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How to
Harmonize Bach
Chorale
Cadences
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Perfect (V-I)
1,241
211
Approx
Percentage
1,452 73
Imperfect
(?-V)
Plagal (IV-I)
225
190
415
21
30
14
44
Interrupted
(V-VI)
Other
(modal
chorales)
33
33
1.5
50
2.5
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What does
this tell us?
Perfect cadences in root position are most frequently used, followed
by Imperfects, either in root position or inverted. They represent the two
ways of finishing a phrase, with an answer or with a question.
Imperfect cadences can be re-defined as any chord leading to chord V.
Plagal and Interrupted cadences are very rare and are only used to
accommodate unusual soprano patterns.
It is often better to modulate, and use a Perfect or Imperfect Cadence in
a new key, rather than use Plagal or Interrupted Cadences.
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Note, the one note that is shared by both the Chords I and V, the 5th
scale degree is almost always harmonized by Chord V at the end of a
phrase. This note signifies use of an Imperfect Cadence or
modulation to the Dominant.
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Remember, the Pause Chord marks the end of a line of sung text.
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Perfect Cadences
They make a phrase sound complete and rounded off rather like a
full stop in a sentence.
They completely reinforce the idea of being in a key and are
essential to modulation.
They provide the maximum degree of harmonic stability.
In order to achieve this, root position chords should be used for
the two cadence chords. The approach chord may be inverted.
For some frequently occurring melodic patterns, Bach devised
stylistic formulae, or standard patterns that should be memorised.
For all other situations, common sense should be applied in terms
of choice of approach chord and voice leading.
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Imperfect Cadences
Make a phrase sound as if it is momentarily taking a break
before moving on, rather like a comma rather than a full stop
in grammar.
Any chord leading to Chord V will work as an Imperfect
Cadence in chorale style.
If inversion is used it will usually be the chord preceding
Chord V.
In a minor key remember that the 3rd of Chord V will
always need an accidental as it is the Leading Note.
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