Air de Paris (50 cc of Paris Air), 1919 Ad Reinhart. Abstract Painting, 1960-66 Sol Le Witt. 49 Three Part Variations on Three Different Kinds of Cubes, 1967-72 Sol Le Witt. Wall Drawing #146, September 1972 En el arte conceptual la idea o el concepto es la parte ms importante del trabajo. Cuando un artista utiliza una forma conceptual de arte, significa que todo el planteamiento y las decisiones estn hechos de antemano; la ejecucin es un asunto superficial. La idea se convierte en una mquina que hace el arte. Sol LeWitt, "Prrafos sobre arte conceptual", Artforum, de junio de 1967. Sol Le Witt. Lines from the midoints of lines, 1975 Sol Lewitt. A square divided horizontally and vertically into four equal parts, each with a different direction of alternating parallel bands of lines, 1982 Joseph Kosuth. One and Three Chairs, 1965 "Todo arte (despus de Duchamp) es conceptual (en la naturaleza), porque el arte slo existe conceptualmente ". Joseph Kosuth."Arte despus de la Filosofa", 1969, Joseph Kosuth. One and Three Chairs, 1965 Joseph Kosuth. One and Three Lamps, 1965 Joseph Kosuth. One and Three Saws, 1965
Joseph Kosuth. One and Three Pans, 1965
Joseph Kosuth. Four Words Four Colors, 1965 Joseph Kosuth. Five words in green neon, 1966 Joseph Kosuth. One and eight - a description, 1966 Joseph Kosuth. Titled (Art as Idea as Idea) First Investigations, 1967 Joseph Kosuth. Art as Idea. Nothing, 1968 Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). Index 01, 1972 Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). 77 sentences, 1974 Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). 77 sentences, 1974 Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). Incident in a Museum, Madison Avenue, 1986. Robert Barry. Untitled, 1974 Robert Barry. Untitled, 1978 Robert Barry. Otherwise, 1981 Robert Barry. Vista exposicin, Brescia Italia, 2005 Lawrence Weiner. Small Piles of those things that fall through the cracks in the floor, 1989 Lawrence Weiner. Untitled, 1968 Lawrence Weiner. Two blocks of tempered steel, 1993 Vctor Burgin. Performative-narrative, 1971 THREE MINUTES OF FORTY POUND PRESSURE SPRAY OF WHITE HIGHWAY PAINT UPON A WELL TENDED LAWN. THE LAWN IS ALLOWED TO GROW AND NOT TENDED UNTIL THE GRASS IS FREE OF ALL VESTIGES OF WHITE HIGHWAY PAINT.
TRES MINUTOS DE UNA PRESIN
DE CUARENTA LIBRAS EL AEROSOL DE LA PINTURA BLANCA DE LA CARRETERA SOBRE LA SUPERFICIE DEL CSPED. EL CSPED SE PERMITE CRECER Y NO SE ATIENDE HASTA QUE LA HIERBA EST LIBRE DE TODOS LOS VESTIGIOS DE LA PINTURA BLANCA DE LA CARRETERA.
Lawrence Weiner. Statement 020, 1967-8
"El mundo est lleno de objetos, ms o menos interesantes. No quiero seguir aadiendo ms objetos a los existentes. Prefiero simplemente plantear la existencia de cosas en trminos de tiempo y espacio".
Douglas Huebler. Duration Piece N 31, 1973
Hanne Darboven. Construction Drawing, 1968 Roman Opalka. 1965/- (Detail 1-35327). 196 x 135 cm. On Kawara. 18 feb. 1973 - mar. 14. 1973 On Kawara. Date Paintings. Mar. 11, 1967 On Kawara. Date Paintings. May 31 1980, July 24 1980 On Kawara. Installation view, 1989 On Kawara. II got up at 8.01 a.m, 1974 On Kawara. Un milln de aos (pasado y futuro) desde 1970 (Documenta XI) Marcel Broodthaers, White Cabinet and White Tables, 1965 Marcel Broodthaers, Le corbeau et le renard, 1968 Marcel Broodthaers, Paintings, 1973 Marcel Broodthaers, Enseignment Agricole Les Animaux de la Ferme (A-B), 1974 Marcel Broodthaers, Muse d'Art Moderne, Dpartement des Aigles, Section des Figures Der Adler von Oligozn bis Heute, 1968-1972 Daniel Buren. De la Coureur de la Matire, 1945 Daniel Buren. Three light boxes for One Wall, 1989 Daniel Buren. The Rotating Square - In and Out of the Frame, 1989 Todos los actos son polticos, y si uno es consciente o no, la presentacin de su trabajo artstico no escapa de esta regla. Daniel Buren
Daniel Buren. Cabane clate deux fois, 1990-1
Daniel Buren. Daniel Buren. Painting-Sculpture -work in situ- Geggenheim, N.Y., 1971 En el Guggenheim, marzo 26 2005 John Baldessari. Pure Beauty, 1967-68 John Baldessari. What Is Painting,1967-68 John Baldessari. PRIMA FACIE, 2005 ARTE CONCEPTUAL