Oxtail

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Oxtail
V
A Twisted Typeface
v
v v
v
Remontoire is used for notes, pagina and informational copy.

Quail + finch
BOTH TRADITIONAL
& CONTEMPORARY
AT ONCE
LIGATURE
LARGE X-HEIGHT
KERN TIGHTER FOR

CONNECTED SCRIPT EFFECT
yardbird∞
ALTERNATE
HEAVY WEIGHTS
DESIGNED TO AVOID BOTH TRADITIONAL & CONTEMPORARY AT ONCE
INK CLOGGING
Background and basic information about the design

Oxtail has its roots in the “Egyptian familiarslabserifformispersonalized Medium, Medium Italic, Bold, Bold
type” which became popular in the with the addition of unexpected tails. Italic, Black and Black Italic. Date of
beginning of the 19th century. The A family of 6 weights, including: release: 2000
oxtail – a twisted typeface | page

3
PIONEERS
of the American West: a history documented
with authentic archives.
Receive our catalog, i∞∞ued 3 times a year
Western collectibles
our amerıca
& ephemera, wanted posters, railroad bills.
page 4 | oxtail – a twisted typeface

in the 1850s & 1960s.
Envoke an unexpected blend of both eras.
To let you know

how you are doing there is a red flashing light
on the camera
that starts to emit a highly
BUSINESSLIKE BLEEP,
5
full character set of oxtail medium 28/40 point
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ÅÄÀÂÁËÉÊÈÏÌÎÍØÖÒÔÓÜÙÛÚ
ÆŒÇŁÑŠŸÝŽÐÞ([{1234567890}])
abcdefghijklmnopqrs∞tuvwxyz
åäàâáëèêéïìîíıøöòôóüùûúæœçłñÿšýžðþ
¡!¿?«‹¤$¢ƒ£¥&fiflß@›»/|\µ¶ †‡§
•· -–—^%‰_*"'®©™ªº“”‘’„:;.,…
¯¨`´˘ˇ˜˙˚˛¸+=<>

full character set of oxtail medium italic 28/40 point
¡!¿?«‹¤$¢ƒ£¥&fiflß@›»/|\µ¶ †‡§
•· -–—^%‰_*"'®©™ªº“”‘’„:;.,…
¯¨`´˘ˇ˜˙˚˛¸+=<>

7
full character set of oxtail bold 28/40 point
¡!¿?«‹¤$¢ƒ£¥&fiflß@›»/|\µ¶ †‡§
•· -–—^%‰_*"'®©™ªº“”‘’„:;.,…
¯¨`´˘ˇ˜˙˚˛¸+=<>

full character set of oxtail bold italic 28/40 point
¡!¿?«‹¤$¢ƒ£¥&fiflß@›»/|\µ¶ †‡§
•· -–—^%‰_*"'®©™ªº“”‘’„:;.,…
¯¨`´˘ˇ˜˙˚˛¸+=<>

9
full character set of oxtail black 28/40 point
¡!¿?«‹¤$¢ƒ£¥&fiflß@›»/|\µ¶ †‡§
•· -–—^%‰_*"'®©™ªº“”‘’„:;.,…
¯¨`´˘ˇ˜˙˚˛¸+=<>

full character set of oxtail black italic 28/40 point
¡!¿?«‹¤$¢ƒ£¥&fiflß@›»/|\µ¶ †‡§
•· -–—^%‰_*"'®©™ªº“”‘’„:;.,…
¯¨`´˘ˇ˜˙˚˛¸+=<>

11
text setting: 11/15 point text setting: 11/15 point
[medium, black italic, bold] [medium italic, black, bold italic]
Moreover, i, on my side, require of every writer, first I have travelled a good deal in concord; and everywhere,
or last, a simple and sincere account of his own life, in shops, and offices, and fields, the inhabitants have
and not merely what he has heard of other men’s appeared to me to be doing penance in a thousand re-
lives; some such account as he would send to his kin- markable ways. What i have heard of bramins sitting
dred from a distant land; for if he has lived sincerely, exposed to four fires and looking in the face of the sun;
it must have been in a distant land to me. Perhaps or hanging suspended, with their heads down-
these pages are more particularly addressed to ward, over flames; or looking at the heavens over
poor students. As for the rest of my readers, they their shoulders “until it becomes impossible for
will accept such portions as apply to them. I trust them to resume their natural position, while from
that none will stretch the seams in putting on the the twist of the neck nothing but liquids can pass
coat, for it may do good service to him whom it fits. into the stomach”; or dwelling, chained for life, at
I would fain say something, not so much concern- the foot of a tree; or measuring with their bodies, like
ing the chinese and sandwich islanders as you who caterpillars, the breadth of vast empires; or standing
read these pages, who are said to live in new eng- on one leg on the tops of pillars- even these forms of
land; something about your condition, especially conscious penance are hardly more incredible and
your outward condition or circumstances in this astonishing than the scenes which i daily witness.
world, in this town, what it is, whether it is neces-
sary that it be as bad as it is, whether it cannot be
improved as well as not.

Moreover, i, on my side, require of every writer, first I have travelled a good deal in concord; and every-
or last, a simple and sincere account of his own where, in shops, and offices, and fields, the inhabit-
life, and not merely what he has heard of other ants have appeared to me to be doing penance in a
men’s lives; some such account as he would send to thousand remarkable ways. What i have heard of
his kindred from a distant land; for if he has lived bramins sitting exposed to four fires and looking in
sincerely, it must have been in a distant land to me. the face of the sun; or hanging suspended, with
Perhaps these pages are more particularly ad- their heads downward, over flames; or look-
dressed to poor students. As for the rest of my ing at the heavens over their shoulders “un-
readers, they will accept such portions as apply til it becomes impossible for them to resume
to them. I trust that none will stretch the seams their natural position, while from the twist
in putting on the coat, for it may do good service of the neck nothing but liquids can pass into
to him whom it fits. I would fain say something, the stomach”; or dwelling, chained for life, at
not so much concerning the chinese and sand- the foot of a tree; or measuring with their bodies,
wich islanders as you who read these pages, like caterpillars, the breadth of vast empires; or
who are said to live in new england; something standing on one leg on the tops of pillars- even
about your condition, especially your outward these forms of conscious penance are hardly
condition or circumstances in this world, in this more incredible and astonishing than the scenes
town, what it is, whether it is necessary that it which i daily witness.
be as bad as it is, whether it cannot be improved
as well as not.
oxtail – a twisted typeface | page 13

Moreover, i, on my side, require of every something about your condition, especially

writer, first or last, a simple and sincere your outward condition or circumstances
account of his own life, and not merely in this world, in this town, what it is, wheth-
what he has heard of other men’s lives; er it is necessary that it be as bad as it is,
some such account as he would send to whether it cannot be improved as well as
his kindred from a distant land; for if he not. I have travelled a good deal in concord;
has lived sincerely, it must have been and everywhere, in shops, and offices,
in a distant land to me. Perhaps these and fields, the inhabitants have ap-
pages are more particularly addressed peared to me to be doing penance in
to poor students. As for the rest of my a thousand remarkable ways. What i
readers, they will accept such portions have heard of bramins sitting exposed
as apply to them. I trust that none will to four fires and looking in the face of
stretch the seams in putting on the coat, the sun; or hanging suspended, with their
for it may do good service to him whom heads downward, over flames; or looking
it fits. I would fain say something, not so at the heavens over their shoulders “until
much concerning the chinese and sand- it becomes impossible for them to resume
wich islanders as you who read these pag- their natural position,
es, who are said to live in new england;

Oxtail is proudly distributed by:
Psy/Ops Type Foundry,
San Francisco, USA
[www.psyops.com]
I
Spec i a l t h a n k s to
Rodr ig o C ava zos for
use f u l f e e db ac k , e di t i ng
a n d t ec h n ic a l t ests.
I
© 2004 St e fa n H at t e n b ac h ,
M R F (M AC R h i no Fon ts)
w w w. m ac r h i no.com

Oxtail

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dfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfd

Remontoire is used for notes, pagina and informational copy.

KERN TIGHTER FOR

Background and basic information about the design

oxtail – a twisted typeface | page

page 4 | oxtail – a twisted typeface

To let you know

page 6 | oxtail – a twisted typeface

oxtail – a twisted typeface | page

page 8 | oxtail – a twisted typeface

oxtail – a twisted typeface | page

page 10 | oxtail – a twisted typeface

oxtail – a twisted typeface | page

page 12 | oxtail – a twisted typeface

oxtail – a twisted typeface | page 13

Moreover, i, on my side, require of every something about your condition, especially

page 14 | oxtail – a twisted typeface

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