Académique Documents
Professionnel Documents
Culture Documents
WARNING:
(1) A rookie mistake that beginning writers often make: they'll draw a relationship between two unlike things and move on, daring us to take them at their word(s): "love is like a faucet
The simile needs a qualifying phrase or a parallel idea. "love is like a faucet / it turns off and on Billie Holliday (2) Oftentimes, a simile is bad because it compares something we might be able to visualize with something we might not be able to visualize.
ever.
repetition of the first letter or sound; Writers may use alliteration to give writing a musical quality.
Callie quickly corrected her overturned kayak on Lake Conroe.
compare two things without using like or as; instead, say one thing is another
Fog by Carl Sandburg The FOG comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on.
The Great Figure William Carlos Williams Among the rain and lights I saw the figure 5 in gold on a red firetruck moving tense unheeded to gong clangs siren howls and wheels rumbling through the dark city.
Alliteration
Metaphor Personification Onomatopoeia Oxymoron
Sonnet 16 by Shakespeare
Shall I compare thee to a summers day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summers lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmd; And every fair from fair sometime declines, By chance or natures changing course untrimmd; But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wanderst in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.
10
Sonnet 16 by Shakespeare
Shall I compare thee to a summers day? A Thou art more lovely and more temperate: B Rough winds do shake the darling buds of May, A And summers lease hath all too short a date: B Sometime too hot the eye of heaven shines, C 5 And often is his gold complexion dimmd; D And every fair from fair sometime declines, C By chance or natures changing course untrimmd; D But thy eternal summer shall not fade E Nor lose possession of that fair thou owest; F 10 Nor shall Death brag thou wanderst in his shade, E When in eternal lines to time thou growest: F So long as men can breathe or eyes can see, G So long lives this and this gives life to thee. G
Putting it Together!
Go to: