Isaac Albeniz

Solos de guitarra Coleccin 1

Indice de contenidos:
Asturias
Cadiz
Catalua
Granada
Mallorca
Puerta de Tierra
Zambra Granadina
Torre Bermeja
Zortzico
Capricho Catalan
Preludio No.1 Opus 165

Recopilado por www.musicandote.co.cc

Para uso particular

-2-

ASTURIAS
Rev. and fingered by
Eythor Thorlaksson

Andante
1

3
4

&

Isaac Albeniz
q

= 92

p i

p m

pi

pm

p i

p m

&

&

3
4

0
0

3
5

10

&

0
0

1
3

13

0
0

&
1

16

2
4

4
5

f
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.

p
1095

3
4

4
0

&

4
2

m
i
1

m
1

p
p

m
i

0
3

-3-

18

&

&

22

&

20

VII
#

&

24

1
4

rasg.

^
#

VII

#^
#

&

i m

dim.

3
5

VII

26

0
n


4

4
5

28

&

3
1

#^
#

&

^
#

30

^
#

n


4
1

4
5

1095

-4rasg.

&

32

2
1
1
4

0

0 1

2
1
4
2
5
J
4
.
4
5
5

1
2

34 ^

&

VIII
^

36

&

1
2

VIII

38 ^

#
&

VII
2
1

40

&

VIII

&

1
2

VIII
44

&

VII

42 ^
#

VII

^
#

1
0

5
4

1095

-5-

46

&

48

3
4

&

dim.

5
4

50

&

3
4

&
1

H.

cresc.

H.

F6

VII
53

3
3

VII
55

&
1

H.

H.

VII
57

&
1

H.

dim.
arm. 19

pizzicato

59

&

#
5

#
3

2
3

1
3

#
1

accel.

U.

fi
0
1
3 #

pulgar
1095

-6Andante tranquillo
1

63

&

II

arm. 8va

U
4 #
3
2
1

.
.
.

espressivo

II
U

70

&

.
.
.

0
0
0
3

arm. 8va

4#
3
2
1

arm. 8va

.
.
.

IV
76

&

II

3
4

0
2
3
1

4#
3
2
1

.
.
.
.

3
0

0
2

0
2

n
#

accel.

Moderato
88

4
3

&

accel.

rit.
IV
#

4
3

1
4

rit.

97

4#
0
3

&

m
a
i

1
2
1

1
2
1

a tempo

Andante

4 #
3

4
3

II

V
3

VI
93

F
4

4
2

II

>

II

&

3
0

&

II
82

1
5

4#
0
3

m
a
i

F a tempo

poco rit.

0
1
3#

V
102

&

0
3

0
1

#
0
2

0
1

#
0
1

0
1

n
2

dolce poco rubato

1095

#
2

rit.

-7-

&

106
1
0

2 4

1
3
2 #

VII
1

2 #
0

1 3

1
6

111

2 #
0

4
0

#
1

a tempo

rit.

114

&

a tempo

II
U

&

VII
#

2
0

4
6

II
#4
3
2
1

&

arm. 8va

118

# .

.
.

123

&

0
2
3
1

4 #
3
2
1

0
1
0
2
3

.
.

0
0
0

..

.
.

4
1
0

# n
.
.

4
1
3
1

0
0

1
3

p i

0
0

4
3
3

a #
1

p i

accel.
arm. 12

135

&

.
..

1095

pizzicato

3
0

2
3

133

Quasi andante

.
.
.
.

1 n
1
2

.
.
.

0
0
4

.
.
.
.

D. C. al Coda

II

&

II

129

&

CODA

0
1

3#
4

0 1

..

-3-

CADIZ
Rev. and fingered by
Eythor Thorlaksson

Isaac Albeniz

Allegro ma non troppo

3
1

3
4

&

0
2

sempre legato

0
3

&

# 1

a
0

..

i m

F a tempo dolce

# 1

poco rit.

3
4

ten.
VII
7

&
2

1
1

4
1

# 1

ten.
VII
10

..

&

# 1

&
3

3
2

1
1

4
3

1
2 #

4
1

poco rit.

&

II

16

j
4

4
1

II
13

# 1

F a tempo

#
2

Copyright 2000 by The Guitar School - Iceland

www.eythorsson.com.

marcato 3
1094

#
1

-4-

19

&

1
1
3

3
1
2

2#
1
0

# 1
1

F a tempo

poco rit.
ten.
VII

22

&

..
# 1

4
1

1
1

4
1

# 1
1

ten.
VII
26

..

&

# 1

1
1

2 n
0
0

s p rit.

ten.
29

&

#
0
4

0
1 #

2
0

33

&

#4
3
1

2
4

36

j
2
3
4

4
3 n

#
1
1

rit.

1
2

ten.
1
1
1

0 n
0

j
4

4 1

0
1

IV

4#
3

&

VII

3
3

F a tempo

ten.

n n
n

4#
3

0
3

#
1

p a tempo

1094

0
2

-5-

3
39

&

0
3

morendo

fi

0
2

n n0
n 1
2

rit.

a tempo marcato il canto

42

&

0
2
3

&

III

1
2

#
1

III

III

&

48

3
4

3
45

#
1

rit.

f a tempo

51

&

&

3
54

#
1

0 n
0

4
3

1
1
3

2
4

&

0
1 #

.
f

0
1

n
4

0
1 #
2

1094

a tempo

rit.

57

1
1
2
4

-6IX
3

59
1 #
n
2

&

n 2

# .

p a tempo

rit.

III
62

VIII

&

1
3#

3
2

dolcissimo

VIII
3
64 3

&

1
2

4
3

0
1
2

.
1

0
1 #

rit.

F a tempo marcato

66

&

ma sonoro

1 #
3

VII
3

68

&

1
4

4
3 1 3 4 1 2

molto rit.

arm. 12
71

3
1

&

rit.

73

&

D. C. al Coda

a tempo
CODA

1
3

perdendosi
1094

rit.

1
1
3
4

.
..
.

-1-

CATALUA
(Suite Espaola Op. 47 Nr. 2)
Isaac Albeniz

Rev. Eythor Thorlaksson

Tempo di Corranda
1

6 .
8

&

&

0
4

3
2

n ..
# .

..
.

. #

VII

j
3

2
3
1

0
1
2

..

VII

F
j

V
8
1

&

j
4
3

.
.

1
2

b .

0
3

11

.
.
.
.

&

.
b .

3
4

III

14

g
g
& g
g
g

.
.
# ..
.
.

V
17

&

.
..
.

.
.

V
0
1
2

..

.
.

1
2

.
.

1100

4
3

.
.

b .
1

Copyright 2001 by The Guitar School - Iceland

www.eythorsson.com

VII

VII

4
1
2

V
0
0
1
3
2
0

-2j
20

4
1

&

2
3

23

&

&

1
2

.
.

1
2

.
.

.
.
.
.

.
b .

2
3
1

.
..
.

.
.

b #

g ..

g # ..
g
g .
g .

4
2

b #

2
3
1

3
4

poco meno
27

0
3

III

1
2
4

..

b #

F
j

30

b #

&

.
.

1
2

1
1
2

.
..

4
2
3

.
b .
.

3
.
.
.

1
1
2#

1
2
3

marcato

VIII
4

33
2
3

..

&

.
..

.
b .
.

.
.
.

3
2

.
.
.

..

VIII

VII
36 43 ..

&

.
# .
.
.

1
4
2

IX

..

.
.
.

VII

.
1 .
3 .

..

# .

3
#

1
4
2

.
39
3 # .
2 .
&
.
1

2
3

.
.

..

.
..

4
1
3
2

1100

.
..
.
1

2
3

.
# .
.

1
3
2

1
3
1

-3.
.
.

42
1

4
2
3

&
.

45

1
3
2

1
3
1

&

4
2
3

&
2

4
3
2

0
.
4
.

.
1
2#

3 #

3

3
#

0
1

4
0

2
3

.
#

1
2

0
1

&
3

0
1

.
.

# n
1

3
2

#
2

.
b .

#
2

56

1
5

&

.
.

0
3

54
0
1

.
..

1
1

2

n .
..

1
1
2

52

..

2
3

# n
# n

4
1

50

.
.
# ..

.
1 .
.

# n
# n
3
2

&

0
0
1
2

48

1
1
2

.
# .
.

4
2
3

4
3
2

.
..
.

4
1
3

&

n .
..

1
1
2

1
2

.
.

0
0
1

.
.
# .

#
2

#
2

rit.
1100

# #
2

.
..

#
2

.
{

-4j
59

&

b #
1
.

2
3

2
3
1

b #

F a tempo
j

62

b #

&

.
1 .
.

1
2

1
1
2

4
3
2

&

1
4
3

..

.
.
.

4
2
3

0
0
2
1

01
2
0

4
2
3

.
..

1
1

meno mosso

.
.
.

0
2

1
2
3

4
2

harm. 12

U
65

..

1
2
4

b #

.
.
.

2
3
1

.
.
.
.

0
1
3

a tempo
VI

68

&

.
..

2
4
3

..

1
1
2

b .
..

b .

VII

# .
.
1
.

V
71

.
.
.
.

1
1

&

3
1

74

.
.

&

77

#
&

0
1
2

..

VII
j
4
2

.
.
.
.

1
3

#
4

79

&
f

.
3 # .
.
2 .
1
.

..

.
.

2
4
3

4
1
3
1

# .
..

1
3

1100

.
.
.
.
.

1
2

.
..

XIII
4

VII

cresc.
4

..

.
.

VII

-2-

GRANADA
Rev. and fingered by
Eythor Thorlaksson

Isaac Albeniz
VII

&

g
g
g
g
g
g

# 3
8

1
4
3
2
1

.
.
.

2
4

2
4

1
4

VII
5

&

g
# g ..

g
.
g

2
4

g
g .

2
4
1

1
4

VII
9

&

#
3
1

II

&

1
#2
3
1

II

VII
13

VII
17

&

g
g
g
g
g

.
.
.

2
4

2
4
1

1
4

VII
1
2

21

&

# g n
# g n ..
g 3n
.
g4
g 1 .

f
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.

1096

n
.

-3IX

VII
25

1
#2
3
1

&

1
1

1
4
2

2
4
1

1
4

1
1
2#

3
4

29

1
2

#3
1

&

33

#
1 #

&

ten.

2
1

0
1

#
1 #

&

.
#

0n
1

1
2

.
#

j
2

0
0

1
3
4

m
i

m
i

. p

&
1

4
2

ten.
3

3 .
n

3

.

.

34

1096

II
0

0
0

II
2

m
i

# n
n n

arm. 7

f a tempo

arm. 7

48

41

ritard.

&

0 n
1

j
1
2

37

-4II
52

.
#

&

4 #

2
4

0
2#

4
1

II
4
57

&

3#

j
0

#
2

.
#

VI
4

61

&

2
4
3
1

2
1 b
3

arm. 7

VI

VIII

b .

1
b

IX
1

1
1

1 4
1 2 4

.
.
1

b
3

4
2

arm. 7

VIII
4

b
.
.

ritard.

VIII

F a tempo

VI

VIII
67

&
1

i 4 3
b
2 .
2
1 b .

2
4

VIII
1

3
4

3
5

1 b
3

.
.

b .

b b

1

VI

VIII

4
4

VI

73 i

&

VI

1 3

1
2

b .

0
1
0
2
3

g
g
g
g

.
.

77

&

0
1
2

4
0

g
g
g

.
.

2
3

1096

-5-

II

83
0
1

&

4
1
3#
1

ritard.

II
87

&

4 #

2
4

3 . 1
n
#
3

.
#

&

#
1

3 #

II

3
0
2 #
4

II
4

97

ten.

&

II
#

F a tempo

92

0
0

poco rit.

meno
101

&

arm. 7

12

j
4
2
# 0
.
1#

U
.

&

.
#

#
1#

.
#

j
4
2
0
#
.
0n
1 #

#
2

12

arm. 8va
106

#
3

arm. 8va

j
1

#
#
3

#
#

#
0n
#
1

1096

#
#
3

-6-

VII
111

#0 4 1

1
.
0
&
3 .

4
3
2
0

.
.

1 3

1
4

rit.

a tempo
V
IV
VII
117

&

1
1
3

1
1

&

#g

g # ..
g
g .
g .

2
4

II
2

#
3

#
3

rit.

121

2
4
1

1
4

a tempo

VII
125

&

g
#g
g
g
g

.
.
.

2
4

2
4
1

1
4
3

VII
129

&

2
3
1

II

&

2
3
1

VII
133

II

1096

-7VII
137

&

# g ..
g
g .
g
g .

2
4

2
4

1
4

VII
141

&

g n
# gn ..
.
g n
g .

n
.

VII
#

&

145

IX

1
4
2

2
4
1

1
4
3

1
1
2#

VII

149

&

1
2
3
1

154

&

.
#

&

j
#

.
n

j
2 0
.
0

j

.
#

0
1

1
2

1
3

.
#

pizzicato

.
.

U
..

.
.
u

rit. poco a poco

1096

..

j

.
1
1 #
2

j

.
n

ten.

159

-2-

MALLORCA
(Barcarola Op. 202)
Isaac Albeniz

Arr. Eythor Thorlaksson

Andantino

4 2
b 68 23 1 I 1
&
. 1

.
6 =D
p

I
.

1
2
23
3
5 #
. 4

1J 0
0

4 2
n

2
4 2 # .
3 1 ..
3

1 4

b 2
43
3
&
. 4

0
0
1 J
0
0
m
m
2
7
1 4 2 3 2 4 1 3
#
b
0
&
#

J
J
4

4 2
n

2
4 2 # .
3 1 ..
3
1

1 4

m
1
0 3
2
4
.

dim.

cresc

&

b
0

4
2
1 n
4

2
4 2 # .
3
1 .
3 .

III

11

&

b
1

3
1

1 4 b3 4 4
b
1 .
.
1 b
2 .

n
# ..
.

j
4
3

1
2
1

a tempo cresc.

poco rit.
VI

VIII

13

&

b
1

2
1

4
3

.
3

poco rit.

Copyright 2001 by The Guitar School - Iceland

www.ewythorsson.com

b 1 4
1 b
1
3
3 .

1
J
4

a tempo

1103

-3V

15

&

b
0

n4 2

3n 1 3 ..
1
# 0 1
2

4 2
1 n

n
3 1 13 ..
# 0 1

4
1 1 4
b
3 .
b 21
1 .
&
J
17

0
3
2

0 n
..
3

1 0 4 #
0
0
J
1

&

0
0
p a tempo

4
25

&

1
3
0

# 42

m
m
2
1 4
2 3 2 4 1 3
#
2
0
1 #

J
J
cresc.

n
# ..
.

IX

m
23
1
0 3
2
b
4
&
.

4 2
I
1
.

4
.
2
0

6
1103

3
0

3
2

1 5

0
F
V

4
2
1
1 4 n

2
4 2 # .
3 1 ..
3

rit.

21

IX

1
1
3 4

0 1
2
1

2
b # .
3
3
& 0 .
0
3

19

j
2 #
1
3
J
5

4
3
1

3
2

0
1
5
J

VII

1
1
2

.
n
1 1 4 3

-4VIII

27

&

4
1

&

29

VI
j

3
1

dim.

1
3
4

4
b

appasionato

1
1
2

2
4

1
1

3
2

VI
1

.
.

rit.

IX

&

b #

0
2
0

32

fi

n
harm. 12

Poco pi mosso
VII
34

&

1
1

1
1

1
1

cantando dolce
VII
36

&

1
1

1
1

&

1
1

X
1
2
1

. K

1103

3
1

VII
4

V
38

2
3

1
1

cresc.

-5X

VI
4

40

&

3
2

VII

&

1
1

1
1

2
1

.
23

rit.

dim.

.
0

3
1

2
1

42

3
1

VI

H.

a tempo marcato

3
1

&

VII

2
1

1
1

44

XII

VII

2
1

1
6

VIII
4

46

&

b
#
b .

1
K

2
5

3
1

&
1

3
.
K

1
2
1

4
3
1

1
1

XII

cresc.

molto rit.

poco rit.

VII

48

.b 1

VII
4

4
1

IX

VII
4

harm. 12

pesante
II
50

&

2
1

H.
1

H.

a tempo cantando dolce

1103

2
1

-6X

VIII

52

&

&

II

2
1

1
K

3
1

1
1

0
2
1

b
n

2
4
3

0
2

&

4
2

0
2

n
b 4
4

rit.

>
j

k
#

n
0

Xj

1
2

a tempo

56

rit.

54

1 n

. .

0
4
3

>
j

4
3
2

1
1
2

VII
1
2
1

2
1
3

4
2
1

3
2
1

a tempo

molto rit.

VII
58

&

a tempo cantando dolce

VII
60

&

1
1

1
1

&

1
1

V
62

2
1

. K

VII
4

2
3

1
1

cresc.
X

VI
4

64

&

3
2

.
0

VI

V
2
3
1

1
2
1

dim.
1103

1
2
1

.
23

rit.

-7VII
66

&

1
1

1
1

H.

a tempo marcato
V

3
1

&

VII

2
1

1
1

68

XII

VII

2
1

1
6

VIII
4

70

&

b
#
b .

n
1

3
1

b
1
K

&
3

.
6

&

# 31

2 n

1
1

.
.
.
.

3
0
2

b
1
K

76

1
1

4
3

#
..

harm. 25

4
3

1
3

#
..

..

# 0
3

0
4

..

.
.

5
5

n
3

j
b
1

D. C. al Coda

perdendosi

1
3

&

.
..

harm. 12

1
2

78

1
1

rit. e dim. molto

harm. 25

CODA
b

harm. 12

&

marcato

74

3
1

III
4

III
72

VII
4

1
b
b

. 1

IX

1103

g
g
g
g
g
g

.
..

.
.
.

f u

-2-

PUERTA DE TIERRA
Isaac Albeniz

Rev. Eythor Thorlaksson

VII

Allegro non troppo

## 3
4
&
1

6 =D

4
3

4 1
2
1
3

1

2

# #

&

3
1
4

4
23

1
1

4
2

j
2
2 # n
1 # 3

F poco rit.
arm. 12

m
6
# # 2 4 1 0
3
&

m

0
2 1
1 2

1 2 3 0

# . n

4
0
2

a tempo

2
n2
##

1 .. # 3
3
&

poco rit.

0
1 2

1 2 3 0
0 # .
n
2
0

a tempo

m
12
2
# # 1 0 2 1

& 0

2 4
1
. 1 1 0 2
42 # 00

J
II

Copyright 2002 by The Guitar School - Iceland

www.eythorsson.com

3
1 1

1115

-3-

15

&

&
1

1
2
4

1
1
2

#
2

&

4
2

p a tempo

b
3

2
1

j
4

1
2

3
n b

2 #

1
2

n b

b
3

j
#

rit.

27

24

&

# 1n
2

j
#

3
#

21

&

p a tempo

rit.

II

0
0
0

18

#
#
1
1
2

4
n b
2#

2
1
3

dim.

3
1

VII
III
30

&

1115

U
1
4 n

3
1
4

-4-

34

&

f a tempo

36

&

38

&

1
2

#
1
3

&

42

0
1

1
3

0
1
2

4
3

.
.
.

3
2

45

&

1
2
4

0
0

1115

a tempo

1
2

III

poco rit.

cantando

Meno tempo

&

40

-5-

# 1
2
& 1 n
47

3 4
0

n
2 1n
0
1

4
1 3 2
3
3n
2

3
.

dim.

#1
1 1 b
2

3
4
&
2
2

2#
4

rit.

j
55
#

&

0 2

52

a tempo

1
4

0 2 2 4 2 0 4 2


0 1 0 3 2 0

3
1

0
4
2 n

1
1
0 3

3 4
1
1
49
4
2

2
1

1
4
n 2 1
1
# 23
n
2

.
n
3
& 1

3
1
1
2 0
1

4n 2
1

# 1 n4 3 1 0
3
3

0
rit.
2

2
1

f a tempo

57
#

&

4
1
1 0 2 31 4 4

3
X

III

# 211

& 41 n

3 # 2

3 4
60

1
1
2
0

arm. 12

1115

VI

#4 3
1n
2
1 #
arm. 12

rit.

3
1
2

j
U
4
2 n 2#
3 1
1 # 1
J arm. 7
II

0
2
0
0

##

-6VII

Tempo I

##

63

&

# #

65

&

67
# #
&

j
2
2 # n
1 # 3

F poco rit.
arm. 12

m
70
# # 2 1 0 2 1

& 0

3
1

# # 4
& 02

1 4
2
1
4

m
1
2 0

0
3
0 1 2

1 2

.
0
#
0 n
2

a tempo

2
n2

.. # 3

poco rit.

73

4
2

m
0
02 1
2
3 0 1 2

1 2

0
# . 0n

j
2 4
76
1
1
0
# # . 1 2 11

0
2
#

2
#

4 0
&
2#4
#

J
2 4
3
3

a tempo

3
1 1

II

1115

rit.

0
0
0

3
2
2 3 2

p a tempo

-7II
79

&

3
#

&

2
3

a tempo

1
2

3
n b

4
2

rit.

1
2

4
2

b
3

2
3

2
1

b
3

4
2

88

#
2

85

&

1
1
2

82

&

1
2
4

1
2

3
n b

4
2

dim.
VII

91

&

2
1
3

&

93

3
5

arm. 12

1115

-2-

ZAMBRA GRANADINA
Isaac Albeniz

Rev. Eythor Thorlaksson

>

Allegretto ma non troppo

&

2
4

2
3

1
2

>

&

3
4

1
3

2
3

J
j

2
3

1
2

=D

4
3

2
3

1
3

1
2

0
1

1
2

1
3

1
2

2
3

ten.
9

&

1
2

1
3

1
2

3

4
3

1

2

2
3

leggiero

a tempo
III

13

&

3
4

1
3

1
3

1
2

1
3

4
1
2

VII

b3
1 #
&

17

0
3

3
4
2
3

3#

2

&

2
4
3
1

b

1 3
1

Copyright 2002 by The Guitar School - Iceland

www.eythorsson.com

2
1

2
#

4
3

2
#

poco S

Vj
21

0
3
0

>

2
0

1116

-3II

>

25

&

0
3

0
1

1#

III
0

#
1

II

III

III

II

III

II

j
4

29

&

#
1
b

dim.

I
1

&

Pizz.

b 1 #

VII
33

1 #

0
2
0

1
1
2

rit.
a tempo

>
37

&

>

3
4

ten.
j
j

41

&

1
2

2
3

1
2

1
3

43

45

&

1
2
3

4
3

1
2

leggiero

4
3

4
3
2
1

# n
2

legato
1116

# n b
#

-4VII
49

&

1
4
2

VII

VII

2
4
3

4

3

#
1

4
3

poco cresc.

V
53

&

#
b
1

1
2

2
1
#
I

3
I

3
3
I

3
2
I

3
I
2

J
J
p perdendosi

57

&

n
3

1
2

.
.
#
I
H
J

II

j
2
3
1

#
b

1
3

III

2
1
0

II
4

b
b 1

H
J

F dolce

61

&

.
#1
.
3
4

p 5J

II

2 b

1
2
3
1

&

#0
0
0
4

1
3

0
2
0

II

&

2
4

1
3

1 #

0
4

V
3

1
2

cresc.

marcato

j
#

VII

3
H
J
1
1
2

sempre dolce

68

65

II
1
4
1

n
#

1116

n
#
1

.
.
I
H
J

0
5

rit.

ben marcato

F a tempo

n
3

1
2

-5II

72

#
#
b
#

&

1
3

&

4
b n
# n
#

b
n
#

j
n

..

n
bH
1 J

>

b
n
bH
J

H
J

IV

n
b

II

b
b

76

III

4
3
2

ben marcato
II

80

b n

2
1

&

j >

b n

&

III

# #

II

b
2

0
2
0

2
1

rit.

87

1
1
2

>

&

VII

# 4
1 n
1 #
1b

II

84

III

>

2
3

a tempo
j

91

&

3
4

1
2

2
3

J
F

1116

nb

-6ten.
95

&

1
3
2

1
3

3
1

1
5

>

leggiero

>

a tempo

III

99

&

3
4

1
3

1
2

f
VII

b
#

& 1

103

0
3

3 #

4
2
3

3#

2

&

4
3
1

&

>

II

>

111

poco S

j
107 2

III

II

III

III

II

III

II

j
4

115

#
b

&

4
2

dim.

#
2

Pizz.

1116

-7-

119

#
b

&

2#
1
3
1

1
1
2

VII

# 21

2
3

f J

rit.

1
2
1

0
b

f J

123

&

2
1

2
3

f J

b
#

f J

1
4
2

&

b
# #

131

timbal

&

.
.
I
H
J

b
b

#
b

sotto voce

timbal
j

127

III
135

&

4
1

1 b

g
g
g
g
g
g

&

#
4

3
0

dim.

gb
U g
3
g
g

g
arm. 12 g
p
1116

pizz.

139

1
2
3

>

-2-

TORRE BERMEJA
Rev. Eythor Thorlaksson

Allegro molto
1

# 3
8

&

&

m
3

K
F

=D

Isaac Albeniz

VII
j

V
1

&

VII

3 4

rpido

V
1

10

&

VII
1

13

&

II
16

&
0

Copyright 2001 by The Guitar School - Iceland

www.eythorsson.com

i
0

1102

J
p

-3j

V
19

&

1
4
2

&

3
1

1
4
2

Meno
22

II

3
0

2
1

2
0

V
VII
4

26

&

&

b .

1
5

III
1

b
b b

IV
30

3
0

1 #

4

2

poco rit.

1
2

0
2

3
5

a tempo
V

VII
4

34

&

&

0
3

#
3

#
2

0
4

2
5

37

p
1102

3
0

2
1

0
0

nb

-4VII
40

&

3
0

2
0

&

2
0

2 #
1

&

III

V
4

47

V
43

3
5

50

&

2
3

poco rubato

fi

harm. 12

&

1
4
2

b
0
0
0

IX

&

harm. 12

56

a tempo

53

#
2

f
1102

-5-

59

&

62

&

4
1

0 4

&

b #

Q.

1
0

Q.

0 2

.
.
# .

harm. 12 7

molto

0
#1
0

1
1
2

70

&

dim. e rit.

66

0
1
0

Q.

2
1
3

a tempo
harm. 12

75

&

#1
3
2

1
b
4

harm. 5

#
2

1
2

1
2

3
3

80

&

.
12 .

1
3

12

1
3

gracioso e dolce

12
9

harm. 12

VIII
harm.

..

j
1
2
1

.
.
b .

n
b

b
2

E
.

cresc.
1102

VI
3

2
1

2
3

-6V
harm. 7

85

&

1
2

1
3

2
3
1

Q.

Q.

2
3
1

Q.

harm. 12

p a tempo

poco rit.

90

&

#4
2
3 n

3
1
2

4
2

.
b .

4
2
3

95

4
2
3

1
1
2

4
2
3

.
.
n .

1
1
2

n b

b
n

&

4
2
3

&

# n .
..

1
0
2

4
3

4
1
3

j
4
2
3

b
n

n .
.
.

1
1
3

1
1
2

100

1
3
2

4
2
3

b
n

a tempo

rit.

harm. 12

V
104

4
2
3

n
b

b
3

4
2
3

&

b
n

1
3

1
b

b
3

3 n

2
1
3

108

&

1 b

#
2

b
1

b
1

2
3

1
2

dolce
1102

3
0

f J

III

n
b

-7V

112

# 43 b

&

0
1

4
3

0
2
1
1

V
115

# #

&

1
1
2

&

119

Q.

0
1
0

0
1
0

J rit.

harm. 12

Q.

2
1
3

Q.

.
.
# .

1
0

F a tempo

1
b

harm. 12
4

124

harm. 5 7

&

1
3

VIII

&

harm. 12

harm.

12 .

j
1
2
1

.
.
b .

VI

2
1

&

1
2

1
3

harm. 12

Q.

2
3

2
3
1

harm. 7

12

cresc.

133

gracioso e dolce

1
3

harm. 12

1
2

129

..

1
2

Q.

p
1102

2
1
0

Q.

-84

138

&

#4
2
3 n

1
n

3
1
2

4
2

4
2
3

2
1
3

j
143

1
1
2

&

.
.
.

2
3
1

4
2
3

# n

&

4
0

4
0

1
1
2

147

2
1
3

0
2
1
1

2
I

3 4

D. S. al Coda

rit.

CODA
150
4

&

&

&

#
2

dim. e rit.

cresc. poco a poco

156

#
2

3
3

1
2

153
1

1
2

# .
.
# .

.
..

# .
.
# .
.

.
p
1102

ZORTZICO
N 6 aus 'Espaa' op. 165
Isaac Albniz
1860 - 1909

Fr Gitarre bearbeitet
von Thomas Knigs (2001)

Allegretto

1
3


=D

1
3

2


ben marcato

dolce


C II

4


3
2


2
3






!

"

&

'

(
%

1
1
2

(

'

"
!

'

'










CV
8

'
+

*
(
'

'

*
(

3
2

'

'

.
(

89

11
9

<

<

>

<

9
=

9
=

4
9

1
=

A
9

CVI

CV

15
;

4
<

3
>

2
G

<

P
Q

P
9

F
=

4
F

2
P

0
2

4
2
3

W
T

U
T

X
T

3
X

P
Q

I
E

O
J

by Thomas Knigs 2001

1
X

2
=

2
CV

CV
19
^

3
2
4
1

2
3
_

2
a

4
b

1
e

2
`

1
e

3
d

dolce

14 2
d

1
d

4 4

CIV CV
d

23

4
e

3
e

m
e

e
f

4
0

j
e

d
f

3
2

2
f

e
d

e
d

e
f

2
e

2
e

t
f

2
e

3
2

1
e

i
l

1
e

qr

1
p

poco riten.
C III
|

a tempo

27

t
x

1
2
3

2
t

4
t

CIV CV

CIII

31

VI

4
3

0
1
2
4

D.S. al Coda
CV

CVIII

35

Coda
I

VI

C II
4

3
1

(9)

harm.

cresc.

39

2
3

sotto voce

www.thomaskoenigs.de

CAPRICHO CATALAN
N 5 aus 'Espaa' op. 165
Isaac Albniz
1860 - 1909

Fr Gitarre bearbeitet
von Thomas Knigs (2001)

Allegretto


4
3


1
2


4
3

1
2

1
2

1
2

0
0

1
3




dolce

C II
7


4


1


2


1
0
2

1





3


3
2


II




( )

dolce

legato

C II

0
1
0
4

1
3

4


C II

C II
,

13

4
%

0
1




1


3
2


4


0


1
4
3
2

4


0
1
#

1
0
!

4


4
#

1
-

3
#

.
*

#
-

2
"#

2
1

"#

&

'

2
(

poco cresc.
2

19
3

4
3
4

7
6

2
9

dolce sempre
2

25
2

C II

0
2

5
4

7
8

8
7

legato
by Thomas Knigs 2001

2
C II

>

>

>

>

>

>

>

>

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32

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4
3
2

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4
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J
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=
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2
3
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IJ

IJ

IJ

IJ

IJ

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dolcissimo

CI

III

CI

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39
L

1
2

4 2

^
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b
c

1
P

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0
N

4
VW

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a

CI

46

^
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1 0

1
2

1
2

h
h

0
b

3
c

2
4

4
b

2
b

0 2
4
2

b
c

1
k

3
f

0
0
3
1
b

3
2

1
2

k
b

k
b

1
2
b

1
d

dolce
f

1
2

53

1
2
h

c
l

2
4

3
d

1
f

uv

cantando e legato
d

rit.

60
w

2
3
y

1
3
v

1
3
x

1
3

3
4

{
v

2
1

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1
2
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uv

CIII
w

67

2
x

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uv

uv

uv

uv

uv

4
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v
x

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a tempo

4
3

2
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uv

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molto rall.

www.thomaskoenigs.de

74

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riten.

dolce

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104

sonore

Adagio

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110

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1
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0
2
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harm.

perdendosi

sonoro tempo giusto

www.thomaskoenigs.de

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