Diminished Patterns PDF

chapter four
Patterns
On the CD the pattern will be played, there will be a pause, 4 beats, then played in
context except on Patterns 14-18. You might notice that Ive used some of these
patterns in the exercises and etudes in the first 3 chapters.
Track 39 Pattern No. 1
70
symmetric studies: diminished
&
T
A
B
4
4 J
#
11
Edi m7
C
[
7( b9)
]
#

b
#

#
12 8 9
10 11 7 8
8
#

b
#

#
9
10 11 7 8
9 10 6

.
#
U
7
8 9
&
T
A
B
E
b
MAJ 7

b

b

b
10 7 8
8 11
10 11
Edi m7
n

b

b
#

12 8 9
10 11 7 8
9
Fmi7

b

b

10
8
9
10 9
10
8 7
F
#
di m7
b

b n
#

8
9 10 6 7
8 9 5
E
b
MAJ 7
w b
U
6
Pattern 1:
In Context:

&
T
A
B
4
4

Edi m7 C7(b9)
b
b
b

8
11
11 9
10 8
8
11
b

n
b
b
b
n
11 9
10 8
8
11
11 9
b
b
b

10 8
8
11 7
10
10 8
b

n
b
b
b
n
9 7
7
10 6
9
9 7
&
T
A
B
b
b
b
b
n

n
3 1
1
4
4 2
2 0
b
b
b
b
n

n
1
3
4 2
2 0 5 3
w
U
8
&
T
A
B
C7
.
J
b

J
8
8 11
8
8
F7 F
#
di m7
.
b

n
10 10
7
9
10 8
C7

b
J
b
9
10 8
6
C7(b9)
b
b
b

5
8
8 6
7
10
10 8
&
T
A
B
F7

b
7
8 10 6
F
#
di m7

b
b
#

n
5
8
8 6
6
9
9 7
C7

b n

5 7 8
5 8
A7(b9)

b
b

n
5
8
8 6
7 5
5
8
&
T
A
B
Dmi7

7
5
7
7
6
G7(b9)

b

n
5
7
8 6
6
9
9 7
C7
w
U
5
Pattern 2:
In Context:
71

&
T
A
B
4
4

Edi m7 C7(b9)
b

b

8 9 8
11 10 11 10 8
#

#

#
7 8 7
9 8 9 8
11
b

b

10 11 10 8 7 8 7
10
&
T
A
B
#

#

#
9 10 9 7 6 7 6
9
w
U
3
&
T
A
B
b
F7

b
.
J
5
5 8
8 6
B
b
7 Bdi m7
b

b

9 8 9 8 6 5 6 5
7
F7

b
5
6 5
8
F7(b9)
b

b

6 7 6
8 7 8 7 5
&
T
A
B
b
B
b
7
b

8 6
8
8
Bdi m7
n b
b

b n b
n b n b
b
8 9 8 6 5 6 5
6 7 6
9 8 9 8 6
F7
n
3

b
7
8 7 6
&
T
A
B
b
D7(b9)
# n

7 8 7 5
Gmi7
8
7
6
5 8
C7(b9)

#

5 6 5
8 7 8 7 5
F7
w
U
6
Pattern 3:
In Context:
72

&
T
A
B
4
4
j
b
9
Edi m7 C7(b9)
3
b

3

3
b

3
b

7
9
7 10 7 10
8
10
8 11 8 11
3
b

3

3
b

3
b

9
11
9
8
9
8 11 8 11
9
11
9
&
T
A
B
b
b

12 9
11 8
9
11 8
9
b

b

b
6 3 0
2
3 0
2
3
b
b

9
11 8
10
11 8
10 7
w b
U
9
&
T
A
B
Dmi7
5
5
7
8
5
Dmi7

b
7 8
7 6
C
#
di m7
3

3
b

3
b

3

5
7
5 8 5 8
6
8
6
5
6
5
C
#
di m7
3

b

8 5 8
6
8 7
Cmi7

b

6
7 8 5
&
T
A
B
Dmi7

j

7 8
7
5
5
Dmi7
.
J

8 6 5
C
#
di m7
b

b

b
6
8 5
6
8 5
6
8
C
#
di m7
b
b

5
6
8 5
6
8 5
7
Cmi7
w b
U
6
Pattern 4:
In Context:
&
T
A
B
4
4

Edi m7 C7(b9)
b

b

8 9 8
11 10 11 10 8
#

#

#
7 8 7
9 8 9 8
11
b

b

10 11 10 8 7 8 7
10
&
T
A
B
#

#

#
9 10 9 7 6 7 6
9
w
U
3
&
T
A
B
b
F7

b
.
J
5
5 8
8 6
B
b
7 Bdi m7
b

b

9 8 9 8 6 5 6 5
7
F7

b
5
6 5
8
F7(b9)
b

b

6 7 6
8 7 8 7 5
&
T
A
B
b
B
b
7
b

8 6
8
8
Bdi m7
n b
b

b n b
n b n b
b
8 9 8 6 5 6 5
6 7 6
9 8 9 8 6
F7
n
3

b
7
8 7 6
&
T
A
B
b
D7(b9)
# n

7 8 7 5
Gmi7
8
7
6
5 8
C7(b9)

#

5 6 5
8 7 8 7 5
F7
w
U
6
Pattern 3:
In Context:
73

&
T
A
B
4
4
Ddi m7
B
b
7(b9)
b

A
7
6
4
5 8
7
6
6

b

A
9
9
7
7 10
10 13
13
b

A

13
13 10
10 7
7
9
9
&
T
A
B
b

A

6
6
7
8 5
4
6
7
w b
U
6
&
T
A
B
B
b
7

b

7 8
6
5
E
b
7 Edi m7
b

6
5 8
B
b
7
b

.
J
#
6 9 6
8 9
B
b
7(b9)

b

b

10
10 7
7
9
9 6
6
&
T
A
B
E
b
7
b
b

4
5
6
4 4
Edi m7
n

b

b
b

b
5
5 8
8
6
6 9
9
B
b
7

b
.
J
b
10
10
6 9
8 6
G7(b9)

b

b

7
7
9
9 6
6
8
7
&
T
A
B
Cmi7
.
.
b
J
.
J
8
10
8
8 8
F7(b9)

b

b
b

b
10
10
8
8 11
11 14
14
B
b
7
.
b

.
b
J
13
11 15
13
9
F7(b9)

b
b
b
b

10
10 7
7
8
9 6
5
B
b
7
w b
U
8
Pattern 5:
In Context:
74

A pattern using 4 triads. See chapter 2: Triads and Triad pairs.
&
T
A
B
4
4
C
#
di m7 C7(b9)
3

3
b
b

8
5
7 6
8 5

3
b
b
b
3

#
9
6
8 7
9 6
3

3
b
b

5
8 5
8
11 8
3
b
b
b
3

11
9
11
14
12
14
&
T
A
B
w
13
#

b
b
b n
13 14
12
10 11
9
7 8
b
b n

#

11
8 9
8
10 11
9
7
b
b
b n

b n

8 11
9 10
8
6 7 10
w
U
8
&
T
A
B
C7
3

3
b

3

5
7
5 8 5 8
7
8
7
5
5
F7
3
b

3

.
j
b
8 5 8 5
7
5
7 6
C7

. b
j
n
5
7
8 6 7
C7(b9)
3

3
b
b

3
b
b

3

#
8
5
7 6
8 5
9
6
8 7
9 6
&
T
A
B
F7

. b
J
5
7
5 8 5
F
#
di m7
3
#
#
3

b
3
b n

3
#

7 8
7
4 5 8
6 7
5
8 9
7
C7

j
b
5 6
A7(b9)
3

#
3
n

7
5
6 5
8 5
&
T
A
B
Dmi7
.
j
6
7 7 7 7
G7(b9)
3
b

3
b
b

3

#
3
n

8
6
7 6
9 6
9
7
9
12
10
12
C7
w
U
13
Pattern 6:
In Context:
C E
b
G
b
A
C
E
b
G
b
A
A G
b
E
b
C A
G
b
E
b
C
C
E
b
G
b
A
B
A
b
F
D
B
b
D
b
E
G
&
T
A
B
4
4
Ddi m7
B
b
7(b9)
b

A
7
6
4
5 8
7
6
6

b

A
9
9
7
7 10
10 13
13
b

A

13
13 10
10 7
7
9
9
&
T
A
B
b

A

6
6
7
8 5
4
6
7
w b
U
6
&
T
A
B
B
b
7

b

7 8
6
5
E
b
7 Edi m7
b

6
5 8
B
b
7
b

.
J
#
6 9 6
8 9
B
b
7(b9)

b

b

10
10 7
7
9
9 6
6
&
T
A
B
E
b
7
b
b

4
5
6
4 4
Edi m7
n

b

b
b

b
5
5 8
8
6
6 9
9
B
b
7

b
.
J
b
10
10
6 9
8 6
G7(b9)

b

b

7
7
9
9 6
6
8
7
&
T
A
B
Cmi7
.
.
b
J
.
J
8
10
8
8 8
F7(b9)

b

b
b

b
10
10
8
8 11
11 14
14
B
b
7
.
b

.
b
J
13
11 15
13
9
F7(b9)

b
b
b
b

10
10 7
7
8
9 6
5
B
b
7
w b
U
8
Pattern 5:
In Context:
75

Another pattern using 4 triads. These patterns will work well on the last two bars
of Joe Hendersons song Isotope. Pattern 7 is easiest to play when moving vertically
up the fretboard.
76
&
T
A
B
4
4
C
#
di m7 C7(b9)
b
b
b

b
3
5 4
6
8 7 4
6

b

b

5
7
9 8 5
8 7
8
b

b
b

b
11 10 7
9 8
10
12 11
w
13
&
T
A
B
b n

#
b

13
11 12
10
8 9
11
10
b
b
b n

b n

11
8 11
8
10
8 9
7
#
b

b
b
n
5 6
9
7 8
6
4 5
w
U
8
&
T
A
B
C7
3
b
3
b
b

3
5 4
6
8 7
3
b
b

3
b
4
6 5
7
9 8
3
b n
3

b
5 8
5
7
5 6
3
b

b
3
b
n
4 7 8
6
4 5
&
T
A
B
D7
b
b

b

6
4
7 4
7 6
7
b n

b
b
6
4 5
7
6 7 4
b
b

b

6
4
7 4
7 6
7
5
b

4
6
8 7 8
&
T
A
B
E7
b n

b
b

8
6 7
9
8 9
6 9
b
b n

6
8
6 7 9
b
b
b

b

5
7 6
4
6 5
3
6

b
b
b

5
2
4 3 6
9 8
5
w
U
5
Pattern 7:
In Context:
C

This is a really beautiful sound. You might want to listen to Kurt Rosenwinkel on
East Coast Love Affair at 7:32 on the great CD East Coast Love Affair on Fresh
Sound/New Talent records. He does something very similar.
&
T
A
B
4
4
C
#
di m7 C7(b9)
3

3
b

b
8
7 5
6
5
8

3
b
b
b
3
b
n
9
8 6
7
7
9
3

3
b

b
10
10 8
8
8
11
3
b
b
b
J
.
b
11
11
14
14
14
&
T
A
B
3
b

3
b
b
b
14
14
12 11
11
9
3
b
b
3

8
8
11 10
10
8
3
b

3
b
b
b
7
7
9 8
9
11
3
b
b
3

U
5
6
8 7
8
5
&
T
A
B
b
F7

7
8
5 7
8 7
B
b
7
b

6
8 6 8 9
F7
n

b .
J
10
10
8
8 10
F7(b9)
3
b

3

n
3
b

3
b
b
b
7
7
10
10
10
13
7
7
10
9
9
11
&
T
A
B
b
B
b
7
.
b
10
8 11
Bdi m7
3
b
b
3

b
6
6
9 5
5 6
F7
n

b
7
5 6
D7(b9)
3
n

3
n
b
#
7
7
10
4
4
7
&
T
A
B
b
Gmi7
#

.
J
8 7 8
5 6 8
C7(b9)

b

b
b
5
5
8
8
8
11
11 9
F7

8
10 11 10 8
C7(b9)
b

b
b
b

7
7
9 8
9
11 10 8
F7
w
U
7
Pattern 8:
In Context:
77

Check out John Scofield on Whip the Mule @ 1:36. Scofield has played this pattern
on other recordings as well but Whip the Mule is from Hand Jive which should be in
everyones music collection.
&
T
A
B
4
4
C
#
di m7 C7(b9)

b
b
b
b

n
3
3
6
6
4
4
7
7

b
b
b
b

n
5
5
8
8
7
6
10
9

b
b

8
8
11
11
8
b
b

b
b
11
11 8
8
9
10 7
6
&
T
A
B
b
b

b
b
3
4 1
0
2
2
4
4

b
b
b
b

n
3
3 6
6
4
4 7
7

b
b
b
b

n
5
5 8
8
6
7 10
9

b
b

U
8
8 11
11
8
&
T
A
B
b
b
b
E
b
MAJ 7

.
J
8
8 6 8
6
Edi m7
n
n
#
#
b

n
5
5
6
7
8
8 5
5
Fmi7

6 8 5 6 8
F
#
di m7
n

#
n
7
7 5
6
8
9 7
7
&
T
A
B
b
b
b
E
b
MAJ 7
.
J
6 10
11
A
b
MAJ 7
J
. .
J
8 11 9
Gmi7(b5)
#

n

.
#
J
n
7 8 10 11
9 8
C7(b9)

n
n
#
#
11
11 8
8 10
9
11
11
&
T
A
B
b
b
b
Fmi7

10
10
8 10
10 8
B
b
7(b9)
b
n
n
n

6
6 9
9
7
8
6
6
E
b
MAJ 7
w
U
8
Pattern 9:
In Context:
78

&
T
A
B
4
4
C
#
di m7 C7(b9)
3

b
3
b

b
3
3 6
1
1 4

3
b
b

3

n
4
4 7
2
2 5
3

b
3
b

b
5
5 8
8
8
6
3
b
b

3

n
7
6 9
5
5 8
3

b
b
8
8 11
11
&
T
A
B
3

b
3

8
8 11 10
9
8
3
b
b

3
b
b

7
6 9 8
8
6
3

b
3

5
5 8 7
7
5
3
b
b

3
b
b

4
4 7 6
6
4
w
U
3
&
T
A
B
A13sus(b9)

b
b
b
b
n

3
3 6
6
4
4 7
7

b
b
b
b
n

5
5 8
8
7
6
5
5

b
b

8
8 11
11 8
b
b

b
b
11
11 8
8
10
9 6
7
&
T
A
B
b
b

b
b
8
8 5
5
7
7 4
4
b
b

6
6 3
3
5
b

b
b

b
n
3
6 5
6 4 3
4
7
b

b

b

b
6
7 5 4
5
8 7
8
&
T
A
B
b

b
b

n b
6 5
7
9 8
10 8 7
b

b
b

8
11 10
11 9 8
b
b

b

b n
8 9 11 5 6 8
7 8
b n
b

b
b

5
8 9
7
5 6 8
7
&
T
A
B
b

b n

b n
b
8
5
4 5 7
6 7
4
b
b

b

3 4 6
5 6
3
5
w
U
Pattern 10:
Variation:
&
T
A
B
4
4
C
#
di m7 C7(b9)

b
b
b
b

n
3
3
6
6
4
4
7
7

b
b
b
b

n
5
5
8
8
7
6
10
9

b
b

8
8
11
11
8
b
b

b
b
11
11 8
8
9
10 7
6
&
T
A
B
b
b

b
b
3
4 1
0
2
2
4
4

b
b
b
b

n
3
3 6
6
4
4 7
7

b
b
b
b

n
5
5 8
8
6
7 10
9

b
b

U
8
8 11
11
8
&
T
A
B
b
b
b
E
b
MAJ
7

.
J
8
8 6 8
6
Edi m7
n
n
#
#
b

n
5
5
6
7
8
8 5
5
Fmi7

6 8 5 6 8
F
#
di m7
n

#
n
7
7 5
6
8
9 7
7
&
T
A
B
b
b
b
E
b
MAJ 7
.
J
6 10
11
A
b
MAJ 7
J
. .
J
8 11 9
Gmi7(b5)
#

n

.
#
J
n
7 8 10 11
9 8
C7(b9)

n
n
#
#
11
11 8
8 10
9
11
11
&
T
A
B
b
b
b
Fmi7

10
10
8 10
10 8
B
b
7(b9)
b
n
n
n

6
6 9
9
7
8
6
6
E
b
MAJ 7
w
U
8
Pattern 9:
In Context:
79

&
T
A
B
4
4
C
#
di m7
C7(b9)
b
b

b
b
b
n
3 1
2 5
4 6
4 2

b

b
b

3 6
5 7
5 3
4 7
b
b
b
n

b
n

6 8
7 5
5 8
8 10
b
b

b
b
b
n
8 6
7 10
9 11 14 12
&
T
A
B
w
13
b
b

b
b
b
n

9 11 8
11
11 8
8 10
b

b
b

b
7
9
10 7
6 8 5
8
b
b
n

b
n

4
6
5 7 4
7
8 5
b
b
.
U
4 6 3
&
T
A
B
F7
j
.
j
7
6
7
B
b
7
J
b

J
J
n

J
8
6
8 9
6
9
F7

b
b
b

5
8
8
7 9 6
8
F7(b9)

b
9 7
5 7 4
7
8 6
&
T
A
B
B
b
7
j
.
b
b
5
8 6
Bdi m7

b
b

5
7
8
6
6 8
F7

b

5
6
5
8 7
D7(b9)
b

b
b

b
8 10
7 9 6
8
9 6
&
T
A
B
Gmi7
j

b
b
5
7
4
6
C7(b9)

b

n
b
b
7
5
5 7
5
8
8
7
F7
.
b

6
5 8
6
8
C7(b9)
b
b

b
b
b
n
5
8 4 7
6 8
7 5
F7
w
U
6
Pattern 11:
In Context:
80

&
T
A
B
4
4
C
#
di m7 C7(b9)

b
b

n

3
5
4 7 6
8
7
5

b
b
n
b

b

b
4
6
5 8 7
9
8
6

b
b

n

5
7
6 9
4
5
5 8
b
b
n
b

b

b
7
8
8 11
5
7
6 9
&
T
A
B

b

8
10
9 12 8
b
b
b

n
b
b
9
11
11
10
6
8
8
7

b n
b

8
9
10
8
5
6
7
5
b
b
b

n
b
b
6
8
9
7 8 5
6
4

b n
U
5
7
8
6 7
&
T
A
B
b
b
B
b
7
b

6 8
5
8 6
8
6
E
b
7

b

J

5 8
6 8 6 8
B
b
7

b

j
7
8
5
6 6
B
b
7(b9)
b
b
b

5
7
6 9
3
5
4 7
&
T
A
B
b
b
E
b
7
J
b
.
8 6
6
Edi m7
b
b

b

5
6
7
5 6
8
9
7
B
b
7

j
b
8
8 6 5
6
G7(b9)
b
b
b

5
7
6 9
3
5
4 7
&
T
A
B
b
b
Cmi7

8 5 8
6 8
F7(b9)
b

b

5
7
7
6 7
8
9
7
B
b
7
8
7 10
8
F7(b9)
b

b

n
b
b
7
8
9
7 8
10
11
9
B
b
7
w
U
8
Pattern 12:
In Context:
&
T
A
B
4
4
C
#
di m7
C7(b9)
b
b

b
b
b
n
3 1
2 5
4 6
4 2

b

b
b

3 6
5 7
5 3
4 7
b
b
b
n

b
n

6 8
7 5
5 8
8 10
b
b

b
b
b
n
8 6
7 10
9 11 14 12
&
T
A
B
w
13
b
b

b
b
b
n

9 11 8
11
11 8
8 10
b

b
b

b
7
9
10 7
6 8 5
8
b
b
n

b
n

4
6
5 7 4
7
8 5
b
b
.
U
4 6 3
&
T
A
B
F7
j
.
j
7
6
7
B
b
7
J
b

J
J
n

J
8
6
8 9
6
9
F7

b
b
b

5
8
8
7 9 6
8
F7(b9)

b
9 7
5 7 4
7
8 6
&
T
A
B
B
b
7
j
.
b
b
5
8 6
Bdi m7

b
b

5
7
8
6
6 8
F7

b

5
6
5
8 7
D7(b9)
b

b
b

b
8 10
7 9 6
8
9 6
&
T
A
B
Gmi7
j

b
b
5
7
4
6
C7(b9)

b

n
b
b
7
5
5 7
5
8
8
7
F7
.
b

6
5 8
6
8
C7(b9)
b
b

b
b
b
n
5
8 4 7
6 8
7 5
F7
w
U
6
Pattern 11:
In Context:
81

&
T
A
B
4
4
C
#
di m7
C7(b9)

b

b

n
b
3
5
4
5
6
8
7
8

b
b
n
b

b
b

4
6
5
6
7
9
8
9

b

b

n
b
5
7
6
8 4
5
5
6
b
b
n
b

b
b

7
8
8
9
10
11
11
12
&
T
A
B
b

b
13 11
12
10
11

b

b
b

8
9
7
8
9
11
8
10
b
b

b

b
6
8
5
7
8
10
7
8

b

b
b

5
7
4
5
7
9
6
7
b
b

b
U
4
6
3
4
&
T
A
B
Cmi7 Ami7(b5)
b

b
J
.
5 6
5 8
7
7
Dmi7(b5) G7(b9)

b

b

n

5
7
6
7
8
10
9
10
Cmi7Ami7(b5)
b
.
J
8
8 10
Dmi7(b5) G7(b9)
b
b

b
12
13
11
12
9
10
8
9
&
T
A
B
Cmi7
Ami7(b5)

b

8
8
8 10 7
Dmi7(b5) G7(b9)
b
b
n
b

b

6
8
7
9 5
6
6
7
Cmi7
Ami7(b5)
.
J

10 8
8
Dmi7(b5) G7(b9)

b

b

6
7
5
6
7
9
6
8
Cmi7 Ami7(b5)
. b
J
.
j
8 7 5
7
&
T
A
B
Dmi7(b5) G7(b9)
3

b
3
b

n
5
7
6 8
10
9
Cmi7 Ami7(b5)
3
b

.
10
8
8
10 7 7
Dmi7(b5) G7(b9)
3
b
b
n
3
b

3

b
3
b

n
6
8
7 9
11
10
8
9
9
6
8
7
Cmi7
w
U
10
Pattern 13:
In Context:
82

Track 52 Pattern No s. 14-16
&
T
A
B
4
4
C
#
di m7 C7(b9)
b
b

b

n

3
6
4
5
6
9
7
8

b

n
b

b
b
4
7
5
6
7
10
8
9
b
b

b

n

5
8
6
7
8
11
9
10
b

n
b

b
b
7
9
8
8
5
8
6
7
&
T
A
B
b
b

b

9
11 10
8 6
8 7
5
b
b
n
b

b
8
9 8
7 5
6 5
4
b
b

b

6
8 7
5
8 5 4 7
b
b
n
b

b
5
7 6
4
7 4 3 6
b
b

4
6 5
3
&
T
A
B
b
b
n
b

b

4
4
5
6
7
7
8
9

b

b
b
n

5
5
6
7
8
8
9
10
b
b
n
b

b

7
6
8
8
10
9
11
11

b

b
b
n

8
8
9
9
11
11
12
12
&
T
A
B

b
b
b

12
12
11
11 9
9
8
8
b
b

b

b
11
11
9
10 8
8
6
7

b
b
b

9
10
8
8 6
7
5
5
b
b

b

b
8
9
7
7 5
6
4
4
w
3
&
T
A
B
b

b
b

3
3
7
5
6
6
10
8
b

b
b

9
9
8
6
7
8
6 9
b

b
b

5
6
5 8
8
9
8 11
b

b
b
11
12
11 14
&
T
A
B
b
b
n
b
b

n

11
11
12
14
8
8
9
11

b

b

5
5
6
8
7
6
8
9
#
b

b
b

n
A
4
3
5
6
6
5
7
8

b

U
3
2
4
5 2
Pattern 14
Pattern 15
Pattern 16
&
T
A
B
4
4
C
#
di m7
C7(b9)

b

b

n
b
3
5
4
5
6
8
7
8

b
b
n
b

b
b

4
6
5
6
7
9
8
9

b

b

n
b
5
7
6
8 4
5
5
6
b
b
n
b

b
b

7
8
8
9
10
11
11
12
&
T
A
B
b

b
13 11
12
10
11

b

b
b

8
9
7
8
9
11
8
10
b
b

b

b
6
8
5
7
8
10
7
8

b

b
b

5
7
4
5
7
9
6
7
b
b

b
U
4
6
3
4
&
T
A
B
Cmi7 Ami7(b5)
b

b
J
.
5 6
5 8
7
7
Dmi7(b5) G7(b9)

b

b

n

5
7
6
7
8
10
9
10
Cmi7Ami7(b5)
b
.
J
8
8 10
Dmi7(b5) G7(b9)
b
b

b
12
13
11
12
9
10
8
9
&
T
A
B
Cmi7
Ami7(b5)

b

8
8
8 10 7
Dmi7(b5) G7(b9)
b
b
n
b

b

6
8
7
9 5
6
6
7
Cmi7
Ami7(b5)
.
J

10 8
8
Dmi7(b5) G7(b9)

b

b

6
7
5
6
7
9
6
8
Cmi7
Ami7(b5)
. b
J
.
j
8 7 5
7
&
T
A
B
Dmi7(b5) G7(b9)
3

b
3
b

n
5
7
6 8
10
9
Cmi7 Ami7(b5)
3
b

.
10
8
8
10 7 7
Dmi7(b5) G7(b9)
3
b
b
n
3
b

3

b
3
b

n
6
8
7 9
11
10
8
9
9
6
8
7
Cmi7
w
U
10
Pattern 13:
In Context:
83

Track 53 Pattern No. 17 & 18
&
T
A
B
4
4
C
#
di m7 C7(b9)
b

b
b

3 1
2
3
1
4
0
1

b

b
b

n
b

4 2
3
4
2 0
2
2
b

b
b

1
3
0
0
4 2
3
3
b

b
b

n
b

2 0 6
2
5 3 9 0
&
T
A
B
b

8
11
12
8

b

b
b

8
9
9
8 10
6
6
9
b
b
n
b
b

n

7
8
8
6
4
5
5
7

b

b
b
b
5
7
6
5 7
4
3
6
&
T
A
B
3
b

3
#

b
3
#

b
3

3 4
5
6 7
8 4 5
6
7 8
9
3
b

3
b n
b
3
b n
b
3

5 6
8
8 9
11 7 8
9
10 11
12
&
T
A
B
3
b n
b
3
b n
b
3
b

3
b

7 8
9
8 9
11
5 6
8
7 8
9
3
b n
b
3
b n
b
3
b

3
b

4 5
6
6 7
8
3 4
5
55 6
7
w
&
T
A
B
3
b

3
b n
b
3
b n
b
3
b

3 4
5
6 7
8
4 5
7
7 8
10
3
b

3
b n
b
3
b n
b
3
b n

5 6
8
8 9
11
11 12
14
8 9
11
&
T
A
B
3
b

3
b

3
b n
b
3
b n
b
5 6
8
7 8
10
4 5
7
6 7
8
3
b

3
b

3
b n
b

U
3 4
5
5 6
7
2 3
4
3
w
Pattern 17
Pattern 18
Pattern 18 Bill Evans: Sweet and Lovely from Explorations
84

Wes Montgomery was fond of using diminished chords as approaches to other
chords or just up or down the diminished scale specificallyMissile Blues @ 4:56 or any
of his improvised chordal solos. These diminished chords work well as an approach to
the turnaround in a 12 bar blues.
Track 54 Diminished chords
&
T
A
B
4
4
C7
b

3
5 3 5
3
C7

b
5
5
3
G7
b
b
2fr.
5 3 5
4
2
4
3
&
T
A
B
G7
#
#

b
#
n

#
n
#

#
#
n

#
#

#
#

3fr. 5fr.
6fr. 4fr.
5fr.
7fr.
8fr.
11fr.
5
3
5
4
7
5
7
6
8
6
8
7
5
4
5
4
6
5
6
5
8
7
8
7
9
8
9
8
12
11
12
11
&
T
A
B
Ami11
#
#

#
n

#
n
1 2 3 4
7fr.
5fr.
7fr.
3fr.
6fr.
10
8
9
7
7
5
5
5
8
7
8
7
4
3
4
3
7
6
7
6
D7
Ami7
b
b

n
n
2fr. 5fr.
2fr.
3fr.
5
5
5
5
3
2
3
2
6
5
6
5
3
2
3
2
3
3
4
3
&
T
A
B
G7

b

b

3
6
6 5 3
5
w
U

85

This chordal Montgomery-style pattern would work on the sIV diminished of a
blues. You might want to listen to Wes Montgomery on Fried Pies around 5:48.
Track 55 Chords
Track 56 Turnaround
86
&
T
A
B
b
4
4
B
b
7
.
.
.
.
b
j

6
5
6
5
6
5
6
5
Bdi m7
b
b

n
n
b
4fr.
7fr.
6fr.
8fr. 9fr. 7fr.
6
4
6
5
9
7
9
8
7
6
7
6
9
8
9
8
10
9
10
9
8
8
8
7
F7
w
w
w
w
8
8
8
7

&
T
A
B
4
4
Dmi7
b
b
b
b
10fr.
8fr.
10fr.
7fr.
12
10
10
10
9
8
9
8
10
10
10
10
8
7
8
7
G7 D
b
7(#11)
6fr.
7fr.
4fr.
7
6
7
6
9
7
9
8
6
4
6
4
3
1
3
2
C6
w
w
w
w
1
2
2
3

&
T
A
B
4
4
Dmi7
b
b
b
b
10fr.
8fr.
10fr.
7fr.
12
10
10
10
9
8
9
8
10
10
10
10
8
7
8
7
G7 D
b
7(#11)
6fr.
7fr.
4fr.
7
6
7
6
9
7
9
8
6
4
6
4
3
1
3
2
C6
w
w
w
w
1
2
2
3

&
T
A
B
4
4
C7
b

3
5 3 5
3
C7

b
5
5
3
G7
b
b
2fr.
5 3 5
4
2
4
3
&
T
A
B
G7
#
#

b
#
n

#
n
#

#
#
n

#
#

#
#

3fr.
5fr.
6fr. 4fr.
5fr.
7fr.
8fr.
11fr.
5
3
5
4
7
5
7
6
8
6
8
7
5
4
5
4
6
5
6
5
8
7
8
7
9
8
9
8
12
11
12
11
&
T
A
B
Ami11
#
#

#
n

#
n
1 2 3 4
7fr.
5fr.
7fr.
3fr.
6fr.
10
8
9
7
7
5
5
5
8
7
8
7
4
3
4
3
7
6
7
6
D7
Ami7
b
b

n
n
2fr. 5fr.
2fr.
3fr.
5
5
5
5
3
2
3
2
6
5
6
5
3
2
3
2
3
3
4
3
&
T
A
B
G7

b

b

3
6
6 5 3
5
w
U

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