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A line is a distinct, elongated mark, as if drawn by a pen. A line can play up a person's good points and play down the bad ones. Straight lines are bold and severe. They suggest dignity, power, and formality. Curves are less formal than straight ones. They give a soft, smooth, graceful and flowing feeling.
A line is a distinct, elongated mark, as if drawn by a pen. A line can play up a person's good points and play down the bad ones. Straight lines are bold and severe. They suggest dignity, power, and formality. Curves are less formal than straight ones. They give a soft, smooth, graceful and flowing feeling.
A line is a distinct, elongated mark, as if drawn by a pen. A line can play up a person's good points and play down the bad ones. Straight lines are bold and severe. They suggest dignity, power, and formality. Curves are less formal than straight ones. They give a soft, smooth, graceful and flowing feeling.
building blocks of all art and design. The elements include:
Line Form and shape Texture Color Pattern Line A line is a distinct, elongated mark, as if drawn by a pen A line is a mark made by a moving point and having psychological impact according to its direction, weight, length and the variations in its direction and weight and length. Line is not necessarily an artificial creation of the artist or designer; it exists in nature as a structural feature such as branches, or as surface design, such as striping on a tiger or a seashell.
1.The element of line can play up a person's good points and play down the bad ones. 2. Eyes follow lines 3. Line suggest movement or rhythm- where they lead the eyes. Lines lead the eye up and down and side to side. 4. Line can emphasize or create height, conceal weight, or focus the attention on a certain area. Lines can be combined with other lines to create textures and patterns. This is common in engravings and pen and ink drawings. The use of line in combination results in the development of form and value, which are other elements of design. PIET MONDARIAN Straight lines are bold and severe. They suggest dignity, power, and formality. They give steadiness and stability. If overdone, they can make an outfit look stiff. Curved lines can be rounded and circular or somewhat flattened out. They increase the size and shape of the figure. Circles are closed lines, so they stop the eye entirely. Curved lines are less formal than straight ones. They give a soft, smooth, graceful and flowing feeling. They can accent the natural curves of the body. Jagged lines change direction abruptly and with sharp points like zigzags. Overused they can create a jumpy, confused feeling. Use them sparingly, since they are very noticeable. Jagged lines are appropriate for fun loving who do not need to create a serious image. Vertical lines go up and down. They lead the eye up and down. They give the impression of height and slimness. They also give the feeling of dignity, strength and poise. For the best effect, put vertical lines over an area of the body you want to look slimmer. Go from side to side. They carry the eye from side to side. They give the impression of less height and more width. Tend to give a relaxed, calm feeling. Put horizontal stripes across parts of the body you want to look bigger. Are slanted. The degree of the slant determines their visual effect in clothes. If they have a vertical slant, they are slenderizing. If they have a horizontal slant, they add width. Diagonal lines draw attention to the areas where they are used. They give a feeling of action and strength. The shape of a garment is its form or silhouette It is the overall outline It is created by the cut and construction of the garment
When a line begins and ends at the same point, a shape is made. Everything has shape. All shapes have two dimensions - length and width. Shapes can be geometric, such as circle, oval, square, rectangle, or triangle OR shapes can be 'organic', free form. Shapes can be representational - something you can recognize, or shapes can be non-representational - a non- recognizable shape. Shapes can be positive or negative. The shape of an outfit is the outline when seen from a distance. Since shape can be seen from a distance, it will be noticed first. It is a major factor in viewers first impression Clothing can reveal or disguise the natural contour of the body Full, wide clothing shapes make people look larger. They look best on people who are slim. Trim, compact silhouettes make people look smaller. Three dimensional Encloses space Form is the three-dimensionality of an object. Shape is only two-dimensional; form is three-dimensional. Form Texture Can feel the variation in the surface Visual An illusion - how the object appears to feel Applied using line, color, & shading Tactile quality of goods or how material feels Can be created from fibers, yarns, and fabric construction Illusions Shiny, bulky, fuzzy, or heavy textures make figures look larger Dull or flat textures tend to slenderize COLOR
A Color Wheel is a tool used to organize color. It is made up of: Primary Colors - Red, Yellow, and Blue. These colors cannot be mixed, they must be bought in some form.
Secondary Colors - Orange, Violet, and Green. These colors are created by mixing two primary colors.
Intermediate Colors - Red Orange, Yellow Green, Blue Violet, etc.; mixing a primary with a secondary creates these colors.
Complementary Colors - Colors that are opposite each other on the color wheel. When placed next to each other they look bright and when mixed together they neutralize each other.
Reflected light Most important element Creates the most impact. Extreme contrast makes colors look brighter.
Light colored objects appear larger.
Fashion is more attractive without equal areas of light and dark. Dark colored objects recede or appear smaller. Color is affected by light and texture Pattern Repetition of line, shape, form, texture and/or color Reflects the mood of the elements used Can be formal, informal, calm, playful.....