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CAMERA
A camera is a device used to take pictures (usually
photographs), either singly or in sequence, with or without
sound recording, such as with video cameras. A camera that
takes pictures singly is sometimes called a photo camera to
distinguish it from a video camera. The name is derived from
camera obscura, Latin for "dark chamber", an early mechanism
for projecting images in which an entire room functioned much
as the internal workings of a modern photographic camera,
except there was no way at this time to record the image short
of manually tracing it. Cameras may work with the visual
spectrum or other portions of the electromagnetic spectrum.
Every camera consists of some kind of enclosed chamber, with
an opening or aperture at one end for light to enter, and a
recording or viewing surface for capturing the light at the
other end. Most cameras have a lens positioned in front of the
camera's opening to gather the incoming light and to focus the
image, or part of the image, on the recording surface. The
diameter of the aperture is often controlled by a diaphragm
mechanism, but some cameras have a fixed-size aperture.
The size of the aperture and the brightness of the scene
control the amount of light that enters the camera during a
Camera Obscura (DARK ROOM)
It is not known who the first people to
discover the “dark room” were. The word
“camera” means room in Latin and the
word “obscura” means dark. A camera
obscura is just that – a dark room with a
hole in one side. The hole focuses the light
to produce an image of what is outside.
The image is produced upside down on the
wall opposite the hole.
Optics
The first people to understand how light
worked may have been the Chinese or the
How It Works
Greeks around the 4th or 5th centuries
The Chinese
B.C. camera philosopher
obscura is simply a room, or
Mo-Ti described a even a box, with a
hole in obscura,
camera one side.and
TheAristotle
hole actsunderstood
like an aperture in a camera,
focusing
the the light. The day must be bright, and the room must
principles.
be dark, but the image will appear clearly on the wall opposite
the hole. Because the sun’s rays travel in a straight line, they
produce an image on the wall that is reversed (upside down).
Step 1: Obtain Oatmeal Box.
Step 2: Cut 2” x 2” hole in the side.
Step 3: cover paint inside of box black. Also cover the lid, inside
and out, black.
Step 4: Test to make sure there are no light leaks.
Step 5: Use a heavy aluminum foil or tin from a pie plate to
make the pin-hole. Cut a square that is slightly larger than the
hole in your oatmeal box.
Step 6: Use a pin to make a hole in the center. Carefully smooth
out the edges of the pin-hole by pressing the aluminum against
a desk or table until it is flat.
Step 7: Use black permanent magic marker to color the pie tin
square.
Step 8: Be sure not to “cloud” the pin-hole with ink.
Step 9: Use black electrical tape to tape the pie tin to the inside
of the oatmeal box. Be sure that the tin completely covers the
hole and that there are no light leaks!
Step 10: Use heavy black paper to create a cover for the pin-
hole. Tape it to the side of the pin-hole and use rubber bands to
secure it.
Step 11: Now you’re ready to load your camera!
Step 12: In a darkroom, under red light, put a fresh sheet of
PATH OF LIGHT
ELEMENTS OF CAMERA
The photographic camera thus involved is light-tight
chamber / box with a lens at one end and film or plate
holder at other end with focusing system, diaphragm,
shutter, view - finder etc.
VIEW FINDER:- The viewfinder is the "window" or frame on a
camera showing the scene that will appear in the picture. Or The
viewfinder shows you the entire scene that will be recoded on
the film / memory and indicates which part of the scene is
focused most sharply.
TYPES OF VIEW FINDER:-
1- Optical Viewfinder on a Digital Compact
Camera:-
The optical viewfinder on a digital compact
camera consists of a simple optical system
that zooms at the same time as the main lens
and has an optical path that runs parallel to
the camera's main lens. These viewfinders
are small and their biggest problem is
framing inaccuracy. Since the viewfinder is
positioned above the actual lens (often there
2- LCD
is alsoona ahorizontal
Digital Compact
offset),
Camera
what (TTL):-
you see
The LCD on
through thea digital
opticalcompact
viewfinder
camera
is different
shows in
real time
from whatwhat
the is
lens
projected
projectsonto
ontothe
thesensor
sensor.
by
the lens
This "parallax
and therefore
error" is avoids
most obvious
the aboveat
parallax errors.
relatively small subject
This isdistances.
also called "TTL" or
"Through-The-Lens" viewing. Using the LCD
for framing will shorten battery life and it may
be difficult to frame accurately in very bright
sunlight conditions, in which case you will
have to resort to the optical or electronic
viewfinder . The LCDs on virtually all digital
SLRs will only show the image after it is taken
and give no live previews.
3- Optical Viewfinder on a Digital SLR Camera
(TTL):-
The optical viewfinder of a digital SLR shows what
the lens will project on the sensor via a mirror
and a prism and has therefore no parallax error.
When you depress the shutter button, the mirror
flips up so the lens can expose the sensor. As a
consequence, and due to sensor limitations, the
LCD on most digital SLRs will only show the image
after it is taken and give no live previews. In
some models this is resolved by replacing the
mirror by a prism (at the expense of incoming
light).
The optical viewfinder normally also features an
LCD "status bar" along the bottom of the
viewfinder relaying exposure and camera setting
information.
4- Electronic Viewfinder (EVF) on a Digital
Compact Camera (TTL):-
An electronic viewfinder (EVF) functions like the
LCD on a digital compact camera and shows in
real time what is projected onto the sensor by the
lens. It is basically a small LCD (typically
LENS:-
The lens is one of the most important vital parts of the camera
which consists one or more pieces of glass that focuses and
frame an image within the camera. Lens control begins with an
understanding of basic optics.
Very simply, it is the distance from the lens to the film, when
focused on a subject at infinity. In other words, focal length
equals image distance for a far subject. To focus on something
closer than infinity, the lens is moved farther away from the
film. This is why most lenses get longer when you turn the
focusing ring. The distances follow this formula:
Points related to focal length of lens:
A normal focal length lens also called standard lens, approximates the
impression human vision gives.
Wide angle or short focal length lens increase the angle of view and
shows more of scene than a normal lens from the same position.
Zoom lenses are variable focal length lenses are popular because they
combine a range of focal length into the camera.
Terms related to Lens:
1- Optical Center: it is point on
the lens through which the ray
of light passed un-deviated.
2- Principle axis: it is a straight
line passing through the centre
of curvature of all the lens
elements, and normal to the
plane surfaces.
3- Focus: The rays of light
parallel to the principle axis
passing through the lens
converge from a point (in case
of convex lens) or seem to
diverge from point (in case of
concave lens) on the principle
axis. This point is called Focus.
4 - Focal Plain: A plane passing
through the focus of the lens
horizontally to the principal
axis is called the focal plane of
Film chamber
A pattern of black and metallic leak proof (light) squares on the cassette
makes contact with contacts in the film chamber that pass information to
the camera with regard to film speed, film type and film length
The rewind crank: lets you wind your
film back into the canister. It's usually
on the left-hand-side, and more often
than not has a little flip-out lever to
make it easier to turn.
The rewind release: allows you to
rewind your film. Normally, while
shooting the film is locked so that it can
only move forwards and not backwards
into the canister, for obvious reasons.
The rewind release simply unlocks this
safety mechanism. This is usually a
small button located on the base of the
camera.
The ISO dial: which may be marked as
ASA, tells the camera the speed of your
film. This may not be a dial at all; it
might be a series of button presses.
PHOTOGRAPHIC FILM
Features
High dynamic range:
High dynamic range sensors capture complete scene
information, enabling sophisticated processing applications.
Low-light and near-IR sensitivity:
Acutely sensitive or near-IR sensors perform in very low-light,
capturing seemingly obscured details.
High speed:
DIFFERENCE BETWEEN CCD & CMOS
Both CCD (charge-coupled device) and CMOS (complimentary
metal-oxide semiconductor) image sensors start at the same
point -- they have to convert light into electrons. If you have
read the article How Solar Cells Work, you understand one
technology that is used to perform the conversion. One
simplified way to think about the sensor used in a digital
camera (or camcorder) is to think of it as having a 2-D array of
thousands or millions of tiny solar cells, each of which
transforms the light from one small portion of the image into
electrons. Both CCD and CMOS devices perform this task using
a variety of technologies.
CCD sensors, as mentioned above, create high-quality, low-
noise images. CMOS sensors, traditionally, are more
susceptible to noise.
Because each pixel on a CMOS sensor has several transistors
located next to it, the light sensitivity of a CMOS chip tends to
be lower. Many of the photons hitting the chip hit the
transistors instead of the photodiode.
CMOS traditionally consumes little power. Implementing a
sensor in CMOS yields a low-power sensor.
CCDs use a process that consumes lots of power. CCDs
consume as much as 100 times more power than an
IRIS DIAPHRAGM / Aperture:
The iris is the diaphragm, and the
opening in the iris of the eye (the
pupil) is the aperture. An
analogous device in a
photographic lens is called an iris
diaphragm.
The aperture of a lens is the
diameter of the lens opening and
is usually controlled by an iris.
The larger the diameter of the
aperture, the more light reaches
the film / image sensor.
or
In optics, a diaphragm is a thin
solid structure with an opening
(aperture) at its centre. The role
of the diaphragm is to stop the
passage of light, except for the
light passing through the
aperture. Or The aperture (the
size of the lens opening) controls
the brightness of the light that
reaches the film. The size of the
aperture is indicated by its f-
SHUTTER:
An automatic mechanical device, which allows and controls the
light passing through the lens and acts on the sensitive
emulsion (film) or A mechanism that opens and close to admit
light into a camera for a measured length of time. so as to
proper exposure is known as “shutter”. The earliest shutter
was hardly more than a piece of card or tape held over the
‘lens’ or pinhole which was removed for a set period. The time
normally ran into seconds or minutes due to the low sensitivity
Types:
of film Shutters
and the are
smallnormally between-the-lens
apertures used. These shutters move
(Leaf)
slow or Focal sec.)
(1 sec.,1/2 Plane.or extremely fast (1/1000 sec.), as per
1.requirement
Leaf typesof can
the situation.
usually be found in older
cameras, film compacts and medium format
camera lenses.
2. Focal plane shutters are generally used on
SLR’s.Focal plane shutter – vertically running,
this gives more opportunity for higher speeds
as there is less travel for the blades.
The main differences between the two is the
range of speeds and the highest flash (sync)
speed. Leaf shutters can sync over their
complete range of 1/500sec to 4 or 8 sec.
Shutter Speed
Both the shutter speed and aperture affect the amount of light entering
the camera.
Shutter speed and aperture also affect sharpness.
Things consider to choosing a shutter speed:
Subject need to be extremely still/steady in order to not
show motion / blur in the image with the shutter speed of
1/30 of a second or slower.
Fast moving subjects tend to need shutter speed of 1/250
of a second or faster into order to freeze motion or prohibit
blur.
Things consider to choosing a aperture: