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Serialism is a method of musical composition that uses a series of pitches, rhythms, dynamics, timbres or other musical elements. It is considered both a highly specialized technique as well as a philosophy of life. While serialism uses a series or sequence of elements, it is not a style in itself and can be used in both tonal and atonal musical compositions, though it is most often associated with atonal music that lacks a clear tonal center.
Serialism is a method of musical composition that uses a series of pitches, rhythms, dynamics, timbres or other musical elements. It is considered both a highly specialized technique as well as a philosophy of life. While serialism uses a series or sequence of elements, it is not a style in itself and can be used in both tonal and atonal musical compositions, though it is most often associated with atonal music that lacks a clear tonal center.
Serialism is a method of musical composition that uses a series of pitches, rhythms, dynamics, timbres or other musical elements. It is considered both a highly specialized technique as well as a philosophy of life. While serialism uses a series or sequence of elements, it is not a style in itself and can be used in both tonal and atonal musical compositions, though it is most often associated with atonal music that lacks a clear tonal center.
of pitches, rhythms, dynamics, timbres or other musical elements. • Serialism is a method (Griffiths 2001, 116), "highly specialized technique" (Wörner 1973, 196), or "way" (Whittall 2008, 1) of composition. It may also be considered "a philosophy of life (Weltanschauung), a way of relating the human mind to the world and creating a completeness when dealing with a subject" (Bandur 2001, 5). • Serialism is not by itself a system of composition or a style. Neither is pitch serialism necessarily incompatible with tonality, though it is most often used as a means of composing atonal music (Griffiths 2001, 116). •Atonal music is a generalizing term used to define music that seems to lack a clear tonal center. Nearly all music in the western classical tradition is considered 'tonal': that is, its harmonic structure is primarily triadic and hierarchically organized around a prominent tonal center.
Castellano, M. A., Bharucha, J. J., & Krumhansl, C. L. (1984) - Tonal Hierarchies in The Music of North India. Journal of Experimental Psychology - General, 113 (3), 394-412.