Dedication to TIM HODGKINSON IN FIN IT Y (1) _ svce venmerser for Clarinet-Bass & Ensemble (MCD) Masque Speciale, Aousmatiqu,Fransformaanel et Linare ENERGICO DURATION: 10" = 12" (eens) (Polifnic Noses) 4 2S sad Be. ‘vith Cain) Cellos Double Bass Percussion (IID, Tam-Tam ENERGICO (permanent changing of coors ) ee stp a A aie. (eg Bet ‘i ‘slay slap ‘rulatto «—> Non Frulatto P slap 9 (only Air Clarinet bass ~ ett me Fr Non Frutatto > 2 ENERGICO in a a ( Marmoncs Zone 1) Zone 1) 2 (Sermate) =Stt 1 =m Agito Irvegolare 1 (Normals) -<—r Frill) «—+ (Normal) Satara ‘ ( Harmoniques Zone 1 + 1 *Pere. 1 (lacie vibrare) 9 or ws (loca vibrare) 9 vr Tremolo rapido + Gi, , Fi sn z ‘ania irae) = Pere. I Pere, er Yui. (Polifonic Noises ) Vie. ey (Potjonic Noises) Vel. ees NERGICO dierent slaps, ke Bartok ps) (irregolare inprovisando) big slaps small slaps > he (ormale) (som Aureoté) i (events rez) (pause) — Clarinet Bass Oe(La ncaa Dinjrutal - Diferte combinat de timbre (insrumante),aternand spatial streofini) STANGA- DREAPTA (Sree & inregolarly ) Clarinet [( Lomtano ) <> Bassoon frulatio frulatto frulatto Tramp {frulatto ) _( fratatto ) 9 gett ‘Trombone _ (change the position in stage; Transfiguration; more resonance, more posry, mesmerising) * ( Lontano ) 9 Cintim. vibrato ) ( free & irregolarly-) : 7 Z (+ Voice) (Voice) A \ A (replay + Diet Pongo) (son intim, (slap + electronic reverb. ) eit pace 1 free, subtil accemts)-"7 = yaice) y— = ——————— iene Re wb ES oS ee so (_ changement graduel de vibrato, non vibrato, filtrage, multifoniques, harmoniques, son blanche, lautando, + voice, accents sans pression, micro-glissandi ete..) at (Infinit Circular Breath ) (Growi) A Ay = SincAuvaté) {San trey] spf fe Dt — i(Free & Irregotarly) ( Trepidando ) (Sound + Key noise) (erepidanie) (imorovisando) , (ae = Rotation of struments B 9 ( yl impetinth n the L-Bas) ( sine mprorsando ) | ited) <> Pi Pere 1 ff eS wg BE 8 wy Pree vnade se ON pn ek (orl = al Ry ys Ne Pere 1 aeeeais) “ ome Sef Pere. I gsr ale ce RN om 6 : i accents | (free & irregolarly ) Cymbal + Big Drum — (accents) Pere i [[" tus 5 Cymbal + Big Drum ~ afe (Tremolo) : 7 Se ee Pere. 1 ‘ emo = =< Pere. 11 [pp roe : sfe I Clarinet + Clarinet Bass 3 — (inreg. Accents) SF (Vibrato yp — (Aeeente) Sf (ire decent) ff Vni. 4 a fo Oe Vie. lan gon A E soa ag (Vib) a Vel. alti) Remon alte Chs a (Rotation of instruments ~ Noise + Sound) — "ss? Clarinet BassPere. I n Wo. SF remal 1 (icons) Pere. H | 1 at (Tremolo) (Accents) Pere. HI [Ltt glimey => = ff Multiphonic (Battements) fl" (battements = Clar Bass [5 ’ = = a y i a 2 Pere. I (fe & iegtay) (Voice )(vibrato) (fury ratte) | ae via) eo (fre & 1 ve & reget) oes, * Fsibr) 1 2-3 Cymbals mp 7 Y M23 Cymbals mp Pere, Il t , 1 Ante) Pere, I [253 Gomibats ip i ra (roe & ivegolarly) pip (Peeticeinarvisando) (ce) er ’ (free & irregolarly ) ( Superfta meena and Rapid ) Chs |] ang (Saperficiat, Transparent and Rapid ce ae a ash Nt aus. SA!Clarinet G+ Air) Bassoon (Accents) 2 Vai Vie ever Gres vel 5 fae iae Chs mf a step A ( Gliss.rapido ) prom) 67 £ Clar, bass, 9 mrp — mf slap (6.85) (only Air) ‘accents\ GGliss. with Harmonies.) sft ¥ ‘(vce sft mp8 (EXPLOSION I) (EXPLOSION 11) (EXPLOSION IIL) _— i— , cle (pausa) 1 e. ee (pausa ) ao (pausa ) Pere. I a een ° (ome (yo Pee. I = oe oo (Tutta la Forza/ all the Force ) FL (Nuages de gouttes de "legno batt”, pizz., spicato sul ponticello ) OB fff Sf = ca ; ptaz + Tegno bart) Tr ( 1e8%o batt. slaps, stace,atacs, gliss. ) hs Trp * Vni Vie Vel Chs Pno Causa)Pere. 1 Pere. I Pere. III (Tutta la Forza/ all the Force ) tif (accelerando-nerveso ) FL SSF (Tata 1a Forza/ all the Force ) OB (Nuages de gouttes de "legno bat") . oe CLBass (fee & irregularly) Trb a Trp Vni Vie Vel Cbs Pno (allargando) Ss , 4 asesf per (End)