Cardioid Omni-directional

Figure of 8 Super-cardioid
Microphones Spill
Pick-up / polar pattern
Diaphragm
Dynamic Ribbon PZM
Condenser / Capacitor
Phantom power
 Amplification Effects units
Processors Synthesisers
Analogue and digital Guitars
Development of Technology
Vinyl, cassette, CD, DAT, MP3
MIDI Internet USB, firewire
Computers, processor power
Software Virtual instruments
 MIDI XLR Balanced
Phono Inverted signal

Mono Leads Stereo

¼ inch Jack Mini Jack
Digital Analogue
Multi-core
Wet / Dry Effects
Wah-wah Delay:
Echo
Distortion Slap-back echo
Plate reverb
Modulation:
Gated reverb
Phaser Chorus
LFO ADT
Flange
 Q (bandwidth) Filters:
Low pass
High / Low High pass
EQ
Parametric Tone

Shelving Frequency

Cut / Boost
 Sampling:
Synthesizers:
Analogue to digital
Analogue
Sampling rates
Sampled
Looping
FM synthesis
Reversing
Physical modelling
Layering
Multitimbral
Timestretch
Polyphonic
Transpose

ROMplers
 Threshold Ratio
Attack Release Output
Noise gate Dynamic 3:1
Expander processing ∞:1
Limiter
De-esser Compression
Normalising Gain reduction
Dynamic range
 Ambient Close-miced
Coincident pair Distant mic
Spaced pair Depth

Noise Recording Clipping

Overheads Proximity effect
Phase cancellation Bouncing
Pop shield Gain / levels
 Quantising Humanising
Snap
VST instruments
Trimming
Editors:
Sequencing
Key / Grid
Events List
Dynamics
Tempo track
Articulation
Performance directions
 Velocity, Volume, Expression

Controllers Modulation
Reverb
MIDI Pitch bend
Chorus
Sustain
GM, GM2, GS, XG
Audio samples Sequence
Discord Riff Ostinato
Composition Pedal
Drone
devices
M, R, H, T, T, S, D, T, T
Key / Modulation Contrast
Chord pattern Coherence
Music
 Music
Technology