Language Arts & Discipline

ONE OF LIT HUB'S MOST ANTICIPATED BOOKS OF 2023 • ESQUIRE's August 2023 Book Club Pick "If books are important to you because you're a reader or a writer, then how books are sold should be important to you as well. If it matters to you that your vegetables are organic, your clothes made without child labor, your beer brewed without a culture of misogyny, then it should matter how books are made and sold to you." With Amazon’s growing power in both bookselling and publishing, considering where and how we get our books is more important now than ever. The simple act of putting a book in a reader’s hands—what booksellers call handselling—becomes a catalyst for an exploration of the moral, financial, and political pressures all indie bookstores face. From the relationship between bookselling and white supremacy, to censorship and the spread of misinformation, to the consolidation of the publishing industry, veteran bookseller and writer Josh Cook turns a generous yet critical eye to an industry at the heart of American culture, sharing tips and techniques for becoming a better reader and, of course, recommending great books along the way.

Some years ago, Oliver Darkshire stepped into the hushed interior of Henry Sotheran Ltd (est. 1761) to apply for a job. Allured by the smell of old books and the temptation of a management-approved afternoon nap, Darkshire was soon unteetering stacks of first editions and placating the store's resident ghost (the late Mr. Sotheran, hit by a tram). A novice in this ancient, potentially haunted establishment, Darkshire describes Sotheran's brushes with history (Dickens, the Titanic), its joyous disorganization, and the unspoken rules of its gleefully old-fashioned staff, whose mere glance may cause the computer to burst into flames. As Darkshire gains confidence and experience, he shares trivia about ancient editions and explores the strange space that books occupy in our lives-where old books often have strong sentimental value, but rarely a commercial one. By turns unhinged and earnest, Once Upon a Tome is the colorful story of life in one of the world's oldest bookshops and a love letter to the benign, unruly world of antiquarian bookselling, where to be uncommon or strange is the best possible compliment.

Named a Most Anticipated Book of 2023 by the New York Times, The Week, Vulture, Elle, and The Millions A piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the same I took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . . A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment. In A Life of One’s Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another? This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths. 

“One of my favorite books of the year. It completely reshaped how I think about information and how and why I take notes.” —Daniel Pink, bestselling author of Drive A revolutionary approach to enhancing productivity, creating flow, and vastly increasing your ability to capture, remember, and benefit from the unprecedented amount of information all around us. For the first time in history, we have instantaneous access to the world’s knowledge. There has never been a better time to learn, to contribute, and to improve ourselves. Yet, rather than feeling empowered, we are often left feeling overwhelmed by this constant influx of information. The very knowledge that was supposed to set us free has instead led to the paralyzing stress of believing we’ll never know or remember enough. Now, this eye-opening and accessible guide shows how you can easily create your own personal system for knowledge management, otherwise known as a Second Brain. As a trusted and organized digital repository of your most valued ideas, notes, and creative work synced across all your devices and platforms, a Second Brain gives you the confidence to tackle your most important projects and ambitious goals. Discover the full potential of your ideas and translate what you know into more powerful, more meaningful improvements in your work and life by Building a Second Brain.

Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times In the first major history of crime fiction in fifty years, The Life of Crime: Detecting the History of Mysteries and their Creators traces the evolution of the genre from the eighteenth century to the present, offering brand-new perspective on the world’s most popular form of fiction. Author Martin Edwards is a multi-award-winning crime novelist, the President of the Detection Club, archivist of the Crime Writers’ Association and series consultant to the British Library’s highly successful series of crime classics, and therefore uniquely qualified to write this book. He has been a widely respected genre commentator for more than thirty years, winning the CWA Diamond Dagger for making a significant contribution to crime writing in 2020, when he also compiled and published Howdunit: A Masterclass in Crime Writing by Members of the Detection Club and the novel Mortmain Hall. His critically acclaimed The Golden Age of Murder (Collins Crime Club, 2015) was a landmark study of Detective Fiction between the wars. The Life of Crime is the result of a lifetime of reading and enjoying all types of crime fiction, old and new, from around the world. In what will surely be regarded as his magnum opus, Martin Edwards has thrown himself undaunted into the breadth and complexity of the genre to write an authoritative – and readable – study of its development and evolution. With crime fiction being read more widely than ever around the world, and with individual authors increasingly the subject of extensive academic study, his expert distillation of more than two centuries of extraordinary books and authors – from the tales of E.T.A. Hoffmann to the novels of Patricia Cornwell – into one coherent history is an extraordinary feat and makes for compelling reading.

In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the questions which run through it. How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author's way of writing, or living, to be dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her own path from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see themselves in a story.

A legendary record producer–turned–brain scientist explains why you fall in love with music. This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it’s also a story of a musical trailblazer who began as a humble audio tech in Los Angeles, rose to become Prince’s chief engineer for Purple Rain, and then created other No. 1 hits, including Barenaked Ladies’ “One Week,” as one of the most successful female record producers of all time. Now an award-winning professor of cognitive neuroscience, Susan Rogers leads readers to musical self-awareness. She explains that we each possess a unique “listener profile” based on our brain’s natural response to seven key dimensions of any song. Are you someone who prefers lyrics or melody? Do you like music “above the neck” (intellectually stimulating), or “below the neck” (instinctual and rhythmic)? Whether your taste is esoteric or mainstream, Rogers guides readers to recognize their musical personality, and offers language to describe one’s own unique taste. Like most of us, Rogers is not a musician, but she shows that all of us can be musical—simply by being an active, passionate listener. While exploring the science of music and the brain, Rogers also takes us behind the scenes of record-making, using her insider’s ear to illuminate the music of Prince, Frank Sinatra, Kanye West, Lana Del Rey, and many others. She sharesrecords that changed her life, contrasts them with those that appeal to her coauthor and students, and encourages you to think about the records that define your own identity. Told in a lively and inclusive style, This Is What It Sounds Like will refresh your playlists, deepen your connection to your favorite artists, and change the way you listen to music.

An insightful and provocative exploration of the relationship between motherhood and art through the lives of women artists and writers. What does it mean to create, not in "a room of one's own," but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms; and Alice Neel, who once, to finish a painting, was said to have left her baby on the fire escape of her New York apartment. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary women's lives.

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it.  Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin's advice just to endure, where living with the struggle and the pointlessness of writing is the point.

For fans of Mary Norris and Benjamin Dreyer, an unconventional guide to the English language drawn from the cross-country adventures of an itinerant grammarian. When Ellen Jovin first walked outside her Manhattan apartment building and set up a folding table with a GRAMMAR TABLE sign, it took about thirty seconds to get her first visitor. Everyone had a question for her. Grammar Table was such a hit—attracting the attention of the New York Times, NPR, and CBS National News—that Jovin soon took it on the road, traveling across the US to answer questions from writers, lawyers, editors, businesspeople, students, bickering couples, and anyone else who uses words in this world. In Rebel with a Clause, Jovin tackles what is most on people’s minds, grammatically speaking—from the Oxford comma to the places prepositions can go, the likely lifespan of whom, semicolonphobia, and more. Punctuated with linguistic debates from tiny towns to our largest cities, this grammar romp will delight anyone wishing to polish their prose or revel in our age-old, universal fascination with language. Supplemental enhancement PDF accompanies the audiobook.

A collection of the year’s best essays, selected by award-winning writer Alexander Chee. Alexander Chee, an essayist of “virtuosity and power” (Washington Post), selects twenty essays out of thousands that represent the best examples of the form published the previous year. Supplemental enhancement PDF accompanies the audiobook.

Because the battle begins before a book even hits the shelves, an author needs every weapon to get ahead of the competition. Guerrilla Marketing for Writers is packed with proven insights and advice, it details 100 “Classified secrets” that will help authors sell their work before and after it’s published. This life range of weapons-practical low-cost and no-cost marketing techniques-will help authors design a powerful strategy for strengthening their proposals, promoting their books, and maximizing their sales.

Most of us give little thought to the back of the book-it's just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and-of course-indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart-and we have been for eight hundred years.

They say writing is rewriting. So why does the second part get such short shrift? Refuse to Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger. From lauded writer and teacher Matt Bell, Refuse to Be Done is encouraging and intensely practical, focusing always on specific rewriting tasks, techniques, and activities for every stage of the process. You won't find bromides here about the "the writing Muse." Instead, Bell breaks down the writing process in three sections. In the first, Bell shares a bounty of tactics, all meant to push you through the initial conception and get words on the page. The second focuses on reworking the narrative through outlining, modeling, and rewriting. The third and final section offers a layered approach to polishing through a checklist of operations, breaking the daunting project of final revisions into many small, achievable tasks. Whether you are a first time novelist or a veteran writer, you will find an abundance of strategies here to help motivate you and shake up your revision process, allowing you to approach your work, day after day and month after month, with fresh eyes and sharp new tools.

An entertaining and illuminating collection of weird, wonderful, and downright baffling words from the origins of English—and what they reveal about the lives of the earliest English speakers Old English is the language you think you know until you actually hear or see it. Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern readers. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a glorious trove of these gems and uses them to illuminate the lives of the earliest English speakers. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friendship, and where you might grow up to be a laughter-smith. The Wordhord takes readers on a journey through Old English words and customs related to practical daily activities (eating, drinking, learning, working); relationships and entertainment; health and the body, mind, and soul; the natural world (animals, plants, and weather); locations and travel (the source of some of the most evocative words in Old English); mortality, religion, and fate; and the imagination and storytelling. Each chapter ends with its own “wordhord”—a list of its Old English terms, with definitions and pronunciations. Entertaining and enlightening, The Wordhord reveals the magical roots of the language you’re reading right now: you’ll never look at—or speak—English in the same way again.

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

Transforming Space over Time tells the stories of six diverse productions: five on Broadway and one Off Broadway. Tony Award–winning set designer Beowulf Boritt begins with the moment he was offered each job and takes readers through the conceptual development of a set, the challenges of its physical creation, and the intense process of readying it for the stage. Theater is at heart a collaborative art form, and Boritt shares revealing details of his work with the many professionals—directors, designers, technicians, producers, stage managers, and actors—who contribute their talent and ideas to each show. Included here are extensive conversations with theater legends James Lapine, Kenny Leon, Hal Prince, Susan Stroman, Jerry Zaks, and Stephen Sondheim, explaining how their different approaches to theater help to shape the vision for a set and best practices for creative collaboration. Boritt also offers valuable insights into the sometimes frustrating but unavoidable realities of the “biz” part of showbiz—budgets, promotion, reviews, and awards. Full of indispensable advice for aspiring and seasoned professionals, and with plenty of entertaining and enlightening anecdotes to engage passionate theatergoers, Transforming Space over Time peels back the curtain and illuminates the artistry and craft of professional theatrical production—and particularly the all-important collaboration of designers and directors.

Long acclaimed as one of America’s preeminent novelists, Jane Smiley is also an unparalleled observer of the craft of writing. In The Questions That Matter Mostthis Pulitzer Prize–winning writer offers steady and penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. Beginning with a personal introduction tracing Smiley’s migration from Iowa to California, the author reflects on her findings in the varied literature of the Golden State, whose writers have for decades litigated the West’s contested legacies of racism, class conflict, and sexual politics through their pens. As she considers the ambiguity of character and the weight of history, her essays provide new entry points into literature, and we lucky readers can see how Smiley draws inspiration from across the literary spectrum to invigorate her own writing. With enthusiasm and meticulous attention, Smiley dives beneath surface-level interpretations to examine the works of Marguerite de Navarre, Charles Dickens,Anthony Trollope, Harriet Beecher Stowe, Louisa May Alcott, Mark Twain, Willa Cather, Franz Kafka, Halldór Laxness, and Jessica Mitford. Throughout, Smiley seeks to think harder and, in her words, with “more clarity and nuance” about the questions that matter most.

This program includes an interview between the author and Lale Sokolov and a new introduction read by the author. From New York Times bestselling author Heather Morris comes the memoir of a life of listening to others. In Listening Well, Heather will explore her extraordinary talents as a listener—a skill she employed when she first met Lale Sokolov, the tattooist at Auschwitz-Birkenau and the inspiration for her bestselling novel. It was this ability that led Lale to entrust Heather with his story, which she told in her novel The Tattooist of Auschwitz and the bestselling follow up, Cilka's Journey. Now Heather shares the story behind her inspirational writing journey and the defining experiences of her life, including her profound friendship with Lale, and explores how she learned to really listen to the stories people told her—skills she believes we can all learn. "Stories are what connect us and remind us that hope is always possible."—Heather Morris A Macmillan Audio production from St. Martin's Press.

Ideas on a Deadline is the definitive book for creative people who have to deliver breakthrough ideas on demand. One of the most destructive myths about creativity is the idea that we need to wait for inspiration. But as artist Chuck Close said, "Inspiration is for amateurs-the rest of us just show up and get to work." Whether you're a creative professional like a designer, writer, musician, or filmmaker, or an executive, engineer, teacher or salesperson, this book will show you how to "prime the pump" of your creativity, overcome the blocks, and deliver great ideas when you need them the most.

Named a Best Book of the Year by: Time * New Yorker * Sunday Times (UK) From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity—and how it saved her life. In this brilliant, fierce, and funny memoir of transformation, Jami Attenberg—described as a “master of modern fiction” (Entertainment Weekly) and the “poet laureate of difficult families” (Kirkus Reviews)—reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. What does it take to devote oneself to art? What does it mean to own one’s ideas? What does the world look like for a woman moving solo through it? As the daughter of a traveling salesman in the Midwest, Attenberg was drawn to a life on the road. Frustrated by quotidian jobs and hungry for inspiration and fresh experiences, her wanderlust led her across the country and eventually on travels around the globe. Through it all she grapples with questions of mortality, otherworldliness, and what we leave behind. It is during these adventures that she begins to reflect on the experiences of her youth—the trauma, the challenges, the risks she has taken. Driving across America on self-funded book tours, sometimes crashing on couches when she was broke, she keeps writing: in researching articles for magazines, jotting down ideas for novels, and refining her craft, she grows as an artist and increasingly learns to trust her gut and, ultimately, herself. Exploring themes of friendship, independence, class, and drive, I Came All This Way to Meet You is an inspiring story of finding one’s way home—emotionally, artistically, and physically—and an examination of art and individuality that will resonate with anyone determined to listen to their own creative calling.  

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

A memoir by the New York Times–bestselling author and longtime chronicler of America’s wealthy elite. Born in Connecticut in 1929 and educated at Williams College, Stephen Birmingham went on to create a literary niche with his numerous nonfiction works about New York’s—and the nation’s—upper class, particularly focusing on Jewish, African American, and Irish communities, as well as old-money WASPs. He also drew on his “intimate knowledge of the private lives of the rich and famous” to write bestselling works of fiction such as The Auerbach Will (The New York Times Book Review). In this book, Birmingham’s attention is turned to his own life, both personal and professional, allowing us to learn about the man who created such compelling portraits of glittering parties, exclusive addresses, and, in some cases, rags-to-riches sagas that epitomize the American dream—and the American struggle. In the end, his story is as fascinating as those of the aristocrats he documented. “When it comes to the folkways of the rich, the powerful, and the privileged, Stephen Birmingham knows what he’s talking about.” —Los Angeles Times