- DocumentTolias - 2016 - The resilience of Philhellenismtéléversé parsasha
- DocumentJasmins Et Minarets Chansons Orientales Riadis Emilios Bpt6k876630vtéléversé parsasha
- DocumentCarl Dahlhaus, “What is a Fact of Music History ”téléversé parsasha
- DocumentWhat Controversial Changes at Harvard Mean for Music in the University – National Sawdust Logtéléversé parsasha
- DocumentNot Another Music History Cliché! the Myth of the Canon's Invisible Hand (Guest Post by Anne C. Shreffler)téléversé parsasha
- DocumentTamara Levitz, Et Al., “Colloquy Musicology Beyond Borders,”téléversé parsasha
- DocumentAlejandro L. Madrid, “Diversity, Tokenism, Non-Canonical Musics, And the Crisis of the Humanities in U.S. Academia,”téléversé parsasha
- DocumentAnne C. Shreffler, “Musical Canonization and Decanonization in the Twentieth Century,”téléversé parsasha
- Documentmto.20.26.2.ewelltéléversé parsasha
- DocumentExecutive Board Response to Essays in the Journal of Schenkerian Studies Vol. 12 SMTtéléversé parsasha
- DocumentMatthew D. Morrison, “Race, Blacksound, And the (Re)Making of Musicological Discourse,”téléversé parsasha
- DocumentUNT Faculty Response to JSStéléversé parsasha
- DocumentTimothy L. Jackson, “a Preliminary Response to Ewell,”téléversé parsasha
- DocumentMatthew D. Morrison, “Race, Blacksound, And the (Re)Making of Musicological Discourse,”téléversé parsasha
- Documentmto.20.26.2.ewelltéléversé parsasha
- DocumentTimothy L. Jackson, “A Preliminary Response to Ewell,”téléversé parsasha
- DocumentUNT Faculty Response to JSStéléversé parsasha
- DocumentExecutive Board response to essays in the Journal of Schenkerian Studies Vol. 12 SMTtéléversé parsasha
- DocumentSampsel Chapter 6téléversé parsasha
- DocumentCarl Dahlhaus, “What is a Fact of Music History ”téléversé parsasha
- DocumentGary Tomlinson, “Review Monumental Musicology,”téléversé parsasha
- DocumentBenjamin Piekut, “Actor-Networks in Music History Clarifications and Critiques,”téléversé parsasha
- DocumentNicholas Mathew and Mary Ann Smart, “Elephants in the Music Room The Future of Quirk Historicism,”téléversé parsasha
- DocumentDon Carlos Full Score (1867)téléversé parsasha
- Documentbrooke - sov musicians and the great terror - 2002téléversé parsasha
- DocumentComparative Theories of Visual Art and Music_ May I Play You a Pitéléversé parsasha
- DocumentFrom Hypotext to Hypertext and Hyper Space Opera Schiller s Don Karlos Verdi s Don Carlo and George Lucas Star Warstéléversé parsasha
- DocumentFrench - Advanced French Grammar (1)téléversé parsasha
- Documentancient greek love poetrytéléversé parsasha
- DocumentLes Vêpres Siciliennes Vocal Scoretéléversé parsasha
- Documentcome ready and see me - richard hundleytéléversé parsasha