Vous êtes sur la page 1sur 121

Apparel Production

Overview

Khushboo
Priyambada

Introduction

Introduction to Garment
Manufacturing
Garment manufacturing is an assembly- oriented activity with a great
range of raw materials, product types, production volumes, supply chains,
retail markets and associated technologies.
Companies range from small family business to multinationals.
The clothing industry is labour intensive industry.

Departments in garment
Merchandising
Sampling
Fabric
Trims
Spreading
Sewing
Washing
Quality
Finishing
Maintenance
Finance
HR/Admin
and
store
Assurance
department
and
department
&department
accessories
Department
&Packaging
department
Accounts
Cutting
Department
department
department
department
department
Department
store department
manufacturing
unit

Process flow in garment


manufacturing unit

erchandising department

Process flow in merchandising


department

Responsibilities of a merchandiser

Source: http://www.fibre2fashion.com/industry-article/36/3516/merchandising-in-an-a
industry1.asp

Sampling department

Responsibilities of sampling department


Getting clarifications about style details from merchandiser.
Checking patterns workability.
Preparation of different samples and getting the buyers approval.
Informing quality related problems, encountered during preparing
samples, to QC.
Minimizing operations and consumption.

Types of sample prepared


Design development

Source: http://www.textiletoday.com.bd/magazine/609

Types of sample prepared


Size set sample

Source: http://www.textiletoday.com.bd/magazine/609

abric store department

Functions of the fabric store department


Receive the fabric as per BOM
Fabric inspection (four point system)
Conduct fabric test (e.g. Shrinkage, colour fastness etc.)
Issue to the production department as per the requirement

Fabric audit procedure


10% random inspection for sampling or
lining or net fabric.
Inspection for production order fabric as
per buyers requirement.
Perform GSM cutting.
Perform shrinkage test.
Check

the

fabric

for

the

bowing

or

skewing.
Check fabric roll for the defects.
Allocate points to the defects.

fa

ics
r
b

e
ar

ed
k
ec
h
c
to

e
re
t
Th
n
:
ce
r
(
fo
th
id
W
ts
de
c
)
a
h
ge defe
ea
t
S
d
(s
g
ve
l
n
i
se
v
e
ea
ag

Trims and accessories


Store department

Functions

of

the

trims

and

accessories

department
To receive incoming material.
To check material for attribute & variables.
To arrange the incoming material in allocated racks.
To issue trims as per BOM for sampling and production &

other material as per requirement.


To maintain a record of incoming & outgoing material.

Spreading and
cutting department

Spreading and cutting flow process


Planning

Spreading and cutting flow process


Spreads

Planning

Markers
Production

Spreading

Manual
Machine
Manual

Cutting

Preparation
for sewing

Machine
Ticketing
Bundles

Cut order planning


It translates customer orders into cutting orders
minimize total production costs
meet deadlines
seek most effective use of labor, equipment, fabric and space

Responsibilities of Cut Order Planning


Examining incoming orders and piece goods width and availability
Determining volume, size ratios, and sectioning procedures for
marker making
Determining whether file markers are available or new ones are
needed
Developing specifications for optimum marker making and fabric
utilization
Determine most effective use of spreading and cutting equipment
and personnel
Issuing orders for marker making, spreading and cutting

Cutting orders
leads to

Marker planning

Lay planning

Marker planning
The results of cut order planning are cutting orders that direct marker
planning and cut planning.
The purpose of marker planning is to determine the most efficient
combination of sizes and shades for each order and to produce the best fabric
yield and equipment utilization.
One cutting order may require several markers to achieve optimum efficiency.
A lay is a stack of fabric plies that have been prepared for cutting.
Lay planning is the basis of managing cutting room labor and table space.
Spreading and cutting schedules are affected by:

table length,

type of equipment,

spread length,

spreading time and

cutting time.

Marker
is a diagram of a precise arrangement of pattern pieces for a specific
style and the sizes to be cut from a single spread.

Marker making
is the process of determining the most efficient layout of

pattern

pieces for a specified style, fabric, and distribution of sizes (requires


time, skill and concentration)

Marker making
Marker making is a critical step in the manufacturing process.
By retaining strict control over this critical step, they keep the fabric
consumption as low as possible.
It also ensures that the issues that affect quality will be given proper
attention. These include placing patterns on grain, keeping patterns
paired, and attending to details such as drill holes and notches.
Depending on the relative efficiency of each marker produced, the
company may save or waste thousands of dollars a year.

Source: Kahn, Cohen and Soto, Pre-Assembly Processes The Cutting Room Marking,
Spreading, Cutting and Bundling, The Fashion Manufacturing Process A Product
Development Approach, May 2005

Marker making
Markers types:
Blocks or Sections

Blocked or sectioned markers contain


all of the pattern pieces for one style
in one or two sizes.

Continuous

Block or section
marker

Continuous markers contain all the


pattern pieces for all sizes included in
a single cutting.

Continuous marker

Marker making
Markers types:
Open marker
Marker made with full pattern pieces.

Closed marker
Marker made with half garment parts pieces for laying along the folds of the
tube (tubular knit).

Closed marker

Marker making

Manually produced

Computerized marker
making (CAD)

Marker making
Manual marker

Created on marker paper or directly on fabric ply


Tracing by pencil or tailors chalk.
Time consuming.

Subject to errors. (pattern overlap, grain line, poor line definition,

omission of pcs.)
Accuracy depends on individuals skill.

Marker making

Computerised marker

Accurate

Shortest response time.


Direct or digitized.

Manipulate images to determine best utilization. No overlapping/no

omissions

Parameters (style #,size, etc.) for markers are entered into the

computer.
Can be printed/recalled/modified.

Criteria can be set by technician. Can be used to determine fabric

requirement.

Marker making

Marker mode : Nap/ One/ Way

The Nap/ One/ Way marker (abbreviated


N/O/W) is made with every pattern placed
with the down direction of the pattern in
the same direction.
This mode is necessary for fabrics that are
asymmetric.
All patterns are placed on-grain, and in the
down direction, which is usually toward
the left edge (starting point where the
legend is written).
The Nap/One/ Way marker is the highest
quality but least efficient of the three nap
directions for a marker.

Source: Kahn, Cohen and Soto, Pre-Assembly Processes The Cutting Room Marking,
Spreading, Cutting and Bundling, The Fashion Manufacturing Process A Product
Development Approach, May 2005

Marker making

Marker mode : Nap/ Either/ Way

The Nap/ Either/ Way marker (abbreviated


N/E/W) is made where there is no restriction
of which way the pattern are oriented.
The patterns may be oriented either down
or up, placed wherever they fit best, only
making sure that the patterns are on-grain.
The Nap/ Either/ Way marker is usually the
most efficient mode yielding the highest
fabric utilization.

Source: Kahn, Cohen and Soto, Pre-Assembly Processes The Cutting Room Marking,
Spreading, Cutting and Bundling, The Fashion Manufacturing Process A Product
Development Approach, May 2005

Marker making

Marker mode : Nap/ Up/& Down


The

Nap/

Up/&

Down

marker

(abbreviated N/U/D) is more efficient


than the Nap/ One/ Way marker, but not
as efficient as the Nap/ Either/ Way
marker.
In order to get a better fit between the
patterns, alternating sizes of patterns
are oriented in opposite directions.
This method is yields moderately good
fabric utilization, and good quality.

Source: Kahn, Cohen and Soto, Pre-Assembly Processes The Cutting Room Marking,
Spreading, Cutting and Bundling, The Fashion Manufacturing Process A Product
Development Approach, May 2005

Marker making
Marker Efficiency
Area of patterns in the marker plan X 100%
Total area of the marker plan
It is determined for fabric utilization
Minimum waste

Factors affecting marker efficiency


Fabric characteristics (fabric width, length of design repeat
etc.)
Shape of Pattern pieces (large pieces less flexibility)
Grain requirements

Spreading
Spreading is the processes of superimposing lengths of fabric on a
spreading table cutting table or specially designed surface in preparation
for the cutting process
Spread or lay is the total amount of fabric prepared for a single marker

Requirement of spreading

Spreading
equipment

Shade sorting of cloth pieces

Spreading surfaces ( table,


Correct ply direction and adequate lay stability
pin table, vacuum table)
Alignment of plies
Correct ply tension
Elimination of fabric faults
Avoidance of distortion in the spread

Spreading machines

Spreading

preading equipment
Spreading surfaces ( table, pin table, vacuum table)
Spreading machines

Manual spreading
In

manual

spreading,

fabric

is

drawn from its package which, if it


is a roll, may be supported by a
frame and carried along the table
where

the

end

is

secured

by

weights or by clamps.
The operators work back from the
end,

aligning

the

edges

and

ensuring that there is no tension


and that there are no wrinkles.

Machine spreading
Spreading machines carry the piece of fabric
from end to end of the spread, dispensing one
ply at a time on the spread.
Spreading machines may include:
A motor to drive
A platform on which the operator rides
A ply cutting device with automatic catcher to hold

the ends of ply in place


A ply counter
An alignment shifter actuated by photo electric edge

guides
A turntable
A direct drive on the fabric support, synchronized

with the speed of travel, to reduce or eliminate


tension in the fabric being spread.

Spreading
Spreading Mode: Nap one way & face one way spreading
Most common spreading method that can also be done manually.
Fabric roll is kept on a roller stand and fabric end is being pulled by two
spreading operators (thus unwinding fabric from freely rotating roll)
walking along both sides of cutting table.
While using machine, the lose end of fabric is being held by catcher and
machine carries the rolls along table thus unwinding and spreading the
fabric in the process.
Every layer has to start from same end thus spreading machine has to
come back to starting position without spreading the fabric. This return
movement of spreading machine is called as dead heading
Face one
way

Nap one
way

Source: Prabir Jana, Spreading & Cutting of Apparel Products, 2005

Spreading
Spreading Mode: Nap either way & face to face
spreading
The quickest spreading method while using spreading machine.
Difficult to achieve manually.
The machine carry the fabric roll while the end is being held in
place by catcher, at layer end fabric is not cut just folded and held
by another catcher while the fabric is being laid by the machine
during its return movement also.

Face to
face

Nap
either
way

Source: Prabir Jana, Spreading & Cutting of Apparel Products, 2005

Spreading
Spreading Mode: Nap one-way face to face spreading
Most time consuming method of spreading.
The lose end of fabric is being held by catcher and machine carries the
rolls along table thus unwinding and spreading the fabric in the process.
At layer end the fabric is being cut, turntable rotate the fabric roll by
180 degree and return back to starting position without.
Now from the starting end the second layer is being laid face to face.

Face to
face

Nap one
way

Source: Prabir Jana, Spreading & Cutting of Apparel Products, 2005

Spreading
Spreading Mode: Nap either way & face one way spreading
The lose end of fabric is being held by catcher and machine carries the
rolls along table thus unwinding and spreading the fabric in the process.
At layer end the fabric is being cut, turntable rotate the fabric roll by
180 degree and start spreading the second layer from the opposite end
face one way. There is no dead heading by the machine in this
spreading mode.

Face one
way

Nap
either
way

Source: Prabir Jana, Spreading & Cutting of Apparel Products, 2005

Spreading

Spreading costs

Labour cost

Fabric waste

Splicing loss

End loss

Width loss

Cutti
ng
roo
m

Cutting
Manual
Cutting

Cutting

Scissors

Manual cutting

Cutting
Portable cutting knives

Power system

Handle

Sharpening
Cutting blade
Blade guard
Up and down
movement
One way thrust as the
circular blade makes
contact with the fabric
Round knife

Base plate

Straight knife

Cutting
Portable cutting knives
Straight knife

Round knife

Vertical blade

Popular, light and fast.

Reciprocates up and down

Suitable only for cutting in

Corners and curves can be cut

straight lines

accurately
Most versatile and commonly
used

or very gradual curves, in


depths of
about 15cm

Blades length - 6 to 14 inches

Larger blade cuts up to 2" of

Spread depth depends on blade

soft or

length &
adjustable height of the blade
guard
All of the pieces cut from a lay

bulky material, or lower lays of


harder
material such as shirts
Small blade cuts single layer

Cutting
Stationary cutters: Band knife

Contains a narrow, sharpened, endless


steel band
Fabric layers are guided by hand against
the blade
Air cushion is provided below the fabric
layers
Plies are stapled together to prevent
slippage
Used for precision cutting to a depth of up
to 300mm
Corners, tight curves and pointed incisions
are cut
precisely
Band knives are more accurate for small

Cutting
Stationary cutters: Servo
Overhead servo motor
cutting
Adjustable speed
Suspension system that
supports the knife
perpendicular
to the cutting table
Knife is mounted on a

swivel arm
It combines vertical cutting
and
band knife cutting into one
machine

Cutting
Stationary cutters: Die cutting

Dies are pre shaped metal outlines


Most accurate
Die cutting operation involves
Placement of fabric

Positioning the die on the fabric

Engaging the machine to press the die


into the fabric

Used mainly for leather, coated and


laminated
materials
Areas where the same patterns are
used over
a long period, e.g. collar, pocket
flaps

Cutting
Stationary cutters: Plasma
Cutting is achieved by means of a high velocity jet of high temperature
cutting
ionized gas (argon)
Faster cutter of single plies
High engineering and cost issues
Problems same as for laser cutting
Cutting is achieved by means of a high velocity jet of high temperature
ionized gas (argon)
Faster cutter of single plies
High engineering and cost issues

Cutting
Stationary cutters: Water jet
Very high velocity, fine stream of water
cutting
High pressure jet acts as a solid tool, tears the fibers on impact
As the jet penetrates successive plies in a spread, the momentum
decreases and cutting
ability is reduced frayed edges
Wet edges, water spots, inconsistent cutting quality
Leather, plastic, vinyl
High equipment costs

Cutting
Position markers: Notchers

Notches can be cut by straight knife too

but
accuracy is required
Specialized

notching

equipment

provides
greater accuracy because a guide
lines up the
notcher with the cut edge
Hot notcher consists of a heating
element
(blade) that slightly scorches the
fibers adjacent
to the notch (thermoplastic fibers)

Two types of notches:

Cutting
Position markers: Drills and thread
Drill mount consists of motor, base plate with a
markers
hole and spirit
level
Used for reference markers needed away from the
edge of a
garment part, e.g. position of pockets, darts, etc.
A hole is drilled through the lay
Normally, drill is used cold, hole remains visible
until the sewing
Hypodermic
operator comes
to use
it drill leaves small deposit of paint on each
(or dye
spot)

weave hot drill is used which slightly


plyLoose
of fabric

scorches
fuse must eventually be concealed by the construction of the
ALL drillorholes
the edges of the hole
garment

Ticketing

Preparation for sewing

Tickets carry details : style no,


size,
ply no, bundle no., date
issued
Operations

may

be

incorporated for
payment purposes, control of
work
and facilitating quality control

Preparation for sewing

Bundling
Small batches of garments move from one work station to another in a
controlled way
Tens, dozens, 2 dozens, etc.
If ticketing is not done, a top ply labeling system is done

Bundle ticket consists of


Order no. 6015
Bundle no. 1430
Quantity 12
Style no. 3145
Size 12
Section collar

Sewing department

Sewing process flow

Sewing department
Production
system
Sewing
department

Sewing department
Production system: Make through system
It is the traditional method of manufacture in which an operator makes right
through
one garment at a time.

Source: ApparelKey.com

Sewing department
Production system: Conventional bundle
system
Sewing machines are arranged in lines.
The work flows from the central (store) area to the first
machine, from the first machine back to the store, and
then on to the next machine, and so forth.
A distributor stationed at the store is responsible for
receiving and dispatching the work.
The work in progress is in the form of bundles.
These bundles may be put on to a tray, a box, or a bag,
or the garment parts may be wrapped and tied.

Source: ApparelKey.com

Sewing department
Production system: Clump system
A worker collects a clump of materials from
the worktable and carries out the first
operation.
After he has completed his part of the
work, he returns it to the table.
A worker for the second operation then
continues the work and so on.
The process is ' collection - work -return'
continues until the whole garment has
been assembled.

Source: ApparelKey.com

Sewing department
Production

system:

Progressive

bundle system
Sewing operations are laid out in sequence.
Each operator receives a bundle, does his work,
reties the bundle and passes it to the next
operator.
There is a storage facility such as rack, bin or
table for storing the inter-process work between
each operation.
The work is routed by means of tickets.
This system is the most widely used system in
the garment industry today. It is used in shirt
factories, jeans factories, jacket factories, etc.

Source: ApparelKey.com

Sewing department
Production system: Flexible flow system
A section of sewing operators, each with a supply of
work in a rack at the side, work at an engineered work
place.
The machines are laid out in such a way that a flow of
work can be planned using the correct number of
operators in sequence.
For style A garments, the work distributed after
operation 1 can be distributed to the two operators
performing operation 2. On completion, the work from
both workers is then sent to operator 3. After operation
3, the work is continued by the two operators
performing operation 4 and so on.
When a new style is to be loaded on to the system, the
number of operators needed for each operation must
be planned in detail to ensure a balanced output.
Source: ApparelKey.com

Sewing department
Production

system:

Straight

line

system
The manufacturing process is broken down
into several operations, which take the same
time to complete.
Groups of operators are required to handle
only individual garments.
The garment parts pass from one operator to
the

next,

completely

until

the

made

up

garment
by

one

has

been

group

of

operators.
The central distribution unit may be a fixed
table or a a conveyor belt (its speed will be
set to suit the cycle time).
Source: ApparelKey.com

Sewing department

Production system: Synchro flow


system
Garment parts of the same size and color
are processed separately.
Different garment parts can be processed
simultaneously for assembling.
At the same time, collars, sleeves, cuffs,
pockets, etc., from other lines also go down
a central line.
The

different

processed

garment

together

to

parts
form

garments.

Source: ApparelKey.com

are

then

completed

Sewing department
Production system: Unit production system
A unit production system (UPS) is a computer-controlled production
line.
It is a type of line layout that uses an overhead transport system to
move individual units from work-station to work station for assembly.
All the parts for a single garment are advanced through the production
line together by means of a hanging carrier that travels along an
overhead conveyor.
Production operations are completed without removing the parts from
the carrier.
Automated materials handling replaces the traditional system of
bundling, tying and untying, and manually moving garment parts.
Electronic data can be collected from workstations, which provides
payroll and inventory data, immediate tracking
of styles, and costing
Source: ApparelKey.com

Sewing department
Production

system:

Modular

manufacturing system
Modular manufacturing groups operators
into teams, or modules.
The team works on one/a few garment at a
time instead of a bundle of garments.
The operators stand /sit at their stations
and rotate to different machines as they
work, becoming familiar with multiple steps
in producing the garment.

Source: ApparelKey.com

Seams and stitches

Sewing Machine
Thread-guides
Thumb-nut
screw

Stitch
regulator

Take-up lever
Tension
discs/checkspring
Needle
bar
Needle

Throat
plate

Reversing
lever

Needle guard
Presser foot

Machine
bed

Sewing Machine

Needle Bar

Needle

Throat plate

Needle Eye
Presser Foot

Feed Dog

Sewing Machine
Stitch forming
devices
Stitch

Device used

Lock stitch

Bobbin hook

Chain stitch

Looper

Over lock

Looper and spreader

Source: Glock & Kunz (Third edition)

Sewing Machine
The bobbin of a lock stitch
machine

Source: Glock & Kunz (Third edition)

Sewing Machine
Machine beds

Raised bed

Flat bed

Source: Glock & Kunz (Third edition)

Sewing Machine
Machine beds

Cylinder bed

Feed of arm

Source: Glock & Kunz (Third edition)

Sewing Machine
Machine beds

Post bed

Source: Glock & Kunz (Third edition)

Seams & Stitches


Garments are shaped and formed in three ways:
materials molded to a form,
fabric pieces cut to shape and assembled by bonding, and
pieces cut to shape and sewn.

For the purpose of standardization of stitch and seam formations, the U.S

government developed a guide that defines stitches and seams in current


use. The United States Federal Stitch and Seam Specifications (Federal
Standard 751a) were adopted in 1965.
The British Standard BS 3870: Schedule of Stitches, Seams, and Stitchings

was also developed about the same time.


The Federal Standard 751a have been replaced by ASTM D 6193, Standards

Related to Stitches and Seams.

Source: Glock & Kunz (Third edition)

Seams & Stitches


ASTM D 6193 gives the following definitions:
A stitch is the configuration of the interlacing of sewing thread in a
specific repeated unit.
A seam is a line where two or more fabrics are joined.
A stitching consists of a series of stitches embodied in a material for
ornamental purposes or finishing an edge or both.

Source: Glock & Kunz (Third edition)

Seams

Seams & Stitches

The basic function of a seam is to hold pieces of fabric together.


To perform its function correctly, the seam should have properties or
characteristics closely allied to those of the fabrics being sewn.
The careful selection of the most appropriate seam, a suitable stitch type
together with the correct thread and machine settings for the fabric and
end-product is of paramount importance.

Source: Glock & Kunz (Third edition)

Seams & Stitches

Physical properties of
Strength: a seam must be
seam

strong. Strength is usually measured in two

directions: across the seam (lateral or transverse strength) and along the
seam (longitudinal strength).
Extensibility
Durability: A seam must be durable, long-lasting and not abrade or wear

easily during everyday use of the garment


Security: a seam needs to be secure and not unravel during everyday use of

the garment
Appearance properties: the ideal seam should join pieces of fabric in an

unobtrusive and efficient manner with no discontinuity in physical


properties or appearance.
Balance

Source: Glock & Kunz (Third edition)

Seams & Stitches

Classification of seams
Superimposed seam
Lap seam
Bound seam
Flat seam
Edge finishing

Superimposed seam

Bound seam

Lap seam

Edge finishing
Flat seam

Source: Glock & Kunz (Third edition)

Stitches

Seams & Stitches

Stitch properties
Stitch size has three dimensions: length, width, and depth.
Stitch length is specified as the number of stitches per inch (spi) and can

be an indicator of quality. High spi means short stitches; low spi means
long stitches. Generally, the greater the spi, the more the holding power
and seam strength.
Stitch width refers to the horizontal span (bight) covered in the formation

of one stitch or single line of stitching. Stitches that have width


dimensions require multiple needles or lateral movement of thread
carriers such as the needle bars, loopers or spreaders.
Stitch depth is the distance between the upper and lower surface of the

stitch. It is a factor for blind stitches.

Seams & Stitches

Stitch
Stitch classification is based on structure of the stitch and method of interlacing.
classification

Source: Glock & Kunz (Third edition)

Seams & Stitches

Stitch
100 Class stitch: Single thread chain stitch
classification
Using one needle thread and one blind looper
Diagram

Stitch
class

Thread
count

Typical uses

101 Class

One thread

Basting, or light
construction

103 Class

One thread

Blind stitch for


hemming

104 Class

One thread

Blind stitch for


hemming

Source: http://www.garmento.org/751Astitchesandseams/100cl.htm

Seams & Stitches

Stitch
200 Class stitch: Single thread hand sewn stitch
classification
Using one needle thread

Diagram

Stitch

Thread

class

count

202 Class

205 Class

One Thread

One Thread

Typical uses
Basting, tacking or
repairs
Pick stitch topstitching

Source: http://www.garmento.org/751Astitchesandseams/200cl.htm

Seams & Stitches

Stitch
300 Class stitch: Two or more thread lock stitch
classification
Using Needle Thread(s) and One Bobbin Hook Thread
Diagram

Stitch

Thread

class

count

301 Class

Two threads

Typical uses
Seaming multiple plies
Zig-zag stitch; a stretch

304 Class

Two thread

306 Class

Two thread

Blind stitch

315 Class

Two threads

Three step zig-zag

lockstitch

Source: http://www.garmento.org/751Astitchesandseams/300cl.htm

Seams & Stitches

Stitch
400 Class stitch: Multi-thread chain stitch
classification
Using one or more needle threads and one or more looper threads
Diagram

Stitch class
401 Class

404 Class

406 Class

Thread count

Typical uses

Two threads

Seaming multiple
plies with
moderate stretch

Two threads

Topstitching or
seaming with
stretch

Three threads

"Bottom cover
stitch; a (greater)
stretch chain
stitch

Source: http://www.garmento.org/751Astitchesandseams/400cl.htm

Seams & Stitches

Stitch
500 Class Stitch: Multi-thread over edge chain stitch
classification
Using needle thread(s) and looper thread(s)
Diagram

Stitch
class

Thread
count

Typical uses

501 Class

One thread

One needle over edge


stitch for serging /
blanket stitch"

502 Class

Two thread

One needle over edge


stitch for serging

503 Class

Two thread

Over edge stitch for


serging with crossover on
edge of fabric

504 Class

Three thread

Over edge stitch for


serging and light seaming

Source: http://www.garmento.org/751Astitchesandseams/500cl.htm

Seams & Stitches

Stitch
500 Class Stitch: Multi-thread over edge chain stitch
classification
Using needle thread(s) and looper thread(s)
Diagram

Stitch
class

Thread
count

Typical uses

512
Class

Four
Thread

Mock safety stitch for seaming


with wide bite and greater
stretch for knits

514
Class

Four
Thread

Over edge stitch for seaming


with wide bite and greater
stretch for knits

515
Class

Four
Thread

True safety stitch for seaming


with good stretch for wovens
and knits

516
Class

Five
Thread

True safety stitch for seaming


with good stretch for wovens
and knits

Source: http://www.garmento.org/751Astitchesandseams/500cl.htm

Seams & Stitches

Stitch
600 Class Stitch: Multi-thread cover stitches
classification
Diagram

Stitch class

Thread
count

Typical uses

602 Class

Four thread

Cover stitch or
seaming knits

605 Class

Five thread

Cover stitch

607 Class

Six thread

Wide cover
stitch

Source: http://www.garmento.org/751Astitchesandseams/600cl.htm

Quality department

Quality department

Responsibilities of quality department


To impart quality in the product.

To ensure that the product has achieved the quality parameters of buyers.
To restrict the defects entering into the final product.
Main function of quality department is to carry out inspection.
Inspection can be defined as the visual examination or review of raw materials,
partially finished components of the garments and completely finished garments
in relation to some standards, specifications, or requirements, as well as
measuring the garments to check if they meet the required measurements.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department
Principle of inspection (inspection loop)

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

How much to inspect ?


No inspection

100% inspection
Spot checking- inspecting random shipments
Arbitrary sampling-10% sampling
Statistical sampling or acceptance sampling-flexibility with regard to
the amount of inspection to be performed

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Inspection terms

Sample: A sample consists of one or more units of a product drawn from a


lot or batch, the units of the sample being selected at random without
regards to their quality. The number of units of a product in the sample is
the sample size.
Lot or batch: Means Inspection lot or Inspection Batch, that is a
collection of units of a product from which a sample is to be drawn and
inspected.
Lot or batch size: The lot or batch size is the number of units of a product
in a lot or batch
Percent defective =

Number of defectives

100

Number of units inspected

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Identification of defects

Major Defect: A defect that, if conspicuous on the finished product, would


cause the item to be second.
Minor Defect: A defect that would not cause the product to be termed as
a second either because of severity or location.
Second: A Second is a garment with a conspicuous defect that affects
the saleability or serviceability of the item.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Spreading defects
Possible Pattern Defects:

Pattern parts missing

Skimpy marking

Mixed parts

Generous marking

Patterns not facing in the correct

Marker too wide

direction on napped fabrics

Not enough knife clearance

Patterns not all facing in the same


direction on a one-way fabric

Patterns not aligned with respect


to the fabric grain

freedom

Line definition poor

Mismatched

checks

and

stripes

Notches

and

omitted,

drill

marks

indistinct,

or

misplaced

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Cutting defects
Frayed edges

Fuzzy, ragged or serrated edges


Ply-to-ply fusion
Single-edge fusion
Pattern precision- Under-cut, Over-cut
Notches
Drills

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Sewing defects
Needle Damage

Pleated seams

Feed Damage

Wrong stitch density

Skipped stitches

Uneven stitch density

Thread breaks

Staggered stitch

Broken stitches

Improperly formed stitches

Seam grin

Oil spots or stains

Seam pucker

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Seaming defects

Incorrect or uneven width of inlay


Irregular or incorrect shape of sewing line
Insecure back stitching
Twisted seam
Mismatched checks or stripes
Mismatched seam
Extraneous part caught in a seam, an unrelated piece showing through the
seam
Reversed garment part
Blind stitching showing on the face side
Wrong seam or stitch type used
Wrong shade of thread used

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Assembly defects

Finished components nor correct to size or shape or not symmetrical.


Finished garment not to size
Parts, components, closures or features omitted
Components or features wrongly positioned or misaligned
Interlining incorrectly positioned
Lining too full, too tight, showing below the bottom of the garment,
twisted,
Garment parts cockling, pleated, twisted, showing bubbles and fullness
Garment parts shaded
Parts in one-way fabrics in wrong direction
Mismatched trimming

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

Checks for final inspection


Open seams

Snaps, fasteners, buttons

Skipped stitches

Labels

Cracked stitches

Elastic

Stitches/inch

Measurements

Uneven seams

Mends or repairs

Crooked, puckered, curled, pleated

Stripe

seams

Hems

Needle and feed cuts

Trim

Unclipped threads and Long ends

Broken needle

Raw edge

Distortion

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department

AQL: Accepted quality level

The AQL is the maximum percent defective that, for the purpose of
sampling inspection can be considered satisfactory as a process
average.
The AQL is a designated value of percent defective that the customer
indicates will be accepted most of the time by the acceptance sampling
procedures to be used.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Quality department
AQL: Accepted quality level
Sample size code letters
Lot or Batch Size

Sample size code letter

to

to

15

16

to

25

26

to

50

51

to

90

91

to

150

151

to

280

281

to

500

501

to

1200

1201

to

3200

3201

to

10000

10001

to

35000

Quality department

AQL: Accepted quality level

Sampling Plans
Sample Size
Code
Letter

Sample
Size

Acceptable Quality Level


2.5

6.5

Ac

Re

Ac

Re

Ac

10

Re

Ac

Re

13

20

32

50

10

11

80

10

11

14

15

125

10

11

14

15

21

22

200

10

11

14

15

21

22

21

22

315

14

15

21

22

21

22

21

22

Finishing and
packaging department

Finishing and packaging department


Finishing is the last stage of garment production where garment gets
its final look.
In this department each garment undergoes different finishing
processes.
It undergoes for quality check for several number of time which sets
the garment free from defects.
Buyer specifications and instructions are strictly maintained.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Finishing and packaging department


Operations performed at
Thread cutting:
finishing
stage Uncut threads affect the presentation of finished and
packed garments. Therefore, it is necessary to cut and trim the loose
and uncut threads.
Stain removal: Removal of the following type of stains:
Oil, yellow, black and paint spots, stains due to color bleeding, ink,
rust, tracing marks, yellow stains, and hard stains

Seam ironing:

Ironing

of garments using steam ironing tables with

vacuum boards.
Final finishing: The entire garment is finished using various finishing
equipments.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Finishing and packaging department


Operations performed at
Tagging and
packing: The pass pieces are brought to the tagging and
finishing
stage
packing section. It is the responsibility of the packing supervisors to
provide the tagging operators with the appropriate price and brand
tags. He also instructs the tagging operator as to where and how the
tag has to be placed. The most important thing to be kept in mind
while placing the tag is to match the size mentioned on the main label
and the size on tag. The step after the tagging is to pack the garments
as per the specification of the buyer.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Finishing and packaging department


Operations performed at
finishing
stage
Presentation
checking and cartoon packing
It is very important to check the packed garments for presentation.
Checkers check the packed garments for the following things:
Poly bags are as per specification.
Tags and price stickers are as per specification.
Packing is secured or not if specified.
Poly bags should not be soiled and torn.
Hangers are there or not if specified.
Garment has been folded as per specification etc.

Source: P. B. Mehta and S. K. Bhardwaj, Managing quality in apparel produc

Finishing and packaging department


Operations performed at
finishing
stage
Presentation
checking and cartoon packing
Once, checking is done they send the garments for the carton packing. The
following things are kept in mind during carton packing:

Number of garments to be packed in one carton.

Ratio asked for example S:M:L=2:1:1

Packing the garments in the cartons as per specified.

Closing the cartons with cello tape.

Sealing the cartons with plastic cord.

Writing on carton information like: Store or buyer name, buyer's address,


ratio, net
weight of the carton etc.

Thank you

Vous aimerez peut-être aussi