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Woo Hon Kwan
Joey Ho
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Albert Wan
Zhong Ka Yu
A Brief History
Prologue
The rise of the Chinese opera had to be traced back to the Zhou
dynasty. When Zhou first adopted the Fēngjiàn system (Feudalism)
Timeline
Northern Branches
Southern Branches
Others
The Northern Branches
• Henan Opera (Henan Bangzi)
• Qin Opera
• Beijing Opera
Henan Opera
Beijing (Peking) Opera
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The Southern Branches
• Suzhou Opera( 蘇州 )
• Ballad-sing
• Yue Opera
• Hù Opera
• Hunanese Opera
• Gaojia Opera
• Liyuan Opera
• Puppet Opera
• PuTian Opera
• Min Opera( 福州戲 )
Others
• Cantonese Opera ( 粵劇 )
• Sichuan Opera ( 川劇 )
• Huangmeixi ( 黃梅調 )
Four Great Characteristic Melodies
• Bangziqiang ( 梆子腔 )
• Huangpiqiang ( 黄皮腔 )
• Kunqiang ( 崑腔 )
• Gaoqiang ( 高腔 )
Cantonese Opera
The 4 Elements
http://www.novelhall.org.tw/arthur/chineseopera/flash/index.swf
Princess Chang Ping
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The Story
The story of Princess Chang Ping ( 帝女花 )
is a Chinese legend about a princess and
her lover at late Ming Dynasty. It has been
made into a Cantonese Opera by Tang Ti-
sheng, a very prolific Cantonese opera
adaptor of the early to mid-1900s. The
premiere was featured in the Lee Theatre
on 7 June 1957 and has achieved amazing
box office results since then.
Another typical example
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Does Peking Opera equals to Chinese
Opera?
Roles of Play
There’re 4 roles in Chinese Opera:
• Sheng (male)
• Tan (female)
• Ching
• Chou
Sheng (Male)
Hsiao Sheng
Wu Sheng
Tan
Tan
Hua Tan
Ching
Chou
Wen Chou
Wu Chou
The Costumes
Characteristics:
• Elegant sound
• Clear local image
Wind Instruments
Types:
• Without reeds
(aloe)
• With double-reeds
(aloe)
• With single-reed
(aloe)
Plucked String Instruments
Types:
• Seven stringed
zithers
• Pipa
Video Clip Introduction
Acknowledgement