Téléversements by Alessandro Ratoci

SDIF Max Msp

Di Verona - Maderna e l’Italia Musicale Degli Anni ’40

Di Verona - Maderna e l’Italia Musicale Degli Anni ’40

Alfonseca Et Al. - 2007 - A Simple Genetic Algorithm for Music Generation by Means of Algorithmic Informat

PDF EMS12 Enriquez

Real-World_Music_as_Composed_Listening

1051474ar

barreiro2010

sound and sign

SMC07 Paper 36

Convocatoria MUSLAB Muestra Internacional de Música Electroacústica

DISPENSE Audacity 2022-23 Triennio.pdf

Servizi Web Docenti - Gestione presenze allievi e docenti V. 2017 (1)

Andreuccetti CPD in Two Minds

Pierre Louÿs - Piccolo galateo sessuale per fanciulle

call

MIDI

VisualMusicEbook

02. MAF - RATOCI

EES21-22 - Programme gén. 15.09.21

VERTOV-PROJECT

AMICI MUSICA STATUTO-30012020185646

CumTempore - Versione 1

Haendel Passacaglia

Alessandro Ratoci - Perspective of Growth (Mostrorum Historia II)

Alessandro Ratoci - à fureur et mesure

Alessandro Ratoci - A Short Requiem for an Island

Alessandro Ratoci - A Story of Cries and Whispers (Mannaro II)

survey-of-chord-distances-with-comparison-for-chord-analysis

Girardi - Bussotti - Colloquio Su Nuove Opere

Marvin and Laprade - 1987 - Relating Musical Contours Extensions of a Theory for Contour

Mead - Webern, Tradition, and 'Composing with Twelve Tones...' MTS 15-2 1993

Bailey - 1983 - Webern's Opus 21 Creativity in Tradition

Caporaletti - Trasposizioni Testuali Nelle Musiche Audiotattili

Bouchard and Browne - 2019 - Live Structures

Rogers - Rethinking Form Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto

Clough - 1998 - A Rudimentary Geometric Model for Contextual Transposition and Inversion

Sluchin et al. - LINAIA-AGON TOWARDS AN INTERPRETATION BASED ON THE THEORY

Kim-Boyle - 2018 - Reframing the Listening Experience Through the Projected Score

rueda

Raczynski et al. - 2013 - Dynamic Bayesian Networks for Symbolic Polyphonic Pitch Modeling

Chadabe - 1996 - The History of Electronic Music as a Reflection of Structural Paradigms

Heittola et al. - MUSICAL INSTRUMENT RECOGNITION IN POLYPHONIC AUDIO USING SOURCE-FILTER MODEL FOR SOUND SEPARATION

Douthett and Steinbach - 1998 - Parsimonious Graphs A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition

Einbond et al. - 2016 - Introducing CatOracle Corpus-based concatenative improvisation with the Audio Oracle algorithm

Alessandro Ratoci - Canzonetta

Slawson - 1997 - Atonal Embellishment An Application of Subaggregate Chains

Butler and Ward - 1988 - Effacing the memory of musical pitch

Leman et al. - Introduction to the IPEM Toolbox for Perception-based Music Analysis