Triad

For Basic Study & Guitarist Who Like To Think Outside The
X
1
2 3
4
What Do We Need?
A Pair Set Both Of Right Hand &
Left Finger & The Number (1234).
Since This
handbook its an
Approach for Fret
Board Theory And
Fingering Number.
0 1 2 3 4 5 6 7 8 9 10 11 12
1
F F# G G# A Bb B C C# D D# E
2
C C# D D# E F F# G G# A Bb B
3
G# A Bb B C C# D D# E F F# G
4
D# E F F# G G# A Bb B C C# D
5
Bb B C C# D D# E F F# G G# A
6
F F# G G# A Bb B C C# D D# E
At Least this Fret Board Diagram
can be Print and place it some
where so we can see the fret
board position and note naming,
we still use the standard tuning for
all the way down..
Or we can
search it
anywhere on
Google
Fret Board Note
Mapping
AND 1000%
IMAGINATION
REQUIRED
Im not resposible for any brain damage bcause the
over power of this knowledge.....a little maybe, yes
The Idea is?
If we put our left 1st
finger on the 1st sring
and 1st fret board that
would be the F note, so
where are the most
possible our 2nd Finger
must be ?
The X Sign are not the
suggested area too far
away.
Fret Board
1st 2nd
1
?
2
?
3 X X
4 X X
5 X X
6 X X
F
1st
?
We Have 3 Possibility
Answer : F# or C# or C -->
Its the nearest Note for our
2nd Finger can be placed?
Now watch your 2nd left hand finger
carefully and yes it is not the C note way
to hard, so we stil have 2 answer left F# or
C#
Hint : its not the F#...why?
Pay attention your 2nd finger its have
more longer distance for any other finger,
right?
...and be honest..dont strecth your 2nd
finger with your muscle & power, just
relax and stay low..you will found the C# is
the most easiest because its directly
follow your 2nd finger where it should
have to move to its proper place, very low
energy isnt? Did you feel it? ...i called that
is a finger natural position. Without any
force and struggle.
Fret Board
1st 2nd
1
F#
2
C C#
3 X X
4 X X
5 X X
6 X X
F
1st 2nd
Ok now we have the
Da vinci Code Ready
to Load
Fret Board
1st 2nd Finger
1 X
1st
2 X
2nd
3 X X
4 X X
5 X X
6 X X
F
1st 2nd
C#
The 1st & 2nd Generate the
Symmetrical Pattern movement as
you see..On Ascending they both
work together as a pair from side
to side very easy ; 6 note we have
: F -C# - Ab - E - Bb - F#
Fret Board
1st 2nd Finger
1
1st
2
2nd
3
1st
4
2nd
5
1st
6
2nd
F
1st 2nd
C#
Ab
E
Bb
F#
Fret Board
1st 2nd Finger
1 1st
2 2nd
F
C#
Fret Board
1st 2nd Finger
1
2nd
2
1st
3
2nd
4
1st
5
2nd
6
1st
F#
1st 2nd
C
A
Eb
B
F
On Descending Also :

6 note we have : F - B - Eb - A - C -
F#,
Fret Board
1st 2nd Finger
5 1st
6 2nd
F
B
Fret Board
1st 2nd Finger
1st + 2nd
1st + 2nd
1st + 2nd
1st + 2nd
1st + 2nd
1st + 2nd
F#
1st 2nd
C
A G#
E D#
F
C#
Bb E
F# F
Hey! how About The Other 2?
Are they Usefull? Dont worry
They are Save Here --> See ?
Fret Board
1st 2nd Finger
1 1st
2 2nd
F F#
Fret Board
Finger 1st 2nd Finger
1st 2nd
2nd 1st
1st 2nd
2nd 1st
1st 2nd
2nd 1st
F#
1st 2nd
C
A G#
E D#
F
C#
Bb E
F# F
And
Here

Fret Board
1st 2nd Finger
1 1st
2 2nd
F
C
Yes, its a triad form weve
been created from the 1st &
2nd Finger Movement located
on 3 first strings, i suggest
using the fingering there.
I Called It The ROOT Triad
or the 1st Triad The 3 Core
! Or Theoriticly Called a
Major Triad, C# Major in this
case.
Fret Board
1st 2nd
Fingering
1
2nd
2
3rd
3
1st
F
C#
Ab
1st
2nd
3rd
TRIAD ON
123 STRINGS
Guitar intelligence Copyleft.
There Is A Reason Why i Called
this The 1st or The Root Triad.
Next Ill Show you why, Now
using an arrow shape as the
Nearest direction Movement.
1 2
2 3
3 1
F
C#
Ab
1st Triad/R

Right Shifting


Left Shifting

&
Using the Right Shifting, the 1st
string move in to the F# Note.
So we have the 2nd triad form
or the C# sus 4.
1 3
2 2
3 1
F#
C#
Ab
1st 2nd
Right
2
F#6/9
1st 2nd
F#
C#
Ab
Eb
Bb
F#
ADVANCE
2ND TRIAD
7TH TRIAD
Using the Left Shifting the 2nd
string now have it turn to
move in to the C Note. So we
have the 3rd triad form or the
Ab7.
1 3
2 2
3 1
F#
C
Ab
1st 2nd
Left
3
Ab7#9/F#
1st 2nd
F#
C
Ab
Eb
B
F#
ADVANCE
3RD TRIAD
6TH TRIAD
Now the 3rd String turn, Right
Shifting it to the A note, Now
we have the 4th triad form or
the Am6.
1 3
2 1
3 2
F#
C
A
1st 2nd
Right
4
F7Addb5(b9)
1st 2nd
F#
C
A
Eb
B
F
ADVANCE
4TH TRIAD
1ST TRIAD
Now the Back to 2nd String
turn, Right Shifting it to the C
note, Now we have the 5th
triad form or the F#m.
1 3
2 2
3 1
5
F#
C#
A
1st 2nd
Right
Ebm9Addb5/F
1st 2nd
F#
C#
A
Eb
Bb
F
ADVANCE
5TH TRIAD
8TH TRIAD
6
Left on 1st string Back to F
Note, so we can have the 6th
triad form or the A Aug.
1 1
2 3
3 2
F
C#
A
1st 2nd
Left
Bbmmaj7Addb5/F
1st 2nd
F
C#
A
E
Bb
F
ADVANCE
6TH TRIAD
3RD TRIAD
7
The 2nd String turn to the C
note, created the 7th triad form
or the F Ma.
1 2
2 1
3 3
F
C
A
1st 2nd
Left
Fmaj7Addb5
1st 2nd
F
C
A
E
B
F
ADVANCE
7TH TRIAD
2ND TRIAD
8
The 3rd String Finally back to
the Ab note, created the last
triad on 2 fret board and 3 first
string only, the 8th triad form
or the F Mi/Ab.
1 3
2 2
3 1
F
C
Ab
1st 2nd
Left
F#maj7sus2sus4(b5)
1st 2nd
F
C
Ab
E
B
F#
ADVANCE
8TH TRIAD
5TH TRIAD
& Now the Root Triad have The Family, i called
them The Triad Root Cycle, Every Cycle From it
Each are Able to create Another Root
Cycle...depend from where we start the Shift
String Movement & Which Triad form You
wanted to be The Root is Ill show you How.
1
2
3
F
C#
Ab
1st

2nd
F#
C#
Ab
3rd
F#
C
Ab
4th
F#
C
A
5th
F#
C#
A
6th
F
C#
Ab
7th
F
C
Ab
8th
F
C
Ab
1ST 8 CYCLE FROM 1ST STRING START!
The 8 Triad &
Its 8 Cycle Part 1
As we already know this is the 2
nd
triad
form, from earlier cycle. Which is
become the Root / Starting Point right
now. So the result is :
[ 2
nd
> 1-8-7-6-5-4-3 ]
see the right table.
1
2
3
F#
C#
Ab
1st

2nd
F
C#
Ab
3rd
F
C
Ab
4th
F
C
A
5th
F
C#
A
6th
F#
C#
Ab
7th
F#
C
Ab
8th
F#
C
Ab
2
nd
8 CYCLE FROM 1ST STRING START!
Now Lets Try the 3
rd
As the Root

[ 3
rd
> 8-1-6-7-4-5-2 ]

1
2
3
F#
C
Ab
1st

2nd
F
C
Ab
3rd
F
C#
Ab
4th
F
C#
A
5th
F
C
A
6th
F#
C
Ab
7th
F#
C#
Ab
8th
F#
C#
Ab
3
rd
8 CYCLE FROM 1ST STRING START!
Now Lets Try the 4
th
As the Root

[ 4
th
> 7-6-1-8-3-2-5 ]

1
2
3
F#
C
Ab
1st

2nd
F
C
A
3rd
F
C#
A
4th
F
C#
Ab
5th
F
C
Ab
6th
F#
C
Ab
7th
F#
C#
Ab
8th
F#
C#
A
4
th
8 CYCLE FROM 1ST STRING START!
Now Lets Try the 5
th
As the Root

[ 5
th
> 6-7-8-1-2-3-4 ]

1
2
3
F#
C#
Ab
1st

2nd
F
C#
A
3rd
F
C
A
4th
F
C
Ab
5th
F
C#
Ab
6th
F#
C#
Ab
7th
F#
C
Ab
8th
F#
C
A
5
th
8 CYCLE FROM 1ST STRING START!
Now Lets Try the 6
th
As the Root

[ 6
th
> 5-4-3-2-1-8-7 ]

1
2
3
F
C#
Ab
1st

2nd
F#
C#
A
3rd
F#
C
A
4th
F#
C
Ab
5th
F#
C#
Ab
6th
F
C#
Ab
7th
F
C
Ab
8th
F
C#
Ab
6
th
8 CYCLE FROM 1ST STRING START!
Now Lets Try the 7
th
As the Root

[ 7
th
> 4-5-2-3-8-1-6 ]

1
2
3
F
C
Ab
1st

2nd
F#
C
A
3rd
F#
C#
A
4th
F#
C#
Ab
5th
F#
C
Ab
6th
F
C
Ab
7th
F
C#
Ab
8th
F
C#
A
7
th
8 CYCLE FROM 1ST STRING START!
Now Lets Try the 8
th
As the Root

[ 8
th
> 3-2-5-4-7-6-1 ]

1
2
3
F
C
Ab
1st

2nd
F#
C
Ab
3rd
F#
C#
Ab
4th
F#
C#
A
5th
F#
C
A
6th
F
C
A
7th
F
C#
A
8th
F
C#
Ab
8
th
8 CYCLE FROM 1ST STRING START!
A
SHORT
EXPLANATION SCALE
FORM,
ON 1
ST
TRIAD
Not like other, 8 triad have a
different scale building
approach.

Its easier and surprising! Caution brain damage
percentage = 50%.
1 >
2
3
F
C#
Ab
1 2
1
2
2 3
3
4
3 4
6
5
Fret Board Position & Numbering
Order
1 2
7
1
ST

STAND ALONE
SCALE ON 1
st
TRIAD
1
ST
STRING START
1
2 >
3
F
C#
Ab
1 2
2
1
2 3
4
3
3 4
5
6
Fret Board Position & Numbering
Order
1 2
7
2
ND

STAND ALONE
SCALE ON 1
st
TRIAD
2
ND
STRING START
1
2
3 >
F
C#
Ab
1 2
1
2
2 3
4
3
3 4
5
6
Fret Board Position & Numbering
Order
1 2
7
3
RD

STAND ALONE
SCALE ON 1
st
TRIAD
3
RD
STRING START
1
2
3 >
F
C#
Ab
1 2
1
2
2 3
3
4
3 4
5
6
Fret Board Position & Numbering
Order
1 2
7
4
TH

STAND ALONE
SCALE ON 1
st
TRIAD
3
RD
STRING START
1
2 >
3
F
C#
Ab
1 2
2
1
2 3
4
3
3 4
6
5
Fret Board Position & Numbering
Order
1 2
7
5
TH

STAND ALONE
SCALE ON 1
st
TRIAD
2
ND
STRING START
1 >
2
3
F
C#
Ab
1 2
2
1
2 3
4
3
3 4
6
5
Fret Board Position & Numbering
Order
1 2
7
6
TH

STAND ALONE
SCALE ON 1
st
TRIAD
1
st
STRING START
Scaling
The scales Part 1
Recommended Tools
1. Fine Metronome
2. Tux guitar
0 1 2 3 4 5 6 7 8 9 10 11 12 13
E F F# G G# A Bb B C C# D D# E F
Chromatic Scale
is
The Mother Of Scales
1
st

Step
1st
Finger
0 1 2 3 4 5 6 7 8 9 10 11 12 13
E F F# G G# A Bb B C C# D D# E F
1 1 1 1 1 1 1 1 1 1 1 1 1
Just One Note, On
Each Boxes ! The
Unison, The One &
Only.
0 1 2 3 4 5 6 7 8 9 10 11 12 13
E F F# G G# A Bb B C C# D D# E F
2 2 2 2 2 2 2 2 2 2 2 2 2
The Goal is to practice
All the Left finger &
gave them a proper
Hand & Muscle.
2
nd

Step
2
nd

Finger
3
rd

Step
3
rd

Finger
0 1 2 3 4 5 6 7 8 9 10 11 12 13
E F F# G G# A Bb B C C# D D# E F
3 3 3 3 3 3 3 3 3 3 3 3 3
& Of Course Right
Hand Sync & Ear
Training.
4
th

Step
4
th

Finger
Finish yet? Good! now
try them on the rest of
the Strings. Be
Patient?
0 1 2 3 4 5 6 7 8 9 10 11 12 13
E F F# G G# A Bb B C C# D D# E F
4 4 4 4 4 4 4 4 4 4 4 4 4
1 2 3 4 5 6 7 8 9 10 11 12 13 14
1 2 1 2 1 2 1 2 1 2 1 2 1 2
1 3 1 3 1 3 1 3 1 3 1 3 1 3
1 4 1 4 1 4 1 4 1 4 1 4 1 4
2 3 2 3 2 3 2 3 2 3 2 3 2 3
2 4 2 4 2 4 2 4 2 4 2 4 2 4
3 4 3 4 3 4 3 4 3 4 3 4 3 4
1 2 3 1 2 3 1 2 3 1 2 3 1 2
1 2 4 1 2 4 1 2 4 1 2 4 1 2
1 3 4 1 3 4 1 3 4 1 3 4 1 3
2 3 4 2 3 4 2 3 4 2 3 4 2 3
1 - 3 1 - 3 1 - 3 1 - 3 1 -
1 - 4 1 - 4 1 - 4 1 - 4 1 -
2 - 4 2 - 4 2 - 4 2 - 4 2 -
1 2 3 4 1 2 3 4 1 2 3 4 1 2
1 2 - 4 1 2 - 4 1 2 - 4 1 2
1 - 3 4 1 - 3 4 1 - 3 4 1 -
1 - - 4 1 - - 4 1 - 4 1 -
Totally we have 21 Basic
Fingering Idea For Some
Daily Exercise.
Happy Fingering!
Center
Radius and
Circumference
1
2
3
1
st
Movement
Fret Board
1
st
2
nd
3
rd

1
1
st

2
2
nd

3
3
rd

4
1
st

5
2
nd

6
3
rd

F
C#
E
Bb
F#
A#
1
2
3
Symmetry
is
Easy therefore is
Beauty
F
C#
Bb
1
2
3
F#
D
G#
2
nd
Movement
Fret Board
1
st
2
nd
3
rd

1
2
nd

2
3
rd

3
1
st

4
2
nd

5
3
rd

6
1
st

E
Bb
F#
F#
D
G#
1
2
3
3
rd
Movement
Fret Board
1
st
2
nd
3
rd

1
3
rd


2
1
st

3
2
nd

4
3
rd

5
1
st

6
2
nd

G
C
A
F
Bb
F#
G
C
F#