practice scales

Major scale Modes

&

&

lydisch

mixolydisch

aeolisch

lokrisch

ionisch

dorisch

phrygisch

&
&
&
&
&

major Bepop scale (with passing tone #5)

2
2

# n

& #
# w

&

# n w
& #

# # n

w
&

Major scale up to the 9

&

&

Cmaj

D7

E7

w
Fmaj

A7
B7(b5)
Cmaj

&
G7

&

Cmaj

B7(b5)
A7
G7

&

Fmaj

E7

D7

Cmaj

Melodic Minor Scale Modes

5

&

melodic minor

dorisch b2

& b

& b

locrian #2

alteriert

augmented
lydian b7

&

mixolydian b13

&
&

&

Melodic minor Bepop scale (with passing tone #5)

4
6

&

# n b

b
# n
& b #

b n b

& #
#

b # # n b

&

w
bw
nw
w

Melodic minor scale up to the 9

&

& b b
C(7)

D7

E&7

w
F7(#11)

A7(b5)
B7(b5) (B7alt)
C(7)

&
G7(b13)

&

C(7)

B7(b5) (B7alt)
A7(b5)
G7(b13)

& b b b
F7(#11)

E&7

D7

C(7)

major scale patterns

3
3
3
3

&

69

3
3
3

&

73

&

77
2

79

&

81
3

&

&

83

&

85
4

&

87

&

89
5

91

&

&

93
6

6
7

95

&

&

97
8

&

100
9

&

102

104
10

&

n # n

# #

& # # n # #
#

106

&

108
11

&

110

&

112
12

&

114

 # n #

& # # n

116
13

# n # #

# # #

&

118

120
14

&

&

122

Scale Patterns over different modes

8
1

&
&

major

w
minor

b b b b b b b b b b w
diminished (GTHT)

& b b b b b b b b b w

dominant/diminished (HTGT)

& b b b b n b b n b b b b b b n b b b b b b b w
b b
augmented (GT)

& # # # # # w
b b
2

&
&
&

major

w
minor

b b b b b b b b b b b w
diminished (GTHT)

b b b b
domintant/diminished (HTGT)

&
b

b b

b b

b b

b b b
b

& b b n b n b b b b n b b n b b
augmented (GT)

b b
w

&
# # # w
# #
b b b
b b

Variationen (legato-portato-staccato) mit Einfacher-Doppel- und Tripelzunge ausfhren

1A

&


w

1B

&4
3

3
4

4
&

& 44
1C

&
&

w
3

&
3

2
&4

2
4

&

&
3

10

Pentatonic

&

&
w
3

3
3
3

&
w
3
3
3
3
3
3
3
3
3
3

&

&

&

&

&

&

&

&

w

10

11

12

13

14

15

16

17

18

&

&

&

&

&

&

&

&

&

11

12
19

&

&

20

&

&


&

21

&

(ht-ascending)

b b b

b
# b n

continue

(ht-Ascending/descending)

b n
b
#

continue

22

& b b b

23

b
&

b
(4th)

(wt)

24

& #
minor 3th

25

& b b

#
# # # # #

# # # # n #

continue

continue

continue

diminished Patterns
C E F A

&
&

diminished scale (GTHT)

# #

B7[] D7[] F7[] A7[]

C E F A

13

# n b

# # n
# n

dominant diminished scale (HTGT)

# #

B7[] D7[] F7[] A7[]

& b b b # # n # b n # # # # # w

n b

& b # #

n b b #

& n b b #

n b n
&
# # n b # # n b

b
# # n b # #

n b

&
# # n b # # n b
#
&

# n b

&
# # n b # # n b

n #
#

& b # b # n # #

14
2

D E G B

& b b n #
&

diminished scale (GTHT)

b b

# b

bw

C7[] E7[] F7[] A7[] dominant diminished scale (HTGT)

n # b

D E G B C7[]

E7[] F7[]

b
# b b

A7[]

& b b b b n # b n b b n # # b b bw
b
b b # n b

& b b # n

b b b n

& b b n n
&

b b # n b b b

n b # n b b # n
b

# n b b #
#

n b b n n n b b b n
&
b b b
&
&

# b b
b
b # n b
b # b
b # # n n

& b

b b # n b b b n b b n
b
b b n

b
b

b
b
b n b n

b n b n n b b n b b

D F A

&
D7[]

E7[]

& b n

# b

diminished scale (GTHT)

b b n #
G7[] B7[]

b b n

15

dominant diminished scale (HTGT)

b b b b

w
bw

& # # b b b b n # # b b n # w

D F A B

D7[] E7[]

G7[] B7[]

&

b n

& b b

# b b b
b
&
b b

b
n b b b n b b

&
n #

b n b # n
&
#
n b # b n

# n b n

b b b n n b b
&
n
# n

& # b n b # #

Scale Patterns over different modes

16
1

&

w

major

b b
& b b

b w
dom.7 (F-maj)

b b b
& b b b b
b b
b w
minor ( B7 )

&

b
b

b b

halfdiminished (locrian # 2-Es mel.moll)

b b b b b
b b b b
b w

& b b n b b n # n b b b b # # b n b b b

b w
dominantdiminished (htgt)

& b b b b # n b n
diminished (gtht)

n
# # # n # b n b w

& # #
# # w

lydian (G-maj)

lydian b 7

b b

b b
# #
b w

& # # # # # b

#
b b b b # #
b w

&
&

(G-melodic minor)

# # # #

augmented (A-melodic minor)

wholetone

# # # #
w

b
& b b
b b w

melodic minor

&

&

b
b

&

b b

major

17

&

dom.7 (F-maj)

& b b

minor ( B7 )

b
& b b b b

&

b b b b b b
b

b b b

halfdiminished (locrian # 2-Es mel.moll)

b b b b b b
&
b
b b b b b b b

b
& b b b b n b b n # b n # n # # b b b b
dominantdiminished (htgt)

b b b b b b b
&

# # # b n # b b b n b w

& b b b # b n # b n b b n b b n b
diminished (gtht)

b
&
# # # # # n # # n b # b b n w

18

&

#
# # #
lydian (G-maj)

& # # # #

& # # # # b b b b
lydian b 7

& b b b b # # # #
b b w
&

augmented (A-melodic minor)

& # # # # # # # #
w
wholetone

& #

# # #
#

& b b b b b b b b b # # # w
b b

& b b b b
melodic minor

b
&

b b b

&

major

b
& b

b
dom.7 (F-maj)

& b b b b b b b
b
minor ( Bb maj )

&
&

halfdiminished ( locrian # 2 )

b b b b b
b

b b
b b b

b b # # b b

b
b b b

dominantdiminished (htgt)

& n b b b b b n b n b b b b b b

diminished (gtht)

& # # # #

lydian (G-maj)

&
&

b b b # #

b
lydian b 7

(G-melodic minor)

# # # #

augmented (A-melodic minor)

b b b
& # # # # # b
b #
b
wholetone

& b b
b b

melodic minor

19

20
4

&

major

&

&

&
w

& b b
dom.7 (F-maj)

& b

b
b

b
b
& b

b
&
w

&

21

minor ( B7 )

& b b b

b b

& b
b b

b
b b

& b
b b

b b

&

b
& b b b
w
&

b b b b b b b b b b b b

halfdiminished (locrian # 2)

& b b b b b b b b b b b b b b b b b b b b b

b b
b b b b

& b b
b b b b
b
b b b
b

b b b
& b b b
&

b b
b b

b b b

b b b

b
b b b

b b b
& b b b b
b b w

b b

b b b

22

&

dominant/diminished (htgt)

b b n # n b b

b b n # n b b

& b b n # n b b b b n # b # b b b b b
& # b b # # b b
& b n # b b

b b b

b b # n b

b
b

# n # b b

b n # n b b b

# n b
b b # n b

b
b
& b
b n #
b

&
& #

b # n b

b b b b b n # # n b b b

b b n b b

& b n # b b b # n b b
w

# n

&

diminished (gtht)

23

#
b # n b b # n b b # n b b #

& # # # # # # # # # # # # # n b
b
& b # # # # n b b # #
# # n
n # n b
# # # # n b
b

& # #
# # n b

b # # # # n b

&
b # # # n b
b n b

&
# # #
# # n

& b # # # # n b w
&

lydian (G-maj)

& #

& #
# #
#
#
#

&
#
#

# #

&

#

& #
# w

24

&

lydian b 7

(G-melodic minor)

& b b b b b b b #

# b

#
& #
# #

#
b b #
#

b b

& b
b #
#

# # b

#
&

& # b b #
w
&

augmented (A-melodic minor)

# # # # # # # # # #
#

& # # # # # #

& # #
# # # #
# #
# #

& #

# # #
#

# # #

# #
#
&

& # #
# # w

&

25

#
#

wholetone

# # # # # #
& # #
#
#
#
# #
&
& #

b b
b
# # #

b b b
#

b
#

# #

# #

# #

# b
b b
& # # #
w

# #

# # #

b b b

b b b

melodic minor

& b b b b b b b

& b
&

b b

b b

b
b

&
b
b

b b

&

b
& b
b w

26

CHORDAL STUDIES

&
b b

major 7

&
b b

&
&
&

minor 7

b b b b n
b

b n b b b
b
b b b b

dom 7

# b b
#

continue

# b b
#

b b b b

continue

continue

continue

b b

b n b #

b
#

continue

b b

& b b b n n n b

b n b
b

b
n

& b # b n b

#
b

&
&

b n b b

halfdiminished

b b b
b

& b # b n b
diminished

b
& # b n
augmented

b
& #
b

# b n b
#

continue

continue

continue

continue

continue

continue

continue

&

major

minor

& b b
&
&

halfdiminished

b
b

major 7

minor-major 7

b
halfdiminished 7

dom. 7

minor 7

b
b b

b b

diminished

b #

minor

# b

major 6

27

minor 6

b b

major

& # # b b b b
augmented

&
&
&
&

halfdiminished

major

major 7

minor 7

augmented

halfdiminished 7

b b b

# # b b b b b b

major 7

How to practice Scales

28

&

1-2

&
&
&

1-4

1-5

1-3

1-6

1-7

1-8

& w
1-4

5-8

3
5-9

w
&

w
1-5

&

w
1-9

&
&
&

&
&
&

FINGER COORDINATION
(legato- tenuto- Jazz-articulation)

& #

& #

#
#

b n #

# b b

# #

# #

# # #

29

b b n

b b b b b b b b b

& b b
b

b b b
b b
b b b
b b
& # # # # # # # #
&

b b b b b n

b b b n b b b n

# n

# n

30

& # n
#
# # n
& # #
&

b b

& b
& b
&

&
n
&

&

n # b

b
#

# # n # #

b b

& b b
# n
& # b

b b b b b b b b

b n n b b n n
#

b b

b n

31

&

# #
# # #

& # n b b n n b n # n b n b # #
n
b
&

# b n # b

& # b # b

# #

# #

n # n # #