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Dionisio Aguado - Metodo de Guitarra II
Dionisio Aguado - Metodo de Guitarra II
M E TO D O D E G U I TA R R A
S E G U N D A PA RT E
-3-
&
4 2 2 1 3 1
3 1 3 1 4 3 3 1
3 1
bc
10 3 1 3 1 4 3
3 1 3 1 3 1 2 1
&bc
&bc
&
.
. . . . . .
.
.
.
. . . .
.
. . . . . . .
.
.
.
.
. .
. . .
b c
DOBLE LEGATO
3 1
4 3
3 1
b
c
&
1 0
3 1
4 3
4 3
3 1
3 1 3 1 3 1 4 3 3 1 3 1 1 0
b
&
1067
-4-
1 3 3 1 3 4 3 4
1 0 1 3
b
&
1 3 3
1 2
1 3 4
2 4 3
3 4 3 1 3 3 1 3 4 2 4 2 1 2 3 1 3 3 1 3 1
b
&
4
.
.
.
.
. .
b
&
. . . . . .
.
b
&
&b
24
24
34 1 3 1 3
24 1 2 1 3 1 3
13
13
24
34
13
13
34
2 4
b
&
2 4 3 4
1 3 1 3 2 4 1 2 1 3 1 3
b
&
1 3
1 2
2 4
1067
3 4
-5-
&
Study the next exercise with the same fingering as the previous one.
&
&
#
&
n
# n n
b
#
#
n
#
3
n
# n
&
&
&
b
1
.
.
.
# .
# .
etc.
.
.
# etc.
.
# .
.
.
&
. .
.
etc.
1067
.
.
etc.
-6-
&
&
#
n
&
&
# n
n b
# n
2
etc.
.
. n .
#
.
etc.
. . #
1
Study the following exercises to the same extentions as the previous ones.
&
&
&
#
3
#
0
&
1067
n #
n
#
#
3 1
-7-
Do not lift the first finger while fourth finger plays the legato note.
&
Study with different accents, either on the first or the second note.
&
b
4
1
3
Work these exercises slowly to make all three notes sound even.
#
&
1 3
1 3
1 2
1 3
4 3
4 3
4 2
4 3
&
#
&
&
&
1067
-8-
&
&
&
&
&
&
&
b
1
1067
&
#
1
#
4
3
1
-9-
LEGATO - SALTOS
&
#
1
&
&
&
&
#
n
n
b
4
b
1
&
&
&
#
2
1067
n
1
- 10 -
.
&
#
&
&
#
4
&
&
n
3
LEGATO INDIRECTO
#
&
#
&
# n
# n
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- 11 -
2
4
&
&
2 3
2 4
2 4
&
# c
&
3
4
1
#
&
# 3
2
#
&
1067
- 12 -
Study with different accents, either on the first or the third note in each group.
&
#
1
2
2
2
1
# n
# n
2
2
&
#
n
2
&
#
2
&
n
#
n
2
#
4
2
4
1
LEGATO - CROMATICO
#
2
4
&
2
4
&
1 0
12
8
&
#
&
2
4
n
n
4 3
3 4
# n
1 0
1 2
3 2
1 4 0 4
2
# n
n # #
1
1067
2 4
3 4
n
# n
# n
# n
1 0
3 4
3 4
0 2 1
#
#
# #
1
1 0
3 4
n #
0
n # #
- 13 -
LECCIONES
Allegretto
#
#
&
3
8
j
0
#
#
&
#
#
&
2
3
# .
0
3
4
.
J0
1
. 1
#
3
2
.
#
#
&
3
4
1
I
I
3
4
5
&
1
#
4
4
I
3
3
I
4
.
2
n
n
.
2
Fine
#
#
&
1
1
I
2
4
1
1
I
2
I
3
k
4
#
2
..
0
3
4
#
&
#
#
2
1
I
2
1
4
3
4
3
2
1
# .
II
.
n
#
1067
1
2
1
3
1
D. C. al Fine
Andante
#
4
1
&
&
1
2
#
2
0
0
1
3
1
4
2
1
#
4 2
II
.
.
3
4
&
&
#
#
&
3
8
#
#
#
#
{
4
&
#
#
n .
4
1
n .
I I
I
#
1
1067
1
5
II
j
2
3
2
&
&
Moderato
3
&
# 3
4
.
4
2
3
&
1 4
#
Q
Q
1 Q
Q
Q
Q
3
2
q nq
3
IV
#
II
0 n
4
3
.
.
1
2
j
4
I
4
1
{3
&
0
3
1
&
&
0
3
1
1
3
2
II
1
1
3
0
2
2 1 4 2
1067
4
2
#
#
&
3
8
.
0
#
#
&
# .
#
#
&
0
1
3
4
&
j
#
2
2
j
#
#
#
&
j
0
.
1
3
j
#
&
#
#
3
4
1067
- 17 -
TERCERAS
ESCALAS
C Major
2
3
4
&
0 2
3
2
4
3
4
&
1 2 4
3
2
4
1
0
G Major
2
1
#
&
# 3
4
0
3
&
3
4
&
4 1 3
4 1 3
3
G Minor (melodic)
&
# n
n
1
1 2 4
3
4 2
2
b 3
b
4
2
4
3
1
4
2
1
1
4
3 3
3
n
b
n #
n
1
4
0
3
1
1
n #
#
4
Bb Major
&
b 3
b
4
3 4 2
F Major
3
4
A Major
D Major
3
n
2 4
4 2
3
1
4
3
n
4
3
1
4
3
1067
- 18 -
C Minor (harmonic)
&
3
b b
4
0
3
1
&
2
0
4
&
&
&
1
1
1
1
3 1
4
2
1
4
4
.
.
1
3
1
2 4
2
3
4
2
3
1
1
..
1
2
1 4
2
4
3
2
1
2
2 3
4 1
4
4
4
4
1
3
0 1
1
1
2
0
F Major (thirds)
3
4
1
3
4
4
4 4
3
4
A Major (thirds)
#
3 2 2
&
1
2
3
4
&
G Major (thirds)
n
b
n
3
1067
2
2 4
1
4
3
3
1
..
- 19 -
LEGATO - TERCERAS
#
&
#
&
#
#
n
n
n
# n
# n
# n
#
#
# c
# n
# n
Legato thirds with finger changes, then one finger must fall firmely on the note
while at the same time the other finger slides from one note to the other.SOB
2
#
# 3
4
1
&
#
#
&
n #
n
#
#
n
n
n # #
#
#
n #
#
&
n
n #
n
#
#
n
n
#
n
2
4
2
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2
3
.
.
- 20 -SOBRE
3
4
&
#
#
n #
n
#
# #
n #
n #
# n
# n
&
2
n # n
# n
# n
&
#
2
#
#
2
1067
#
#
3
n
n
#
#
#
#
#
#
#
#
#
#
#
#
n
n
#
3
&
&
&
&
2
n
n
3
- 21 -
&
# #
#
#
n # #
#
#
#
3
n
n
# n
n
2
n # #
n # #
n #
#
n
n
#
#
n
#
# #
n #
n
#
#
n # #
n #
#
#
&
n #
&
&
&
&
#
#
#
#
n # #
&
3
#
&
#
3
n # #
n
n
n
# #
n #
n
2
1067
- 22 -
SEXTAS
ON FIRST AND THIRD STRING
&
b
4
4
4
2
3
4
&
4
2
&
&
&
#
&
3
4
#
#
n
n
#
n #
1
- 23 SOBRE LA 1 Y LA 5
1
&
&
#
#
#
#
TENTHS
3
&
3
4
&
OCTAVAS
k
#
&
2
4
#
&
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- 24 -
&
2 1
4
&
&
&
&
#
&
1067
#
#
&
- 25 -
&
&
&
&
&
&
&
&
0
2
1067
#
#
4
.
3
2
#
#
- 26 Let the bass notes live while the legato notes are played.
&
#
#
1
4
&
&
1
5
&
&
1
0
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&
&
- 27 -
ESTUDIOS
Allegro
&
&
&
#
2
n n
#
3
&
&
# #
#
2
4
&
#
&
n
4
#
4
#
#
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0
n
n n
n n
&
#
4
1
- 28 Andante
^j
^j
2
4
&
&
^j
&
.
.
.
&
0
3
# ..
.
1
3
2
^j
. 1
.
.
.
^j
0
3
3
2
0
2
^j
^j
3
2
^j
^j
# ..
.
1
3
2
II
1
2
j .
2
3
b #
III
0
&
&
j .
2
3
b #
III
1067
- 29 Allegretto
#
1
12
2
.
8 H
&
4
3
4
#
.
..
..
1
3
&
1
2
&
H.
1
3
1
2
H.
4
3
4
#
.
&
1
3
#
&
4
#
#
.
..
1
2
#
#
{ .
1
3
4
3
4
#
#
.
b n
..
..
0
0
2
4
#
#
4
3n
..
1
2
n
n
#
&
4
3
1
2
0
0
2
4
..
#
#
III
#
1
2
&
f
# n
# n
2
4
&
1
1
1
2
.
0
0
0
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..
3
..
#
3
4
2
2
3
# n
..
- 30 Allegretto
#
12
8
&
2
4
0
0
w.
#
&
1
2
3
4
&
2
4
00
.
0
2
2
4
3
4
0
1
2
4
2
4
2
4
0
0
3
4
w.
&
w.
w.
2
4
.
0
2
2
#
0
1
2
4
0
2
0
0
2
4
0
2
..
#
&
1
3
1
3
2
3
1
3
w.
#
1
3
&
4
2
3
1
3
..
&
1
2
1
3
1
3
2
3
1
3
w.
w.
1
2
1
3
#
&
0
2
1
2
3
1
3
0
1
1
3#
4
J
1
3
1
3
1067
2
3
..
.
.
- 31 Allegretto
6
3
4
&
&
&
&
Fine
F
4
&
3
F
4
&
b
1
#
4
&
cresc.
#
&
D. C. al Fine
1067
- 32 Andante
&
&
>
>
>
>
>
>
>
>
>
>
>
&
&
>
>
>
&
>
>
>
>
>
>
>
>
>
F>
&
>
>
>
>
>
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>
2
1
>
- 33 -
&
&
&
2
>
>
>
>
>
>
>
>
>
>
>
p >
>
>
>
>
>
&
>
>
>
>
V
2
&
>
#
1
1067
>
>
>
>
>
>
&
- 34 Allegro
#
&
&
4 2
II
#
&
.
3
II
#
&
&
&
&
&
VII
2
#
2
VII
4
n
2
IV
1
IX
#
II
II
1
1067
- 35 Allegro
#
12
8
&
III
a ma
.
. m
i
&
H.
ma m
a
a
H. m i
i m i H.
i
3
II
H.
# .
2
3
a
a m m a
H.
m i
i mi
H. i
p
2
a ma m a
a ma
. m
H. m i
i m
n .
i
i
i
p
p
1
&
III
#
&
3
H.
H.
2 1
H.
V
1
{ H.
1
H.
&
b.
H.
H.
2 4
V
#
III
&
III
II
2
III
b .
H.
H.
VII
#
H.
&
V
1
H.
H.
H.
III
#
&
3
H.
III
II
2
H.
H.
1
1067
.
.
{
.
- 36 Andante
II
2
4
&
..
&
..
&
1
3
&
&
4
1
. 2
4
2
#
#
1067
1
3
# 3
IIj
IIj
0
2
Vj
4
3 0
# 3 0
IV
ten.
# .
II
#
&
VII
II
#
..
II
#
V
4
2
0
1
3
- 37 Allegretto
4
10
&
&
II
#
&
#
3
II
0
IV
II
IV
4
II
V
4
V
#
&
&
&
q
1 1
3 n2 q
.
1
II
1
0
5
VII
#
VII
q
q
J
.
J .
q
1
q
2
2
3
4
J
4
.
J
1067
- 38 Andante
4
11
&
III
&
II
1 4
n 1
II
3
&
II
4
&
#
&
V
# #
&
3 2
1
0
&
3
III
#
&
3
1
II
b
#
2
n
2
4
0
1067
1
0