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Instead, in 1911, Rutherford cooked up a new model of the atom in which all of
the positive charge is crammed inside a tiny, massive nucleus about ten
thousand times smaller than the atom as a whole. That's equivalent in scale to
a marble in the middle of a football stadium. The much lighter electrons, he
assumed, lay well outside the nucleus. To the shock and amazement of
everyone, the atoms of which planets, people, pianos, and everything else are
made consisted almost entirely of empty space.
Rutherford's nuclear model of the atom was a huge step forward in
understanding nature at the ultrasmall scale. But even as it closed the
casebook on the alpha particle experiment, it threw open another one. Since
the nucleus and its retinue of electrons are oppositely charged, and therefore
attract one another, there didn't seem anything to stop the electrons from being
pulled immediately into the nucleus. Throughout the universe, atomic matter
ought to implode in the wink of an eye. Rutherford countered by saying that the
atom was like a miniature solar system: the electrons circled the nucleus in
wide orbits just as planets orbit the sun. This is the picture of atoms that most
of us still carry around in our heads. It's an appealing, easy-to-grasp image ±
one that's inspired many a logo of the atomic age. Yet theorists were well
aware of its shortcomings right from the start.