Sarabande "La Victoire"

Suite in A minor Francesco Corbetta

(1615 - 1681)

œj #œœ œ˙ ™ m œj œ œ̇˙ œ œ
3 HB V

œœ œ
3 3 — CV

„
— CV — CIV 6
6 6

3˙ œœ
& 4 œ™ ˙ œœ
1-4-1

œ
1 4 4 4 4 4
1 1 1

Â
˙ ˙ œ
2

˙
2 1 2
1 1 1 3
4 1
3 3 4
0

m
œ „œ
œ œœ
3

#˙˙
— CIV 1-4-1

Ó
6

œ
4

& ˙ œ œ̇
1 4

#œ mœ
4

#œ œ #
‰
œ
‰
œ
Â
2 1 4

œ
Ê
1

˙
3-4-3 4
1 1

Â
3 4
2 2 0 2
4 2

m m
2-4-2 2
— CI

œ œ œ œœ œ̇ œ œ
6

œ
0-1-0

˙™™
7
œ œ̇ ˙
& œœ œœ œ
2 4 4 3

œ
1

œ
4

Â
˙
2 2 1 2

œ
0
0 0 0
0 2
1 1
0

Ϫ
3

œœ ™™ œ˙ ™
m
— CV

œœ
6

j j
1-0-1
10

& œœ œ œ œ œ ˙
Ϫ
œ
-3 4

œ œ ˙˙
-4

œJ
1

œ
-2 1 1 4
0
3 2 3
0 0

œœ ™™ œ ‚œ ‚œ
m
™
œ œ „œ ‚œ „œ
m
™
3-4-3
13

& œœ ™
3-2-3

™
œ
‰
3

œ
4 1 1

‰ Œ
4

∑
1 2 1
-2
3
2
3

m
j œ #œœ ™™ j
œ˙ ™™
0-1-0

j œ œ
15

& ‰œ œ œ œ #œ œ œ
‰
œ œ ˙™ œ
1
2
˙
©2023 Allen W. Mathews LLC https://ClassicalGuitarShed.com
 œ˙ ™
2

#œ˙ ™ œj œœ™™
m
œj # œ™
3
— CIII

#œ
2-4-2 6

„
18

& œœ
1

˙ œœ
4 4
4

˙
4
1
3
1

‰ Œ m œ #œ
œ œ œ #œœ
0-1-0

& œJ œ œ œ œ œ #œœ œ œœ
∑ œ

œj œœ ™™ #œj ˙™ ˙™
2

™™
‰
— CV
6
23 1. 2.
4

& œ
1 1 1 1

 ˙™
˙
1

0 3
Œ 0 ˙ 0

©2023 Allen W. Mathews LLC https://ClassicalGuitarShed.com

 Sarabande "La Victoire"
Suite in A minor Francesco Corbetta
(1615 - 1681)

° 3 œ™ œj #œœ œ˙ ™ m œj œœ œ̇˙ œ œ
3 HB V

œœ œ
3 3 — CV

„
— CV — CIV 6
6 6

˙ œ œœ
1-4-1

œ
4 4

& 4 ˙˙
1 4 1 4 4
1 1

Â
˙ œ
2

˙
2 1 2
1 1 1 3
4 1
3 3 4
0

¢⁄
5 4 5 7 5 7 8 5 7 8 7 5
5 5 5 6 6
5 4 5 5 5 7
7 0
7 7 7 8

m
° #˙˙˙ œ œœ
„œ
3
— CIV 1-4-1

Ó
6

œ̇ œ
4

œ œ
1 4

& #œ œ mœ
4

#œ #
‰
œ
‰
œ
Â
2 1 4

œ
Ê
1

˙
3-4-3 4
1 1

Â
3 4
2 2 0 2
4 2

¢⁄
4 5 7
5 5 3 5 3 5 3
4 2 5
4 6 0 4
7 8 7 8 7 3
7

m
° œm
2-4-2 2
— CI

œ œ œ œœ œ̇ œ œ
6

œ
0-1-0

˙™™
7

œœ œ œ œ̇ ˙
& œ
2 4 4 3

œ
1

œ
4

Â
˙
2 2 1 2

œ
0
0 0 0
0 2
1 1
0

¢⁄
3 5 3 5 3 1 3 5 5 5
0 1 0 0 0 1 3 1 6
0 0 0 5
0 2
0 2 3

Ϫ
° œœœ
3

œœ ™™ œ˙ ™
m
— CV
6

j j
1-0-1
10
œ œ œ œ ˙
Ϫ
œ
-3 4

& œ œ œ ˙˙
-4

œJ
1

œ
-2 1 1 4
0
3 2 3
0 0

¢⁄
7 8
8 5 0 1 3 3 1 1 1 0 1
7 5 0
0 0 2 3 2
7 3 3

©2023 Allen W. Mathews LLC https://ClassicalGuitarShed.com

 œ œ ‚œ
2

° ™™ œœ ™™ ‚œ
m
œ „œ ‚œ „œ m
3-4-3
13

œœ ™™
3-2-3

& œ
‰
3

œ
4 1 1

‰ Œ
4

∑
1 2 1
-2
3
2
3

™
™
¢⁄
3 5 3 3
1 6 5 6 5 3
5 4
2 5 3 2 3
3

° ‰ œ
m
j œ #œœ ™™ j
œ˙ ™™
0-1-0

j œ œ
15

& œ œ œ #œ œ œ
‰
œ œ ˙™ œ
1
2
˙

¢⁄
0 1 3 0 1 0
1 0 2 3 2 2
2 0
2 0 0 0
3 2 0

#œ˙ ™ œ˙ ™ œj œœ™™
m
° œ œj # œ™
3
— CIII

#œ
2-4-2 6

„
18 1

˙ œœ
4 4

& œ
4

˙
4
1
3
1

¢⁄
2 3 2 2 4 5 7 7
3 3 0 3 9
2 9
0 2 3

° ‰œ
Œ m œ #œ
œ œ œ #œœ
0-1-0

œ œ œ œ œ œ œœ
& J #œœ
∑ œ

¢⁄
0 1 0 2 5 4
1 3 3 1 0 1 0 3 0
2 1 2
2 2
2

° ‰ œj œœ ™™ #œj ˙™ ˙™
2

™™
— CV
6
23 1. 2.
4

& œ
1 1 1 1

 ˙™
˙
1

0 3
Œ ˙
™
0 0

™
¢⁄
5 5 5 5
5 9
0
7 0 0

©2023 Allen W. Mathews LLC https://ClassicalGuitarShed.com

 Fingering Notations
C

Practice Tips
The 7 Steps to Learn Any Piece:
1. Make small sections
2. Know all the notes and musical markings
3. Clap and count the rhythm aloud
4. Play the right hand alone, counting aloud
5. Play the left hand alone, counting aloud
6. Play hands together, taking corrective pauses (no mistakes!)
7. Play hands together in rhythm, with slow metronome

Musical Starting Points:

1. Know which notes are melody (probably stems up), and play the others quieter
2. Connect all melody notes smoothly (no gaps)
3. When a musical line or melody goes up in pitch, get quieter
4. When a musical line or melody goes down in pitch, get louder
5. Don’t let the high notes stand out (any note higher than those before and after)
6.

Practice Tips:
1. Before slowing down or speeding up (rubato) master it at a steady pace.
2. For tricky spots, state out loud exactly what the problem is, in every detail.
3. Memorize every piece (even if you don’t, you’ll learn it faster if you try)
4. Have a purpose behind each repetition (blind repetitions are lazy practice).
5. Video yourself for performance practice and to hear what is and is not working.

If you’re planning on playing guitar for years to come, it pays to shore up your basics.
We’d love to help. The Woodshed® Classical Guitar Program is a step-by-step method that
guarantees owing music. Train great habits of form, positioning and movement so your
hands move freely and you play beautifully.
Click here to learn more and see if it’s a t for you.

©2023 Allen W. Mathews LLC https://classicalguitarshed.com

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