Académique Documents
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Architecture
Unit-04
Geometrics and surfaces
The Dynamic tower in Dubai was designed by architect David Fisher. It is 1,375 foot high.
Solar panels will be installed on the roof, and individual wind turbines will be hidden in
between the floors to provide power. According to the architect, the building will generate up
to 10 times more energy than it will use.
https://www.youtube.com/wa
tch?v=RgNoLWTmsng
ROTATING TOWER - DUBAI
Architects philosophy dynamic buildings, adjusting to sunrise and sunset, to the wind and to
the view thus becoming part of nature. and the first buildings to have a fourth
dimension: Time. shape by life ;designed by time
Mechanism of rotation
The mechanism of rotation is that there is a drive system located at the base of each
floor. The bearing ring and air cushion will help in rotating the tower smoothly. A few options
to power the rings is to install a motor at every floor. There will a main generator installed at
the base of the building. A shaft running to the entire length of the building would rotate
continuously whenever the user wants to rotate the floor he can simply connect his floor
level to the main shaft.
The rotation was supposed to happen from the steel bearing rings . The diameter of the
core is around 22mts approx and the power of 4 KW is required . Each floor will rotate a
maximum of 6 meters per minute or one full rotation in 90 min.
ROTATING TOWER - DUBAI
Construction techniques
3. Two months after the start of works, the first residential units will
reach the job site, complete with all their plumbing, electric and
air-conditioning systems.
https://www.youtube.com/watch?v=XsoFGZvScRs
Foster and Heatherwick - Shanghai theatre
Responsive Architecture
INTRODUCTION
What is Responsive architecture ?
The facade was initially conceived as a movable layer based on a simple mechanical system
with embedded electric motors that control the movement of the fins. Noiz and ARUP worked on the
proposal for this kinetic facade system which was eventually abandoned due to construction costs.
City hall, London Norman fosters+ partners
Under the impact of the sun path and other environmental considerations the GLA
design morphed from a pure sphere, the most efficient geometric form for enclosing a given
volume- to its present laid back, lens like shape. Sloping backwards from its site on the south
bank of the river thames, the north face of the building is precisely angled so that at no time
of the day or year does the sun directly strike the steel and glass wall.
City hall, London
Norman fosters+ partners
Correspondingly , the south facing wall is
stepped upwards and outwards,
so that the upper floors shade the lower
ones.
Internal sunshades wrapped around the
south, east and west sides finish the
job, leaving the north side completely
clear for the council members and
observers to enjoy the views across the
river from inside the council chamber,
which is situated directly behind the
glass wall.
A spectacular elliptical stairway, a
complex connecting all the floors,
providing office workers with the same
views.
Dynamic Facade
Al Bahr Towers
Situated in Abu Dhabi, The Al Bahr Towers are a
benchmark for a highly considered approach in the
built environment. The towers proudly stand at the
vanguard of this new orientation by respecting the
historical, cultural, and environmental nature of the
region.
The design is based on the concept of adaptive
flowers and the "mashrabiya" - a wooden lattice
shading screen, which are traditionally used to achieve
privacy whilst reducing glare and solar gain.
The geometry of the shading screen folds and
unfolds in response to the movement of the sun,
reducing solar gain by up to 50%, whilst simultaneously
improving admission of natural diffused light into the
towers and improving visibility.
Dynamic Facade
Al Bahr Towers
The original folding concept for the dynamic mashrabiya unit was initially explained
through a simple origami model that revealed how the triangular unit would function.
Al Bahr Towers fuse the principles of bio-inspiration, regional architecture, and
performance oriented technology with an underlying performance criteria, grid-guide, and
geometric composition that generates a highly efficient integrated system.
positioned upon an industrial harbor, a permanent structure and waterfront promenade will serve as a
tourist destination and permanent attraction for residents. derived from the ocean concept, morphing
surfaces organize the spatial sequences. upright surfaces create portals to welcome visitors into the
exhibition area and transition into horizontal levels serving as a flexible stage for the best practice area.
concrete structures in the forms of cones redefine the edge of the meandering coast, offering panoramic
views of the nearby islands from roof top terraces. a public landscape of plateaus and paths unfold from
the pavilion.
One Ocean by SOMA Architecture, Yeosu, Korea
LUMENHAUS: the responsive architecture, zero energy house
The name LUMENHAUS comes from "lumen", meaning "the LUMENHAUS uses responsive
power of light", and "haus", a reference both to the architecture: all of the systems
have been designed to work
Bauhaus design movement in which the Virginia Tech together to balance
College of Architecture and Urban Studies has roots, and occupants' comfort and
energy efficiency.
the German word for house or home. The house maximizes
occupants exposure to bright
light during the day through its
open, flowing spaces and at
night radiates it back via a
low-energy LED lighting system
in the insulating panels. The
color temperature of the white
lights can be controlled to
optimize mood and wellbeing.
For example, a warmer
temperature could be used to
promote relaxation and a
cooler temperature to
increase concentration.
LUMENHAUS: the responsive architecture, zero energy house
Solar (or photovoltaic or PV) panels cover the roof and the house uses passive energy
systems, radiant heating and building materials from renewable and/or recyclable sources. The
prefabricated construction process reduces waste and increases efficiency.
A meter records the usage of energy throughout the day.
The fully automated Eclipsys System is an advanced building facade comprising two
layers: a metal shutter shade and a translucent insulating panel. The shutter shade slides along the
north and south facades, providing protection from direct sunlight while allowing for indirect,
natural light, views to the exterior and privacy.
The sliding insulating panel is a translucent polycarbonate panel filled with aerogel, a
super lightweight, highly insulating translucent material that provides insulation equivalent to a
typical solid wall during harsh weather conditions without blocking natural light.
When the Eclipsys System is open, floor space doubles and the interior and exterior of
the house meld seamlessly, connecting the house to the natural environment outside.
The panels automatically adjust to best capture the suns energy in all seasons and all weathers. In
the cold months, the Eclipsys System will open up to allow sunlight to passively heat the concrete
slab floor, decreasing the amount of energy needed to heat the house.
Computer automated controls, which can be activated via iPhone or iPad, allow the house to
automatically adapt to changing environmental conditions.
https://www.youtube.com/watch?v=RgNoLWTmsng&list=PL3B828A2B5BA2BC78
Dynamic architectuture vision
https://www.youtube.com/watch?v=52gHW65lIiA
Faade- animation
https://www.youtube.com/watch?v=ICixCazf6-k
Interior camouflage
Credits
https://www.dezeen.com
http://inhabitat.com
L I Q U I D A R C H I T E CT U R E
When droplet create space.- a look at liquid architecture.
Here, in a windowless and amorphous interior structure, Lars Spuybroek assigned the real
water the role of being non-interactive, creating a sprayed mist that drained over the floors. As a
counterpoint NOX introduced virtual water through interactive projections with sensors, which
transformed wave patterns into ripples and blobs culminating in fascinating viewer experiences of
water and light.
In contrast, the Iceland pavilion at Expo 2000 welcomed visitors with a water faade. Iceland,
surrounded by water and boasting numerous spouting geysers on the island, presented a striking
blue membrane cube in Hanover. A flowing film of water turned the pavilion into a cubic waterfall.
With the sun shining on the cascading ripples and thereby reflecting the moving clouds, the faade
generated a fresh and sparkling impression of the environment
Liquid Architecture
INTRODUCTION
Marcos Novak defines liquid architectures: ""What is liquid architecture? A liquid architecture is an
architecture whose form is contingent on the interests of the beholder; it is an architecture that
opens to welcome you and closes to defend you; it is an architecture without doors and hallways,
where the next room is always where it needs to be and what it needs to be. It is an architecture
that dances or pulsates, becomes tranquil or agitated. Liquid architecture makes liquid cities, cities
that change at the shift of a value, where visitors with different backgrounds see different
landmarks, where neighborhoods vary with ideas held in common, and evolve as the ideas mature
or dissolve."
""If we described liquid architecture as a symphony in space, this description should still fall short of
the promise. A symphony, though it varies within its duration, is still a fixed object and can be
repeated. At its fullest expression a liquid architecture is more than that. It is a symphony of space,
but a symphony that never repeats and continues to develop. If architecture is an extension of our
bodies, shelter and actor for the fragile self, a liquid architecture is that self in the act of becoming
its own changing shelter. Like us, it has an identity; but this identity is only revealed fully during the
course of its lifetime." -- Marcos Novak
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
The design of Heydar Aliyev Center establishes a continuous, fluid relationship between its
surrounding plaza and the buildings interior. The plaza, as the ground surface; accessible to all as
part of Bakus urban fabric, rises to envelop an equally public interior space and define a sequence
of event spaces dedicated to the collective celebration of contemporary and traditional Azeri
culture. Elaborate forms, including undulations, bifurcations, folds, and inflections modify this plaza
surface into an architectural landscape that performs a multitude of functions: welcoming,
embracing, and directing visitors through different levels of the interior.
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
Fluidity in architecture is not new to this region .In Historical Islamic architecture, rows grids or
sequences of columns flow to infinity like trees in a forest, establishing non- hierarchical space.
Continuous calligraphic and ornamentation patters flow from carpets to walls , walls to ceiling ,
ceilings to domes, establishing seamless relationships and blurring distinctions between
architectural elements and the ground they inhabit.
Responding to the topographic sheer drop that formerly split the site in two, the project introduces
a precisely terraced landscape that establishes alternative connections and routes between public
plaza building and underground parking.
One of the most critical yet challenging elements of the project was the architectural development
of the building s skin. Their ambition was to achieve a surface so continuous that it appears
homogenous, required a broad range of different functions, construction logics and technical
systems had to be brought together and integrated into the buildings envelope.
Advanced computing allowed for the continuous control and communication of these
complexities.
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
The Heydar Aliyev Center principally consists of two collaborating systems: a concrete structure
combined with a space frame system. In order to achieve large-scale column-free spaces that allow
the visitor to experience the fluidity of the interior, vertical structural elements are absorbed by the
envelope and curtain wall system. The particular surface geometry fosters unconventional structural
solutions, such as the introduction of curved boot columns to achieve the inverse peel of the surface
from the ground to the West of the building, and the dovetail tapering of the cantilever beams that
support the building envelope to the East of the site.
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
Glass Fibre Reinforced Concrete (GFRC) and Glass Fibre Reinforced Polyester (GFRP) were chosen as
ideal cladding materials, as they allow for the powerful plasticity of the buildings design while
responding to very different functional demands related to a variety of situations: plaza, transitional
zones and envelop
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
In this architectural composition, if the surface is the music, then the seams between the panels are the
rhythm. Numerous studies were carried out on the surface geometry to rationalize the panels while
maintaining continuity throughout the building and landscape. The seams promote a greater
understanding of the projects scale. They emphasize the continual transformation and implied motion
of its fluid geometry, offering a pragmatic solution to practical construction issues such as
manufacturing, handling, transportation and assembly; and answering technical concerns such as
accommodating movement due to deflection, external loads, temperature change, seismic activity
and wind loading
Liquid Architecture HEYDAR ALIYEV CENTER, BAKU ,AZERBAIJAN
2007-2012, BUILT: 1,02,801 Sq.m SITE : 111292 Sq.m
Liquid glacial is a collection of pieces encompassing tables, chair stools and enter piece resembling
ice formation. The geometry of the items appears transformed from motionless to fluid by subtle
waves rippling below the surface
The liquid glacial design embeds surface complexity and refraction within a powerful fluid dynamic.
The elementary geometry of the flat table top appears transformed from static to fluid by the subtle
waves and ripples evident below the surface, while the tables legs seem to pour from the
horizontal in an intense vortex of water frozen in time.
Material :Polished
plexi glass
clear/Acrylic
Liquid Architecture
Liquid Glacial dining Table.
All pieces , milled and hand polished to create a
pristine finish are made from clear as well as
colored acrylic material that conveys depth and
complexity through an ever changing
kaleidoscope of refractions evolving from Hadids
architectural narrative exploring the movement
through space.
Liquid Architecture CHANGSHA MEIXIHU INTERNATIONAL
CULTURAL CENTER, CHINA
The international culture and arts centre embodies a unique variety of civic nodes and spaces.
In true Hadid-fashion, the Changsha Meixihu Lake International Culture & Arts Center defines
itself by extreme sinuous curves that radiate from each of the three independent structures
and links them by a pedestrianized landscape that offers a strong urban experience, forming
The Museums composition of three fluid petals around its internal central atrium, juxtaposes of the
various patchworks of gallery spaces in a truly seamless fashion. With outward views and balconies to its
exteriors, it aims to engage the sites unique location and surrounding views into some of its gallery
spaces. An external plaza which faces Meixihu Lake Road allows for outdoor sculptures, exhibitions and
events to be extended to an expansive outdoor space.
Liquid Architecture CHANGSHA MEIXIHU INTERNATIONAL
CULTURAL CENTER, CHINA
The Small Theatre (Multipurpose Hall) is characterized by its flexibility. With a maximum capacity of 500
seats, it can be adapted and transformed to different configurations. It can therefore accommodate a
broad range of functions and shows that span from banquets and commercial events to small plays,
fashion shows and music. A commercial attraction, this venue shares seamless public access to retail
areas and restaurant facilities, which are seated in an open and gently sunken courtyard linking visitors
to and from the basement level.
Liquid Architecture CHANGSHA MEIXIHU INTERNATIONAL
CULTURAL CENTER, CHINA
Although these civic institutions are uniquely defined and separate, they supply each other in all
respects within its setting with plazas offering visitors a tapestry-like sequence of urban ambiances that
relate to the different institutions, inject the site with urban vitality.
This dynamic composition further establishes a powerful relationship with its surroundings, which confers
Embodying values of functionality, elegance and innovation, the Changsha Meixihu Lake International
Culture & Arts Center aims to become the new cultural and civic node for the city of Changsha, and
The architectural concept of the London Aquatic Centre is inspired by the fluid geometries of water in
motion, creating spaces and a surrounding environment that reflect the riverside landscapes of the
Olympic Park. An undulating roof sweeps up from the ground as a wave - enclosing the pools of the
Centre with a unifying gesture of fluidity, while also describing the volume of the swimming and diving
pools.
CONSTRUCTED BUILDING
RENDERED IMAGE
Liquid Architecture LONDON AQUATIC CENTER - OLYMPIC 2012
2011; Built : 15950.0 sqm.
The pool hall is expressed above the podium by a large roof which arches along the same axis as the
pools. Its form is generated by the sightlines of the 17,500 spectators in its Olympic mode. Double-
curvature geometry has been used to generate a parabolic arch structure that creates the unique
characteristics of the roof. The roof undulates to differentiate between the volumes of competition pool
and the diving pool. Projecting beyond the pool hall envelope, the roof extends to the external areas
and to the main entrance on the bridge that will be the primary access in Legacy mode. Structurally,
the roof is grounded at 3 primary positions with the opening between the roof and podium used for the
additional spectator seating in Olympic mode, then in-filled with a glass faade in Legacy mode.
Liquid Architecture LONDON AQUATIC CENTER - OLYMPIC 2012
2011; Built : 15950.0 sqm.
The envelope is completed by a curved, frameless glass wall that cantilevers from the ground to
reach the edge beam and fabric roof. The interior of the new extension is a bright, open space
with light pouring in from all sides and through the 5 steel columns that open up as light scoops.
The anticlastic curvature of the roof animates the space with its sculptural, organic fluidity. The
only fixed elements within the space are the kitchen island and a long smooth bar counter that
flows along the Magazines brick wall. The tables, banquets and chairs are designed as a
continuous Voronoi pattern, reminiscent of organic cell structures.
Liquid Architecture SERPENTINE SACKLER GALLERY
20131 Built :1566 sq.m
Designed as a versatile multi purpose environment, the gallery will host a wide range of social and
cultural events .
The design theme of water movement extends to the dynamic facade of Roca London gallery ,
which appears initially to the visitors approaching the architecture like set of ripples in movement
across the exterior of the ground level space
The grey facade has large apertures of the main entrance and windows and an appearance of
tactility, creating a sense of intrigue on the street as the visitor approaches.
Liquid Architecture ROCA LONDON GALLERY, U.K
2009-2011 Built :1100 sq.m
https://www.youtube.com/watch?v=ZlBKR_gApOw
Esfera City Center / Zaha Hadid Architects
F RACTAL GEOMETRY
FRACTAL GEOMETRY
INTRODUCTION
For a long period of time , nature has been an inspiration for architects, which implies copying
natural forms, translating them into floral ornamentation or using underlying structures found in
nature for static optimization.
Fractal geometry is the formal study of mathematical shapes that display a progression of never-
ending, self-similar, meandering detail from large to small scales. It has the descriptive power to
capture, explain, and enhance one's appreciation of and control over complex diversity.
Fractal structures could also relate the physiological and cognitive effects of both natural
phenimena such as waves and cultural artifacts like music.
The term fractal is derived from the term fractus meaning broken or fractured.
Fractal architecture can be realized by repeating similar details on multiple hierarchical scales of an
architectural design
Natural shapes and rhythms, such as leaves, tree branching, mountain ridges, flood levels of a river, wave
patterns, and nerve impulses, display this cascading behavior. These fractal concepts are found in many
fields, from physics to musical composition.
Architecture and design, concerned with control over rhythm, and with such fractal concepts as the
progression of forms from a distant view down to the intimate details, can benefit from the use of this
relatively new mathematical tool.
Fractal geometry is a rare example of a technology that reaches into the core of design composition, allowing
the architect or designer to express a complex understanding of nature.
FRACTAL - In Nature
FRACTAL fibonacci series
FRACTAL - GENERATION
iterations should be
repeated an infinite
number of times.
FRACTAL GEOMETRY
Fractal aesthetics
Fractal planning
Fractal cities- hexagonal - palmanova(town)- Fractal cities- Radial- Auroville- Tamil nadu
Friuli Venezia Giulia( ITALY)
FRACTAL GEOMETRY
Historically, fractals have been found to be present world-wide, particularly in
places such as, Africa, Europe and India. However their uses and origins differ. For
example, 'African fractals are more directly informed by nature' and their
composition is derived from the social structure of their day-to-day village life and
patriarchal values. Where as the Indian architectural use of fractals demonstrates
their Hindu belief in the infinite cosmos, which is thought to be composed entirely of
fractal elements. On the other hand, the use of fractals in European architecture is
greatly varied ranging from the organized hierarchy of St Peter's Dome ,the
complicated fractal ornamentation of Gothic, Renaissance and Baroque
Cathedrals, to the ambiguous scale of K. Malevich's Arkitectonic models
(perspective above) and the complex fractal construction of the Eiffel tower
FRACTAL GEOMETRY THE HALL OF NATIONS- NEHRU PAVILION
REWAL RAJ / MAHENDRA RAJ
FRACTAL GEOMETRY THE HALL OF NATIONS- NEHRU PAVILION
REWAL RAJ / MAHENDRA RAJ
Federation Square is a civic centre and cultural precinct in the city of Melbourne, Victoria, Australia. It is
a mixed-use development covering an area of 3.2 hectare
The formal conception the architects were aiming at the material and visual coherence of all the
buildings using perfectly assembled geometric structures arranged irregularly. The rectangle and
triangle are the most frequently used geometric shapes in the different buildings, as glass, stone and
zinc are the main material used.
FRACTAL GEOMETRY Lab architecture- Federation square.
Melbourne
The tiling pattern is used to create the structural sub-framing for the facades. The pinwheel tiling
system was based on the single triangular element, composed of zinc, perforated zinc, sandstone or
glass (known as a tile), which was joined to 4 other similar tiles on an aluminum frame, to form a "panel.
The rotational positioning of the tiles gives the facades a more random, uncertain compositional quality,
even though the process of its construction is based on pre-fabrication and repetition.
FRACTAL GEOMETRY Lab architecture- Federation square.
Melbourne
Oriente Station is situated in an urban area of reclaimed industrial and abandoned buildings fronting
the northern margin of the Tagus River, situated 6 kilometres (3.7 mi) from the city centre.
With some influence from Gothic architecture, the station has been evolved with fractal geometry
characteristic.
Santiago Calatrava
Oriente features several design elements
that keep travelers from becoming
claustrophobic. The most notable is the
beautiful and massive metal skeleton that
covers eight elevated tracks and their
corresponding platforms. The structure
seems to emulate the veiny underside of a
tree leaf, with beams shooting off in all
directions. The structure is covered only
with glass, so daylight can illuminate the
station during the day.
FRACTAL GEOMETRY Reggio Emilia AV Mediopadana
Santiago Calatrava
The fame varies slightly so as to give the appearance of a fluid wave. Over top of the
platform to provide protection from the elements, translucent glass panels are situated
between the steel members. For added support, each of the ribs is partially supported by a
curved longitudinal beam supported every 25 meters by a composite concrete and steel
column
FRACTAL GEOMETRY Reggio Emilia AV Mediopadana
FRACTAL GEOMETRY LHemisfric, valenica
Santiago Calatrava
Peace bridge,Alberta
One reason is the structural strength mentioned above. Fractals also disperse the energy of waves
very efficiently whether they be sound waves from noise, vibrational waves from passing traffic, or
shakes from earthquakes. Thus, fractal buildings are fundamentally quiet and safe. Fractal shapes also
have large surface area to volume ratios. For example, trees are built from fractals in order to
maximize exposure to the sunlight. Possible advantages of this large surface area for buildings
therefore include solar cells on the rooftops and windows that deliver a large amount of light to the
buildings interior.
However, the main reason for building fractal architecture focuses on the associated aesthetics and the
hope of mimicking a natural organic shape. The study of aesthetic judgement of fractal patterns
constitutes a relatively new research field. Nevertheless, recent studies have shown the people find
fractals to be aesthetically pleasing and that they can reduce the observers stress-levels.
Although we think of fractal architecture as a concept for future cities, examples such as the sunken
temple show that our ancestors have been exploiting the many positive qualities of fractals for many
centuries.