à Marie-Louise Promio

1. Idylle
Album des enfants Cécile Chaminade
2ème série, op. 126
Allegretto

dolce       
         
   
           
bien chanté
 



      
5

   


    
       
     
dolce
    
 
     

9
      
         
 
                 


         
    
14

     




  
 
    f
   
         
  
3 1

 
         
     
19

   
 
      
  
   

   

  

 2
   
                
  

23
 
   

               
      

 
       
             

27


 

                  


  a tempo
 
poco rit.
           

31

  
        
p dolce

 
    




      

36

        
 
  
          
    

     

40

      
   
       

     

poco rit.
 

44

            



 
  
       
      
 



 3
à Jean Béchet
2. Aubade
Album des enfants Cécile Chaminade
2ème série, op. 126

 Andante tranquillo  

                 

       
   

p  
   
              

      
 
Le chant dous mais très en dehors

       

          
  
                    
7




 
p  
   p 
          
          
    
 p 
f 

    
                        
13

 

    
        

f             

dim. dolce

                  
  una corda

       poco rit. a tempo

 
       
20

          


        
   
     

       p   
        
       
 
dim. bien chanté

   


     
rit. a tempo
      
26


 
        
          

 
           p 

             
   
 4
à Lucienne Astruc
3. Rigaudon
Album des enfants Cécile Chaminade
2ème série, op. 126

         

Allegretto très rythmé

           

   

            f
  
 
   



poco rit.
     a tempo

  
  


                
6

   



p  
    
p
          
 
       


        
  
rit.
 a tempo
             
12


 
 
   
f   p
 
f
             


            
            
18

     


 p
      sempre

     
f
         
 

 5
         
                  
23

     



    f
  
p f  p
 
    
         

28

             
    

   
 p dolce f 
         
   

 
  
poco rit. a tempo

           
   

      
33

   

 p   
               
  
  


         
poco rit.
   
 
               
39



    
f p
           
       
  



 6
à Simone Pannier
4. Eglogue
Album des enfants Cécile Chaminade
2ème série, op. 126
Andantino
    
   
dolce

               

    
 
                
très soutenu

         
   

    
           
          
5

   
 


f p   marcato
                         
   
 
   

        
più f  
       
          
10

 

    
cresc. f f sempre

    
             
  
   

poco rit.
   a tempo  
                 
15

 

   

   
        
dolce
  

          



 
   
7
  
 
           

           
19



   
 f
                    

cresc.
    
       
         



        
               
24

 
      
p cresc. f

                          
   
  



  

   

         
28 dolce


  
       
p      
              
  
     


   

dolcissimo
 
       

  
32

  
     


  
      

   
     
             
     


 8
à Marthe Dionis
5. Ballade
Album des enfants Cécile Chaminade
2ème série, op. 126
Allegro moderato
  
                  

            

 
  

  
      
très rhythmé
  
1 2 3 4
4 5 3

   
                         
      
3


    

   f
  

  
   
  
      


marcato

     a tempo
poco rit.
      
 
                

  
6


      
    f         
   
                 
    
marcato

f

 dolce
       1  
         
9

 
   

 

 
    


    p    cresc.    
           
  

   1         p
 
 
  
12

        

   
          

      
        

marcato

 9

15
 
  
                   

   

     
f  
         f  
  
         

marcato

    
        
18

             


    
 
    
   
  f   
     
    dim.
 
               
  




  
      
a tempo
22
   rit.
             

  
          
        
p
     
   1


   
                     
        

    
25

   

cresc.
  
   
f     p
  
       

f marcato

   
    rit.  

                    
28



   
       p  
    
      
marcato



 10
à Marie-Anne Sallestin
6. Scherzo-Valse
Album des enfants Cécile Chaminade
2ème série, op. 126

 Allegro p   
          
    


  
   
                
   
     
très rythmé

  
     
   
                   
7



    
 f
  
     
       
     
  
    


    
    
15


          
  
 
   
    


      f
sempre
    
           
              

         

       
22


     
      

 
   
     
    
      

 
  
      




 11
29
   

  
             

  
    
         
               
      


 
  
              
36


 
 
      
 

   
         
f  
          
    
  

 
      rit.
  a tempo 

         
 
       
43




    p   
         
          
     

 
 
   
      
51


              
 

      

            f
 
         
  

1.
 2. 

     
poco rit.


59


           
   
 
  
        
       f  
m.g.

        





1

 12
à Andrée Meurice
7. Élégie
Album des enfants Cécile Chaminade
2ème série, op. 126

   
 
ben cantando
    
Andante sostenuto
 
      
 p
 

                     
            


 
 
            
     
4
   
         
                 
         



               


7



    
p  
        dolce
                      
 
   

   
poco rit. a tempo

poco rit. a tempo

                  
10

 


                  dolcissimo
                      




 13

       
                  


  
13

  



    
 
   

 f 
         
            
       

 m.d.
                   
17

  


   

    p   m.g.
 
m.g.

  

m.d.
       
a tempo
 
  
poco rit.  
dolcissimo
   
     
20



  
f p     
           




        
                
   
23
   

     
                               

 
   

   poco rit.
    
           
27



   


      
 
               
        


 14
à Jacques Enoch
8. Novelette
Album des enfants Cécile Chaminade
2ème série, op. 126

 
       
Allegretto

        
2

        
1


  
   

      
            

    
              
5

   


 

f
 
f       p 
   
          
  
     


10
 
                    

 
 
 
   
f
  
 
  
 
 
 
 

     

  
15

   
     
          
  
f 
       f 
   
         
  
  


 15

             
   
20

    

    
 f  p 
           

    
     

a tempo

     
poco rit.
   
26



          
  
  
  
       



31
 
               

    

 
      f
           
   
       
  
     

          
poco rit. a tempo

     

36



      
p

                    
 
          





 16
à Robert Isnel
9. Patrouille
Album des enfants Cécile Chaminade
2ème série, op. 126

Allegretto moderato   
    
très soutenu
 


       
  
         
   
    
p  p
                              
       


             
          

           
 f ff
                      
   


        

          
9
           

  

     
              
    
  
      
sempre ff

      


14

   


  
  
    
p
   
               
                     
     
  
17

 
           

18

    

        

      
 
   
 
     
             
          

      

22

  
               
         

        
    f 
  
                  

         
    




 poco slargando
             
a tempo
      
26


              
  p 
       lunga
ff
           
 
       






30


             
      
  
           
    
   
           
     

        


 18
à Magdeleine Lacroix-Lamoureux
10. Villanelle
Album des enfants Cécile Chaminade
2ème série, op. 126

 
Allegretto 
                  


  

    
   
      

      
                      
6


  
         
          

         

                  
12

   



          
     

 f  f 
     
17


                   


 
         
f marcato
 


  
22


              
 f
m.d. 

  
 
   
                
marcato



 19

       
27


             
  p
               
   
  

  p  poco stringendo

            
33

 

      
f  f 
 
                
      

 a tempo 
                          
39


 
 
p
    
   
        
dolce

      
 


    
                       
45


 
  
       
   
  
f
        

      

 
                       
51


  

p
  
dim.          
    
   
 



 20
à Antoinette Barillon
11. Conte de Fées
Album des enfants Cécile Chaminade
2ème série, op. 126
a tempo

     
rit.
Allegretto
       2

           


5 4 5 3 1
       
p 
    

   

        
 

                           
8


  
       
f
       

       

    
15 
          
      
      

         
 f  
p p
       
         



 


  

     
 
       
       
                  
23

 
         

f


   rit
    

a tempo

     
30
 
 
 p
 
p
    
  
  
               



 21

      

36



               
 
 
 
                

poco rit.
 
     a tempo     
rit.
           
42


     
   
p
           



a tempo
      
  
                                    
50


   
  
              
 



         
 
  
          
  
   
58

  f
        
p f p
  
  
        
 
      
     

  

a tempo
 
  
67 molto sostenuto
 
  
!
       

   
 p p  
      
                 
   


 22
à Rollande Beaudouin
12. Valse Mignonne
Album des enfants Cécile Chaminade
2ème série, op. 126

        
 Allegro  
vivo
                    

     
    
   
            
   

 
   
        

            
6

         

 
 
   
  
 


          
         
12

   

     
  cresc.
    
f
    
     
        


     
     
poco rit.
       a tempo
      
18


            
 
p   
        
dolce
  
     


    
23

       
 

        
24

      
   cresc. 
  
    
      
  

 
       
                           
30


  
   f
      
 
 
  

 
         


     a tempo
         

     rit.

36



            
p m.d.
 
     
       
       

  
rit.


42

    
"
  
cresc. f
 
 
 
       
      

  

    
                   
48 a tempo



 
 
 
  
    
       


1

1 
 24

                  


poco rit. a tempo

54

#
  
      
  cresc.

  
            
     


1

1

    
     
rit. a tempo
60


 
    


f  p 

      
    
       
1

       
                     
   
66



    f
    
 
              


      
   
72
    

           
        
 
 
           
  
     
        
1

 


                                 
79




p    
   f
  
       