Camera 1: there? Camera 1 is placed in the pit below the stage but between the stage and where the audience barrier starts, on the right side of the stage angling towards the audience. The camera is placed there as a steadicam as it is stationary and at a low angle facing the audience at a diagonal angle. This camera would take wide establishing shots in order to convey the enormity and the atmosphere of the live concert.
Why put these cameras
Camera 2: there? Camera 2 is placed in front of the stage facing the performers on stage, in the middle of the pit between the stage and the audience barriers. The camera is positioned facing the performer in order to give dominance and attention to the artist performing at the show also this camera position gives the TV audience to feel connected and intimate with the performer. This camera would take mid-shot and close-up shots of the artist.
Why put these cameras
Camera 3: there? Camera 3 is positioned behind the audiences at the front of the stage but it pans left to right on a jib/crane equipment to give effect of an aerial shot/bird's eye view of the whole concert as it is happening. The camera pans across over the audience's heads showing the stage layout from above. It creates an idea of what the view that the audience would experience when they are at the concert giving the TV audiences the feeling as if they are actually there at the concert when they are not. This camera would take panning, mid-shot and establishing shots.
Why put these cameras
Camera 4: there? Camera 4 is positioned on the left side of the stage but on the stage. The camera would have telephoto lens focusing on the hands of the musician playing the instrument giving the TV audiences an insight to the behind the scenes of the concert as it makes the experience/atmosphere that is created even more real for the TV audiences as you don't always see the musicians playing and allowing them to get more insight of the show than those who are at the concert. This camera would be positioned at this position to give the audiences an extra feel of the concert and make them feel as if they were there. This camera would take close-up and extreme close-ups of the musicians.
Why put these cameras
Camera 5: there? Camera 5 is positioned at the back of the audiences on a jib or a drone to get aerial/bird eye shots of the whole show layout giving an effect of enormity and expresses the popularity of the artist due to the big audience capacity. The camera would take wide establishing shot and aerial shots.
Why put these cameras
Camera 6: there? Camera 6 is positioned behind the performer on stage facing the audience so the performer has their backs to the camera. This camera is positioned here because it breaks the 180 degree rule and gives the TV audiences a feel of what the musicians and the performers see when on stage.
Why put these cameras
Camera 7: there? Camera 7 is positioned on the right side of the centre stage facing the stage. The camera would have telephoto lens focusing on the hands of the musician playing the instrument giving the TV audiences an insight to the behind the scenes of the concert as it makes the experience/atmosphere that is created even more real for the TV audiences as you don't always see the musicians playing and allowing them to get more insight of the show than those who are at the concert. This camera would be positioned at this position to give the audiences an extra feel of the concert and make them feel as if they were there. This camera would take close-up and extreme close-ups of the musicians.
Why put these cameras
Camera 8: there? Camera 8 is positioned on the right side of the pit in front of the stage but still between the audience starting barrier, this camera is on a jib/crane that pans over the top of the audience also in front of the audiences whom are at the front of the concert. This camera also pans over the performers giving an bird eye view only on the performers themselves. This camera is used to give extra feel of the enormity of the audience.
Why put these cameras
Camera 9 & 10: there? Cameras 9 and 10 are placed above the centre stage looking down and towards the audience in a different angle that the live audience wouldnt view so it gives the TV audiences an extra feel of what the layout looks like and make them feel that they are actually there at the concert when they actually are not. This camera would take wide establishing shots.
studio
Why put these cameras
Camera 1: there? Camera 1 is positioned in front of the panellists/presenter in a stationary position, this camera has telephoto lens in order to capture high quality close-ups of the panellists/presenter. This camera would take mid-shot and close-ups, this is used to give the TV audiences a clear view of the panellists/presenters facial expression.
Why put these cameras
Camera 2: there? Camera 2 is positioned in front of the audience facing the right side of the stage where one team of panellists are sitting. This camera is stationary with telephoto lens enabling to capture mid-shot and closeups quickly to capture all reactions of the panellists. This camera would take mid-shot and close-ups only and focuses on one section of the stage.
Why put these cameras
Camera 3: there? Camera 3 is positioned in an angled on the right side of the stage facing towards the left side of the stage in order to capture wide shots and mid-shots of the panellists and the presenter who is in the middle of the stage together, just to give the TV audiences and idea of what is going on and clear reactions. This camera is stationary as it focuses on one section of the stage.
Why put these cameras
Camera 4: there? Camera 4 is positioned in an angled position on the left side of the stage in front of the live audience facing the right side of the stage, in order to capture wide shots and mid-shots of the panellists and the presenter who is in the middle of the stage together, just to give the TV audiences and idea of what is going on and clear reactions. This camera is stationary as it focuses on one section of the stage and can capture close-ups of one or two panellists to direct attention if they are talking.
The differences: live vs.
The difference between live and studio camera set up, is that live studio studio uses far less cameras than the amount used for a live concert. The studio cameras would either be stationary on the ground or on a dolly as there is restricted studio space and they have less budget than the live broadcasts like concerts/Olympics which enables them to have much more cameras/cranes/Steadicams. The studio cameras have high quality footage because they are focused and steady compared to the live because they are of less quality and is moving allot to capture the whole atmosphere.