I

e!
P p "
F p
pizz
dim

b n b
9:8

# . # . n
3 n 15 ^ . n ^ 5 n # n n n < b b <
# 2
& 16 n n . . 64 . . # n n . n 16 < 8
#
n . b . . # n n
Guitar 1

p
16:15
16:15

. . .
. n . # . n # n
sempre

^ ^ ^ . b .
n .
#
5 n . b . n . b
ord

# n
pont pont ord
quasi muted

3 . 15 2
pont

64 n # #
ord ord secco poss

& 16 n. #. 16 8
3
Guitar 2
b n
.
n. p n . .
(scord.)

P P p P p p cresc F
3 3 3
10:9 3

pont
= 34
n
tast. pos. norm non vibr

n # ^ -
3 legato

n . mart^ b ^ b n n
5 3

# 28 n # n n b
& 28n n # . 5 38
pesantiss

n b. n n n n # n ....
4

16
b # # fl
Gtr. 1
fl fl F "
fl
3

P3 f
3
3 5 3

n - n n n
3

,
mute non vibr

b
3

n n n ....
legato

@ @ @ b n @ @ #
& 28 n 5
16 # 28 b b b
b 38
~~~~~~~~~~

Gtr. 2
# >
@ @# @ n n b - n
3
n .
p f F "
3 3
3
!-

= 39
tasto
pull
(.) IVVII

19:12
()

m , pizz B ^ 5:4 . K 4
8:6 11:12 pizz

& 38 r 58 # j rK rK 8
7 12:11 3
^
n n # b
pull pull
j

n .. l .. # n # > . n (# n ) n n . #
n # n
j
n - # . n . ( n )
Gtr. 1
n n
> > . . F p.
p f > fl P p f
!
( )
( ) { 7:4{
~~~~~~~~~~
Kr 58 ^
( )

& 38
48
pizz

. K .
r n# ( b ) b r

9:8

7:4 5 mart
3:2

# - . ( . ) n . # . . n (b ) b < b n. n .
p. n > sim
Gtr. 2
b

p F P f !
f (pluck once only)>
P
(pluck once only)
F p
 = 39
p P F
F
V
= 50 VII
IV

n O^
molto vibrato IV 10:7

^
10:7

# OOO OOO
3 V III VI

^ ^ (b ) n OO ..
7:4

4 7 # 3
IV

n # O b 3 # # # n nO n O
9 3

&8 # 16 b . 8
V

# O . . . n . O O.
2 1

# b b b . b
3 3

b
Gtr. 1 n
F
4

F v
4
4
n

6

p
VII III
VI VI

P
II III
pizz
V
molto mart 7:5

4 7 nO 3 3
& 8 b n b b n b n # 16
3:2 3:2 3:2

b - n - n - # - - 8
n fl fl fl fl fl
Gtr. 2

p
ffl fl fl

$ p = 44 ^
n 7:5rK b
7:5
5:4

U b n b n .n
3:2

j
R n Kr
3 3 3

3 #n # 7
& 8 n b
11

n # # n n n 32
n - n b n n n F n . p
Gtr. 1

p f F

3

quasi clarinetto F p
legato poss 7:4
( )

n ^^ ^
j . rK ^ n ^ # ^ n ^ . n ^ .
# b n
3:2

& 38 # n 7
5

b n b .. # b
n b 32
violentissimo

Gtr. 2
R # n # - b n # u fl n n >
" $
fl f
= 49 VII f
~~~~~~~
XV

>
IV
XIV XIII VI 3:2

> > 3:2

XIII XI 3 3 3

> ,
3
tast pont XII XII

n b n # n# b nn rasg n
5:4

b bn
ord

b n n n
8:7

7 n >
~~~~~~~

38 n #n ...
~~~~ n n 48
# n #
13

& 32 n # #
n n #
Gtr. 1
3 3 3 # R n
F
3

fl fl fl
6:4 5:4

VIII VIII !

>
IV XVII

>
III VI VII V
III XVI VI VII

# ^
IV5:4

b
# #n # > > n . >
j

bn b n o n n .. n o
n
7 # 38 48
n .
#
& 32 no
~~~~

n n #
j #
n
# .
~~~~~~~
n
n n
Gtr. 2

R n
f
3:2

5:3
9:7
( .)
m m> > XIII
XIV

> { ^ . ^ > I III

5:3

# 2 con slancio > m>

n n
13:10

b > . 2
6:5
XV XIV

,#
retrico 5 XV

b ^ .
XIX

IV

# .n .. . .
XIII

b. .
1

& 48 n . b .. b . n # 4 38 n n
15

n
nn o
4

n . > > > > n > n > b > n XIII R

Gtr. 1

n
m> n .

> F
> n
o n n b b
5:4

n . n #
11:8
massima violenza!

> n n n
& 48 b 38
3

n # . # n
3

J n
> n > > b . n n n n n n
Gtr. 2
# > > >
dimin F
11:8

dimin P
3 3
3

massima violenza!
 = 50 rall
= 39
barr
XII F p XIII
XV P5:4XIII
XI

n . . .
5:4

X
! n #
nO n . . b
8:9 12:7

. # 1 #
vibr

n
X

n b b . 3
III

KK OO
3

>
X XII

n . . n 4 n n O .. o . n 4
1

O
molto vibr

& # # nO 6 # n . b n # n. n
17 XI giocoso
K 8 # O 4 # n o III2 n n o
XV
2

. .
o

b n
Gtr. 1
B !
5 o 6
5
IV VI

p " f3 P 5:4
7:4 3

p
n o
3:2

%
pull bend

n # # jn n b
13:10

4 - n n
non troppo vibr

# #
pi vibr
j
5:4

& n n n ># . b . n 8 n b
b . b n n n b -
n
Gtr. 2

> > > F

p F P
28:23

10:9
"
= 39 #
pi espansivo
o
^ XI^
ben marc
= 44
n .

XIII

# n 15 . n o
pizz 3

# n . n .
V

rK # . n . # . n. o #. n # 3 n # # . 11
19 3

&n o . # n . . 16 n n
. . . 64 n O . O. 32
b . b . n . n . o . b R . I . . b . n. .
4

P f
Gtr. 1
p $ P
6

> " P "

o o o
6

> dimin > p

f # . . . ..
n o n . # .. 4 ....
tasto

b. n
XIV XII 2

. 3
5

#
3

3 15 5 11
3

R
& n #
1

n b
3

16 # 64 32
3

# b n
b o . R b n - n . n
VII

n n . b #
Gtr. 2 VIII

" pochiss $
6

P " P!
3

" "!

subito
= 56 =52 molto vibr rall = 34
>
accel
# n n n
n n n b n n
pont non vibr

n
legatissimo

# . # .
tast

11 # 2 # J
38 n n #
# 165
22

Gtr. 1
& 32 n n n 8 b
n
# nn
p f #
n

P f .
P { molto s.p.
6 3 "!
~~~
pluck once only

n
pull gliss.

n # ^
vibr molto 3

n . ^b ^ b
17:18

#
5
j
11 # n. 28 n # 3
b. . 165
j
& 32 n.
j
n b 8 n n #
b #n
j B
n

#
Gtr. 2
> fl fl

F fl fl
3

F f
sub 3 3 5 3
sub

subito
= 50
subito
= 56 rall = 44
n > n n n
tumultuoso damp strings with l.h.
3
strike body with flat of two fingers

5 # @ @ @ b n @ @ # 38 # . # # . 4 # .. # .
25 rigoroso

Gtr. 1 & 16 @ @ # @ n 8
3
n .
3
"
b > b n .
tumultuoso

@ @ @ @ @ @ @# # #
drum rigoroso

5 # 38 # # # .. 4 # . #
Gtr. 2 & 16 @ 8
"3
3 3

 II
F !
= 34 F U
^
XVIII !" a tpo.
{ U
XII 7:6

{ ~~~~~ P
!-" 4"
III-IV marc tast

~~~~
XI

b
3:2 3:2

b n O . O b n n
b n nb IVKr
7:5
3"
. . . . #
V

3 n - . O- . 6 . 2 n 7
6:5

&8 . . b. 8 n O O O . n n . 16
" " .. " 4 n . . . . # O# O O.
2

#
Guitar 1

! P XIX p poco

! p
3
5:4 3:2
3:2

b b
poco s.p. pizz golpe
pizz ord clarinet tone 3 3:2

3 2 n n 7
3 5:4

&8
" 8 n . b
n # 16
n . . n - . - . b
n . . n . b n
Guitar 2
u3" .
! P p P P > u4"
P p F
3:2
marc in poco

a tpo.
^ a tpo
8:6 ~~~~~~~~~~~~~~
(pluck once only)
XVIII IV

U {
3"
^
scherzando-scurrilo VII

> >
I

n f m
3 15:13
V 5:4

b n , n
5:4
'"'
7 # n# 7 n n ..gliss n # pull bendB j 16 5
mart
j
n O O . "
j
n 32
j
3

n
& 16 # n n n
n
# gliss " .. n b b b b #
R n
Gtr. 1 gliss

# ! R p P
F fl # R

IV

b
delicato ben artic

j n > >
VII

#O
X XI

7 n O- R b n n 327 5
& 16 n (b . ) o(. ) n(. ) (. ) (. ) # (.) 16
1

P u > > > >

Gtr. 2 4

p 5:3
! 3"
p
VII VIII
5:6

P 5:4
XI 5
XIII XI X
a tpo 4" a tpo
r n
> > n > >
> > # > U b b
. b . nXII. 3 XII# U >> > > >
3"
48 b . > n >
V

n
martellato poss

5 n . n n n . 3 " 3 "
" .. 16 "
5 secco poss

& 16 n n
n . "
Gtr. 1 5

p P
XII
F 5:4
!
> .
> > n > . # > > b b
sussurando

b > b> >

molto s.t.

> > n n
3 martellato poss

5 " n n 48 b .
b n 3 "
3

n b b b n " " .. 16
secco poss

"
3

& 16
n u u
Gtr. 2

! P
3" 4"
 III
= 86
n ^
gliss

B b ^ j ,
XVIII
^ n j
3
& 16 ! 28 # 3
16 ! R n #
j

n

n
R
Guitar 1

gliss

^ 3
f ~~~~~~~~~~~~~~~~~~~~~~~~~~~ m.d. ^ 3
! XVIII (XIX)
'!'
m.s. ^ # n
gliss # m.s. # ^ dimin
j

3 # r .. gliss (n ) " r #
gliss n
2 3
3
j '"'
& 16 "n # J gliss j n !
( # ) n . J 8 16 "#
j
n
4

Guitar 2 n # . n #
.
m.d. gliss
5
gliss 6

> v
pluck once, then gliss. with

m.d.

v
i, continuing trill action with

F
3 m. as finger-percussion.
5:3
'!' '"' '!'
= 94 3

b ^
= 43
^j ^ ^ gliss VI

j r
sempre gliss 3 3

sfiorare i suoni secondo gli ritmi dati

m.s. 2 b .
( )
b .
j !
U " "
j
b ^
VI IV

^K
n
"
golpe
4" "! n

48
3
j
n #
#.
5:4
j
r n 16 XIn n J n n n J# b
n
5

nn#
j
VI

&
n
Gtr. 1
#. 6b
6

m.d.
4 5

5
"! "! #

J

v v v
'!'
~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~
12:7

' 'j , ^j ^
m.s. 1n
( ..)
^
' '
r,
m.d.

^ U n
# ^ ^ n ^
'-"' 4" m.s.

n #
n #
golpe 12:7
#
n 48 3 #
j
.. # 16
n
& R gliss(# )
1

nm.d.

nn
IV gliss 3 3
Gtr. 2 II
6
III

I
finger-perc. i. (m.s.) once, then silent
gliss. of same finger whilst executing 5:4
VI V X V XII
two-pitch trem. with i. & m. of m.d.
'!'
= 70 ( .)

^ ^
n bn
..
m.s.

n nn
5:3

VII m.d. m.s.

# n VI n 1 U ^ ^ 6:4^
IX XII X XII deliberato, un po' pedantico 7:4
2"
7 bn .. 28
tasto

& n n 5 # # n n #.
8 1 XIII

32
5
2

b n # n ... n ... b ... # #

4
Gtr. 1

6

F
3 5
( )
>
'!'
U
2"
n
IX XIII

# > 2
XI

b > 2
gliss

# .
m.d. m.s. j
n
XIV

>. # " "

XII IX m.s.

&n
7 (b ) n 4 n 28
j
no
XI j
1

# 32
gliss sempre

n .
j
"
m.d.

n o no
4 XIII j n
Gtr. 2 n
>
5
b
6
6

P >
5
7:6 5:4

' ' dimin X XII XIII
tremolo on both sides of gliss. finger

n > n n b> b b >

3

n # n n > b b n >
molto marc.

>
n b # n n n
7:4 3 gliss

2 n b n b n n n n 3 j .
n n b
11 5:3

&8 16
> > > n # # > > fl fl
Gtr. 1
P 3 cresc3 F 5:4 > >
3

> > > VI X > IV X VIII 3:2

> IV V >
III
>
n
VI VII 7:6

n n
3 m.s.

n # O b n o # # n # n # O
IV

n b
j

2 n b n # 3 b . n
gliss

b # n n n n #
n
& 8 n # b o n o o
2

# o n n o n n o n n O 16 n
o 1

n o n n b n n o
IX J
#
2

no
Gtr. 2 o 3

#
#
5
o o o J n
# J
5 5
J
5
m.d.

> VI3 III > VII3 IV

6

> IV V> 3 > 3 XIII >5 III IV III> XI > IX >V III > > > >
5

> 7:4 VIII

3

dimin V
F cresc F 5:3 f
 P = 56
>3
' ' !-"
> ^ ^
5:3

gliss sempre

b > . U
portentamente

jn #
j

# ,j
3
( )
n > 3
n
n .3
j
# ( n ) nO
3 4
j
n
j

& .
j
2
n
5b # O ( )
# 2"
14
n n
8 8
1

n n . b
n
1
2
b n
# #
J

nb O 6
3
Gtr. 1 j
# 4 port 4

f P gliss
J gliss V

f
IV

m.d. v v
I

^ ^
( )
6:5

,
'!' '!' molto mart

~~~~~~~~~~~~~~~~~~
m.d.

5:4

n n n
" .. # n # 3 ^
ex abrupto

n n n . 4
7:6
j
# #
gliss
j
& gliss n # b 8 n. 4 8
j n
3 bend
b
n" n
gl #j
Gtr. 2 gliss L
6
2" n .
(damp) u

12:11
'!' !-" !-" ! ' '
as for m. 2 but with pizz divide up regularly between hands i.e.either
on accented goal-notes m.d., m.s., m.d. etc. or m.s., m.d., m.s. etc.
Secondary pitches arising from fingers being

U
( ..)
= 80
removed from strings are acceptable.
()

n O^ ,
10:7

^ ^ # O 11 n # - ..
7:4
>j 3"
damp violently with palm of r.h.

4 n # O nO 3 r
VII rasg sul pont sul tasto

&8
b # bbO ~~~~~~~~~~~~~~" #
18 III

32 n . o 16 n
prende plectro plectro via
j
(as often as poss.)

-I # O V # VII
3

J
Gtr. 1
n < .. %
4

P IV
IV
$ f
ben marc
subito tranquillo
! Gliss up 6th string from I through
to XII. At the same time scrape
()

n O^ j,
up string from bridge so that gliss
'flautando'

^ ^ #O j
7:4 m.s. finger and plectrum meet at XII

& 48 11 n O .. # 3
(scarcely touching strings)
III( b

n # O
)
b3 #
VII I XII

b b O
V rasg

32 16
VII

b n n ~~~~~~~~~" n.
m.d.
Gtr. 2
# - #O n . f P
j
4 (as often as poss.)

> u <
n

%
VII

P
I 3" 6

F Pluck
IV
IV
ben marc F once, then, holding F, finger-
subito tranquillo perc. gliss from E to B, raising strik-
ing finger each time so as to allow res-
pont. tasto onance of F to be heard.
ord

b
m.d. lasc. vibr. m.d. 13:12
j &
5

b ^
m.s. 12:11

O bp Fb
3
j (n )
n
n ^ 3 n ^ nO
m.s. m.d. n m.s.

# # n o n . n. . . . . . . . . . . n . #.
21 m.d.

&
1 1

# n . n .
j

# . # .
3

# n 6
2
Gtr. 1 4
o
n
%
5
'!' '!-"'
%
'! ' ' ' stroke strings in order with
back of fingernail (4th)
strike 1st trem. note then perc.-gliss 2nd delicato
gliss sempre

-
with r.h., leaving l.h. finger in place. 6:5 "harmonic' pressure only for glass rod

# # OO
13:12 strike with tip of triangle stick
6 5 4 3

n n
3:2 II VI 3

n
j
#
nO j
! # # b glissn
take glass rod in l.h., triangle stick in r.h.

& n # gliss
nO
n
j

n #
gliss
Gtr. 2 #

% $ p
Insert tip of triangle stick bet-
At 3rd fret of lowest string, place glass rod across ween 1st & 2nd strings. Move
all strings. Gliss up fingerboard so as to arrive at in- back and forth as lightly and
dicated pitch in correct rhythm. Strike string with tip regularly as possible
of triangle stick only. After last pitch continue gliss as
high as poss. damping all sounding strings before final
rest. Let all sounding strings ring on until that point.

# . n ^
13:9

XII
V IV II
3" = 33
molto pont XIII

plectro via U n .
XIV

5
j
bO2 n # XI j ..
1

! # # b n
25

.
prende plectro

& n 16
j
1 3 3
n
nO
Gtr. 1 #O
3 5
6 4

III 5

% % F p
3 3
3

b . n > n
XI

jb.
n . n bn
7:5

n# #.
put down glass rod and triangle stick

& n gliss
. 5
Kr R n # ~~~~~~~~~~~~~~~~~ #
VII barr
#
16
II

n . # -
Gtr. 2

% $ u
3"
tap vertically with fingertips, alter- P F p
7:4
X XII IX XI

p
pluck portion of string behind fingers
nating fingers and string ad libitum.
as fast as possible; allow to ring until
conclusion of action
 IV
=34 a tpo
poco s.p. U U
b b
pizz golpe
pizz ord clarinet tone 3 3:2

n n
3"
3 2 7
3 5:4
4"
&8 " 8 n . b
n # 16
n - . - . b b
Guitar 1
n . . n . . n . . n
! P p P P >
P p F
3:2

!
marc in poco

F F
^
XVIII !"
{
XII 7:6

{ ~~~~
!-" III-IV
P
marc tast

~~~~
XI

b
3:2 3:2

b n O . O b n nb n b
7:5

. . . . # n Kr
V

n - O- . b . 2 7
n n n . 16
6:5

& 38 " .
IV

. . 6 .. 8 OO ..
" " 4 n # .. . . . # O # OO
n O
2
Guitar 2

! P XIX u
3" p poco
u
4"

! 3:2 p
3
5:4 3:2

IV a tpo
b
a tpo delicato

j n U > >
VII 3"
7 #n OO R n 7 5
b n 32 n (b ) () n () () () # ()
3

& 16 - 16
1

. . > . > . > . > .

P
Gtr. 1 4

p 5:3
!
p
^ I
5:6

~~~~~~~~~~~~
(pluck once only)
XVIII

^ {
8:6

> VII>
IV 15:13

n f m
3 5:4 scherzando-scurrilo
V

b n , n
5:4
'"'
7 # n n ..gliss n #
# n " ..
7 5
mart
j
n O O . "
j n j
n
& 16 # n n n n
32 16
n b b b b
j
# gliss #
pull bend
B
R
Gtr. 2 gliss

# ! R
n p P
F fl
3" #
u R

> > .
a tpo a tpo
>
sussurando

U > > U b b
3"
> > .
4" secco poss
48 b > b b b> . n > n n # > n
3 martellato poss

5 " n n 3
3

n b b b n " " .. 16 " "

5 3

& 16
n
Gtr. 1

! P
P 5:4
XI 5
XIII XI X

r n > > ># > b b

>> >
secco poss

n . nb. n . n .n3 XII# 3 " 48 > b> . > > n> > n >
V martellato poss

5 3 "
XII

& 16 . n " .. 16 "

n . n "
n
u u
Gtr. 2 5

p P
3"
F 5:4 !
XII 4"
 V
= 56
poco esitando
oIV

p3
precipitosamente
= 50
"# 2 !
non vibr

n ^ # ^ . n o
V

^
molto marc

b ^ n ^
^ ^ ^ ^ n n ^
5 3 1 5 3 # .... # ^ . 2
1

& 16 b b 16 8 32 b 8 . 8
n .
Guitar 1
.
dimin
3

P
p !o loco
marc in dimin

# ^ # ^ o ^ ^ ^ ^
non vibr

# n 3
molto marc

# ^ ^ ^ ^ n ^ ^ ^
# ^ . 3 1 5 ^ ^ ^ 3 # .# .# . n .
1

5 n b 2
& 16 " 16832 # 8 n n 8
Guitar 2

. n n b
(scord.)
. F f
dimin P
marc in

P
poco esitando
subito
1
IV III II = 34

b ^
XIX

n ^ n ^ ^ ^ ^ ^ ^ OnIIIO # . nn O ..
!
5:4
(n )
nO.
(n )

2 # 5 . #
(# )
28 #
(# )
n 38

4

n . .
( # )
&8 n n 16 no #
4
(n )
b # on n
2

n
2
Gtr. 1

F dim n
f
IV II I
3 III

P F f v dim p
n ^ n ^ # o . #
IV I sul tasto

3 3

^ ^ ^ ^
III

b b
& 28 165
28 " 38
6:5

nn n
4
n
b
n n o o
( ) (n )

b. n O
n
n . ( ) #
Gtr. 2

F v
II

v P p
3

dim f f p
7:4
3
F
3
#
3

= 49
rall
come al inizio
= 56
n ^ # ^ ^
5:4

n ^ b ^ n ^ # ^ n ^ . n ^ n ^
5:3

n O
3 5:4

^
# ^ ^ ^ ^ ^ ^
b ^ . n ^
IV V

bn.
& 38
48 Kr b n
7

n b n
n # # . b
Gtr. 1 3

P p #
3 4

f
dim poco

tambura III V II IV

# ^ # ^ n ^ n ^ ^ ^ # ^ # ^ n ^
6:5
barr

# O1
5:4
III

> n ^ ^ n b n ^ n ^ 4 # >
# b O3 b . b .
& 38
IV

# 8 bb n O
secco

n O . 4 n O 5 n # OO OO n
V

Gtr. 2
n 6 n .
f f fl
f f P
P9:7 F
 subito poco rall subito
= 44 = 39
nO . . b
vibr

K OO XIXVn O . > n. .n n , poco pesante3

XII multiphonic harmonics tenero

7 3
& "K O# n O6 "
K
n O # O. n O . b n O. b5
9 9:7

n # 16 8
non troppo vibr

n #
. 4 < fl K $ 6 $< 5 L $< 6 K >$$ 6 n $ L $
# n #
Gtr. 1
P <
5 6

p
5

p P p 3sub %
7:4 ' '

barr
rasg
f ( .)

-
XII 5:3

#
in rilievo XI arp lento tenero

n
# O 2 X XI n n o b
X XI

j n n o
n b ^
IX p

B n n # b
o
molto vibr X VIII 13:10
X

7 3
IX non troppo vibr

K O # 4
2 5:4

& 16 R n b . n "
X

b # 8

~~~~~~~~~
Gtr. 2 pull bend
n o # n n n n # . b . b n
R
5

R
o

F P # poco %
3 4

subito F p f F P
= 73 rall
- XVII , III I (8:7
..) V
X XIII

bnb ...... XVI

= 49
Kr n
#
VIII

. #n O O n O
1
( )
3 4 n .. XIV 48 n " . . 38
2

o n o
n # n nn ...II " III 3 R
11

#
XV 1

& 8 # n n n
# #n
3 3 1
VII

XI

" . n
XII

# .IV
Gtr. 1

p
P
fl -R
!
p F P p
, # >
5:6 6

b> , nb n > ,
sfiorare subito

-
calmo e misurato

b
n n b n b n - # n -
& 38 " n n n
48 38
violente poss 3 sim 3

" " n n
n - n - - # - -
( n )

n n n
Gtr. 2

p cresc F
3

( ) ( )
= 56
n o 35
( _) ()

O
9:8 3
poco accel
( ) mormorando
b
# b b n
3:2

I n #
5 5 5 9:8

& 38 n . . . 48 . n # # n # " 7
13 precipitoso

16
b n # > > > > > fl
Gtr. 1
n n n >
>p
Fp # P #
o
ma pesante

5 5

Kr > F n .
o p# o
deliberato

. .
2

# - - - . - . n -
. # - . n
- . n . " n .. o . n .
1

3 - n . n . n # 4 n . # . # 7
& 8 n. 8 n # .. # .. n .. 3 16
o 1

b b n o " "
Gtr. 2
I

!P dim p
f P

6

legatissimo rall = 50
n o o o o o o
VII non vibr
IV 10:9
3

n V III
IV VI 3 3
1 2 III

n 58
3 3

7 7
3

n $ $ n
& 16 n b B b b . n # n b
15 V

16
pull pull

#
3 VI

> > n > > >

3
Gtr. 1
< n
F P > >
#5 !-
^ 5
5 5 5
non vibr

10:9

n O O
III IV V 3 3 3 3

#
3
12:11

7 " b
n O 58
7
& 16 b O< # n # n 16
n "! b O. > > > > >
Gtr. 2
< n
! F p > > >
!-
 subito subito
= 43 = 39 X XII XIII
VIII IX XIV

b
XIII XV XVI

7 b- 3 # n # n n
ben artic VII XII XVIII

b # n
7:6 XI

# 5 OO
X

7 " 2 nO
O n OO OO OO 16
17

& 16 nO O 16
2
1

n 4 n O O O O O.
2
Gtr. 1
5 3 3

P F
III 0 II I 6
0 IV """""
vibr. intensivamente

n -
( .)
-
n - n - n .
( )

b - n - .
3

n OO OO O OO .. - -
7:6

7 # n
ben artic

n O O 2 n OO 5 OOO
5:4

7 OOO OOO OOO ... .

3

& 16 n5 O 4 O 3 nOO OO 16 16
1

O
nO 6 O O O O O O O O.
Gtr. 2
5:3 3

F P
III VII IX II VI VII """""
vibr. intensivamente

subito subito
( )
= 91.25 = 34
b ,
( )

n O O n b n
5 3

b n n 2nO
n OO OO
5 1 3:2

n n O #O KO 38 " 7
2 3
4

"
n O O 3 O O OOO
n O O O OOO "
20

& n O O 16
1

n O n b n nO n O n O 65 O O O O O O
Gtr. 1 4

p F P p #
6
III VII IX II VI VII
( )

6 ,
5 ben artic

nO nO n O n O
7:6

n n #O n O
n OO
1

& n O n O n O n O b b n # n O n O n O KO "
38 O 7
2

n O O 16
1

n nO O
2 2
Gtr. 2 4

p
5

F P P %
6 5 4 5 6
III 0 II I
0 IV

subito accel =52

= 50 ( .)
P
subito
{~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ = 44
7:6

n O O 3. 4 n 1.
sempre

# .
7 38 " n O # . n # O
# O
fuggevole 4 3 1 2

b n 4 . " "
22

& 16
Gtr. 1 5
nO 5

fl fl fl fl fl P 11:6
F
"! (arm. art. all'ottava)
ben marc ( .)

,
V VI

7 OO
3

n.
7:6

38 " .
sul tasto

& 16 " n "

O # b ..
2

- > >
Gtr. 2

#
5

p F ! !

subito
=52 rall = 39 = 34
()
10:9 non rall al fine

n
&n 2 ". 7 38pull gliss.
"
24 trem rapido e legato poss

# 4 16
1

> > n n
# .. . # ..
Gtr. 1

!-" !" >

" """""
( ..)

# . > # O
vibr

k O
10:7 sul tasto

n >O 4
1

# O
(.)

n O 2 n O3 n . 4 16
7 " " 38 &
1

&
7:6

b O .
2

.
b6 . k n
P # . n .
Gtr. 2 5
5 6
!
# F
!" !" Fine
!" !"