Académique Documents
Professionnel Documents
Culture Documents
In what ways does your media product use, develop or challenge forms and conventions of real media products? Suzanne Cole
Alarm Clock
In the establishing shot the only part of a person seen is a hand and little else is revealed so that the audience are unsure who the person is. Most people are curious and by making it so that they can't see the person's face they want to know who the person is, creating a sense of secrecy as it suggests that the person doesn't want to be seen. This fits with the usual conventions of a thriller film as it is conventional to convey a sense of secrecy such as in 'Enemy of the State' or 'Ronin'. The clock is positioned slightly off of centre to suggest that something isn't quite right; something exactly in the centre would convey an idea of fitting in yet the clock isn't, suggesting that the person whose hand enters the frame is disjointed and unpredictable, not fitting with society or with what is usually expected of a person, prefiguring what is to happen, causing a feeling of unease.
Beths Feet
This shot is following a jump cut from one of the glass. By jump cutting from one to the other its jarring signifying that the perspective has altered. This frame is in colour where-as those before it were in a black and white filter emphasising that this is from a different perspective from those before it; it is the first indication the audience has that two different lives are being shown however, I have deliberately made this shot shorter than the others so that the audience see very little and are kept intrigued by the addition of another person and the possibility of the two people meeting. The sense of there being an oncoming meeting between the two people is a usual form of a thriller, a similar technique is used in Ronin; the camera searches a cityscape first before revealing DeNiro. I decided to instead create a similar idea by how the frame is initially empty before the girls feet enter rather than searching a landscape as I thought that this better fitted with my plotline. The most dominant thing in the shot is actually the background to suggest that the girl is currently of no particular significance as she could be anyone. This subverts thriller conventions as the protagonist is usually dominant, but I have deliberately done this to cause the audience to undermine her importance so that at the end of the opening they are left to question why she is being targeted by the antagonist.
Laptop
In this shot I have positioned the camera so that its over the shoulder of the antagonist. An over shoulder shot normally suggests that the person in the frame is trustworthy and in a position of protecting the audience, yet she is the antagonist. I have done this to challenge the audience as it creates a conflict of alliances as they dont know who to trust since they are still unsure who is the antagonist and protagonist, despite the different filters; this is because I wanted to intrigue my audience and involve them. I have used this idea from the opening of Ronin where there is an on-going conflict of alliance with either De Niro or the woman who is shown. I used this particular element as it creates more confusion and so a sense of unease, reminding the audience that anything could happen. I however developed it by showing both perspectives extensively, allowing the audience to make their own decision of who to trust. In addition the camera is positioned above her, suggesting an inferiority which conveys an idea that she is unthreatening in order to cause the audience to undermine her, making it all the more shocking later in the opening when the axe is revealed. In front of her an open laptop can be seen, suggesting that she is open and honest as the audience can see what she sees, suggesting that she has nothing to hide although, this is contradicted by the fact that her face still hasnt been revealed, again to cause further conflict. This conflict is conventional of thrillers and used in the opening of Enemy of the State fulfilling conventions but, I however decided to not show my antagonists face, subverting them also as I felt that this better fit my opening, helping to create an atmosphere of suspense.
Make - Up
There is then a series of shots with relatively quick cuts between them to show a conflict of the two lives of the girls as the shots jump cut between the two perspectives. I included this shot of the antagonist as it details her putting on make-up, suggesting vanity and a sense that it is important to her how she looks to other people. I have done this since in my first edit I showed too little of her as an ordinary person which caused it to seem as though she was a psychopath without reason. But by including shots such as this which detail her doing ordinary, mundane things it gives her an identity as well, moving my opening thoroughly away from the horror genre and firmly in the thriller genre. It alters the audience's perceptions since where they might have once thought her deranged, they now can see that she too is a person with reason. This is a pastiche from the film Memento when two perspectives are shown but from the same point of view, in one of which a murderer is seen doing usual tasks. This particular technique I found effective to use in the beginning of my opening as it causes the audience to empathise for the girl before the opening develops further.
Title of Film
Before this shot there had been two different soundscapes, one for each girl, to present the two characters differently reflecting their own differences. The antagonists soundscape is slow and draw out creating a sense of foreboding, whilst Beths has a slightly quicker pace with the high pitched sound of another instrument suggesting serenity or something harmonious and good juxtaposing the antagonist soundscape. In this shot however I overlaid both soundscapes to demonstrate a conflict of the two people as Beth walks up the steps leading to the house. I did this as it is conventional for the protagonist and antagonist to have a conflict between them of interests and ideals such as in the James Bond franchise and Tinker Tailor Solder Spy. I found that this particular convention fitted my opening well as the aim of my opening is to create suspense, and by having an underlying conflict throughout it built up an expectation for the meeting of the two characters, achieving this. I positioned the title in the center of the frame and put it into a white font as its conventional of thriller films (Quantum of Solace, Vertigo). The font I chose as its reasonably plain and understated although, its larger than any other credits in the opening to emphasise its importance. I have however subverted the usual background to the title. It is usually plain or very simplistic however, I decided to lay the title over a shot with several different things in the back as this has connotations of being cluttered and conveys an idea that there isnt room for anything extra, suggesting that the arrival of another person will disrupt the other girl.
Axe Reveal
This shot is also a quick cut for similar effect, and is cut just as the glint of an axe is seen. I cut it away soon after so that it gave a sense of threat and foreboding as the audience are unable to see the weapon anymore. I positioned the camera so that the stairs and Jasmines feet were central, and the audiences main focus. This causes the axe to be slightly off of center and makes it all the more shocking for the audience when its suddenly revealed as there had been no hint prior to this that the character had such violent intentions. This is my plot twist and is conventional of a thriller and has been used in films such as Batman Begins and Tinker Tailor Soldier Spy. I decided to use a similar technique although developed it be placing it at the end of the opening rather than in the middle, as I feel that it leaves a greater impact on the audience.The axe has connotations of threat and violence, usual themes in thriller films, since Beth it seems is in jeopardy of the axe being used against her. By revealing the axe as Jasmine walks down the stairs, it also has connotations of the threat of violent consequences if she were to be passed, since she is on the stairs and so she has made them to be impassable. This given threat is conventional, used in thriller films such as Irresistible.