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Powerpoint for lecture introducing the theory and art-history of stupas (also known as chorten or caitya), reliquaries which originally housed ashes and relics from the historical Buddha. Discusses stupas in terms of Buddhist material culture, and addresses their symbolism as a map of the universe and also a path to enlightenment.
Powerpoint for lecture introducing the theory and art-history of stupas (also known as chorten or caitya), reliquaries which originally housed ashes and relics from the historical Buddha. Discusses stupas in terms of Buddhist material culture, and addresses their symbolism as a map of the universe and also a path to enlightenment.
Powerpoint for lecture introducing the theory and art-history of stupas (also known as chorten or caitya), reliquaries which originally housed ashes and relics from the historical Buddha. Discusses stupas in terms of Buddhist material culture, and addresses their symbolism as a map of the universe and also a path to enlightenment.
interpret the stpa in terms of a larger Indian, Vedic context Bases his interpretation mainly on Saci stpa O ther Types ofStpas Stpas and O ther VisualCues At first, this Buddha was reluctant to discuss funeral rites His body should be treated the same as a great king A stpa should be placed where many people can see it, and should gladden the heart Reminder that a Buddha existed, that its possible to become free from suffering On a more basic level, reminder to have less anger and attachment, more patience and compassion Opportunity for merit through respect and offering Stpas and Relics
After cremation, Buddhas ashes,
teeth, robes and bowl were distributed to create eight stpas (relics)
Emporer Aoka (ca. 270-323 BCE)
opened these up, divided them further "He who sees the dharma sees me; he who sees me sees the dharma Stpas are objects of devotion, also maps for meditation Stpas are an embodiment (not just a representation) of a Buddhas body, speech and mind Contain physical remains (body), scriptures (speech); the stpa itself is mind Buddhas body (kya): physical form (including remains) are form body (rpa- kya); also dharma-body (dharma-kya) O ther Popular Buddhist Im ages
Early art: aniconic (no Buddha
images) Earliest iconic representations (e.g., statues) date to the 2nd century CE Lotus flower In the world but not of it, beauty rising out of (and transcending) suffering Buddhas Footprint A Buddha was here, and left the teachings Dharma wheels on hands and feet (one of the 32 major marks of a Buddha) Dharma wheels themselves symbolize the teachings, particularly the 8-fold path Typologies ofBuddhist Practice
Kammatic Make merit for better rebirth
Nibbanic Practice in order to attain realization and freedom from suffering
Apotropaic (turn away, ward off)
Ward off dangers; live a healthy and long life Popular Practices Mainly revolve around obtaining merit (or, good karma) and warding off danger These are Kammatic and Apotropaic Circumambulating (keeping to the right) Prostrations Offering incense, flowers, candles Vows of conduct (prevent harmful actions, habituate beneficial actions) Meditating (amatha, Vipayana) Buddhist Cosm ologies as Refl ected in Stpas
Borobudur: Three Realms
Desire Realm (kma-dhtu) Form Realm (rpa-dhtu) Formless Realm (arpya-dhtu) Meditative state of cessation (nirodha) can lead to rebirth in the form or formless realms Stpa as Cosm ology