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MINDANAO
ABOUT
MINDANAO
MINDANAO
• Second largest island of the Philippines
• At the southern end of the archipelago
Culture
• Consists of mostly MUSLIM or MORO people.
• It also composed of ethnic group
Ethnic Group
• Maranao,Tausug, Banguingi and indigenous tribe
• Known as Lumad.
SARIMANOK
Mangosteen MARAWI
Pacquiao
Philippine
Eagle
1.Badjao Tribe - Sulu 2. Ilanun Tribe -
Sulu
MANOBO – Bukidnon,
Agusan del Sur, Cotabato
MATIGSALUG – Bukidnon
SUBANON – Zamboanga
Peninsula
TIRURAY– SOCCSARGEN
Region
It is used by the
Maguindanao, Maranao,
Samal- Bajau and Tausug
people of the Philippines
The larger, lower pitched gong of the
two is called the pangandungan by
the Maguindanao and the p'nanggisa-
an by the Maranao. Played on the
musician's right, it provides the main
part, which it predominantly played
on the accents of the rhythmic
structure. The smaller, higher pitched
gong, the thicker of the two, is called
the panentekan by the Maguindanao
and the p'malsan or pumalsan by the
Maranao.
The Agung is usually performed
while standing beside the instrument,
holding the upper edge of its flange
between the thumb and other fingers
with the left hand while striking the
knob with the right hand.
The mallets, called balu, are made
from short sticks about half a foot
in length and padded with soft but
tough material such as rubber at on e
end.
Gandingan - is a set of four
small narrow- rimmed and
suspended gongs.
They hang in pairs with the
knobs of the lower pitched
gongs facing each other. The
same with the two higher
pitched gongs. The pair of
lower pitched gongs is
positioned on the player's
left side while the pair of the
higher pitched gongs is on
the right.
The player usually a woman
who stands between the two
pair of gongs. Her body
touches slightly the gong in
the middle to prevent from
swinging. She uses two
padded mallets
Gandingan When integrated into the ensemble, it
functions as a secondary melodic instrument after the
main melodic instrument, the kulintang. When
played solo, the gandingan allows fellow
Maguindanao to communicate with each other,
allowing them to send messages or warnings via long
distances.
This ability to imitate tones of the
Maguindanaolanguage using this instrument has
given the gandingan connotation: the “talking gongs.
Babandil- is a single, narrow- rimmed
Philippine gong used primarily as the
“timekeeper” of the Maguindanao kulintang
ensemble.
Also called:
Babendir- (Maguindanao)
Babandir - (Maranao),
Babandir - (Tagbanwa,Batak,
Palaw’an),
Banendir and Tungtung,-
(Tausug),
Salimbal - (Samal)
Mapindil - (Yakan)
Bubundi -(Mansaka)
Babandil It is struck with thin bamboo sticks to
produce a metallic sound. There are three ways to
play the babendil.