Libertango

Quintette Milango Astor Piazolla

Arr. Kélian Bagard

  
 
Allegro


2 3

Saxophone Soprano

   
  

      
Piano

    
Violon  

Violoncelle
      

                           

pizz.

Contrebasse


  



4 5 6

Sax. S.

 
  
 
  
Pia.

    
Vln. 

Vlc
    

             
       
   
       
Cb.
 

Quintette Milango
2

  

7 8 9


Sax. S.


     
   
  
Pia.

    
Vln. 

Vlc
    

           

 
  
     

 
  
    
Cb.


   
10 11 12


Sax. S.


    
     
Pia.

    
Vln. 

Vlc
    

             
       
  
       
Cb.
 

Quintette Milango
 3

  

13 14 15


Sax. S.


     
  
  
Pia.

    
Vln. 

Vlc
    

          
 
      
Cb.
                  

   
16 17 18


Sax. S.


    
      
Pia.

    
Vln. 

Vlc
    

                
Cb.
             

Quintette Milango
   
        
4

 
  
19 20 21


Sax. S.

    
           
   
      
          
Pia.

    
Vln. 

    
Vlc 

                  
               
Cb.


 
                
22 23


Sax. S.

      

    
              
       
      
 
   
 
   
 
 

 
Pia.

   
Vln. 

   
Vlc 

           
  
 
  

 
Cb.


Quintette Milango
   
                       
5


24 25 26


Sax. S.

      


 
      
  

 
 

              
         
          
       
   
       
  
 
Pia.

    
Vln. 

    
Vlc 

           

 
  
     

 
  
    
Cb.


                        
27 28 29


Sax. S.

             
                   
              
         
 
  
     

  

 
  
    
Pia.

    
Vln. 

    
Vlc 

                           
Cb.
    

Quintette Milango
                          
6


30 31 32


Sax. S.

                
              
           
                          
       
Pia.

    
Vln. 

Vlc
    

                
Cb.
             

                  
        
33 34 35


Sax. S.

                      
            
               
                         
           
Pia.

    
Vln. 

Vlc
    

                      
Cb.
             

Quintette Milango
    38 
                       
7

     
36 37


Sax. S.

             
                 
    
          

                 
                   
Pia.

    
Vln. 

  
           
Vlc
  
                 
       
           
Cb.


 
                
39 40


Sax. S.

      

    
               
       
      
 
   
 
   
 
   

Pia.

   
Vln. 

Vlc
   

              
       
Cb.


Quintette Milango
  
                       

8


41 42 43


Sax. S.

      


 
       
              
              
          
       
  
 
   
       
Pia.

    
Vln. 

      
  
Vlc  
           

 
  

    

 
  
    
Cb.


                        
44 45 46


Sax. S.

            
                       
              
         
  

 
  
     

 
  
    
Pia.

    
Vln. 

           
Vlc    
                           
Cb.
        

Quintette Milango
                   
9

 
    
 
47 48 49


Sax. S.

                 
              
            
                         
           
Pia.

    
Vln. 

       
Vlc 

          
 
  
 

 
  
Cb.
              

           
    
 
50 51


Sax. S.

               
         
         
                 
       
Pia.

   
Vln. 

Vlc
       

                 
Cb.
         

Quintette Milango
   
      
10

       
      
52 53


Sax. S.

          
             
  
      

             
           
Pia.

         
    
   
Vln.

Vlc
  

             
       
Cb.
     

   
              
54 55


Sax. S.

      

    
              
       
      
 
   
 
   
 
 

 
Pia.

        
 

Vln.

      
Vlc

           

 
 
  

 
Cb.


Quintette Milango
   
                       
11


56 57 58


Sax. S.

      


 
      
  

 
 

     
        
         
          
       
   
       
  
 
Pia.

         
Vln.  

        
Vlc

           

 
  
     

 
  
    
Cb.


                        
59 60 61


Sax. S.

              
               
           
      
 
 

 
       
               
Pia.

  
Vln.   

Vlc
          

                          
Cb.
     

Quintette Milango
                          
12


62 63 64


Sax. S.

                
              
           
                          
       
Pia.

         
Vln.  
   
Vlc
 

           
 
      
Cb.
              

                           
65 66 67


Sax. S.

              
           
          
               
                 
             
   
Pia.

      
Vln. 

           
Vlc 

                         
Cb.
            

Quintette Milango
   
             
13

    
68 69 70


Sax. S.

                       
         
    
    

              
    
  


    
Pia.

 
     
             
  
Vln.

              
Vlc
     
          
                
Cb.
        

     

71 72


Sax. S.

         
         
 
        



 

Pia.

      
Vln.             

          
   
Vlc
  
          
        
Cb.
     

Quintette Milango
        
14

      
73 74


Sax. S.

     
             

                 


Pia.


      
              

Vln.

      
       
Vlc
     
            

 
   
 
Cb.
 

 
               
Impro. Contrebasse


75 76 77 78 79


Sax. S.

  
                         
           
   



               
    
Pia.


           
Vln. 
     

        

5

Vlc

                     
Cb.
       

Quintette Milango
                        
         
15


80 81 82 83 84 85


Sax. S.

       
  
                                
            
                                    
Pia.

       
Vln.  

        
Vlc 

        
Cb.


        87        88       

86


Sax. S.

           


 
  
                
           
                  
       
  
 
Pia.

    
Vln. 

Vlc
    

    
Cb.
 

Quintette Milango
 
                       
16


89 90 91


Sax. S.

      


 
       
              
              
          
       
  
 
   
       
Pia.

    
Vln. 

    
Vlc 

    
Cb.


                94       

92 93


Sax. S.

            
                
         
               
           
   
 
 
 
       
  
 
Pia.

    
Vln.     

     
Vlc 

    
Cb.


Quintette Milango
 
        96         97       
17


95


Sax. S.

       


 
        
              
              
          
       
  
 

   
 
 

 
Pia.

         
Vln.  

Vlc
              

    
Cb.


 
            
                
98 99 100


Sax. S.

            
                        
           
         
 

 
      
             
Pia.

        
Vln.   

Vlc
    

    
Cb.
 

Quintette Milango
  
      
18

                        
101 102 103


Sax. S.

                 
              
             
                         
           
Pia.

       
Vln. 

       
Vlc

    
Cb.
 

   105
                        
     
104 106


Sax. S.

       
 
      
         
         
            
                  
            
Pia.

        
Vln. 

Vlc
         

    
Cb.


Quintette Milango
   
           
19


107 108 109


Sax. S.

   
             
                   
  
                 
           
Pia.

 
        
                     
  
Vln.

                   
   
Vlc
       
             
                
     
Cb.

      111        
      
110 112


Sax. S.

                  
       
   

             
          
Pia.


       
                 
Vln.  
     
           
Vlc
      
                 
           
Cb.
   
 

Quintette Milango
    
20

      
113 114 115



Sax. S.

            
    
         
       


           
                
Pia.

  
      
Vln. 
     

      
5

Vlc

       
          
Cb.
        

    
  
 


116 117 118

      
Sax. S.

         
   
          

      
         
       

 
Pia.

      
  
Vln.    

      
Vlc

      
 
    

 
 
    

 
Cb.


Quintette Milango
       
21

      
    
119 120 121



 
Sax. S.


                  
      
  
                       
 
Pia.

      
   
Vln.   

Vlc
     

        
                
Cb.
  

   124 
    
             
 
122 123


Sax. S.


        
 
      
               
       
         
     
  
 

     
  
 
 
Pia.

 
   
     
             
  
          
Vln.

    
Vlc      

           
         
   
       
Cb.
 

Quintette Milango
  
               
22


125 126


Sax. S.

      

    
               
       
      
 
   
 
   
 
   

Pia.

   
Vln.                  
   
             
Vlc   
           

 
 
  

 
Cb.


 
                        

127 128 129


Sax. S.

                
            
             
            
       

 
   
       
Pia.

  
   
                    
Vln.
  
  
                      
Vlc    
                  
               
Cb.


Quintette Milango
    132 
                         

23
accel.

  
130 131


Sax. S.

            
          
            
              
            
     
 
  
     
  
 
Pia.


        
            
            
 
    
Vln.

          
              
Vlc
  
                  

 
  
    
Cb.
 

 
                
133 134


Sax. S.

      

    
               
       
      
 
   
 
   
 
   

Pia.

               
Vln.     
   
                     
Vlc

             
       
Cb.
 

Quintette Milango
  
                       

24


135 136 137


Sax. S.

      


 
       
              
              
          
       
  
 
   
       
Pia.

 
                 
 
Vln.       
    
                    
   
Vlc

           

 
  
     

 
  
    
Cb.


   
     
138


Sax. S.

    
        
    
      



 


Pia.

    
   
Vln.   
     
    

Vlc

      



 


Cb.


Quintette Milango
Saxophone Soprano Libertango
Quintette Milango Astor Piazolla

 
Arr. Kélian Bagard

 
Allegro 5

   22   
  
                    
 
       
21 23 24

       
 
                  
25 26 27 28

       

      
              
29 30 31 32

   
                                
33 34 35 36

   38   
      
  
                                
37 39 40

        
 
                
41 42 43 44

   
                                
45 46 47 48

    
                                
49 50 51 52

   54   
  
   
        
                  
53 55 56

Quintette Milango
        
2

           
         
57 58 59 60

       

      
              
61 62 63 64

       
            
65 66 67 68

        71      
    

69 70 72

         
      
73 74 75 76

               
                          
Impro. Contrebasse
77 78 79 80 81 82 83 84

   
                                       

85 86 87 88 89

   
        91        92        93        94       

90

   
                                  
    
95 96 97 98 99

   
   101   102   103   104  
                                        
100

    

  

 

  

  


105 106

Quintette Milango
   
                
3


107 108 109 110

         
      
111 112 113 114

           
    

115 116 117 118

              
    
119 120 121 122

   124   
  
   
        
                  
123 125 126

       
                            
127 128 129 130

   132   
  
                    
 
       
131 accel. 133 134

        

               
     
135 136 137 138

Quintette Milango
Piano Libertango


Quintette Milango Astor Piazolla

  
Arr. Kélian Bagard
Allegro

               
5 6 7 8 9 10 11 12 13 14 15 16

             
   


       
 
                   
17 18 19 20 21 22

       
        


 
  
     

 
  
    


    24     25    
      
       
           
23

                        
                         


             
                
26 27 28

                        
                         


         31    
       
     
          

29 30

           

              
                    


    33         
   
  
       
       
     
32 34

         
             
                      

Quintette Milango

             

2

                 
35 36 37

               
                                 
       


    39     40    

    
       
           

38

               

                          
      


     42         
                    
41 43

                         
                         


       
      
         
       

44 45 46

        
      
                 
               


    48     49    

      
       
           
47

           
                         
            


        52    
              
           
50 51

            
                        
           


        55    

       
     
          

53 54

                       
                         

Quintette Milango

    57         

3

             
       
56 58

     

  
     
      
   
                         


   
   
       


   
  

      

59 60 61

                

        

          

 
 
   




    63     64    

     
        
          

62

                       
         
               


     66        
    
                   
65 67

             
                 
                   


            70         

        
            
68 69

     
           
                


 


               
    73 
        

71 72

        
           
       



 
        

     
   
74 75 76

 
         
 
 

 

 
 

Quintette Milango

 
4

                                             
Impro. Contrebasse


77 78 79 80 81 82 83 84

     
                                            


          87    
             
         
85 86

               
        
                       


    89         

                   
    
88 90

     

          
        
 
                 


              
                 
91 92 93

                   

                     
 
   



    95         

             
       
94 96

     

  
     
      
   
                         


   
 
      
 



   
  

      

97 98 99

                   

        

          

 
 
   




    101     102    
    
       
           

100

               

                 
               

Quintette Milango

              

5

            
     
103 104 105

         
  
 
 




 
          
        
   


              108         
            
    
106 107

     
               
  
    

     
 


               
  
         

109 110 111

        
                  



 
            
   
            
112 113 114

        
 



 




      



       116  
            117        
      
115

                    

      


         119         120         
      
118

                       

      


        122        123    
          
 
121

             
                       
     

Quintette Milango

    125     126    

6

     
       
           

124

           

                          


             
    
               
127 128 129

             
             
                       


       
 
      
                
accel.

  

130 131 132

           

         
 

     
  
 

     
  
 


    134     135    

        
                 
133

            
         
       
   
       
  
 



    
     
    
   
    
  
  
136 137 138

          
             
       
   
       


Quintette Milango
Violon Libertango
Quintette Milango Astor Piazolla

  
Arr. Kélian Bagard

 
 
Allegro 5 21

       

        
   
37 52 53 54 55 56

                  
  
57 58 59 60 61 62 63 64

           

65 66 67 68

                   
            
69 70 71 72

  

      
    

       
             
73 74 75 76



5

   
 
77 Impro. Contrebasse

             
       
85 92 93 94 95 96 97 98

               
 
99 100 101 102 103 104 105 106

Quintette Milango
                      
2

            
107 108 109 110

  

      
    

   
             
111 112 113 114

 5

    
      
115 116 117 118 119 120 121 122

       

    
                
123 124 125

 

     
         
                
126 127 128 129


         
 

         
         
accel.


130 131 132

                        
     
     
133 134 135

     
                
     
136 137 138

Quintette Milango
Violoncelle Libertango
Quintette Milango Astor Piazolla

 
Arr. Kélian Bagard

  

Allegro 5


           

  
21 36 37 38 39 40

                      
  
41 42 43 44 45 46 47 48

    
                
49 50 51 52 53 54 55 56

       
57 58
 59
     
60

61

62
   63 64


                           
     
65 66 67 68 69 70

                            
        
71 72 73 74 75 76


    
77 Impro. Contrebasse

                
 
85 93 94 95 96 97 98

Quintette Milango
  
               
2
99 100 101 102 103 104 105 106

                                   
        
107 108 109 110 111

  

                        
  
112 113 114 115 116 117 118 119 120 121 122


              
                    
  
123 124 125

  
                             
   
126 127 128 129

  
        
                     
accel.

 
130 131 132

  
                                
  
133 134 135

   
                     

136 137 138

 

Quintette Milango
Contrebasse Libertango
Quintette Milango Astor Piazolla
Arr. Kélian Bagard

                          
Allegro


pizz. 2 3

                                 



4 5 6 7

                                  
8 9 10 11

                                  
         
12 13 14 15

                         
           
16 17 18

                                 
      
19 20 21 22

                                  
23 24 25 26

                                  
      
27 28 29 30

                         
           
31 32 33

                
            
34 35 36

Quintette Milango
                                   
2
37 38 39 40

                                   
41 42 43 44

                                 
           
45 46 47 48

                         
           
49 50 51

                                  
  
52 53 54 55

                                  
56 57 58 59

                                   
        
60 61 62 63

                         
           
64 65 66

                                 
          
 
67 68 69 70

                                     
   
71 72 73 74

 

                   

Impro. Contrebasse
75 76 77

       

Quintette Milango
    

3

                       
  
85 107 108 109

   

                                    
  
110 111 112 113

   

                                  

114 115 116 117 118

  

             

  

 

 

  



 
 
119 120 121 122

                                 

123 124 125 126

                                 

127 128 129 130

           

 
 
   




 
 
   


131 accel. 132 133

             
       
   
       

134 135 136

     
 
  

 

  
 
  

 
137 138

Quintette Milango