Tony Rice - Guitar Method

The Last Thing on My Mind
4
& 4 J

E
B
G
D
A
E
&
1
0 2
& .
1
2
1
0 2
0
3
1
2
2 0
0
2
0
2
2
3
1
3
}03
}03 2
1
0
1
3
1
2
1
2
0 2 0
2
2
0
3
2 0
1
2
0 2
3
3
&
= up, = down
n

& #
3
0
0
2
ggg ...
ggg .
ggg 32
ggg 31
&
2 3
3 5
1
2
0
2
2
3
1
0
&
&
0
5
0 2
2 2 0
0
2
ggg

ggg
g

0 2
gg 01
ggg 0
gg 23
gg 3
Bury Me Beneath the Willow

C
& C J

E
B
G
D
A
E
&
1
0
&
0 2
1 0
3 0
1
0
0
0
1
0
1
0
3
. b
0
1
0 0

0
1
1
0
&
0 0
1

0
2
0 2

b J

>
1 0
>
1
2
3
1
2
1
2
1
2
0
2
2
3
1
0
0
3
1
0
&
1
0
1
2
&
0
2
1
0
1
2
3
1
2
1
3
1
0
0
3
0
2
1
0
1
0
2
1
0
0
3
0
2
1
0
3
1
0
3
1
2
0
3
. b
1
0
1
0
1 0
0
0
>
1
2
3
1
2
1
3
0
0
1
2
1
2
1
0
gg

ggg
gg
0
2
>
1 0
&
&
>
ggg
ggg
gg
g
0
1
0
2
3
3
Wildwood Flower
Carter Family flavor
C
& C J
E
B
G
D
A
E
1
0
1
2
&
&
1
2
j
.
1
0
0
1
1
0
1
2
&
1
1
0 2
1
3
J
0
2
3
1
0
1
2
1
0
1
2
&
1
0
1
2
Clarence White influence

C
&C

1
0 2
&
&
0 2
0 2
2 3
0 0
1
2
0
0
1
3
0 2
2 0

0
0
0
1
2
Am
&

1
1
0
1
0
1
2
&

j
J
1
0
0
3
Dressed-up version
C
& C J
>
>

1
2
&
2
3
1
0
1
3
1
0
1
0
&
1
0
1
0
2 0
3
0
}1
j j
J J
j
j b
b j
3
3
2
3
1
2
1 0
&
&
1
Am
2
3
etc.
Nine Pound Hammer

G
& C

E
B
G
D
A
E
3
0
&
3 2 0
# n
&
j
#
6 7
0 2
0 2
0
3 5
0 0
1
0
1 3
(C)
n # b n
b n n
6 3
4 5
4 3
5 3
&
j
n
1
0
(D)
0 3
(G)
n j
b # n n n

# j #
0 2
0 2
0 1 2 3
3 4
10
3 0
1 2
0
5
2 0
0 2
&
&

3
2
3 4
1
0
1
0
2
0
#
# n n b
&
&
2 1
0
2
11
b b # n
n
b n
1 0
3
3
0
0 2 2
2 0
2 0
0 3
n
#
ggg
g
gg
gg 30
ggg 0
g0
0
3
Variations
#
b n b
& C n #
# n n #
2 0
&
j
#
6 7
2 5
2 5
3 4 5
4 3
5 3
3 4 0
0 3 4
n b
# # n
3
3 4 0
0 3 0
n
b #
b #
3 0
0
1 0
0 1
j
# n b # n n b
0 2
0 3 5
&
0 2
&
0 1 2 3
3 4
12
2 3
0 2
0 1 2
j
n
#
#
0 1 2
2 0
0
3
2 0 2
ggg
gg
gg
gg 30
ggg 0
gg 02
g
#
& C
#
&
0 2
3 5
2 4
10
10
8
10
8 7
10
13
1
4 2
0 2

n
#
n #
10 8 7
2 0
1
2
0
1
2 3
0
3
Stony Lonesome
Capo 2
n j n
#
J
J
& C
E
B
G
D
A
E
&
3 3
3 3
0
3 3
6 3 6 3
3 3 0
1 0
0
0
3 1
3 4 0
n b n

3 3
3 3
0
# .. n n
j J n
.
#
& J

3
3
0
3
3
3
3
0
&
3
0
n b n # n

6
14

& n
0 2
0 2
4 0 2 4
2 0
&
0 2
0 2
2 0
1 3
3 3
3 1
0
5
#
b n #
3
3
15
#
n #
&
#
j
n # j

&
j
j

4
0
5
Improv.
B
n n .

J
#
&

3 1
0 2
0 2
4 0 2 4
2 2
&
5 7
5 6
10 8 7
10

10
8
10
8 7
10

n
#
n #
8 6 5
0
1
0 2 0
3 1
#
n n

&

# n
&
j
#
6 7
6 3
6 3
6 5 3
16
n n b
b
j
# n
n

#

3 4 0
3 0
2 0
2 3

0 4
Billy in the Lowground

A
&C
..

E
B
G
D
A
E
1 3 1
..
0 2
3 2 3
0 2
0 2
0 2
3 2 3
0 2
1 3 1
2 0
0 2
2 0
3 2
1.
2.
0 2
2 0
0 0
1
2 0
..
2 0
& ..
..

..

&
2 0
3 5
3 5 3
5 3
3 5
5 5
5 8 5
8 5 3
&
0
0
17
0
1
0
2
..
..
2
Shenandoah
Very Freely
Drop D Tuning
Am
E
B
G
D
A
D
# # n
&
5
5
5
2
0
3
3
4
2
0
Fm G
gg
ggg
ggg
5
5
5
3
ggg 32
ggg 40
gg 0

# # #
&
6
6
6 7
6 7
#
& # gggg
ggg
g
ggg 32
ggg 40
gg 0
D
5 5
0 0
10
9 11
10
0
9
10
9
5 3 2 5 7
8
7

##
ggg

&
ggg
harm.
gg
5
3 2
0 g3 3 3 3
ggg 3
3
3 <12 >
3
3
2
2
<12 >
2
4
2
g
4
gg 20
0
g
00
18
D G A
ggg
gggg
g
5 575
3
4
5
5
6
7
7
7
7
D G
D A
... g
gg gg
gg
J ggg
ggg
ggu
g
7 7 7 5 7 g5
8
7 8 gg 7
7 3
ggg 43 22
7 7
7 gg 6
7 4
7
ggg 50 0 7 5 0 ggg 40 20
gg 0
harm.
5
5
5
6 7
6 <12 > 6 7
4 <12 > 0
gg
ggg
ggg
ggg 23
ggg 40
gg 0
gg 57
ggg 6
gg 50
g
Em
Bm
..
..
3
4
4
2
9
9
2
4
ggg
ggg
gg
ggg 32
gg 40
ggg 0
3
4
5
7
7
7
5
6
7
Fm
#
& #
...
7
8
7
9 10 7
8
7
0
harm.
5
5
6
4
<12 >
<12 >
6 7
6 7
0
6
6
6 7
6 7
5 5
0
C G D
# # # n n
&
gggg
ggg
g
6
6
7
7
Bm
3
4
4
2
2
4
3
2
4
0
0
0
5
5
5
2
0
5
6
7
..
.
7
7
7
Am A
#
& #
Ending
ggg 32
ggg 40
gg 0
A D A
# .
& # ..
.
5 3 2 5
ggg
gggg
g
0
ggg 57
ggg 6
gg 50
3 5 6 5 3
9
9
3
4
4
2
%
g
$ggg
%0
gg 0
$ggg 55
0
D A
G A
ggg
ggg
gg
0
0
0
ggg 33
ggg 42
gg 0
3
2
4
2
2
2
19
2
2
2
2
2
2
2
0
D.S. al Coda
5
5
6
gg 23
ggg 4
gg 00
g
Em Bm
To Coda
gg
ggg
ggg
D Am
5
5
5
3
9
10
9
3
3
4
2
0
11
7 5 575
8
8
7
7
j

3
2
4
10
10
9
10
Danny Boy
Very Freely
Drop D Tuning
##
& #
j
#
Dmaj A
.
J
7
6
5
6
5
D D
ggg
gg
ggg
gg
6
E
B
G
D
A
D
6 7
6 7
Gm
# # g b
& ggg
ggg
g
#
& #
j
#
6
6
ggg 78
ggg 100
8 10
# g ..
& # gggg .
ggg .
g
ggg 77
g7
gggg 0
10
7
6
5
6
5
j gg
ggg
ggg
gg
7
gg 89
ggg 9
gg 0
g
7
7
7
ggg
gg
gg
ggg
5
6
7
12
ggg 11
ggg 120
gg 0
D D
10
3
4
5
2
2
2
5
4
6
11
gg ...
ggg .
gg .
g
gg 32
ggg 4
gg 00
g
20
3
4
6

n
5
7
6
5
Em
9
9
11
5
6
7
7
7
3
4
5
ggg 43
$gg 50
5
6
7
g
$gg
g
3
4
5
7
7
ggg 43
$gg 50
. r#
6
0
3
4
5
9
9
Em
10
<12 >
<12 >
7
7
7
12
ggg 11
ggg 120
gg 0
7
7
7
harm.
Em
(D)
7
7
Dmaj A
.
J
7
7
6
6
6 7
6 7
Gm
7
7
7
ggg b ggg ggg

ggg
gg
g
ggg 33 gg 33 ggg 56
g 5 gg 5 ggg 7
gg 0
0
ggg
$g
# n
G
6 7
6 7
0
7
8
7
9
10
9
&
##
D
ggg j ...
g
A/D
G A

3
10
ggg 10
g 9 11
10
10
0
Bm
# # gggg
& ggg
g
10
ggg 12
ggg 110
&
##
DO
12
# n
& # #
5
4
6
7
8
7
5
5
7
10
A B
nb
2
2
2
3
3
3
5
4
6
3
4
6
E
U .. .
.
#
12
10
9
11
ggg 00
g0
harm.
g n
ggg
3
4
6
5
7
7
8
G D
ggg 109 10
ggg 90
10
<19 >
<19 >
ggg
ggg
gg
7
8
7
10
harm.
9 9
10 10
9 9
7 5
5
7
7
6
5
3
4
6
5
6
7
5
5
6
5
0
10 9
7 5
gg n b
ggg b
g
ggg 33
ggg 31
Am
5
5
5
4
6
Am
ggg n
gggg
gg
ggg 00
1
0
gg 55
2
g
3 0
0 gg 0
g0
21
3
4
5
ggg ..
ggg ..
g
gg 24
ggg 0
g0
7
8
7
0
9
10
9
0
10
10
ggg
ggg
ggg harm.
5
>
6 7
gg 77 <<12
>
12
ggg 7 <12 >
gg 00 0
g
<12 >
<12 >
<12 >
5
6
0
5 3 2 5
10
Little Sadie
Clarence Ashley version
Capo 2
E
B
G
D
A
E
Dm
4
&4
0
0
Am
&

>
1
0
Dm
& 64 b
2
1
0
2
Dm
2
3
3
2
64

>
44
3
0
Contemporary version
Dm
Dm
Am

& 44 # n b j .
>
0
2 0 2
0 1 3 1
3 2
22
1 1
3 3
2
3
0 2 3
0 2 0
1 1
2 2
2
&
1
2

6
44
# 4 n
1
2
0 3
Dm
n b
3 5
Dm
& 44
0 3
Dm
1 3
2 0
3 2
0 0
Am
J J 64
&
Dm

44 b
& 64
10 7
23
1 0
ggg
gg
gg 13
ggg 2
g0
Jerusalem Ridge
Am
Am

. j
& C ..

#
n
E
B
G
D
A
E
..
5 4
4 5 7
5 6
7 5
7 5
7 5
4 5 7
5 6
7 5
6 7
Am/G
E
1. Am

..
&
&
..
5
5
10
..
Am

..
Am
2.
8 10 10 12 12
J
& J
Am
Am/G

24
1. Am

.
.
#
5
0
7
..
2. Am
& .
Am
2 C .
J 4

J
5
Dm
.
J
& . J
Am
Dm
.
& .
..
/G
Am
0
5
C b
J
J
Am
5
5
Am
&
E
A

# n
25
Am
..
# # J
Am
24
C
& J

0 2
2 0
2 0
0 2
2 0
1 0
1
2
2
2 3 0
3
2
4
3
2
4
5
4
6
..
0
Salt Creek
Capo 2
#AC j j
.
.
&
.
n
J
n
E
B
G
D
A
E
0 0
4 5
0 2
.. 4
0 2
0 1
2 0
1
3
2 0
0 2 0
2 0
0 2
0 3 5
0 2
2.
1.

..
&
4 0 2
0 1
0 1
0 1 3 1 0
3 1
2 0
B G
&
n .
J
3
0
26
0 2
..
2 0
3
3
n

J
G
/F
/E
/D
G
C
D
G
# n J b n
& J
b n

1
1
3
3
3
3
#
&
3
n .
J
3
3
n
J
1
1
/F
/E
/D
# n b b
&
n n b n
1
3 1
#
& 44
E
B
G
D
A
E
I Am a Pilgrim
Swing Tempo
Capo 2
qr = qce
D
j j j
.
3
j
j

3
3
3
1 2
0 2
0 2
0 2
0 2
0 2 4
27
4 2
2 0 2
0 4
j b J
& n
3
#
&
3 4
3 4
3
3
3
5
#
#
3

b
b
n
0
1
1 2
3
3 2 0
3
j

3 5
3
3
3
3
# n b b
& n
b # n n b .
3
3
3 5
3
&
4 5
3 4 3
3
5 3
5 3 0
1 0
0 1 2
0 2 0
3 2
D
G
3
n
3
3
3
3
j

3
#
3
7 5
0
6 5 3
3
3
4 0
3
3
0
0
3
Transcription: John Roberts
3
0
0 1 2
0 2
Inscription: John Roberts

28

Tony Rice - Guitar Method

Transféré par

Informations du document

Copyright

Formats disponibles

Partager ce document

Partager ou intégrer le document

Options de partage

Avez-vous trouvé ce document utile ?

Ce contenu est-il inapproprié ?

Droits d'auteur :

Formats disponibles

Tony Rice - Guitar Method

Transféré par

Droits d'auteur :

Formats disponibles

The Last Thing on My Mind

Bury Me Beneath the Willow

Clarence White influence

Nine Pound Hammer

Billy in the Lowground

ggg b ggg ggg

Transcription: John Roberts

Inscription: John Roberts

Vous aimerez peut-être aussi