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Lead sheet
Let All the World Sing Words and Music by
JOEL LINDSEY
Arranged and Orchestrated by
Cliff Duren
With celebration! q = 110
B b2
F E b2 F E b2
4
D
& b 4 œ. œ œ œ œ. œœ œ. œ œ œ ˙ œ. œ œ œ œ. œœ œ. œ œ œ œ
> >œ
F elec. (playing written)
2 3 4
œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ ˙
D
&b œ. œ œ œ
5 f Full Band groove
6 7 8
B b2 B b2
F(no3) E b2 E b2
œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ œ
D D
&b œ. œ œ œ œ
10 11 12
9
f F(no3)
CHOIR
j œ . œ œ œ œ œj ‰ j
keep the energy up! F(no3)
&b œ. œ œ œ œ œ ‰ œ. œ œ œ œ œ ‰
14 15
13
Let all the world sing, “Je - sus is ris - en!” Let all the world sing,
E b2 B b2
F
C D m7
j j
& b œ. œ œ œ
A
œ Œ œ. œ œ œ œ œ œ ‰ œ. œ œ œ œ œ œ ‰
unison div.
17 18
16
“Free - dom has come!” Chains have been bro - ken. Love has been spo - ken.
E b2 E b2
E b2
F sus
C sus C
& b œ. œ œ œ œ. œ œ œ
unison G F div. C
˙. Œ œ. œ œ œ œ œ
20 21
19
Life is a - live once a - gain! Let all the world sing!
E b2
j j
F(no3) F(no3)
&b w ˙ Ó œ. œ œ œ œ œ ‰ œ. œ œ œ œ œ ‰
23 24 25
22
Let ev - ’ry voice rise in ex - ul - ta - tion.
© 2016 Dayspring Music, LLC (BMI)/ Songs From The Inside (BMI)
(Adm. by Dayspring Music, LLC).
All Rights Reserved. Used by Permission.
Lead sheet Let All the World Sing - Page 2 of 3
E b2
Dm7
j
F(no3) C sus C D m7
œ. œ œ œ œ Œ œ œ œj ‰
C
&b œ. œ œ œ œ œ ‰ œ. œ œ œ
27 28
26
Let ev - ’ry heart know hope rules the day. Joy breaks the mourn - ing.
C
B b2 E b2
C sus
j œ œ œ œ
& b œ. œ œ œ œ œ œ ‰ œ. œ œ œ œ. œ œ œ ˙. Œ
30 31
29
New dreams are dawn - ing. No tomb could hold back our King!
F sus F F sus C
Ó
F(no3) G F F D m7
œ œ œ œ. œ œ œ œ˙ .
C A E
&b œ. œ œ œ œ œ wœ . œ œ œ œ. œ œ œ
32
33 34 > > >> > >
Let all the world sing!
ƒ driving B b2
œ œ œj ‰ j
C D m7
&b œ œ œ œ œ ‰ œ œ œ
1/2 time groove
œ
36 37
35
Hal - le - lu - jah! Hal - le - lu - jah! Sing, O Earth, de -
j j
C F D m7 C D m7
&b œ œ œ Œ œ œ œ œ ‰ œ œ œ œ ‰
39 40
38
clare His Name! He has tri - umphed o - ver dark - ness.
C
Bb Bb
C sus
E b2
24 œ œ 44 œw œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
˙.
D F
&b œ œ œ œ Œ
42 43 44
41
Let the choir and saints pro - claim!
f (drums
F sus F
j ‰ œ . œ œ œ œ œj ‰ j ‰
F F
fill in between diamonds) G A
b
& œ. œ œ œ œ œ œ. œ œ œ œ œ
46 47
45
Let all the world sing, “Je - sus is ris - en!” Let all the world sing,
E b2 C D m7
j ‰
& b œ. œ œ Œ
unison div. back to full time groove
œ œ œ. œ œ œ œ œ œ
49
48
“Free - dom has come!” Chains have been bro - ken.
Lead sheet Let All the World Sing - Page 3 of 3
E b2
E b2 b
C
B b2
F C sus
#
G E2
œ œ œ œ
& b œ . œ œ œ œ œ œj ‰ œ. œ œ œ œ. œ œ œ
A F
Œ
unison
˙.
51 52
50
Love has been spo - ken. Life is a - live once a - gain!
ƒ G(no3) G sus G
# div.
G
œ . œ œ Nœ œ œ. œ œ œ œ œ ‰ œ. œ œ œ œ
A B
& œ œ ‰
J 54
J 55 J
53
Let ev - ’ry voice rise in ex - ul - ta - tion. Let ev - ’ry heart know
F2 G
# œ. œ œ
E m7
œ œ œj ‰ j
D C2
unison B
œ œ Œ œ œ œ œ œ œ ‰
div.
& œ. œ œ œ œ.
57 58
56
hope rules the day. Joy breaks the mourn - ing. New dreams are dawn - ing.
F2 F2 D sus
D sus D
# œ. œ œ œ
F2 F2
œ œ œ œ
E
œ. œ œ œ œ. œ œ œ œ. œ œ œ
A unison G
& ˙. Œ
60 61
59
No tomb could hold back our King. No tomb could hold back our
G sus
#
D sus D G(no3)
œ ˙.
div. D
& ˙. Œ œ. œ œ œ œ Œ
63 64
62
King. Let all the world sing!
F2
#
G(no3) F2 G
œ ˙. œ œ
A
& œ. œ œ œ œ Œ œ. œ œ œ
66 67
65
Let all the world sing! Let all the world sing!
# w ẇ
Drum fill
œ. œ œ œ œ
& Œ Ó
69 70
68
WORD MUSIC & CHURCH RESOURCES: The Tomb Is Empty Now
© 2016 Dayspring Music, LLC (BMI)/ Songs From The Inside (BMI) (Adm. by Dayspring Music, LLC)
All Rights Reserved. Used by Permission.
wordmusic.com
Let All the World Sing (from The Tomb Is Empty Now) – Page 2 of 2
Em7 C2 G/B
Joy breaks the mourning. New dreams are dawning.
F2/A G(no3) F2 G G G
ENDING: Let all the world sing! Let all the world sing!
WORD MUSIC & CHURCH RESOURCES - The Tomb Is Empty Now
D bmaj7(no3) G b2 Db D bmaj7(no3)
Gb B bm A b E b m7 G b2 A b sus
bb 4
“. . . to receive power . . . Ab
>œ . >œ
Bb
>œ >œ >œ F
>œ .
F
>œ >œ œ. >œ
&bbb 4 ¿¿¿¿ œ ˙ œ œ
>œ J
f
1 2 3
Drum fill Full Band breakdown groove
D b sus
f snare Gb
CHOIR and WORSHIP LEADER
Db
Ab Db
bb
&bbb ˙ Œ œ
œ
groove
’ ’ ’ œ œ œ œ œ
5 6
4
Crown Him with man - y crowns, the
Gb
B b m7 C b2 Db Db
Db
bb
&bbb œ œ œ œ ˙ Œ œ œ œ œ œ
8 9
7
Lamb up - on His throne. Hark! how the heav’n - ly
Eb Ab Ab Ab
D b2 Eb A b sus
Db Eb Gb
bb j ‰ œ C
œ œ
& b b b nœ œ œ œ œ œ œ ˙ Œ œ
11 12
10
an - them drowns all mu - sic but its own! A -
D bmaj7(no3) G b2
Db Gb Ab Bb Eb
œ.
bbbb
F
œ œ œ œ œ G
& b œ œ œ ˙ Œ œ œ nœ œ œ
œ 14 15
13
wake, my soul, and sing of Him who died for
Ab Db Db D b sus Ab D bmaj7(no3)
Ab Gb B b m7
Gb Eb A b unison
b œ.
& b bbb ˙ œ œ œ j
F F C
Œ œ œ œ ‰ œ
17
J 18
œ
16
thee, and hail Him as thy match - less King thro’
Crown Him with Many Crowns: Arr. © 2016 Gathering Songs, LLC (BMI).
All Rights Reserved.
Lead sheet Crown Him Worship Medley - Page 2 of 5
fD G
##
B m7 C2
D
& ˙ Œ œ œ œ Œ
Nœ œ œ œ œ
23 24
œ œ
25
˙ œ
22
Crown Him the Lord of life! Who tri - umphed o’er the grave; who
G E A A A
C#
## j œ
D D D2 E A sus
œ œ
D D E G
& œ œ œ œ #œ œ œ ‰
œ œ œ œ ˙ Œ œ
27 28 29
26
rose vic - to - rious in the strife for those He came to save. His
Dmaj7(no3) G2 A sus A A
C#
G A
A B B G
œ. œ. œ
D E
F# G#
## œ œ œ œ œ
˙ œ œ œ œ
& œ œ œ œ ˙ Œ œ œ #œ œ œ Œ œ
31 32 33
30
glo - ries now we sing, who died and rose on high, who
D D D sus A Dmaj7(no3)
F# F# C#
# .
G B m7 G2 A sus
& # œ œ œ j
E unison A
J œ œ œ œ ‰ œ œ œ œ œ. œ
35 36
34
died e - ter - nal life to bring and lives that death may
W.L. (opt.): He lives, and He’s worthy of all our praise!
Let’s sing this to the Lord.
####
B A2 B
D# C# D#
##
D
big 1/2 time groove
& w w ’ ’ ’ ’ ’ ’ ’ ’
39 40
37 38
die.
Lead sheet Crown Him Worship Medley - Page 3 of 5
F
CHOIR: unison
#
## #
E(no3) everyone play less A2
Œ
drums kick on 2 & 4
& œ œ œ œ œ œ œ œ ˙. œ œ œ œ œ œ œ
42 43
41
Wor - thy is the Lamb who was slain. Wor - thy is the King who con -
####
E(no3)
& œ œ œ œ œ Œ œ œ œ œ œ œ œ œ ˙. Œ
45 46
44
- quered the grave. Wor - thy is the Lamb who was slain.
####
A2
& œ œ œ œ œ œ Œ
œ œ œ œ 48
œ œ
47
Wor - thy is the King who con - quered the grave.
####
E(no3) A2
div. aggressive building groove
œ œ œ Œ
& œ œ œ œ œ œœ ˙
50 51
œ œ œ œ œ œ œ
49
Wor - thy is the Lamb who was slain. Wor - thy is the King who con -
E
C # m7 G#
####
E
keep building!
œ œ œ œ œ
& œ œ œ œ œ Œ œ œ œ œ œ œ œ œ
>
œœ‰œ œœ‰œ
J J
52
- quered the grave.
53
j A j f
A2
^ Œ
# # # # œœ œœ œ
œ ˙˙
œ
‰
œ
œ
œ
œ
œ
œ
œ
œ.
& J J J œ œ œ
56
55
Your Name. This is a - maz - ing grace!
####
E(no3)
f A2
œ.
snare groove
& ˙. Œ ‰ œ œ œ œ œ œ œ œ œ. œ Œ
58
J 59
57
This is un - fail - ing love,
Lead sheet Crown Him Worship Medley - Page 4 of 5
C # m7
####
& ‰ œ œ œ œ. œ œ œ ˙. Œ ‰ œ œ œ œ. œ œ
œ
J 61 62
J
60
that You would take my place, that You would bear my cross.
####
B(no3) E(no3)
& ˙. Œ ‰ œ œ œ. œ. œ œ œ ˙. Œ
64
J
63 65
You laid down Your life
####
A2
j -
& ‰ œ œ œ œ œ ˙ œ œ œ
j
˙ Œ œ œ
J 67
66 68
that I would be set free. Oh,
C # m7
####
B(no3)
‰ œj œ œ œ œ œ j
unison
& ‰ œ œ œ œ. œ œ œ
70
69
Je - sus, I sing for all that You’ve done for me!
####
E(no3) A2
Œ
(W.L. may ad lib)
œ
div.
& w ˙. œ œ œ œ œ œ
72 73
71
Wor - thy is the King who con -
####
E(no3)
& œ œ œ œ œ Œ œ œ œ œ
œ œ œ œ œœ ˙ Œ
75 76
74
- quered the grave. Wor - thy is the Lamb who was slain.
Lead sheet Crown Him Worship Medley - Page 5 of 5
ƒ div. D 2
New Tempo q = 70
molto rit. E 7sus
#### ###
E
A2
œ œœœœ œ
unison
3 Œ Œ
& œ œ œ œ œ œ œ 78
œ œ œ œ ˙ 4 ˙.
80
> œ œ
77 79
Wor - thy is the King who con - quered the grave. You are
F # m7
###
A E
C # lots of energy & drive! F#
j j
E D D2
œ ‰ œ œ œ œ ‰ œ œ ‰ œ j
& œ J œ . œ œ œ œ. œ œ ‰ œ œ
82 83 84
81
strong - er. You are strong - er. Sin is bro - ken; You have saved me! It is
###
A A sus
C#
j
D2 E D2 E A
‰ œj œ . œ œ .
(W.L. ad lib)
& œ œ ‰ œ œ œ œ ‰ œ œ
J œ ‰ œ œ
86 87 88
85
writ - ten, Christ is ris - en. Je - sus, You are Lord of all. You are
F # m7
Œ Œ Œ Œ Œ Œ ‰
Amaj7(no3)
C#
A drums cont.
### œ.
B m7 D2
œ
j
& œ œ œ œ 90
œ œ œ œ
91
œ. œ œ œ œ
92
œ. œ œ ‰ œ œ
89
strong - er. You are strong - er. Sin is bro - ken; You have saved me! It is
F # m7
###
A
C#
j
D2 E D2 E E
& œ œ ‰ œ œ œ œ ‰ œ œ œ ‰ œj œ . œ œ. ‰ œ œ
94
J 95 96
93
writ - ten, Christ is ris - en. Je - sus, You are Lord of all. Je - sus,
>> ^
A
F # m7 C#
D2
F#
E molto rit.
G#
E D E
### ˙.
D2 E A
œ œ œ œ œ œ œ œ ˙ œ œ œ
& œ ‰ œj œ . œ ˙ œ œ œ ‰ œ œ. œ ˙. ˙. Œ Œ
97
98 99 J 100 101 102
CROWN HIM WITH MANY CROWNS (Words by Matthew Bridges, Godfrey Thring; Music by George Elvey)
D¯≤ G¯≤/D¯≤ D¯≤ E¯≤/D¯≤ A¯≤/C D¯≤2 A¯≤/E¯≤ E¯≤ A¯≤sus A¯≤/G¯≤
Hark! how the heav’n - ly anthem drowns all music but its own!
D¯≤/F G¯≤ D¯≤/F D¯≤sus/E¯≤ A¯≤/C B¯≤m7 D¯≤maj7(no3)/A¯≤ G¯≤2 A¯≤sus D¯≤ D¯≤
And hail Him as thy match - less King thro’ all e-ter - ni - ty!
D G/D Bm7 C2
VERSE 2: Crown Him the Lord of life! Who triumphed o’er the grave;
Crown Him with Many Crowns: Arr. © 2016 Gathering Songs, LLC (BMI). All Rights Reserved.
This Is Amazing Grace: © 2012 Word Music, LLC (ASCAP) Seems Like Music (BMI)/
Phil Wickham Music (BMI)/ Sing My Songs (BMI)(Adm. by Simpleville Publishing, LLC)/
Bethel Music Publishing (ASCAP)/ WB Music Corp. (ASCAP)/ FBR Music
wordmusic.com (ASCAP)/ Josh's Music (ASCAP) (All adm. by WB Music Corp.). All Rights Reserved. Used by Permission.
Crown Him Worship Medley (from The Tomb Is Empty Now) – Page 2 of 2
THIS IS AMAZING GRACE (Words and Music by Jeremy Riddle, Josh Farro and Phil Wickham)
E(no3) E(no3) A2 A2
Worthy is the Lamb who was slain. Worthy is the King who con-quered the grave.
C≥m7 E E/G≥ A
Worthy is the Lamb who was slain. Worthy is Your Name.
A2 E(no3) E(no3) A2
CHORUS: This is amazing grace! This is unfailing love,
A2 A2 E(no3) E(no3)
TAG: Worthy is the King who con-quered the grave. Worthy is the Lamb who was slain.
(Time Signature: 3/4, Tempo: 70 bpm)
A2 A2 E E7sus
Worthy is the King who con-quered the grave.
A/C≥ D2 E D2 E A
It is written, Christ is risen. Jesus, You are Lord of all.
D2 A/C≥ D2 E D2 E F≥m7
It is written, Christ is risen. Jesus, You are Lord of all.
Lead sheet
Hands in the Air Words and Music by
JOEL LINDSEY
Arranged and Orchestrated by
With energy! e = 180 Cliff Duren
UNDERSCORE
#### 6 . .
“We’ve all imagined . . . E 2
C#
E2
& 8 . ’ ’. ’. ’. ’. ’. ’. ’.
1 F 1st time = acous. strumming
2
& lite piano
3 4
####
A2
C#
D2 E2 1. D2 2. D2
& ’. ’. ’. ’. ’. ’. œ œ œ. œ œ. œ
..
œ œ œ. œ œ. œ
6 7 8 9
5 (Elec. Gtr.) (Elec. Gtr.)
####
E2
C#
E2 “That’s why . . .
& ’. ’. ’. ’. ’. ’. ’. ’.
10
add drums (laid back groove) 11 12 13
####
A
C#
D2 A2 E2 D B m7 A
& ’. ’. ’. ’. ’. ’.
>œ . >œ
. nœ .
> >œ
.
f
15 16 17
14
INTRO
####
E2
C#
E 2 “How could this Man . . .
& ’. ’. ’. ’. ’. ’. ’. ’.
19 20 21
18 Full Band groove
. . . Who He said He was!”
f
CHOIR
####
E sus E E sus
F# G#
D2 A2 A2
’. ’. ’. ’. ’. ’. Œ.
B
& ‰
23 24 25
œ œ
22
With my
#### œ œ œ œ œ
E2
C#
E2
& œ œ œ œ œ. œ ‰ œ œ œ œ œ ‰ œ œ œ. œ. œ.
27 28 29
26
hands in the air, at the top of my lungs, my heart will sing out, “Bless - ed is He who
© 2016 Dayspring Music, LLC (BMI)/Songs From The Inside (BMI) (Adm. by Dayspring Music, LLC).
All Rights Reserved. Used by Permission.
Lead sheet Hands in the Air - Page 2 of 5
####
D2 A2 E2 D2
& ˙. ‰ œ œ œ œ œ œ ˙. œ. ‰ œ œ
31 32 33
30
comes in the Name of the Lord!” With my
#### œ
E2
C#
E2
& œ œ œ œ œ œ œ ‰ œ œ œ œ ‰
35
œ œ œ 36
34
hands in the air and my eyes filled with tears, be - hold the Son!
####
D2 A2 E2
& œ œ œ œ œ œ. ˙. ‰ œ œ œ œ œ œ ˙.
38 39 40
37
What love has driv-en Him here in the Name of the Lord.
C # m7 F unison f div.*
####
D2 A2 E2
& ˙. ‰ œ œ œ œ œ œ ‰ œ œ œ . 44 ˙ . œ . ‰ ‰ œJ
42 43
41 45
With my hands in the air, bless - ed is He. Ho -
#### œ .
A E
& œ. œ. ‰ ‰ œJ œ. œ. œ. Œ.
47 48 49
46
san - na! Ho - san - na!
####
E
G#
j
B A2 E
& œ œ œ. œ œ œ œ œ œ œ ˙. œ. ‰ ‰ œ
51
œ œ 52 53
J
50
Bless - ed is He who comes in the Name of the Lord. Ho -
#### œ .
A E
& œ. œ. ‰ ‰ œJ œ. œ. œ. Œ.
55 56 57
54
san - na! Ho - san - na!
#### j
B A2 E
& œ œ œ. œ œ œ œ œ œ œ Œ. b
59
œ œ 60
˙. œ.
58 61
Bless - ed is He who comes in the Name of the Lord.
Lead sheet Hands in the Air - Page 3 of 5
F SOLO
F2 D m7
& b œ œ œ. œ œ œ. œ œ œ œ œ ≈⋲ œj̊ œ œ œ œ œ. ‰
63 64
62
Wav - ing palm branch - es, I press through the crowd. I join with the oth - ers,
E b2 B b2
&b œ œ œ. œ œ ˙. ‰ œ œ œ œ œ œ œ
band building...
œ.
66 67
65
joy - ful - ly sing - ing out loud in the Name of the Lord.
F2 E b2 CHOIR F2
& b ˙. Œ. ‰ œ œ œ œ œ œ œ œ œ
69 70
68
With my hands in the air, at the
F2
œ œ œ œ œ œ œ. œ.
D
& b œ œ œ. œ ‰ œ ‰ œ.
72 73
71
top of my lungs, my heart will sing out, “Bless - ed is He who
E b2 B b2 F2 D m7
& b ˙. ‰ œ œ œ œ œ œ ˙. ˙.
75 76 77
74
comes in the Name of the Lord!”
F unison
E b2 B b2 F2
‰ ‰ œJ
div.
&b ‰ œ œ œ œ œ œ ‰
œ œ œ. ˙. œ.
79 80 81
78
With my hands in the air, bless - ed is He. Ho -
Bb
.
F
&b œ œ. œ. ‰ ‰ œ
J
œ. œ. œ. Œ.
83 84 85
82
san - na! Ho - san - na!
B b2
F
j
C F
‰ ‰ œJ
A
& b œ œ œ. œ œ œ œ œ œ œ œ œ ˙. œ.
87 88 89
86
Bless - ed is He who comes in the Name of the Lord. Ho -
Lead sheet Hands in the Air - Page 4 of 5
Bb
.
F
&b œ œ. œ. ‰ ‰ œ
J œ. œ. œ. Œ.
91 92 93
90
san - na! Ho - san - na!
B b2
j
C F
& b œ œ œ. œ œ œ œ œ œ œ œ ˙. œ. Œ.
95
œ 96 97
94
Bless - ed is He who comes in the Name of the Lord.
E b2
F B b2 F2
Œ.
unison
&b ‰ œ ‰
œ œ œ.
sub.
œ œ œ œ œ ˙. œ.
99 100
98 101
With my hands in the air, bless - ed is He.
P E b2 (Band: diamonds) Bb
j
F2
& b œ œ œ. œ œ œ œ œ œ œ œ œ ˙. ˙.
103 104 105
102
Bless - ed is He who comes in the Name of the Lord.
F(no3) E b2 F2
ƒ div. > ^
&b Û Û Û Û Û Û Û Û Û Û Û Û ‰ ‰ œJ œ . œ ‰ ‰ œ œ œ. œ.
ß
107 108 109
106
Ho - san - na! Sing ho - san - na!
œ >œ . ^œ ‰
B b2
E b2 B b2
F2
&b œ ‰ œ œ œ. œ. ˙. ‰ œ œ œ.
D D
J œ
111 112 113
110
Ho - san - na! Sing ho - san - na! Bless - ed is
œ >œ . ^œ œ >œ . ^œ
F2
F2
œ. œ. œ
D
&b œ J
‰ ‰ œ œ J
‰
115 116
114
He! Ho - san - na! Sing ho - san - na! Ho - san - na!
B b2
E b2 B b2
œ. œ. ˙. œ.
D
&b ‰ œ œ œ ‰ œ œ
118 119
117
Sing ho - san - na! Bless - ed is
Lead sheet Hands in the Air - Page 5 of 5
Œ.
^œ Ó. Ó.
drums cont.
F2
&b œ œ œ. ‰ ‰ œ œ œ. œ. œ œ œ. œ ‰
120
He!
J
>
Ho - san - na!
121
Sing ho - san - na!
122
J
>
Ho - san
v
- na!
Dm7
Œ. Eb Bb
F Dm7
œ. œ. œ. œ. œ. œ.
C m7 G m7
&b ‰ œ œ œ. œ. ˙. œ. œ œ œ.
124 125
123
Sing ho - san - na! Bless - ed is
œ >œ . ^œ œ >œ . ^œ
F
F2 F D m7
œ. œ. œ
C
&b œ J ‰ ‰ œ œ J ‰
127 128
126
^j > ^
He! Ho - san - na! Sing ho - san - na! Ho - san - na!
Bb Bb
Eb C m7 C m7 B b F(no3)
œ ‰ ‰ œ. œ ‰
D D
œ. œ. œ. œ. œ. œ. œ .. œ . œ.
& b ‰ œ œ œ œ ˙. ˙ Œ œ œ. œ ‰
J
129 2
Sing ho - san - na!
130 131 132
> > v
Ho - san - na!
WORD MUSIC & CHURCH RESOURCES: The Tomb Is Empty Now
E2 E2
CHORUS: With my hands in the air, at the top of my lungs,
E2/C≥ E2/C≥ D2 A2 E2 E2 D2
My heart will sing out, “Blessed is He who comes in the Name of the Lord!”
E2 E2
With my hands in the air and my eyes filled with tears,
D2 A2 E2 E2
With my hands in the air, blessed is He.
A A E E B A2 E E E/G≥
REFRAIN: Hosanna! Hosanna! Blessed is He who comes in the Name of the Lord.
A A E E B A2 E E
Hosanna! Hosanna! Blessed is He who comes in the Name of the Lord.
F2 F2
VERSE: Waving palm branches, I press through the crowd.
F2 F2
CHORUS: With my hands in the air, at the top of my lungs,
E¯≤2 B¯≤2 F2 F2
With my hands in the air, blessed is He.
© 2016 Dayspring Music, LLC (BMI)/ Songs From The Inside (BMI) (Adm. by Dayspring Music, LLC)
All Rights Reserved. Used by Permission.
wordmusic.com
Hands in the Air (from The Tomb Is Empty Now) – Page 2 of 2
E¯≤2 B¯≤2 F2 F2
TAG: With my hands in the air, blessed is He.
Lead sheet
I Love You from an Old Rugged Cross
Words and Music by
with O How He Loves You and Me JOSEPH HABEDANK,
WAYNE HAUN and JOEL LINDSEY
Arranged and Orchestrated by
Tenderly q = 72
B bm Db Db
Cliff Duren
F 7sus F7(# 5b 9) F 7(b 9) B bm b # b E b m7
Ab Eb
G 2( 4) G
b ˙ ˙
F
& b b b b 44
piano only
j œ
œ œ ˙ œ œ œ. œ œ œ œ
p 1 2 3 œ œ 4
Gb
P expressively, with freedom
SOLO (Jesus):
Gb C b2 Cb A bm B b 7sus
b
Ab
Ó ‰ j
& b bbb œ œ nœ œ bbb
˙ ˙ ˙ b˙ ˙ ˙ w
6 7 8
5
I left my home.
E b sus
Eb
b
C m7
F
&bb ˙ ‰ œ œ œ œ ˙
J
‰ œ œ œ œ œ ˙ ‰ œ œ œ œ œ
10 11
9
I came so far from where I was to where you are.
B b sus Eb
bb
C m7
‰ œ œ œ. œ
3
& b ˙ ‰ œ œ œ œ ˙ ˙ ‰ œ œ œ œ œ
J 13 14
12
The bit - ter tears, the lone - ly ache, the man - y ways
E b sus
B b sus
b ‰. j̊
F
&bb ˙ ‰ œ œ œ œ œ ˙ Œ
œ
16
15
a heart could break. And
Bb
Ab
Ab
b
G m7 C m7 G m7
&bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ Œ ‰ . œj̊
18
17
you were at the cen - ter of it all; to
B b 7sus Bb
b ‰ œ œ œœ œ
F m7
&bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ.
20
19
free you from the pris - on of the fall. There was no
© 2016 Dayspring Music, LLC (BMI)/ Songs From The Inside (BMI)/ Sea Smoke Music (BMI) (Both adm. by Dayspring Music, LLC)/
Christian Taylor Music, a div. of Daywind Music (BMI) (Adm. By ClearBox Rights).
All Rights Reserved. Used by Permission.
Lead sheet I Love You from an Old Rugged Cross - Page 2 of 5
Bb
Eb Ab
P Ab Eb Fm
G7(# 5# 9)
b œ œ. œ œ. ‰ œ œ œ œ œ
add bass, hat & lite elec.
œ œ
G D
&bb œ œ ˙
22
21
hill too steep for Me to climb, no road too
Eb
B b sus Bb
A b2 G
b œ.
Cm
œ œ œ œ
&bb œ œ œ œ œ œ œ Ó
œ ˙
23 24
long and hard to make you Mine.
Ab Bb
G
b œ œ œ œ œ œ œ œ ≈⋲ œJ 24 œ œ œ œ œ œ 4
&bb œ œ
B
J 26 4
25
I gave all I had to give, and it was worth the cost
B b A b2 Eb
B b sus
Cm
Bb
b œ˙ œ œ œ
& b b 44 ‰
œ
œ œœ œ œ œœ Ó
œ
Œ ‰
œ œ œ œ œ œ
28 29
27
to say, “I love you” from an old rug - ged cross.
E b sus
E b sus Bb A b2
Eb
P œ E b Full Band laid back groove
Cm F
b œ œ œ
3
‰. œ œ œ ‰. œ œ œ
F
& b b ˙. Œ Ó
J œ œ œ. œ J
œ
31 32
30 3
I took your guilt. I bore your
E b sus
B b sus
bbb
C m7
F
œ œ. œ ‰ œ œ œ œ ‰ œ œ œœœ œ ‰ œ œœ œ
3
& œ ˙ ˙ J
34 35
33
shame. And I would do it all a - gain. My o - pen
E b sus
Eb B b sus
bb Œ ‰ œ
C m7
œ œ œ œ œ ‰ . j̊ œ œ œ
F
& b œ ˙ ‰œ œ œ œ œ ˙ Œœ œ
J 37
œ 38 39
36
arms reached out in grace to pull you in - to love’s em - brace. It’s been
Lead sheet I Love You from an Old Rugged Cross - Page 3 of 5
Bb
Ab
Ab
b
G m7 C m7 G m7
&bb œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ Œ ‰
œ œ
41
40
spo - ken in a thou - sand dif - f’rent ways, but the
B b sus
œF œ
Bb B b 7sus
b œ œ œ œ œ ˙œ œœ .
F m7
œ
&bb œ œ œ œ œ œ œ ‰ œ œ
43
42
cross said more than words could ev - er say. There was no
Bb Eb
Eb Ab G7(# 5# 9)
Fm
Ab
b œ œ. œ œ. œ œ
G D
‰ œ œ œ. œ
&bb œ œ ˙
45
44
hill too steep for Me to climb, no road too
Eb
B b sus Bb
A b2 G
bbb œ .
Cm (ad lib)
œ œ œ œ
& œ œ œ œ œ œ œ œ œ ˙ Ó
47
46
long and hard to make you Mine.
C m B b A b2
Ab Bb
G
b œ œ œ œ œ œ œ œ œ œ ≈⋲ œ 2 œ œ œ œ œ œ 4 œ˙ œ œ œ
‰ œ œ œœ œ
B
b
& b J J 4 4
49 50
48
I gave all I had to give, and it was worththe cost to say, “I
Db
Eb E b sus Eb
B b sus
Bb
œ œ
F
b bb œ œ œ œ œ œ˙ . œ œ œ
Œ
& œ œ œ
52
51
love you” from an old rug - ged cross.
Db
f Gb Ab
E b sus Eb F
b bb bœ œ œ œ œ œ œ œ œ œ œœ
œ œ ˙
œ œ œ
‰ ≈⋲ œ
&
54
J
53
Can you hear the ech - oes from the hill? I
Lead sheet I Love You from an Old Rugged Cross - Page 4 of 5
B b sus
Gb Ab Bb B b 7sus
bb bœ œ œ œ œ œ œ ≈⋲ œJ œ œ œ œ œ. œ œ œ. œœ
rit.
& b J ‰ J
56
55
loved you then and, child, I love you still! There was no
Eb E b sus
Bb Eb G7(# 5# 9)
Fm
Eb Ab
Ab
G F D
œ œœ
bb œ œ. œ œ œ œ œ.
a tempo
œ œ œ œ
& b œ ˙ ‰ œ
58
57
hill too steep for Me to climb, no road
Eb
A b2 B b sus Bb
bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœœ œ ‰ œJ œ . œ
Cm G
& b
60
59
too long and hard to make you Mine. Oh,
Bb
Ab Bb
Cm
œ œ œ œ œ œ œ œ œ
G
b œ œ œ œ œ œ œ œ ≈⋲ œJ
&bb œ œ
B
J 62
61
I gave all I had to give, and it was worth the cost
A b2
P Eb
Bb
b ˙. œ ‰ ‰. j̊ œ . œ œ.
&bb J œ œ œ œj ≈⋲ œJ
64
63
to say, “I love you, I
&bb œ œ œœœœœœ œ Œ Œ ‰ œ œ œ œ œ œ
66
65
love you from an old rug - ged cross.
Bb
Eb Bb A b2
b ˙.
Cm
& b b 34 ˙.
D
œ
End SOLO
œ̇ . œ œ œ œ
68 69 70
67
Bb
CHOIR E b Bb
b
Cm
D
&bb Œ
lite elec. texture throughout
œ œ œ ˙. ˙
71 œ œ œ 72 73 74
O how He loves you and me!
Lead sheet A b2 Bb
I Love You from an Old Rugged Cross - Page 5 of 5
Ab
Ab Bb Eb
C D
Bb
b bb œ œ œ
Œ
& œ œ œ œ ˙. ˙
œ œ 76 77 78
75
O how He loves you and me!
Ab A bm2 A bm
Eb E b2 A b2 Ab Cb Cb
P Eb Eb
Db
b œ œ œ
add bass C C
&bb œ œ œ œ Œ œ œ œ œ œ ˙
Œ
80 81 82
79
He gave His life; what more could He give?
Eb Ab Bb Eb A b2
Bb A b2
Bb Bb Ab
b
F m7
G C
&bb œ œ œ Œ œ œ œ Œ
œ 84
œ 85 œ 86
œ
83
O how He loves you; O how He loves me;
Ab Bb
Eb Ab
C
Bb Bb Eb
D
Bb Bb
bbb
œ œ œ
& œ œ ˙. ˙ Œ
œ œ 88
œ œ 89
87 90
O how He loves you and me!
Db
F Eb
Ab
Eb
Eb
E b2
Db
A b2 Ab
Cb Cb
b
C C
&bb œ œ œ œ Œ œ œ œ œ œ ˙. ˙ Œ
92 93 94 95
91
He gave His life; what more could He give?
Eb Ab Bb Eb A b2
bP Bb
Bb
Bb Ab G
F m7 A b2
C
&bb œ œ œ Œ œ œ œ Œ
œ 97
œ 98 œ 99
œ
96
O how He loves you! O how He loves me!
Eb
Bb
Bb
Ab
Bb p Bb Eb
b
&bb œ œ œ Œ
˙.
œ 101
˙. 102
œ 103
100
O how He loves you and me!
Eb
E b2 Db Gb
Db G b2
Cb Bb Bb B b m7 Eb
b œ œ œ molto rit. U
& b b ˙. b œœ b œœ œ bœ œ ˙.
105
b œœ 106 107
104
WORD MUSIC & CHURCH RESOURCES: The Tomb Is Empty Now
© 2016 Dayspring Music, LLC (BMI)/ Songs From The Inside (BMI)/ Sea Smoke Music (BMI)
(both adm. by Dayspring Music, LLC)/ Christian Taylor Music,
a div. of Daywind Music (BMI) (Adm. by ClearBox Rights)
wordmusic.com All Rights Reserved. Used by Permission.
I Love You from an Old Rugged Cross (from The Tomb Is Empty Now) – Page 2 of 2
E¯≤/B¯≤ B¯≤ A¯≤/B¯≤ A¯≤/B¯≤ B¯≤ E¯≤ E¯≤2/D¯≤ E¯≤/D¯≤ C¯≤ G¯≤2/B¯≤ G¯≤/B¯≤ B¯≤m7 E¯≤
O how He loves you and me!
WORD MUSIC & CHURCH RESOURCES - The Tomb Is Empty Now
Lead sheet
He Who Was Dead Words and Music by
JOEL LINDSEY
Arranged and Orchestrated by
Cliff Duren
With celebration! q . = 64
E b(no3) “But somewhere in the night . . .
b 6
&bb 8 |. |. |. |.
p pads & elec. haze 2 3 4
loop fading in...
E b(no3) E b(no3) D b2
b
&bb |. Û. Û Û Û |. Û. Û.
F Full Band tom groove
6 7 8
5
E b(no3) E b(no3) D b2
b
&bb |. Û. Û Û Û |. Û. Û.
10 11 12
9
Cb Db A b m7 B b m7
bb .
& b | |. |. |. Û Û Û Û Û Û
building... 14 15 16 play as 17
13
diamond
“But when she heard . . .
œ.
E b(no3) String cues D b2
œ. œ. œ.
D b2 >œ >œ >
b œ œ œ œ œ œ œ œœ œ œ
C m7
œ œ œ œ œ
&bb œ œ b œ œ œ bœ
19 20 21
18
F
CHOIR: unison
D b A b B b m7
Œœ . Ab
. . . NOW is alive!”
œ.
E b(no3)
œœ œ œ
D b2
œ. œ œ. œœ œ œ ‰
b œ bœ . œ . œ œ
C m7
œ œ œ
C
œ œ
&bb œ œ b œ œ
23 24 25
>> > >
22
Have you
E b2
b bb œ œ œ œ œ œ
& œ œ œ œ œ œ œ œ
27
26
heard the Good News? Have you heard the Good News? Christ is
© 2016 Dayspring Music, LLC (BMI)/ Songs From The Inside (BMI) (Adm. by Dayspring Music, LLC).
All Rights Reserved. Used by Permission.
Lead sheet He Who Was Dead - Page 2 of 5
Ab Ab
D b2 D b2
b j j
C C
&bb œ œ
‰ œ œ œ œ
‰ œ œ
29
28
ris - en! He is liv - ing! Have you
E b2
b
&bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ
31
30
heard the Good News? Have you heard the Good News? He was
Ab Bb
b
C m7
&bb j ‰ j œ œ œ œ œ. ‰ œ œ
œ œ
^
32 33
dead, but now is a - live. Hope has
>
A b2 B b sus ‰
bb
œ œ œ œ œ
& b œ. œ. œ. œ. ˙. œ. Œ.
35 36
34
ris - en back to life!
Eb Db
b -œ
f div.
Eb
Ab
Ab Eb
b œ. œ œ
C m7
G
&bb œ œ œ œ œ ‰ œ œ œ œ
unison
œ œ œ œ
38 39
37
He Who was dead is now breath - ing! He Who was dead is a - live
Eb
D b2 B b sus Eb
b
G
&bb œ ‰ œ œ œ œ œ
div.
œ œ œ œ œ
41
40
ev - er - more! He Who was dead has now
Db Eb
Ab
Ab
bb bœ œ œ.
F m7 unison
œ
G
b ‰
&
43
œ œ œ œ œ œ œ œ
42
bro - ken death’s chains! Up from the grave He a - rose!
Eb
B b sus Bb
F2
b
F m7
œ. œ œ. œ
G A
&bb œ ‰ œ œ œ œ œ œ œ
‰
45 46
44
Up from the grave He a - rose!
^j
Lead sheet He Who Was Dead - Page 3 of 5
B b sus
> > > N.C.
‰ ‰
F m7 unison
bb
œ œ œ œ
div.
& b œ. œ œ œ œ. ‰
48
œ œ œ
47
Ab
He Who was dead is a - live!
Db
B b m7
CHOIR: unison
F
N.C.
E b(no3) D b2
C
œ.
bb
C m7
œ œ œ
& b ’. ’. Œ. ‰ œ œ
groove
˙. ˙. 51 52
49 50
When they
E b2
b
&bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ
54
53
looked in the tomb, when they looked in the tomb He had
Db B b m7
Ab Ab
D b2
b œ. œ. œ.
j
C
b
& b œ œ ‰ œ œ œ œ ‰ œ œ
55
56 J
ris - en. He was miss - ing. When they
E b2
b
&bb œ œ œ œ œ œ œ œ œ œ œ œ œ œ
58
57
looked in the tomb, when they looked in the tomb there was
Ab Bb
b
C m7
&bb œ œ
j
œ œ œ. œ.
‰ œ œ
60
59
no - one there to be found. Ev - en
A b2 B b sus
b bb œ. œ. ˙.
œ
œ.
œ œ œ
Œ.
œ œ
& œ œ œ 62 63
61
death could not hold Him down!
Eb Db
b -œ œ . œ œ
Eb Ab Eb
Ab
C m7
b
G
&bb œ œ œ œ œ ‰ œ œ œ œ
unison
œ œ œ
div.
œ
65 66
64
He Who was dead is now breath - ing! He Who was dead is a - live
Lead sheet He Who Was Dead - Page 4 of 5
Eb
D b2 B b sus Eb
b
G
&bb œ ‰ œ œ œ œ œ
div.
œ œ œ œ œ
68
67
ev - er - more! He Who was dead has now
Db Eb
Ab
Ab
F m7
b bœ œ œ. œ
unison G
&bb ‰ œ œ œ œ œ œ œ
œ
70
69
bro - ken death’s chains! Up from the grave He a - rose!
Eb
B b sus Bb
F2
b
F m7
œ. œ œ. œ
G A
&bb œ ‰ œ œ œ œ œ œ œ ‰
72 73
^j unison
71
Up from the grave He a - rose!
E b sus Eb
B b sus Eb
j
F m7 N.C.
‰ ‰ œ.
F G
b b œ
œ.
œ œ œ
‰ œ œ œ
œ œ
‰ œ œ
& b œ. œ œ œ
div.
75
˙. œ.
74 76 77
He Who was dead is a - live! He a -
Bb
more aggressive groove
b
b b œ˙ .. œ. œ. œ˙ .. œœ .. œ.
div. A Ab
œ œ œ œ œ œ
& b œ. ‰ œ œ ‰ œ œ
79 80 81
78
rose! He a - rose! He a -
Cb Db B b m7
b b œ˙ .. œœ .. œ. ˙œ . œœ . œœ .
Ab Ab
‰ bœ œ œ
œ œ œ œ œ œ
& b J
83 84 85
82
rose! He a - rose! Christ a -
E b sus Eb
####
B
D#
bb ˙. ˙. ˙.
B sus
& b ’. ’.
87 88 89
86
rose!
f j N.C. Œ.
# # # œ ‰œ ‰œ
C # m7
E
# n œœ . œ.
D A
œ. œ œ ‰ œ
E
œ A
œ œ œ œ œ œ
unison
& œ œ œ
90
91 - 92
He Who was dead is now breath - ing! He Who was dead is a - live
Lead sheet He Who Was Dead - Page 5 of 5
A B E
C# G#
D B
A
#### œ. œ. œ. œ.
div.
& œ œ ‰ œ œ œ œ œ œ
œ œ œ 94
93
ev - er - more! He Who was dead has now
E
G# j F # m7
# # # # n œœ .
D A E
G#
œ œ. œ
œ
œ
A unison
& ‰ œ œ œ œ œ œ œ
96
œ
95
bro - ken death’s chains! Up from the grave He a - rose!
F #2
F # m7
####
E
G# A#
B sus B
& œ. œ ‰ œ œ œ œ œ œ œ
œ œ. œ ‰
98 99
^j
97
Up from the grave He a - rose!
F # m7
‰œ ‰œ œ
B sus N.C.
#### div.
œ
œ.
œ œ œ
‰
& œ. œ œ œ
101
100
He Who was dead is a - live!
D2
C # m7
œ. œ. œ.
#### ˙. œ. ‰ œ œ ˙. œ. ‰ œ œ
E(no3) PLOW! D2
&
103 104 105
^j
102
He’s a - live! He’s a -
E E (N.C.)
#### œ˙ .. œ œ œ œ˙ .. œ œœ œ̇ . œ œ œ œ œ œ̇ . œ œ œ œ œ œ œ œ œ
& ‰ ‰ Œ.
107 108 109 110
106
live!
WORD MUSIC & CHURCH RESOURCES: The Tomb Is Empty Now
E¯≤2 E¯≤2
VERSE 1: Have you heard the Good News? Have you heard the Good News?
E¯≤2 E¯≤2
Have you heard the Good News? Have you heard the Good News?
Fm7 B¯≤sus N.C. E¯≤(no3) D¯≤2 Cm7 |N.C. D¯≤ A¯≤/C B¯≤m7 |
He Who was dead is alive!
E¯≤2 E¯≤2
VERSE 2: When they looked in the tomb, when they looked in the tomb
E¯≤2 E¯≤2
When they looked in the tomb, when they looked in the tomb
C≥m7 D2 E E E E E
ENDING: He’s alive! He’s alive!
WORD MUSIC & CHURCH RESOURCES - The Tomb Is Empty Now
Lead sheet
Where the Nails Were Words and Music by
with Jesus Paid It All GARY DRISKELL and MARTY HENNIS
Arranged and Orchestrated by
Cliff Duren
Epic ballad q = 56
G2 G
## 4 Chimes B m9
B B
˙ ˙
& 4 w w ˙ œ œ œ œ
p 2 3 piano only 4
D
D E D2 D D
G# F# F#
A
##
B m9 G m6 B m9 GM7 G 6 G A sus
A A
& ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
˙ œ œ œ œ
˙ ˙
6 7 8 9
5
G Em G G m6
##
D D D D
D D D D
& œ œ œ
Œ ‰ Œ ‰ œ œ œ
Œ ‰
œ. œ œ œ œœ œ œ œ œ b ˙˙˙
10 œ œ œ œ 11
œ œ œ 12 œ œ œ œ 13
œ œ
F #7
P A # dim7 F # 7sus #
A D 4
F#
## Œ
D Bm G B 2sus Bm
SOLO 3 G A
& œ . œ œj ≈⋲ œj̊15 œ . œ œ Œ Œ œ œ œ
j ≈⋲ j̊
14 œ œ œ œ œ . 16 #œ œ œ œ œ œ
“Fa -ther, for - give them,” I heard You faint - ly say. Still, in my heart I feel so
D 4
C A m7
##
C D B 2sus Bm
œ œ œ œ
& Ó Œ j ≈⋲ œj̊
17
œœœ œ 18
œ œ œ œ œ œ œ œ
guilt - y. I know the truth is the
F #7 Bm D sus D
A# F#
##
G2
‰.
A E
& œ œ œ œ œ œ œ Œ j̊ œ
19
20 œ œ œ œ œ œ œ œ œ œ œ
debt was mine to pay. How could it be right that it hap - pened this
© 1993, this arr. © 2016 Word Music, LLC (ASCAP)/ Housewife Music (ASCAP) (Adm. by Word Music, LLC)
All Rights Reserved. Used by Permission.
Lead sheet Where the Nails Were - Page 2 of 5
,
D add subtle bass & elec. G D G E m7
## A A A A A
& Œ
œ œ œ œ œ œ œ œ œ œ œ œ
22
œ œ œ œ œ œ
21
way. A fal - len and sin - ful life I was lead - ing.
D G D Gm
Bb
## ‰ .
Gm
A A A
& j̊ œ œ œ œ œ œ œ œ œœœ ≈⋲ œ
œ 24
œ. œ œ œ œ œ œ
23
Now, why is Your bod - y torn and bleed - ing? It should - ’ve been my
D G A2 G2
C#
##
D
Full Band hi-hat groove D B
& œ ‰ œ œ œ. œ œ ≈⋲ œ œ œ œ ≈⋲ œ
26
œ œ œ œ
25
hands where the nails were. It should - ’ve been. It should - ’ve been my
G A2 A G2 G
C# C#
##
D D
D B B
& œ ‰ œ œ œ. œ œ œ. ≈⋲ œ œ œ œ ≈⋲ œ
28
œ œ œ œ
27
feet where the nails were. It should - ’ve been. It should - ’ve been my
D
F#
4
F#
4 E A G
G#
B 2sus Bm A 2sus
A#
## ‰
A A
œ œ
‰
œ œ œ œ
24
& œ œ œ œ. œ œ œ
30
œ œ œ œ. œ œ œ œ
29
side that was o - pened, my heart that was bro - ken.
D sus D
# # 2 ≈⋲ E
44
A
≈⋲
& 4 œ œ œ œ œ ˙ œ œ œ œ œ
32
31
It should - ’ve been my hands. It should - ’ve been my
C2 G G m6
##
D
œ œ œ œ
j
A D D
& œ ‰ œ œ. œ ˙. Œ ’ ’ ’ ’
œ 35
33 34 piano only
feet where the nails were.
Lead sheet Where the Nails Were - Page 3 of 5
F A # dim7
Full Band chill groove A D
F#
# # ‰ . j̊
SOLO D Bm
G
G
& œ œ œ œ j ≈⋲ j̊
œ. œ œ œ 37 œ œ œ œ œ . œ
œ œ œ
36
At times I am tempt - ed to o - ver - look Your grace,
F #7
F # 7sus
4 D
A#
##
B 2sus Bm C
≈⋲ œ 4 œ œ œ œ œ œ 44
j̊ 2
C
& Œ œ œ œ j
3
œ œ œ œ 39
œ
38
think - ing I’m worth the love You’ve giv - en.
4 F #7 Bm
A#
# # 4 j ≈⋲ j̊
D B 2sus Bm
j ≈⋲ œj̊ œ œ œ œ
A
& 4 œ œ œ œ œ œ œ œ œ 41
œ œ ˙
40
I walk like I’m earn - ing the right to run the race,
D sus D
F#
##
G2
E
& Œ œ œ œ
œ œ œ œ œ œ œ œ
42
some - how for - get - ting You died in my
D G D G E m7
## A building... A A A A
& œ œ ‰ œ œ œ œ œ œ œ œ
3
œ œ 44
œ œ œ œœœ ˙
43
place. Still is - n’t long be - fore I’ve stum - bled.
Gm CHOIR D Gm
Bb F# E
D Gm
f
Gm
D G D Bb
## ‰ . A A A
œ œ œ œ œ œ œ œ
& j̊ œ œ œ œ œ œ œ œ œ œ . œ œ œ . ≈⋲ œ œ
œ 46
œ œ œ
45
One look at the cross and I am hum - bled. It should - ’ve been my
G A2 G2
C#
#
D D
& # œ
D B
‰ œ œ œ. œ œ ≈⋲ œ œ œ œ ≈⋲ œ
48
œ œ œ œ
47
hands where the nails were. It should - ’ve been. It should - ’ve been my
Lead sheet Where the Nails Were - Page 4 of 5
G A2 A G2 G
C# C#
##
D D
D B B
& œ ‰ œ œ œ. œ œ ≈⋲ œ œ œ œ ≈⋲ œ
50
œ œ œ œ
49
feet where the nails were. It should - ’ve been. It should - ’ve been my
D
F#
A G
F#
4 E 4
G#
B 2sus Bm A 2sus
unison A #
## ‰
A A
œ œ
‰
œ œ œ œ 2
& œ 4
œ œ œ. œ œ œ
52
œ œ œ œ. œ œ
51
side that was o - pened, my heart that was bro - ken.
D sus D D
F#
# # 2 ≈⋲
G2
44
E A building in intensity...
≈⋲
div.
& 4 œ œ œ œ œ ˙ œ œ œ œ œ
54
53
It should - ’ve been my hands. It should - ’ve been my
G G sus
ƒ
C2
B D
œ.
C2
## A
Ó
œ œ œ ˙
≈⋲ œ œ #
& w œ œ œ
56
55
feet. It should - ’ve been my
œ œ. œ œ
G E
& ‰ œ ≈⋲ œ œ œ œ ≈⋲ œ œ œ œ œ
58
57
hands where the nails were. It should - ’ve been. It should - ’ve been my
C D2 D C2 C
F# F#
# œ
G G
œ œ. œ œ
G E E
& ‰ œ ≈⋲ œ œ œ œ ≈⋲ œ œ œ œ œ
60
59
feet where the nails were. It should - ’ve been. It should - ’ve been my
4 G
4 D C3
A B
C#
B E 2sus Em D 2sus
unison D #
# œ ‰
D D
œ
œ œ
‰ œ œ œ.
œ œ œ œ
24
& œ œ œ. œ œ œ œ œ
62
61
side that was o - pened, my heart that was bro - ken.
Lead sheet Where the Nails Were - Page 5 of 5
G sus G G
# 2 ≈⋲
C2
44 ˙ œ
A B D
œ ≈⋲ œ
div.
& 4 œ œ œ œ œ œ œ
64
63
It should - ’ve been my hands. It should - ’ve been my
C G Cm
Eb
# ˙ œ œ œ bbbb
œ œ œ ˙ ≈⋲ œ œ
D D
& ≈⋲ œ œ œ œ œ ˙ ≈⋲ œ œ
66 67
65
feet. It should - ’ve been my hands. It should - ’ve been my feet. It should - ’ve been my
Db
Ab
Eb Eb P
b œw œ œ œ œ œ
Œ ‰ œ œ œ œ. œ
& b bb ˙ œ
SOLO
≈⋲ œ œ œ œ
69 70
68
hands. It should - ’ve been my feet... where the nails
Db B bm b Db B bm b
Ab Ab Ab Ab Ab
Ab Ab Ab
A A
b b b œ‰ œ . œ œ˙ œ œ œ œ œ œ œ œ œ œ
(SOLO)
& b œ œœ Ó Œ ‰œ œ œ œ œ. ˙ Œ Œ ‰ œ œ œœ œ
72
J 73 74 œ œ œ
71
were, where the nails were.
(SOLO cont. ad lib lightly with CHOIR)
P Ab Db
Ab
Ab D b2
b
F m7
& b bb ˙ œ œ œ œ
˙. Œ
˙ œ œ œ œ
76 77
75
Je - sus paid it all; all to Him I
Ab
Ab
E b sus Eb D b2 E b sus
Eb
b
F m7
& b bb Œ j Œ œ
œ œ œ œ œ
add subtle bass & elec.
˙. 79
œ. 80
˙
81
˙ œ œ œ œ
78
owe. Sin had left a crim - son stain; He washed it white as
Db B bm b Db B bm
Ab Ab Ab Ab Ab
Ab Ab
p Ab A b rit.
A
bbb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ U
& b ˙ œ œ œ œ 85 w |
82
w 83 84 86
snow. Je - sus paid it all.
WORD MUSIC & CHURCH RESOURCES: The Tomb Is Empty Now
D G/D D A2/C≥
CHORUS: It should’ve been my hands where the nails were. It should have been.
© 1993, this arr. © 2016 Word Music, LLC (ASCAP)/ Housewife Music (ASCAP) (Adm. by Word Music, LLC)
All Rights Reserved. Used by Permission.
wordmusic.com
Where the Nails Were (from The Tomb Is Empty Now) – Page 2 of 3
G/D Cm/E¯≤
TAG: It should’ve been my hands. It should’ve been my feet
A¯≤/E¯≤ D¯≤/E¯≤
It should’ve been my hands. It should’ve been my feet
Fm7 A¯≤/E¯≤ D¯≤2 A¯≤/E¯≤ E¯≤sus N.C. D¯≤/A¯≤ A¯≤ N.C. B¯≤m/A¯≤ A¯≤
Sin had left a crimson stain; He washed it white as snow.