Vous êtes sur la page 1sur 2

On Carnatic music Ragas.

A list of carnatik ragas which possess similarity with other ragas(For the experience of those who dwell in the carnatik system) (One can also enjoy the observations in certain places) Kedara gowLai, suruTTi, and dEsh.Desh has got a part resemblence to Kedaragoula and Surati.Few more similar sounding ragas:- Asaveri and Dhanyasi- Narayanagowla and Dvijavanti- Shuddhasaveri and Devamanohari- Pantuvarali and Purvikalyani- Saraswati and Vijayanagari- Abheri and Shuddhadhanyasi- Revagupti and BhoopalamKalyani and Hamsadhwani (occasionally yes!)- arabi and devagandharishanmugapria and simmendra madyamam- thodi and dhanyasi- mohanam and mohanakalyani- saranga and yamuna kalyani?- anandha bhairavi and reethi gowla?- nadanamakria, mayamalava gowla and co- dharbar and nayakiand many more.......aberi and karnataka devagandhari are one and the same? Kalyani and Hamsadhwani (occasionally yes!) saranga and hameerkalyani.Pushpalathika - Manirangu, Nagaswaravali bahudari are also twinsDarbar/Nayaki, Bhairavi/Manji/Mukhari/Huseni,Sri/Madhyamavati/Manirangu/BrindavaniM adhuvanti and Dharmavati.Malayamarutham, Valaji and JanasammodhiniSivaranjani and VijayanahariDarbar and Nayaki Nalinakanthi and KadanakudhoohalamRitigowla and aanandhabhairaviHindolam and Suddha hindolamsaramathi and natabhairavi?hindolam and chandragownce.hindolam has a kaisiki nishadam and Chandrakaus has a kakali nishadam..Desh and Nalinakanthi similar sometimes. Saramathi, Margahindolam too(1) Sri-Madhyamavati-Manirangu (2) Bhairavi-Mukhari-Manji-Huseni(3) Yaduklakambhoji-Dwijavanti (4) Anandabhairavi-ReetigowlaiAbheri.Hamsaanandhi & SunadhavinodhiniNasikabhushani,Vaagadeeshwari,Vachaspathi &SaraswathiHindolam,hindola vasantham& MargahindolamNattai,Gambeera naataiPasupathipriya and suddhasaaveriMayamaalavagowla and KamalamanohariNagaswarali Bahudarilalitha panchamam and Takkapoornashadjam and rudrapriyaValachi and MalayamaaruthamValaji is S G3 P D2 N2 S - S N2 D2 P G3 SMalayamarutam is S R1 G3 P D2 N2 S - S N2 D2 P G3 R1 Ssimhendramadhyamam and KeeravaniIn theory, the only difference is the madyamam- the former haspratimadhyamam, the latter suddhamadyamam.Though the other swaramsare all the same, the

prayogams also help to differentiate.Compositions in Keeravani to alternate between are lighter and moreemotional than Simhendramadhyamam which is a rather more grim andaustere raga (with a tinge of deep emotion). Both ragas conjure a sense of nostalgia to some extent, although this is more pronounced inSimhendramadhyamam. Simhendramadhyamam is a kinda sensual (hope the filter does not chewand spit this out) while Keeravani more morose. This may be because,among other things, the former is sung more in the upper ranges while thelatter's swaroopa resides more in the lower range.SimhEmadhyamam has majesty (like a simhA?) and a liveliness (becauseof the upper range?). Yes, kIravANI is a bit somber, bur yields itself to alot of emoting within its framework.Pantuvarali and Poorvikalyani .Chakravakam and SourashtraValaji and JanasammodiniSriranjani and abhogiManirang and Madhyamavathy

Vous aimerez peut-être aussi