee is, eo 'be successlul.
'ih!e elements.
,AbO\I\f',Y'@ll see 't:I:i:rec pkture elements - ~ 'man 'with a guu· his, victim, and. a tree. Our problem is. 'to a.rrang. . them ~n dl~ ~ r picture spare ae the' ri.g-h'£: tn Eorm, a good (om,poddo[1,,,
and
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them out
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sht£:[ing them around IHD.ltU we ~IT:·ve arrangemene, Na,tu~aUy. 'we wUl work wid) a pend~-'our "think .. ingo tool" - a nd, ny eu e leach arrangement of the pktuJ,e ele merns ]-11 a :rouS;h sk@td]"
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line, and ·"v~IL~ue' • .Here W~ show 'llOU '\~hart, these 'f::~emenrs me:an~ and :!:U)Il/\r Austin Bil,ilggs uses 'lh;e'ltl to compose' ,a picture. At the ~titn 'Y~,'u wiU. poo·ba.b]y· i.\1J,pply 1~~iIC:llJ,,of ~hese prlnelples '~·e.ry conscloustl''' '\t\fhh, experience, h 01,y ever "you. 'wi H cempese 'your pie'Ii"' -,-,. 'ii'I'ir - -,- -t' ,,;:;,....,.,'1... ":1:".. ,...... ~nr-.eSr ~.~lI"""w,ay l QilLll" r'- --1'1] "'~ !l" ;l)!:;1l: "_ '-'h"..:rS 'Yv~; .t~ uc·' ",.",,;11 ti.vely ~h:i.n.·t~~n,garea. defH:.h~, HJ1e~ilI!:nd:.value aU ,of :3J.t the same time,
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A-'"':tfll1l IrillU!lI. m'li! !:IIi!i' 'Ir~' nlli!i ~'IU'Q~iMli' '!orm j,)Ii ~hili' 'pidulr,'oi! fiil'iIl)f'e~1 II' ill aar nTii!;!' !OOili'llfil'!Hr..iJ":I:ie: li!i~, impl!:iirh:B!!I' fQ:r,!iIi~~' '~h,Ci ~~'i'i~ilki!!i' Ir;tmfl' di~'~~ldl~,j!I~ '~n: 'f,~Iil' dI~'~g!1)::c - g!l\I:!' glU m,g;dil!l' imJJ:jItI:~f ItIirndi f!liD~~i!iI' iiii :iilliiQOOrld'g:"l' ~~j:'i'ttlQlIU.
lD~plh il: Un~.. lIlai'ol!ll 1O!f,: t!ll!!llliili'il!;;! c·r ,pJl1kd d1·mif!'!'I~;~ffi U •. dli''(!!'W,j'mg' itb;n'5IIji ;I'l dGptlll., YG.-ul!I!a'k" '''il!;:=m 14I>g;m tc. e:dd In '~lP-g,Cl!'j' ,gm:d: to !3pp~'r dgiO 1ii!1 '.\hill' ".-h~ilW'er' (Iii' Jli!r Qi!N!:I!:f', ~1i'I: 'lh:l~ li=I'T'CI""~'. 'Ih!!!' ~1~~Fig r~oJ"g' 'e'f,:' deip.t.h i~ 'ef~cd Ib)i" ~h I:.m:lIl:1id pil'iiiIii C, of. 11k!!! bll:l~(h\' 0111 vI:. 'l,m!El1 ~crg I!l :EiIl!i'i,Uti' ,of: t'~iIlI: :1,",,3d;i'e~~1'I,1~!!i~11 :lihC!l'p~:r' 'w.~I'b Iha :iom""Ucl'r JlgUUI'-', 'h:'i lihe.- d'hiU!\f1iO:e" mQ~lng Ih~1TI seam ~'glif ,oi, A,I'!I~ 'ncliF!l'ng 'a!f4!l 'ihi!l b~fikw.g!Q1f ''W!!;iIJI~", whitil::~ s,r~w1 ,~mg,lliolf
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. ~ IE: •d ... ~ '" . Ill. ,. eranoa :in ,ocnOl)OSU'lG a ['u: ure :15It.lI.II;~ pILCiliEilr,~ area.. Tb ~ artist S ul,5I:. c.onSi!_.. Thb, Is SiUl]?ly the Oa;JI!. sl..trftu::e OJ] w~kh yo,lJ.1l dJl",:!lJ.\~~ p3.i:nt· v.illthin. tL1G!'borders Olf of. YOl.tr picl;ll:me'~ If }fO' I !ha v,~ever taken 3: snapshet '}'OiIJ have ab:,e 'f l~o:df;OO ad witb pi'ctu:re
area, To take }'our pi10'togr.aph.,. '),01.1. looked In d.. viewer ,of the ,camera and e moved briick.[0 be art~in ,'O'Ui: \vhole subject l¥3.S In ~bepIcture =. {D.']" c·l~ yo,o moved eleser so rhe subject 'W(J,u.lcl a.ppea_j'· larfgeJi and clearer, These ,~im..p~e steps ~n co:otroUmi, the ,SP3.tt in a phoit!Q,gF~phare Iba~i,cany ebe same ones )'QU use. 00' eentrol :pi.cuJre area run dr..tryti.llg or pahn:ing, Tc use YOI1J:rm>~curf area m·o-s.lt,effec:n.~\\!'~ty, mu~t 'wei,gil a!)lIe,fu:1 ty !i'here; l YClrIl yoU. :p:lat-e ddogs, w:ithin i' and :w'h:(IJ'~i'l~' ~!jju make dl e:lll " Your cbQ'j,oe ,of size' s and pb~;ceme~n.t snQ'\I[d. never be accidental or' :3:fib~ttary. After. you have placed an obj"-ect in. yOl:lllf' Olmpoo!~ li,on .• p~use and .:nudy the .si.1:."e ,and, l.oO£;J,ti.o..n 'you 113v,e given i)t. Ask 'YQu'l""se,1£; ; 'Does this ereaee the l~f;ecl .l had. Im -[ndr' lIEnot. [}~y :ina,kin, things ,Iatg:er- Qf smaller .. M,ove them, t-o di.liere '[ place-s.
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a ,flii~]e' t['dng ~n 3, p[CJlLU:l!. dll!C' ¥,~~!jler"st':~f~: 'CaJ'I1nOi: ,he'~.p btl t ~~'d:~:w[IJ lio ilL, No ma1ttJer ho)!-~ iSnt~ U we' make this ~i~~gl;e' o'b]~t:'t" i:t is ehe center ,of i'rnt~t§t- '~be' ~,Ojt lrn'PQr~ ta'h'!: dll'illg In the plceure. However, '~fl'u~nW~' add ,a, sec-anor;l ,~t..l· -~-, , -,l'-"'- .:M _,_, - 'il'!, .' ~ ''-1.' ;i_"~ll3;Uon 1.. .,,'" ,.'';_-., _ ',', , oUJ~C[ ~ ,1 bu,;ru, O~,5iU.u, men e, t te s,~ . aecemes more ro,m~
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rel i);ti lie :Jij:tjeW~ make each figJLnl~, U' we w;u:n, the ,~je"rer'~,~ j nltCre~t 'to be dh"~ded eq1lJjaU, be!~we~n d'le- t~!o, 1Jigm.:f,~~J Twe C1!i.H make them 'bo:[b til,e ~m:e slae 1'[ WS' pos~i:b~e '~\(!JI place sU·O[i].g ,eniE'a.ph.~8:~S' on it ~gm"e '~y d:mw[n.g it lrn':Ethe' f,oregroiund and ~laldDg 3,ny other igure' much smaller, Th,e same fiU]es apply 'w'hen "we h~.Vle
man);' :~gln;e-s, '~)]fQb~;etrt~'i'n a pi:ctll:re. Tbc_.\Le". 3dm~u,~dJy. a:re '\!''eIFy <S!hn]}"le le~ii1!f~p:~e\5" The' 'PQs;s[b;~Ut[~;s; aJI1e'endless, HOi~"'Je~r , L~~~b3.si(: :pr.b-lJdple remains, I~e' Strme: . "' ~:I -'~' T ne . -~. S!U7,.e we' gpre to It I1 UlfP :iiJtil,(I. '\'~''I 1~r.~ 'W~' p'."I :;aoe' It~iem C@'l!1tro ] their ~m[~~:rl;!lLnc:e ehe ph::tu~"t., S]?Y.!should ne~ve'r b~' dl0iS.e~ i.ll h.~p'hfiz~.mlyor tvi:rtlRiOtilJJt regoJ,rd ~,o, the effie!l:t" ,j ~ '\~',i]1 ,p:n~du,oo'", ]1 should be deelded upon j list :~:s' ICI.u"~fil[]y ;a:s,dlte ,~cdon~Q.J" 'Pose .
U nless we ,e:5lt~,bJ ish a st:t~,:~e' f :rei:~,lJ"'e ]-mpO(f~;;mce: o ,a:mQ:lig these thh:I;g!j d~e' viewer's e.)~f."w~U not kno'~¥ '?ilill:l-e' :tt,o,g'o~, : and lse ,inifl,Y[i):O,[ undl.'"t:St:a:nd I~lfj.'e me,~age thae the plcurre Is, supposed to C~\ni,V'~y. ,~.~.~ f.iII. '. " •. A gaHl, one rg,~,~:Il!e Mn51~ s w:a:ys l(!j,i: :5bli)w~ng 'I Ut:t, 1~ unportanr __ 'W' [:~ ~.ds pk~uJre' i~ d1'f9'Ugh Itt be' 'rdaLi''Y1f! slzes :he' :ma,'k,f:!i his objects. It, (nt" example, "W~ "'J::3i:I'II'~. to ,romn,:p~~ I~W'O '6,gii1:r~ ~n. it S;~Qiry :i:Uu ~tfil,uon" 'We ~n tn ~~keone: 'igu 00, Q"ten'll'lil(]:bn 'tfu~, other or _ ,., ,-",.,"--" -"., ]-,.- l_ '. ,..1-, ,- -...lI\i:, d onnnare I,it: JlJ~~:S"_,lg,,hrl Y_-Ulepe[[IJy,].ng,t ~', - a g@o~, exren -t on. ,1'1:., , eo .. " ·,';;11 . 'I' ~;t,~~ pNcakd.
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dp~J~we observe a ~ ¥lIar'll::, hl everyd,[I,Y ti:~e.,,~rO'S.'t o~' d~~ I~.hii:n~, we s-ee are panly hidden er o\,ier,la'piped 'by. od'iJe:r objects., Overlappin,g, hlow,e¥,e~~an al 0 hd:p tll$ litO' e')tp'Bi-e5 ' our rli!~i:.u:reIdea m'oro c dil,-e(:tly; fi.. p3rt]y eeneealing' the 5e~o.~]d.aryobj€"c~ through o\.I'c.r,hl:p':piI1g'. e C[u' '[na~e the imlJlo]"'~nn,ones more :proJ::nin.'i::rtt. w
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Even the border rtll~r be 'Used (0 o~erlarp' obJc[ltS. T,M:s 'is CO'fn~ mo ] l'y cal led m,pp.i.llg'. • The border m,3,Y be used 1[0 Ct:Qp a
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lll![(ililI!J!Ll!I;!!IT!IU!IIJ mifi!itm 'Il~n'i'ili bFJCl!i!III!:liill' iji lirJ;(!ikll1:ii, mO-rlC! r.g!B~(;g:i lL!I:iiiJ' of tHl'l!i whlJ'l'tIIi piliillUrc 'Ol!,,~g. 'Tho obiili1(;~1! n!:li!' It~m:f~r:tJil!!b!:r wi~hillli Ih~ p5d!;,l!!'iCi I!;pg;:;\Ci" N~~Mrni9':PCi~rnll ihQ, Ibc foiil~ n'll
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elaborate detail he PU[S, into 'h is ~:ktu res ,- but. dl~y (~,we JtlJ:s,[ ,~~~ much 'W lthe skiJ~, ;ieh which he (."U~JJ~l;los:eS' '~he[n. In 'cfeadng thb, w ]nU~tt~I.:t~:on a m~g~rci'll,e' (Qr cover Roc'kw'e:ll g,mf"'e clue'EuE. t[iou,gI1J'[ to idle s).te 0,'[ the main ¥igure and .W]l~l~ be ShOldd, :ph)_.(l~ it, ~'i!l ovC:r,I:~i'pp:i ng' tbe ,o:bj~ts" :he made sUr,e' rhar d]e irnpOf"[an L ,iden'li.= ryi:ng' ch~,t[l,'cu~1'i:Slli,tsof each one 'were not ebscured, His iPktlu"e' ' pf QV1t s' t:ha;t the ['bi []I,gs, you have been .stud;y~:ng abo'U l -slze, p:~a:(e·, raent and ove:rl~-iJppiJn.g' jU5i!: as i'~"[!!'pO',['l~'J'~n the success D,E a ~ £0 mmjo!r :m:agazine cover as: they are to YDur lesson a~lg,n ments,
:I~ij &~ c:iliH~ fo-rlrt'i~ iu.:h I!II~ ~,~"" ,d!~~ il',1ii ;d\g:tl!iin, r,~(diriml!' .mli' ii:ar~' wj~t.. wnidh IIlQd~11 dil!l!liTiS ~ed 'tlc:!~'h I)lb!II}Iii~; hI! Ulli! pii:1,UHi.. 'if1~~, iniddll!! Cif 'r,hi!!! ,ffi~'i;l1 b ~Mailt!ij 1!1!lm.m ',",Ii,ICir:l'l!;!Jppooi D)" b.~i-n'i ,~~.iI!i IbO€i\t.~ 'i:Ji'idl ,,;;Ji;l:!lf' ~~5J1 = Y'~~' '~O h,!:!;vo II;~I 1'~!ii!JJbJ!I1 Il'e,,:ogfl,i;":'irrl ~ 'I't!i: 'f'Oi'1fii I!Iiridl w,~ f'e!:!!1 !h~~' iI' iii ~], 'i!ht;iil"iIl v i,mill! ;1
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Depth, ~n a pi ture, is the' Ul'ls~,on of dist~ nc,e OJ' a 'thIrd dimenslo'tl. If QU], pictur.e,s are ItO create a oort~j:nd:ng sense 0"£ l'eaUtY'j we must !uggest a feeling of depth in .hem, One lV,a:)' 0.[ g'e'cd.~Ig:a, Ieeling 0[,£ depth Jn picrures, we have seen, ,i.s to o.veT~. . maF! dlb,gs., Another l' Iy is! [IDO draw obj~cts. .smaller ,as' he, get. further .from, Ithe eye'. Art i[h.. same time liV,eU1USt arrange our ob 'iects in depth so that the~t ~,:p~e'· e 'Our pictiilU"€ i'dea a,oclU'ln~.dy., Pnl:"p~e' and ,the' eilec we' ~l",e'l"forki:ng ro,r must be U]Je gu d i:ng considerations here, j U8t as they are when 'we arra:nge our eb jeers within the borders o[ '[be' picture, or P',[ctufle .' rea. In the Illustration below we see hOo''''Fred Ludekens has arranged 'two li.g:U~f\es in de.pdl to. make a dramatic storytellir g p.~(:tu·r[e'. e' bas placed one. 'figure' H .in d'J.'f, fo]]"eg:rOtUld. ,&0 [dose [0' the vie,~[e'l' chat l).\I'e ha've a feeling [of befllg direcdy ~tvolved in the' situation. The other 6gu re is Iu rtber [cdE't but w.~thn hl.~.king disW ranee, .3J'~ required by the: S ;o.ry .. Far' in the' background, even the ,higll, :meSillJ,
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appeal's [OlV,. In hi ·preJbnin.ary :,ketches, Lu ~1!ekenH5, tried out oithe:r pooswbl[e ,arr,ang,e]'Dleim]IUi In dep h. The '~Ha.gf'ams, elo\v :ruU[lstr~te ~e' kind of thin:~:i:l1.g'be. did. Like hhn, b y·orU should alwa So examine 'yOUI' elect. V'ery carefully 00 dedd.le 'w'het~er' U1.e figures are at just the 1"ig~ltdepth, - and. make changes and ,~dJu uments until they tell you story [be w~ayyou wan'[ it tok .'
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D~ff'er"!I1it '.I;'~e:l!' pr'Odi!il Q, df.iI·erf,l'I· ''',it'll of dl pin. F:or !I1I(!(amrp[~I9.. w~ ~il:lJn pllJ~j~ b~~h I~idil;!ifli b~,~1k: i'[!'11 '~'.'Iii!t.hr by Iredlucing fh.lr tliJ:C. Hle..... cdl of 'lll!i'ii
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!NID.''W' W> ''v~ !f;'.(jlljji; I,.' !!i.epellr'!!:!i~iltd ffihem. mhe.' IbCl\jjd!Dir' ell,lib ,off ,,'he ~r:5e'l n'5il1 iC:al'!illP~e1elv all'l,CI: Ce' COifllC'ill ,~\dE;!Ir' ill ai l~fl9t 5ih!LJPiI (I'll'll the 1fu1Or1i~1:i!<iftl·. 'iIi'hi'iSi'al!l~ m~9Ihl' b~ ;g~m ri'shl' wh glll'e~t dpt-h or' diJianc-a bi i'lmpi!!i:rt(ln~' '1'0 the !Siir~r:;!i,Uon"lbu~' 'I'~e iG~'Wii"tll!i [wl!!!ld
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Th,e, term, :1 h,U~'i' a:5,g)~:IThe]f'ally U ndersrocd, :O.~ i$i'll:nply the iQ!ud:i fie 0'1' a shape .. Wh~n '\;VIe: , :~,pplyit to cornpositicu h()'wevei':~ line means the (Ure:cdon in 'wbic~hot.. ere moves; U-:' ,~I" \''11e ~(!IiO".., iJ! ,- p~Citure, \iV' e • -,', !--'I!~ ,t' a -'·-1" '1:-_ __ create uns ([,I recuonas 'Ii.,' id iDiII ]-."', '-b", ~i~~,I. '-ior ,1,,'1',', ,,, ,'-," -~ Kln ':11 me ;~I as a 'if ~l :fhngHll.~, tne',' obie ",:·c' "t,-, ""-II'C')'iiI,.,.,--", ""~"-I' -,-.',-,~., "II,-"~'i;l"" ,-,'" o~-j,!::cts, lrl tne p.[ct'!ue so II]' ,;,1:. blelit" ,s~i.I,ape$ " [.l'~U' ,OnJ~,~,n iJO~SI l!e~(~, u:1l{1:~'Y~ u.1!il~!i)n,~ LH,U. ,,' en center m mterest, ConnoU:i,n;g the m'ov'~m~'n'~ or the '\d~~'ile[l'\~ livi~'hi.:nthe pic[ttf'e bo-rders is a eye' 'Ve1~y importan t part of pkt'~.H·'~ 'n'~~'ki:l]:.g,The :r.I'rt~8t':illlJ,;~~t ~li'O'~'f~ 'be' aware of what a the Hnes in :h:i s p,i,.(tures dfJ'..I~71, (O'mr)OS~ fWg ,ttl picture 'we mu ~,H, lan ehese liues ~o' p help guide the '~,I.'~lMe:r~'~, ~!'~, ~'h6t1]d make sure that one ljne leads to another, ,e:~e. end 'U:Ihr.]JJl:tely t~ ~O~111e(>12'0tel" of Interest. IE we wo't'k 'lIu].:llij nk t:ngi.y ~ we m~:y create t ~,~ron,g llnes ttJJ,il~ ~ead, to lllt'li:i:m,pcu;;~:iJt par:ts of the :i]lusll:3,tio'l], or out 0..( :it :~d.t,og,etbe:r. . It 'is also important to, 'be aware of due type e,f' raovement llllJ~t.dl,r,ct;titG)llfU~ Une 111' ;;' ." (-'-j -I'" '" id ~'i" [,ul.[Jli.I,C1.liIL.lill'y ,r:, - - one j.Iil..,,!', '-r :5~ ',!!! 0y,. can n- "V e. our f:} e a.,oog qJU ue smoo {i']--'-I Y anc 1 d Y 1~,1 - .. :" ' ],0_ IJ.. }, ,u,l"Q[Wlj, ILU.I,[lg '[0 !~,'[Jiii,')'LI:iLe.[I"~, ping and ~d;3,d o'bjects tro'tl n,g w'i1.ffidl, be]olll,g l[o,ge'Llier. On, Ith,e other hand", the movemeae '[na'~'be ~brtl.p,t ~, I[~h.~ :a:rdst '~,ay purposefu Uy create a clash of lines. 'Thi:s. Inay be: ,a.plpro~);r,i:~.t~ U he :is dr,~n1ll,hl\g' ~ sCe:ne: 0'£ v~()[eiO.tQeor I~onfl.kt., Line can 'be :3. S'lI1)(I],g ,r!l).f~' o,r ~,sl~btI,~ one - 'bot it should ai,ways, ]ead the 'vruew,er '~I' f -~ "nn,gs Vile. \'L~lJ1ill, 'hi m - .. -I so L"-lID h,C WI,,,~ ,S~' ,ant,'I reei] c~e' It;] ,. 'at In'
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