The Wedding Singer (FINAL) 2

The Wedding Singer
Piano / Vocal
IT'S YOUR WEDDING DAY

(Robbie, Sammy, George, Ensemble)
(4/26/06)
Huge and anthemic
q
#### 4
&
4
E. Gtr. solo (screamingly huge)
#### 4 >
&
4 w
w
? # # # # 44 ww
w>
####
&
# #
& # #
? ####
j
j
ww
w
w
w
w
w
.
.
.
.
. . .
Driving, happy pop rock
11
&
####
# # # # j n > . j > .
&
Running Man
? ####
..
> . .
www
>
.. ..
12
>
j
>
7
..
..
w
w

>
j
>
13
> .
.
J J

J
ww
w
>

J
w
w
Curtain going out

10

> . >
j

> . >
.
.
.
.
.
. .
>
>

> > > >
> > > > > > > >
14
j
> .
> .
j
n
j
n
. . .
Robot
>
.. ..
..
>
>
. n . n . .
ww
> n >
j n
Music by Matthew Sklar

Lyrics by Chad Beguelin
j
>
>
P/V
# #
.
& # #
15
&
####
? ####
18
&
####
.
. .
w>
19
# # # # > >
&
>
Couples
? # # # # w>
w
#### j

&

ROBBIE:
22
&
####
The word got out
17
>
> w
J
>
>
. n . n .
.
n
.
The Wedding Singer
20
>
n >
>
j n
Dolphin
21
>

>
+cc
>
>

> > > > >
w
w

and sud
? # # # # . . . . . .
+cc
#### j

&

n >
>
j n
..
I wrote a song six years
26
&
16
? # # # # . . . . .
####
> .
> .
j n j
>
. n >
. n
.
n
.
2. IT'S YOUR WEDDING DAY (4/26/06)
23
>

J
J J
a - go
while play
24

J J
den - ly,
25
ing in a wed - ding band.

. . . . .
28
and I are in
29
de-mand.
. . . .

^j ^
j
n
f
. . .

. . . . . .

the band
. . . . .

J
27

J
>

. . .
^ ^

J J
f
. .
^j
J
.
P/V
# #
& # #
30
&
####
31
And now cou-ples all o - ver
32
Jer - sey
The Wedding Singer

33
hi - re me to en - sure
their wed - ded
P
? # # # # . . . . . . . . . . . . . . . .
. . . . . . . .
&
####
&
####
34
35
All be - cause of a tune
&
####

that
Couples Dance
####
&
ww
w
FE
? ####
. . . .
####
&
42
####
&
ww
w
? ####
I wrote,
39
36
. . . .
tune
40
it's
your wed - ding
day
and my
43
can

. . . . . . . .
mus
41
guar - an - tee
ww
w
E /G
that

. . . . . . . .
love
ww
w
F #m7
will

. . . . . . . .
>

> > > > > > > >

> > > > > > > >
ic
starts
to play
ww
w
E /B
44
^j
bliss.
this:

. . . . . . . .
37
^
+clap
j

..
ww
.
w
.
B /D #
C #m

. . . . . . . .
. . . . . . . .
. . . .
"Back & Forth"
+ ENS:
j
Oh, when
^
j
F
j>

. . . .
goes like

. . . .
j
.
P
? # # # # . . . . . . .
38
j j

. . . .
45
find
^
w
w
B5

. . . .
you

. . . . . . . .
P/V
# #
& # #
46
ROBBIE:
#
# #
& # ww
w
? ####
. . . . .
####
&
50
it's
56
&
####
if you count
# ##
& #
? ####
Now when we play
F fl

. .
48
a wed
fl

. . . . . .
day
51
on
ww
w
E /G
49
all the prob
52
me
'cause

. . . . . . . .
is
57
j j

fl fl fl
n >
n
n >
fine - ly tuned
fl

. . . . . . . . . . . .
ma - chine.
fl

. . . .
>
58
we're like a

. . . . . . . .
.
.
.
.
+ SAMMY/GEORGE:
j
J
J
ding gig,
what

. . . . . . . .
53
Bsus
55
a - way
E /B
lems melt
www

J
www
love

. . . . . . . .
54
? ####
your wed - ding
####
&
www
F #m7
? ####

. . . . . . . .
Robot
#### w
&
do!
.
.
.
####
.
.
&
f
^
(Punch) j

..
www
.
>
B /D #
C #m

. . . . . . . . . . .
. . . . . . . .
Yeah, when
47
The Wedding Singer
>
59
>
j
>
^ ^

J J
f

. . . > . > .
>
P/V
# #
& # #
60
&
ROBBIE:
####
? ####
61
Sam-myplays Van Ha
fl
fl
&
65
####
We can play you some "Care
www
# # # # SAMMY/GEORGE:

&
68
&

. .

. . . . . . . .
66
fl
. .
j
J
fl
.
J
63
gets down on tam - bour - ine.
less Whis - per"
SAMMY/GEORGE:

J
67
or make you wish you had
>
. . . . . . . .

J
J J
ALL 3:
+ ENS:
Jes-se's Girl
in - stead
ww
www

A5
B5 C #5

. . . . . . . . . . . . . . . . . . . . . > . >
ROBBIE:
ALL:
j

J
J J
69
70
Bring the room down with "End - less Love"
? ####
> . . . . . . .
####
George plays
tamb 16th's
62
while George

. . . . . . . . . . . . . .
# #

& # #
J J
64

J J
len licks
j j
fl
fl
The Wedding Singer
? ####

then blast
"Bang Your Head!"
ww
w
ww
w

71
Bang your head!
fl

fl
P/V
# #
& # #
72
73
^ So when
####
&
ww
w
FE
? ####

. . . . . . . .
####
&
76
&
####
^
#
# #
& # ww ~~ ~
w
it's
#

. .
B /D
can
&
#
# #
& # ww
w
Yeah, when
j j

it's
your wed - ding day
#

. . . . . . . .
B /D
starts
to play
E /B

. . . .

. . . .
will
find
..
.
79
will
^
j
~~~
C #m

. . . . . . .
you
find
you
B5

. . . . . . . .

. . . . . . . .
love
F #m7
82
love
75
+ ENS:

. . . . . . . .
. and my mus - ic
j
j
j ..
ww .
that
w
ww
E /G #
81
78
with hip move:
? ####
. . . . . . . .
E
74
w
ww
C #m

. . . . . . . . . . . . . .
guar-an - tee
####
J
your wed-ding day
.j

77
? ####

. . . . . . . .
80
ROBBIE/SAMMY/GEORGE:
The Wedding Singer
all the prob
83
lems melt
E /B

a - way

. . . . . . . .
P/V
#### j
j
&

84
85
if you count
^
####
&
ww
w
F #m7
? ####
. . . . .
90
&
####
91C
&
####
be
91G
&
'cause love
^ ^
ww
w
E /G #
is
Bsus
89
88
what

J
J
J
J
the night
is through

so tight
with yourcous - in
####
91H
Steve
^
. . j . .

J
J
j j
dance your mom all a - round the room
91I
# # # #

&
J J
J J
f
? ####
#

#

the bride
un-cle,too
91F
and
groom

I'll
I'll
j j

- mas Eve
91J
then pres-ent

. . . . . . . .
91B

J J
He'll in-vite me ov-er for Christ
ROBBIE:
And
Your un - cle Lou will be my
91E
do!
91A
j j
91D

# # # #

&
? ####
87
91
# # # #

&
. . J w
J

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
long be - fore
? ####
on me
86
The Wedding Singer
91K
(to 96)
(Drs)
#
#
#
P/V
96
&
&
#
#
?#
100
&
(Butt-to-butt)
>
> >
Tug of War
# # # # ^ ^
j

> fl
>
98
>
..
.
>
>
101
^
N
N
synth orch hits
104
105
####
? ####
^j
j

>
j
j
>
>
# # # # > >
&
>
107
&
####
..
..
? #### >

>
..
..

>
108
..
..

^
^

106
j
j
>
>
n n n
n
>> >
>
n
n
109
n n
n
> n >

n n
n n
>
n
n >
>
> >

> >
^
^

J
>

110
n b
n n n
b
> > b >

>
n
n
n n
n b b
n > n > > n
ROBBIE: "Line
(shouted)

n
>
####
^
^

J
J
103
^
^
j
.
.

..
>
j
j

> >
>
####
j
j
..
.
>
>
> .
j ^

#
^
.
.
102
n >
n
n
>
>
>
>

#
# #
# #
99
+ tubular bells
^
^
j
# # # # j j
&

> >

? ####
j
j
>
> > >
^
####
&
J
&
>
>

Bride & Groom dance with wild abandon

97
The Wedding Singer
dance
fol - low me!"
n b
n > > > > > > > >
P/V
111

Line Dance
&b
So
when
j
j

J
Oh
oh
oh
.
..

.
b
&
J
f
+clap
WEDDING GUESTS:
&b
?b
&b
115
&b
can
&b
&b
&b
?b
your
oh
>ww
w
that
ic
your wed-ding
oh
121
ww>
w
F /C
will
find
..
.
118
will
day
. >
J
J

j
j
^ oh oh.
prob
oh
122
you
you
lems melt
F /C
B b/C
find
all the
Dm
love
to play
starts
Gm7
C /E
oh
ww
w
"slide" step
Love
F /A
mus
117
ww
w
it's
114
"slide" step
Dm
j
j j
+clap
and my
.

J
120
j
j

J
Oh oh
oh
^
. >

J J
113
day
guar - an - tee
Yeah, when
wed-ding
C /E
116
it's
..
.
w
& b ww
Bb
?
b

119
F5
112
The Wedding Singer

a - way
P/V
123
&b
&b
?b
if
count

on
&b
& b
love
what...
.
& b ..
C
B b5
?
do!
130
do do
do
/A
do
D5
is
..
do
132
love's
b b
J
Do
what I do!
do
131
is
ww
w
Bb
C5
love
love
128
j b j
b
Do
what
ALL:
F5
is
love's
b
&
?b
127
yes,
what...
&b
F /A
ROBBIE:
b
&
'cause
www
126
129
me
125
'cause
Gm7
you
124
b
&
The Wedding Singer
do do
do
what I do!
j j
b b
do
do
do

&b
133
b
& b b b
J
Do do do
b
&
?b
F5
134
do
135
j j
b b
/A
do
do
do

J
J
b

b

The Wedding Singer
J J
ROBBIE: wild guitar "solo"
136
^ (drums)
>

J
^
j
.
. >
j j

Love is what I do!
Love is what I do!
>

>

>
>
137
~~~~~~~~
P/V
The Wedding Singer
Piano / Vocal
1A
GEORGE'S UNDERSCORING
CUE (ROBBIE): "Alright..."
Gently and freely
& 44
?4
4 |
5
&
J
J
Am
C /G
C /E

J
J
G /B
? |
j J
Dm
...cut out when best man crashes cymbal on on-stage drum set...
...restart @ bar 9 on Robbie's line: "...thank you, beginning a new life..."
&
C
10
? |
j J
14
Dm7
12
Am
C /G
15
C /E

J
J J
G /B
j
& j

13
11
16

Gsus4
17
F/C
18
U
ww
ww
U
|
C
(fade & cutoff

after "to Harold &
Debbie!" 2nd x)
The Wedding Singer
Piano / Vocal
MUSIC TO DIGEST BY
CUE:
ROBBIE: "George is gonna
take us south of the
border..."

(1st x, LH only
j
j
n n
> >
>
(on cue ("Robbie Hart"), JUMP to 1st ending)
# .
& # .. .
&
##
? ##
13
&
##
? ##
10
> >
b
&
b .
> b >

J
j j
.
34
U
ww "
w
(cue to repeat:
"I'm sorry, the
keys got stuck.")
20
35
> >

> >
j >

>
J
36
..
12
j j
.
..
(cutoff when
George hits
side of Kbd)
..
.
b j j j
J .
.
.
.
b
8A
19
j
n
11
j
j
n ..
-
> >
A/G
.
>
b
J
J
14
>
.
.
j
j j j
.
.
.
>
.
3 3

F m
j j
.
Bm7
j j
.
j j
.
33
j j
.
? # # ..
j

.
3x 2nd & 3rd x, add RH)
#
& # 44 ..
> >
P
? # # 4 ..
4
. J
1B
(to 33)
> > >
j j
b >
>
> > >
The Wedding Singer
Piano / Vocal
SOMEDAY
(Julia, Women)
CUE: "...yeah, they're pretty much
saying no, too."
CUE out: "Look how happy she is!"
Shuffle!!! swing 8's
# # 4 . q
& 4 .
#
& # 44 ..
#
& # 44 ..
? # # 44 ..
5
&
##
#
& #
She turns around

and she
JULIA:
j
.
j
j

meets his gaze
#
& #
? ##
rpt til cue
last x
..
..
..
..
The lights are dim, there's a
G /A
n
8
j j

smok-y haze
.
.
Bm7
. .
3
j
.
3
P/V
2. SOMEDAY
&
##
&
##
&
##
? ##
&
##
&
##
&
##
13
? ##
&
##
&
##
&
##
17
? ##
10
They share a smile and a
j
j

G add
sec - ret wave
11
The Wedding Singer
It's a mom-ent
.
.
j
.
j j
They start to move

a - cross the floor
14
12
built
j
j

to save
Em7

.
15
j
.
G /A
j j
The room is fro - zen
j 3
j j j

16
want
ing more
+ string obligato?
. .
j

18
The hap -py couple

-
on
Bm7
.
.
19
display
-
G add
j
j
.
.
3
. .
with nothing
- standing
-
in
20
j

J
their way
j
.
Em7
j
j
j
.
3
..
.
G /A
P/V
21
&
3. SOMEDAY
##
It's
##
&
&
##
? ##
22
so
rom - an - tic
FM7-Microstar
could die
ww
w
ww
w
Em7
ww
w
D /F
26
It's gon - na
##
&
29
&
##
# # # #
&
when it's
me
27
for
E2 /G
right
here
and now
30
know
A /B
31
love
was meant
E2/G

J

J
some - how!
####
####
####
3
j
####

.
.
28
..
..
F #m7
A /G
I'll know our
..
.
G /A
ww
w
us
joyfully! w/ belly synth sounds
lean into 2 + 4
E
? ####
Some - day
####
that way
www
G add
####
be
www
synth aahs
&
24
quarter note pulse
25
? ##
j

w

##
j
j j
j
&

&
23
The Wedding Singer
32
to be
not one
..
.
A /B
P/V
33
&
4. SOMEDAY
####
sing - le
# # # # www
&
&
####
? ####
37
&
####
####
&
####
&
####
&
com - pli
####
? ####
ca
E2/G
38
or
cause for
hes - i
ww
w
36
ta
A 7/C #
ww
w

B /C #
#

B /C # C #
C#
A /B
40
44
45
tion
is coming
- true
43
35
39
tion
j
j
w
ww
w

E2/G #
and all I'll need is
www
Some - day when the dream
? ####
42

C #m
# # # #
&
&
34
The Wedding Singer
j
J

F #m7
41
All you'll need
ww
w
46
is me
you
##
n
n
##
UNDER DIALOGUE
A /B
. .
P
3
. .
D A /B
. .
. .
##
G /A A
##
P/V
5. SOMEDAY
&
##
&
##
&
##
47
They stop and pose for a
&
##
&
##
&
##
? ##
55
&
##
52
G add
Bm7
.
.
53
a-lone
.
.
3
so
quarter note pulse
56
jea - lous
ww
w
ww
w
Em7
j
.
could
54
all
j

J
their own
G /A
j
.
3
57

.
.
j j
3

cry
58
and yet
D /F
Em7
ww
w
They have a lan -guage
j j

I
j
j
make her laugh
. .
He jokes around
just to
50
The room is full, but they're all
and I'm
? ##
##
&
&
. .
49
pho -to - graph
FM7-Microstar
##
j
j
FD
? ##
.
51
48
The Wedding Singer
know
ww
w
P/V
59
&
6. SOMEDAY
##
##
? ##
63
&
####
64
E2 /G
# # # # www
&
? ####
68
www
A /B
j
j

69
or
love
70
A 7/C
to be
E2/G
66
ww
w

E2/G #
####
cause for hes - i - ta

C #m
was meant
####
3
j
####

.
.
65
I'll know our
..
.
sing - le com - pli - ca - tion
####
..
..
F #m7
A /G
to go
####
good
62
we're
G /A
me
when it's
say
joyfully! w/ belly synth sounds
f
? ####
&
lean into 2 + 4
&
Some - day
####
long be - fore you
61
www
# # # #
&
67
www
G add
####
synth aahs
&
It won't be
##
&
&
60
The Wedding Singer
tion
not one
..
.
71
A /B
Some - day when thedream

E2/G #
E

P/V
72
&
7. SOMEDAY
####
j
j
w
73
is com -ing true
# # # # ww
w
&
&
####
? ####
&
####
&
####
77
&
####
? ####
&
####
&
####
&
####
81
A /B
75
j j

J

76
All you'll need
78
is me
ww
w
79
#

B /C # C # F #m7
C#

B /C #
ww
w
74
The Wedding Singer
A /B
80
you
UNDER DIALOGUE
.
P
.
.
3
82
I know not
ww
w
ww
F F #wm7
? ####
w

.
3
j j

n
3
83
ev - ery mar - riage lasts
ww
w
..
.
.
3
when things
.
3
go
bad
84

n
3
D /E E
ww
w
ww
w
ww
ww
E /G #
P/V
8. SOMEDAY (REV. 4/18/06)
&
####
&
####
&
####
85
? ####
&
####
&
####
&
####
89
? ####
&
####
&
####
&
####
93
? ####
86
I've seen the warn
www
j
j

ing signs,
A add
But soon you'll take
www
j
..
.
91
and
www
'Til then I'll
94
just get
ww
w
# ww
w
#
F#
mar -
D /E
pledge your love
95
ried.

ww
w
A /B
92

E /G #
vi - ca - ri - ous - ly!
ww
w
me
ww
ww
E2/G #
..
.
E7
to
ww
w
j j
.
j
#
"Mom and Dad"
Bm7
my hand
them
www
A add
88
n www
90
call
www
www
E /F
87
The Wedding Singer
96
bbbbbb
bbbbbb
bbbbbb
HUGE GLISS!!!
~~~ b b b b b
b
~
~~~~~~~~~
P/V
9. SOMEDAY (REV. 4/18/06)
b b
& b b bb
b b
& b b b b
b b
& b b b b
f Gb
? b b b
b bb
97
Some - day when it's
me
Some - day when it's
me
~~ ~ ~
lean into 2 + 4 joyfully! w/ belly synth sounds
b b
& b b bb
101
sing - le
b b w
& b b b b ww
102
com - pli
b b
& b b bb
Some - day when
ca
www
C b/D b
was meant to be
was meant to be

G b2 /B b
Gb
Db
tion
love
103
or
cause for
hes - i

Cb
the dream
ww
w
is
com - ing
104
is
com - ing
-3
tion
tion
...
true

D b/E b

Db
j
j

C b/ D b
Cb
not one
108
true

C b 7/E b
107
b b
ta
G 2/ B
ta
106
ww
w
100

C b /D b D b
Cb

G b 2/B b
love
I'll know our
b b
& b b b b
Gb
? b b b
b bb
b b
Ooh
99
I'll know our

Cb
b b
& b b b b
E bm
? b b b
b bb
b b
w
& b b b b w
Ah
105
G 2/B
98
The Wedding Singer
n

D b/E b E b
Eb

P/V
10. SOMEDAY (REV. 4/18/06)
b b
& b b bb
b b
& b b bb
All
109
you'll need
is
me
b b
& b b b b
A bm7
? b b b
b bb
? b b b
b bb
115
you!!!
...
w
www
w
you'll
need
is
me
www
w
116
b
> >
j
b

b
> >
3
w
b ww
you!!!
112
F C b/ b
D
114
All
b b
.
& b b b b j
b b b .
b
& bb
111
113
b b
& b b bb
110
The Wedding Singer
117
>
..
.
j

>
J
j
>
j
j j

> > >
The Wedding Singer
Piano / Vocal
SOMEDAY
(playoff)
2a

(mm. #'s correspond

to mm. #'s from #2)
Same Tempo as song
b b 4
& b b bb 4
b
& b b b b b 44
f
Gb
? b b b b 44
bb
105
b
& b bbbb
b b
& b b b b
A bm7
? b b b
b bb
109
b b
G 2/B
106
107

C b/D b
b b
108
110
(Hns play mm. 112 & 113,

everyone else plays 110, then 113)
C b/D b
113
n

D b/E b E b
Eb
D /E
The Wedding Singer
Piano / Vocal
2A
AWESOME
BAND TACET
# # # # 4 C #min
&
4
J J
On-stage gtr
ROBBIE: E
Here's a song for my
# # # # A
&
J
5
I wan - na keep you
# # # # E
&
There's no one
by
Awe - some,
&
&
####
21
####
25
my side,
10
quite
and
(dialogue)
11
like us,
14
We're free and ea - sy, and
that's
a plus.
12
there's no fuss.
15
love you down to your
A tempo
18
Lin - da makes
me feel
my teeth,
22
she re-minds me to
j
j
j

I had
j B
if
(dialogue)
8
'til they fill us with for - mal - de - hyde.
#
j
J J
j
j j
j

brush
I must-'ve died.
C min
19
em - ploy - ees,
26
she'd help me to
16
23

floss 'em.
.
J
B
JULIA:
27
boss
'em.
28
24
(dialogue)
pan - cre - as.
20
awe - some.
when I
C min
You're hot to boot,
####
&
17
You're an an -gel, so
# # # # A j
&
J
13
love - ly bride.
And
j
And
ROBBIE:
I said and
P/V
2. AWESOME
The Wedding Singer
j
j
j 3
####

&
A
29
if my fish - sticks are
dry,
# # # # A 3
&
30
Lin - da,
&
####
37
judge
#### .
&
J
A
Lin - da,
34
feel
like

you make me
like a
42
feel
32
in - ven - ted the
fur
ROBBIE:
Oh,
36
trap - per club -bing a seal.
40
43
Oh,
w
w
JULIA:
like a
BOTH:
3
(don't be a - fraid of a lit - tle har- mo - ny here) Awe
wheel,
39
Freely
B
35
ROBBIE:
up - held my ap - peal,
3
'em!
38
sauce

J
J
A tempo
41
you make me
31
well she'll tar - tar
33
.
J
B
JULIA:
some!
The Wedding Singer
Piano / Vocal
2B
GLEN'S PHONE CALL

(REV. 4-13-06)
CUE: "I'm just gonna answer the phone."
q q q e
#
& # 44 ..
PLAY 4x's
.. ..
3
shaker
3
3
3
3 etc.
## 4 .
& 4 . > >
P
? # # 4 ..
4
.
.
#### .
.
&
&
.. # # # #
.. ..
#### .
.
&
? # # # # ..
..
..
10
SCENE CHANGE
& ww
w
fC
?
. . . .
CUE(GLEN):
Happy Anniversary, Baby.

. . . .
www
G /B
nnnn
Accel.
.. # # # #

. . . .
nnnn
3
nnnn

.
. . . . . . . .
3
12

. . . . . . . .
(straight 8ths)
11
..
.. # # # #
.. ..
JUMP on CUE to bar 7
Vamp
PLAY 6x's
ww
w
Am
j j

ww
w

. . . . . . . .
C /G

. . . . . . . .
P/V
2. GLEN'S PHONE CALL
13
14
&
&
...
&
& 24 ..
20
Vamp
.. 44
.. 44
bU
ww l.v.
4
.. 4 b ww
.
Dm7
J
. . . . . . . . . . . . . . . .
..
.
on CUE: "Surprise!"
18
21
2
& 4 ..
? 24 ..
Am
17
. . . . . . . .

. . . . . .

. . . . . . . .
(dialogue)
&
C /E
15
j

..
.
(Robbie's Basement)
16
The Wedding Singer
j
j
j

J
J
J
C /F
Gsus4
C
j j j
fl
fl
fl
fl
19
. 2
4
J
. . . . . . . .
24
..
.
24
The Wedding Singer
Piano / Vocal
SOMEDAY
(Robbie's Reprise)

(Robbie)
CUE: "That would be like...200 men today!"
2
& b 4 ..
&b
?
.. 44 . j .
2
ROBBIE:
2 ..
4
j .. 44
ROBBIE:
Vamp (last x)
Time to go,
Let's not be late
This
. .
.
.
24 ..
24 ..
.. 44 ..
..
.
P

2 ..
2 ..
.. 44
..
4
4
b
4
& b 4 . J
talk can wait
or
just nothappen
-
b .
b .
J
.
? b 44
J
.
4 ..
b
& 4
..
.
"...there was Arny, Sidney, Tony, Sven."
2 ..
4
..
.
10
Vamp
44
4
4
.. b b b b b 44
"....and once in summer camp,

Joanne Rugowski."
2 ..
4
.. b b b b b 44
24 ..
.. b b b 44
b b
Decel. last x
P/V
2. SOMEDAY (Robbie's Repr.)
b b 4
&b b b 4
Maestoso
11
b b 4
b
& b b 4
12
The Wedding Singer
13
b
b
J
..
..
14
f
? b b 4

b bb4

b b

& b .
15
ROBBIE:
Now at last the dream
& b
P
?b
&b
18
you.
&b
?b
is com-ing
U

.
.
. . U
16
true.
All I need is
17
19
All you'll need
w . #
.
you.
.
.

.
. U
Where the hell
is me
are
20
and all I need is
you?
The Wedding Singer
Piano / Vocal
CUE: "A note?
Excellent."
### 4
& 4
Simple + slow
LINDA'S NOTE
a.k.a. Pachelbel Canon in D, but in A

(Linda)
# #
& # 44 j j j j j j j j
P
? ### 4
&
###
&
###
. r
LINDA:
To my dear- est Rob-bie
? ###
&
###
&
###
Dot-dot - dot
&
###
&
###
think we need
some space
Please
j
j
real - ized that you cramp my style
10
You see, I woke thismorn - ing
j j

J
? ###
for-give my tim - ing
. r
. r
smil - y face
? ###
11
12
pre - pared to walk
but
.
r
13
as I crimped my hair
on air
You're just not that same per - son,
j j
the
P/V
2. LINDA'S NOTE
&
###
&
###
14
guy
? ###
&
###
&
###
16
&
###
&
###
&
###
&
###
? ###
to know
I'm
not
in love
15
with
Rob - bie
now
but
17
Rob - bie
sev - en
years
Hard Rock!!!
stead you sing
C #5
or
chew
Dav - id Lee Roth's
F #5
and
2
4

B5
re-place
ment
ment
P sub.
but in -
B5
live in your grand-ma's
2
4
19
21
A5
24
D5
a - go
while peo - ple
You could have been in Mot - ley Crue
f #
F 5
? ###
20
used
? ###
18
The Wedding Singer
(no breath)
34
4
. . r 4
22
base
3
4 .
.
.
E5
3
4 .

.
4
4
4
4
P/V
3. LINDA'S NOTE
# #
& # 44
23
24
hopethisnote
Psub.
? ### 4
4
&
###
&
###
&
###
&
###
is some-thing that you can rise
just in love
with love
&
###
&
###
gg
g
A tempo
j n j
? ###
j
j
j 24 j
2
4
24
gg
gg
ggg
g
r 44
.
32
The
2
4
w
Rit.
j
n

J
"i"
4
4
ggg
g
4 j
4
35
Rit.
29
be - fore we ev-en start
2
4
ggg
34
we end this
31
Lin - da
heart
28
And so it's best
j , r
j
gg
g
you were
. r
. r 24 . 44
your pal
Deep down you weren't in love with me,
27
Colla voce
Signed
25
a-bove
? ###
33
? ###
30
### 4
j
& 4
26
The Wedding Singer
gg www
ggg w
gg U
ggg www
4 j
4 n
4 nw
4
"
ten. ten.
is dot-ted
with
a brok - en
"
ggg
gg
gg
gg
36
"
j
.
The Wedding Singer
Piano / Vocal
IT'S YOUR WEDDING DAY

(Reprise)
4A

(Robbie)
CUE: "Where'd Robbie go?"
Delicately, broad 2
#
& #C
ROBBIE:
#
& #
Who
#
& #
w
&
it's
my
ww
will
wed-ding
day...
14
tee
that
love
will
w
w
15
'cause
love
w
w
P
w
w
(the music takes over)
(from under the sheets)
guar - an
##
#
& #
w
? ##
w
13
So when
#
w
& #C w
P
w
? ## C
? ##
w

w
F
w
find
me?
16 Rall.
is
what
(to 13)
I...
w
w
w
w
Segue as one to
"Into The Toilet"
The Wedding Singer
Piano / Vocal
4B
INTO THE TOILET

b4
& b 4
? b b 44
...
Vamp, cut on cue:
b .. www
b
&
w
"Let's not jump the gun."

"Julia..." (out)
? b b ..
j

..
.
.
6
...
ww
ww
ww
ww
b
b
(do not reattack chord on repeats)
. . .
..
..
The Wedding Singer
Piano / Vocal
POP!
(Holly, Angie, Julia, Ensemble)

(Final version - 4/26/06)
CUE: "Nice work Aunt Ange."
Happy Pop
# 4
& # 4 ..
12
Vamp
(no RH until after Julia says:

"What if I've wasted 4
years of my life?")
&
##
HOLLY:
#
& #
Eve-ry five
P
? ##
&
##
&
##
20
? ##
eve ry five
j

.
17
15
HOLLY: "Tonight is the night!"
j

.
F
j
j .
.
.
..
.
..
j
.
.
gets en-gaged
j

.
j j
n .
n .
j
...
sec onds you get
j

.
21
n
.
n .

one more chance
19
ac - cord-ing to Cos - mo's lat
j

.
14
18
..
j
j
j

j
.
j
n .
sec-onds a girl
that indicates last x through

mm. 12 & 13
j
j

.
.
& # 44 ..
.
P
? # # 4 ..
j
4
.

.
16
13
j
...
j

.
to
est
E m7
j

.
22
quiz
j

/A
make him get down
Em7
So
on that knee
P/V
##

&
23
&
##
? ##
&
##
&
##
26
? ##
29
&
The Wedding Singer
2. POP! (Final - 4/26/06)
##
of
his
It's a
G /A
27
j j
Em7
that we've cov
sure
D /F
..
.
cealed your flaws with May - bel - line, you're
Bm
ery
ered our bas
25
wo
BOTH: 30
chal-lenge that ev
let's make
#
& #
? ##
24
D /F
28
j
j

man
ANGIE:
fac
so
..
.
es You've lived off Tab and Lean Cui-sine, con -
..
.
Em7
31
j
#
#
j #
#
..
.
j

tri.
HOLLY:
mint - y fresh and zest - ful - ly clean
es
HOLLY:
.
.
So he's gon - na
P/V
&
##
&
##
32
&
&
##
##
ANGIE:
tion. He's
j
n
there's no
37
..
.
pop
#2:
D/ #
j
j j

j

j

ALL:
pop the ques
Bm
G /A
and ques-tion his love
the ques
#1:
and ques-tion his love
reas - on to stop
gon-na
pop
reas - on to stop
34
there's no
#
& #
Em7
? ##
33
the ques
pop
? ##
pop
#
& #
.
36
The Wedding Singer
3. POP! (Final - 4/26/06)
..
.
38
.
.
n
G /C
35
j
.
j
.
tion.
tion.
So
So
..
.
39
Oh, pop the ques
GIRLS:
Oh, pop the ques
fl
G
j
j
n . .
fl
/A
V.S.
P/V
# j
& # .
40
#
& # j .
? ##
j

.
? bb
? bb
ev - 'ry five
.
Eb
bbb
.
bbb
to my-self
se - conds I can't
j

.
b
.
Db
j
b .
help but ask,
Fm7
j
Is
..
.
50
j

fl fl
j

fl fl
j
j

47
j

.
j j

b
49
j
.

J
.
.

J
that Glenand I are bound to tie
j
..
.
43
46
j

.
b
&b b
&
j j bbb
j
.

.
.
j
n .
se-conds, I say
48
bbb
.
j

.
.
J
45
Ev-'ry five
b
&b b
bbb
42
j
j
b
&b b
JULIA:
44
tion
##
Dialogue
41
tion
&
The Wedding Singer
4. POP! (Final - 4/26/06)
the knot.
But
j

/B b
j

some-one
Fm7
a catch
if
he can't
P/V
b
&b b
51
b
& b b ...
A b/B b
? b
b b
be
caught?
52
b
&b b
Ab
? b
b b
57
&
bbb
or
b
die
b
&b b
E b/G
? b
b b
a - lone in socks and flats. The
..
.
j j
Fm7
bb
55
has just
ver - co-logne
Cm
And
56
me,
No
jilt - ed girls have lous - y stats. I'll
fif - ty
Ab
# n n
Fm7
la - dy with the
out - grown
j
n
cats!
j
b
n b
A b /B b
j
j n
j
j

.
E b/G
j
j
me?
j
..
.
58
be the guy
53
mat - ter how you primp me
Could it
& b
54
The Wedding Singer
5. POP! (Final - 4/26/06)
59
.
..
ALL
BUT
JULIA:
>

HOLLY:
No! He's gon - na
>
P/V
60
bb
& b
pop
bb
61
& b
JULIA:
He'll
never
b j
b
& b
there's no
rea
? bb
j j .

gon
na
j
...
A b/B b
j
.
65
Fm7
b
-
b
&b b w
w
& b
Cm
HOLLY:
flb
(SILENT)
E /G
fl
2 GIRLS
+ 1 GUY:
ques - tion his love
? b
b b . . . .
.
.
.
.
the ques - tion
66
.
..

j >
..
j
n
>
(with hips)
the ques - tion
ANGIE:
ques-tion his love
J
. . . .
.
.
.
.
69
Oh
ww
>
. . . .
.
.
.
.
So
j
.
and ques- tion his love
68
b
&b b w
J
ne -ver pop
.
63
pop
son to stop
He'll
j j

Ab
j
.
+ GIRLS:
pop
67
bb
& b
bbb
He's
64
bb
62
pop
b
& b b b
.
Eb
? bb
b j
.
&
The Wedding Singer
6. POP! (Final - 4/26/06)
>
Pop
Oh
Pop
the ques -
the ques -
P/V
b
& b b .
70
tion!
bb
& b
P
? b
b b
.
bb
76
j

.
&b
Tables moving on
j
b .
> 6
D b9
j
b
b >
j

.
j
.
>
b .
>
j

.
>
78
j
.
.
>
j
b .
j

F
j
b
79
>
>
>
~~~~~~~~~~
>
>
j

.
j

.
j

.
#
.
b
b
#
#
#
#
83
.
b
b .
#
.
>
82
j
.
.
j
.
81
>
73
~~~~~~~~
www ~~~~~~~~~~~~~~~~~~~~
w
j
j
.
.
~~~
(GLEN & JULIA)
.
p
?
b
&b
B 7 sus4
77
Dialogue
&b
72
75
j
& b .
.
f
?
b
fl
80
Dialogue
j
j

.
.
bbb
..
.
f A b>9
? bb
b .
> .
&
71
SCENE CHANGE to Il Carousel
& b
74
The Wedding Singer
7. POP! (Final - 4/26/06)
P/V
&b
84
&b
?
85
&b
& b b
.
&b
& b ...
>
? b .
>
j

>
j
b >
Dialogue
n
.
94
j j

. .
Safety
98
99
..
..
.
.

J
..
100 Vamp
44
95
..
j j
>

. .
p
? b 44 j j j
j j j
. b .
b .
. . .
.
.
& b 44
2 ..
4
24 ..
91
GLEN: They don't enforce that shit. JULIA: Oh.
>
24 ..
wwww
w
n
.
j
.
87
90
>
97
93
(CRYSTAL & MOOKIE)
4
&b 4
j

.
92
89
?b
.
86
.

.
J J
>
88
96
The Wedding Singer
8. POP! (Final - 4/26/06)

..
101
j j

> >
f
j j
.. j j ..

b
> >
LAST x: GLEN: What was that all about? JULIA: Beats me.
..
..
44
P/V
j
&b
102
JULIA:
103
104
Thereas-on why he chose this placeis now so crys-talclear
?b
j j
b
.
.
j

.
crisp and pointed
&b
j
&b
And where he's sit - ting, it's
&b
?b
Dialogue
&b
(TIFFANY & DONNY)
j

.
>
b
&
as
j

.
110
107
j
.
it
all
j

.
108
j
&b
JULIA:
116
If one more coup-le gets en - gaged or I hear one morecork
&b
?b
j

.
crisp and pointed
j j
b
.
.
w

>
>
..
> >
..
117
JULIA:
I'm cool.
j j
..

> >
f
j j
j j ..

b
> >
..
114
Last 2x's:
GLEN:Everybody's having champagne.
You don't want any, do you?
.
j
him...
f p
?
b j b j j j b j j ..
.
.
.
.
. . .
.
115
go-ing 'round in cir-cleshere
113 Vamp
112
j j
b
.
.
re-volves a - round
111
j j
b
.
.
j
b .

.
.

if
105
like our rel - a-tion-ship we're
106
109
The Wedding Singer
9. POP! (Final - 4/26/06)
118
It's Har - i Kar - i with this fan-cy lit - le sal-ad fork
j
.

.
.
j j
b
.
.
P/V
j
&b
119
120
He nixed the bub - bly which can
&b
?b
The Wedding Singer
10. POP! (Final - 4/26/06)
b
& b bbbb
122
j

.
121
on - ly mean the out-look is
j j
b
.
.
j
b .
grim...
b b b b b b
>
>
bbbbbb
> >
bbbbbb
Dialogue
(HALL & OATES)
b >
b
b
b
b
& b b b b
f p
? b b b
j
b b b b
.
.
. .
J
J
b b
& b b bb
. .

J J
? bb b b
j
b b b .
.
127
j
b .
j
.

J .
j
.
. j
.
j
b .
j
b .
j
.
129
125
j
.

.
J
j
.
128
124
j
b .
b
& b bbbb
126
123
..
j
.
..
..
130 Vamp
..
j
.
.. j j ..
b

SECOND WAITER:
Oh my God, dude, I
thought you'd never ask!
(move after couple reaches
Stage Left wing)
P/V
b
& b bbbb
131
The Wedding Singer
11. POP! (Final - 4/26/06)
Dialogue
b b
& b b b b ww
w>
P
? b b b
b bb
> .
b b
& b b bb
135
b
& b b b b b ww
w>
? bb b b
bb
>.
j
.
j
.
b
& b bbbb
b
& b b b b b www
.
ww
w>
cresc. poco a poco
j
.
136
137
j
.
140
j
.
..
..
j
.
Vamp
138
j
.
j
.
..
GLEN: I want us to be
husband and wife.
j ..
ww
w
> .
141
j
.
..
ww
w
j
.
j
.
ww
w>

134
ww
w
> .
ww
w
? b b b
b bb
133
www
b b
& b b bb
139
132
142
ALL:
He
to - tal - ly

f He to - tal - ly
>
..
..
..
f
b
D 7 su s
>
P/V
The Wedding Singer
12. POP! (Final - 4/26/06)
b
& b b b b b
>
143
b b b b >
b
& b
popped
popped
b b
& b b b b
Gb
? bb b b
j
bb
144
the ques
the ques
j
b

j
j

tion, to
tal - ly
tion, to
tal - ly
145
>

popped

J
J
j
j

b
C
C b/D b
j
j

>

popped
E bm
146
the ques
the ques
j
j j

j
j
b
b
b
& b b b J w
147
148
there's no rea - son to stop
b b
& b b b b J
..
.
b b
& b b b b ww
151
152
b
& b b b b b ww
b b
& b b b b
? b b b
b bb
-
j
..
.
j

. -
..
.
GLEN:
What do you say?
>
>
..
.
So
tion!
So
j
..
.
GUYS (8va):

-
C b /D b
j
- . -
..
J
tion!
GIRLS 1:
Ques-tion his love

G b /B b
j
j

150
there's no rea - son to stop
b b
& b b b b
A bm7
? bb b b
bb
149
andques-tion hislove
j
..
JULIA:
Yes! 153
j
.
Ques-tion hislove
GIRLS 2:
Ques-tion hislove
j
...
j
- . -
j
.
His love!
>
>
>
>
>
>
P/V
b
& b b b b b wwww
154
155
www
w
. . .
. J
J J Gb
E bm7
? b b b
j
j
j
b bb

.
.
.
.
.
b
& b b b b b
The Wedding Singer
13. POP! (Final - 4/26/06)
156
www
w
j
..
> . >
C b 9 F b69
. j
> . b
b >
157

>
D b7 sus4

>
www
w
158
>
b
b
b
> > > > > > >
f

b
.
> > > > > > >
The Wedding Singer
Piano / Vocal
5A
POP Playoff
#4
& 4
Tempo di "POP!"
#
& 44
j
# 4

& 4
?# 4
j
4

&
#
&
&
?#
He
He
tal - ly popped
tal - ly popped
j
j
n
MEN:
He
j
j
n
tal - ly popped
j j
.
.
ques - tion!
the
j
.
- tion!
j
.
.
ques
tion!
He
ques
j
the
ques - tion!
the
tal - ly popped
j j .

to
to
the
He
n
to
n
to
WOMEN:
to
tal - ly popped
He
to
tal - ly popped
P/V
2. POP (Playoff)
#
&
ques
j
&
&
#
#
?#
10
&
&
&
the
the
ques
j .

- tion!
j
.
.
-
11
?#
# w
#
tion!
~~
~~~~~n
~~~~~
He
to
>
to
~~
~~~~~~
~~~~n
p
j j
.
n .
.
12
tal - ly popped
>
tal - ly popped
ques
tion!
the
ques
tion!
13
.
J J
j j
n .
.
j j .

the
fl
n >

J
He
The Wedding Singer
j j
n .
.
j j
n .
.
The Wedding Singer
Piano / Vocal
SOMEBODY KILL ME
BAND TACET
(Robbie)
Music & Lyrics by

Tim Herlihy &
Adam Sandler
"The Cure"
1
# 4
& #4
ROBBIE:
#
& # 44
You
don't
&
##
#
& #
know
While
&
&
##
you're
when
10
we
&
&
##
can't
D5
be-lieve
kiss
me
need
don't
found
know
a love
A5
you
youneed
12
me
that's
so pure
too
j

and
j

I

16
and true
G5
G5
15
feel blue
G5
11
14
? ##
G5
A5
j

I
? ##
##
much
A5
D5
13
how
near
? ##
##
A5
D5
D5
P
? # # 44
5
5B

But it
P/V
17
&
2. SOMEBODY KILL ME
##
#
& #
fD
? # #
21
&
&
all
was
bull
guitar - strum chords

A
www
when
? # #
&
&
##
##
30
&
&
##
##
lay
23
glad
all
day long
with what
and
www
25
you've done
www
G2
29
to
me
j

I

J
33
mel-an - chol - y
joke
feel-ing
www
choke
G5
32
G2
24
28
20
god - damn
hope you fuck - in'
A5
31
you're
27
hope
in bed
was
G2
www
19
It
you Lin - da
22
think of
G2
P D5
? ##
sub.
shit
##
##
18
26
The Wedding Singer
j

You
? ##
D5
A5
G5
P/V
34
&
3. SOMEBODY KILL ME
##
#
& #
left
35
me here
all
a - lone,
38
&
&
##
##
some - bo - dy kill
? # #
42
&
&
##
##
my knees
on
? # #
&
&
die
? # #
D
me
w
ww
G2
.
kill
48
.
J
please
Oh,
www
J
I'm
G2
45
me
49
w
ww
G2
I want
to
G2
www
head
me
stant - ly
41
Put a bul - let in my
G2
www
44
pret - ty - pret - ty please
Some - bo - dy kill
40
www
run-ning con
G5
G2
43
47
.
please
## w
##
39
guitar - strum chords

A
46

J
37
A5
tears
? ##
D5
36
The Wedding Singer
50
ww
w
The Wedding Singer
Piano / Vocal
5C
GRANDMA'S NOTE
(Rosie)
CUE: "...puts things

into perspective."
b
& b 44
P
b4
&b 4 w
3
&
bb
. r

4
&
bb
&
bb
Safety
..
. r
know you're feel - ing low
and
there'sone thing you need to know
You'll find some one who loves you
with warmth
b
2 j 4 U w
b
&
4

4
Colla voce
10
when you're sad re-mem-ber
ggg
2
ggg 4
ggg
g
gg
gg
that
12
U
.
13
U
b
theshore
Rit.
b
14
and
U
b
she reaches
U
stairs)
w
g
b
g
j
w
j
ggg ww
b
ggg
J
J
ggU
g
b gggg www
g
w
Lin-da is a skan-ky whore.
U
44
ggg gg
g ggg
U
4
4
sure as waveswill find
Tempo, but a little faster
11
..
though things might seem dis mal
U
b
& b g
PgU
? b
b
? ..
? b
b
.. w
ROSIE:
? bb
To my dear - est Rob - bie
&b
(REV. 1/1/06)
Sweetly, honestly

(cutoff as
The Wedding Singer
Piano / Vocal
5D
PRE-CASUALTY - WEDDING DAY

(Robbie, Ensemble)
CUE: "You gotta seize

the moment, man."
> b > > >

4
b
& 4
Fast synth rock
&b
So
& b www
f F5
?b
n # # ...
. . .
when
it's
your
oh
11
wed-ding thing
www
oh

. .
. n .
#
J
J
b
b
j
j

J
Oh
> b > > > b >

>
J J b
J
cresc. poco a poco
sing and is miserable)

ROBBIE: (he tries to 10
j
j
j
... ... ...
. . .
. . .
. . .
WEDDING GUESTS:
&b
>
n # # ...
. . .
& b n # # ...
b #
#
>
b
j
4
& b 4 .... . .
P
? b 44
. . .
#
&b

(REV. 12/20/05)
Dm
blah
oh
12

J J
j
j j

oh
blah
blah
blah
blah
oh
> > > > > > > >
j j

. . .
all the
ww
w
n
n
ww
w
F /C
P/V
PRE-CASUALTY - WEDDING DAY (REV.12/20/05)
&b
13
&b
?
if you count
ww
w

on
me
15
'cause
ww
w
F /A
Gm7
14
16
The Wedding Singer
love...
what...
ww
w
Bb
ww
w
17
do.
The Wedding Singer
Piano / Vocal
CASUALTY OF LOVE
(Robbie, Mutants, Ensemble)

(REV.12/18/05)
CUE:
ROBBIE: "...so happy for you
'cause you're in looooove!"
(Watch ROBBIE's arm
for cue: he cues the
on-stage band, too!)
Angry Rock and roll
& 44
(FINAL - 4/20/06)
(COWBELL)
4
&4
>
A5
?4
4
>
>
ROBBIE:
>
&
I thought I
&
>
A5
?
>
>
>
had
the kind
of
>
>
.
love
you
find
in - fair - y - tales
But then my girl ripped out
>
>
&
>
A5
>
&
A5
my

heart
with her
j j
..
fl
>
D5
G5
j j
fl
>.
plas - tic press on nails
B5 D5 B5
P/V
2. CASUALTY OF LOVE (Final version - 4/20/06)
&
So
if you've felt
&
>
E5
?
>
>
>
& n
let
me
hear
the kind
of
you
pain
#
>
I'm
>
A5
>
>
>
sing-ing
cas - ual - ty
>
>
>
then
cas - ual - ty
of
of
love"
>
(1st x only)
Just a cas - ual - ty
>
of
>
14
"I'm
>
it
SIDEBURNS LADY:
2nd x only:
& ..
? ..
10
>
& ..
los - er's
>
E5
11
this
& w
w
w
D5
?
w
w
& ..
# #
> >
F #5
say
The Wedding Singer
of
love
2nd x only: "Tell me about it"
love
j
..
>
C5
>
D5
>
.
>
>
>
>
>
j
..
>
>
>
>.
G5
..
..
..
..
P/V
15
&
The Wedding Singer
16
SIDEBURNS LADY: (spoken out of time):"I put a top hat on my cat and asked him to my prom."
&
?
17

> >
A5
>
>
&
>
j
>
D5
18
>
A5
>
>
>
&
&
>

>
19
night
E5
o - pen
know
why
& w
ww
D5
?
w
w
up
my mouth
and
you
do
#
# #
>
F #5
#
>
22
B5 D 5 B5
it,
>
>

You're just
>
E5
>
>
>
cas - ual - ties
ROBBIE:
give those twin - kies a shove!
& n
21
>
20
LARGE LADY:
>
j
..
>
G5
j
>.
Each
TREKKIE: (spoken out of time):"I was stood up by my date and by date, I mean my mom"
&
Well,
of
love
P/V
23
&
24
Just a cas-ual-ty
LOSERS:
&
&
?
27
I'm a cas-ual-ty

>>
A5
> >

>>
j
..
>
> >
.
>
&
but
D5
> >
we come to-geth
28
> >
life
and
w
ww
er
A5
> >
29
33
now
E5
# ## www
F #5
ww
w
D5
> >
j
#
of view
30
D5
.
> >
.
D5
C5
w
ww
# ## www
C #5
through our
LOSERS:
diff-erent points
through our
& ww
w
26
. ...
I'm a cas-ual-ty
of
love!
> ..
.
j
..

> >
> >
>>
j
..
>
G5
>.

>>
D5
32
j
j j
# # #
of
&

>>
C5
& # # ww
#w
PC #5
?
#
#
of love
We're from diff-erent walks

acid trippy
31
25
of love
# j
ROBBIE:
&
The Wedding Singer

34
hat-red of you!
'cause we're cas-ual-ties

of love
(men - same octave as women)
hat-red of you!
'cause we're cas-ual-ties
>
f
E5
>

> >
of love
(as written)
P/V
& # n # n
35
36
Love's a trick,

>>
A5
>>
j
..
>> >

>>
C5
> .
>>
D5
>>
j
..
>
G5
>.

>>
rn
&
39
40
Love's a joke love's ascam
&
&
?
43
&
&
f
?
of love

>>
A5
>>
j
..
>> >
C5
.
>> >
+ claps on 2&4

>>
A5
41

>>
D5
>>
. . . . . . . . . .
P

>>
A5
44
j
..
>> >

>>
C5
D5
>>
> .
>>
of love
j
..
>
G5
>.

>>
>>
42
Love's awound, watch itbleed.

> >
full ofbees
j
# n # n
j
..
>
G5
>.

> >
A pi - a - ta
cas-ual-ties
of love
love's a tease
detach (muted gtr)
>>
a Sear-gent Slaught-er bod-y -slam
cas - ual-ties
Love's a hoax

>>
38
cas-ual-ties
# n # n
37
love's a hot chick with the clap.
&
&
love's a trap,
The Wedding Singer
>>
Love's theon-ly thing I
j
..
>> >
C5
.
>> >
j
..
>
D5
G5

>>
> > > .

>>

>>
P/V
47
&
&
a la White Wedding
f
?
48
& ggg# wwww

gg >
f
49
50
..
..
nasty & aggressive +synth sweep: "howl at the moon"
THE FREAKS LET LOOSE ON THE DANCE FLOOR

+ claps on 2&4 primary melodic idea:
&
>
P
&
&
>
>
#
>
. . . . . . . . . .
f
r
?
.
>
> >
fl
fl
59
51
&
. . . . . . . . . . . . . . . . . . . . . .
P
f
?
j.
.

> .
58
. . . . . . . . . .
P
The Wedding Singer
ww
w
+optional pitch bend
j j b j
b
>
j j j
b b
b
>
rhythm col figure
52
claps tacet
..
..
.
n
><
BODY SLAM:
sfx = exploding
speaker
[Breakdancing]
(to 58)
# ^ ~~~~
~~
secondary melodic idea:
. .
. . . .
.
. . .
>
> >

>
P/V
>
&
60
>
# >
62
&
j
#
ROBBIE:
And you'll end up
j j

63
just
like
& #
You'll be fat div-orced
& ww
w
?
E5
67
us
'cause
64
trust me,

>
love
F 5
ends
w
ww
D5
68
# ## www
al - ways
65
j
and
> ..
J .
# ## www
C #5
D5

. . . . . . . . . .
> > >
w
ww
& # # ww
#w
P C #5
?
#
66
# #
[Thriller]
gothic organ
# ^
J
. . . . . . . . . .
r
?
.
>
> >
fl
fl
ww
ww
61
&
&
>
The Wedding Singer
69
broke while she has sex with all of your friends! You'll be cas-ual-ties
ww
w
D5
>
f
E5
>

> >
of love
(as written)
P/V
70
&
71
(women - same octave as men)
Cas-ual-ties
LOSERS:
# n # n
&
Love's a trick
&
?

>>
A5
>>
&
78
j
..
> > C>5
D5
>>
.
>> >
79
oflove!

> >
j
..
>
G5
>.

>>
A5
>>
need!
(think Def Leppard)
b

&
82
no one's ev - er gonna
b

&
?
(as written)
83
love
ww
u
D5
b
u
w
ww
u
E5
w
u
j
> > > ..
D5
G5

>>
> > > .

>>
.
>> >
ROBBIE:
81
# ..
and
# ..

.
>>
> >>
>
>
>
>
A5
C5
D5

> . > >
>
>
>>
>>
U
b
J
cas-ual - ty
j
..
> > C>5
Love's the on-ly thing I
84
ALL:

need!

.
..
>
>
>
> >
>
>
>
>
>
A5
C5
D5
G5
?

.

> > >
>
> > .
>>
>>
&
80
# ..
77
Love's a wound, watch it bleed.
I need!
j

# ..
ALL:
# n # n

> >
Love's the on-ly thing I
love's a hot chick withthe clap

>>
need!
&
love's a trap
72
The Wedding Singer
of
85
w
love!
86
87
ww
w
ww
w
A5
w
w
w
w
guitar fill
^j

G5
>.
The Wedding Singer
Piano / Vocal
6A
THE FIGHT
(after CASUALTY OF LOVE)

(REV 3-15-06)
4
&4
^
& 44
(Bride punches Robbie)
..
>
&
.
#
J
&
?
>
>
> .
.
J .
>
>

>
>
..
> #
?4
4

> >
4
.
#
J
> .
..
J
>
>
..
>
..
> #

>
# ...
.
DRUM fill
>
>
2. THE FIGHT (3-15-06)
&
^
&
?
11
&
>
.
^
&
?
.
.
#
J J
Air punches
b
b > #
>
ww
ww
> b
>
Poco rit.
^ b
b
>
>
^
b
>
>
12
. > ..
J J .
.

J
The Wedding Singer
punch
glis
s
P/V
^
b #
> b >
10
.
.
#
J J
ww
ww

> b
> >
>
>
>
>
#
b
#
n
13
ww
U
ww
w
(not long)
. > ..
J J .
>
>
14
(into the dumpster)
The Wedding Singer
Piano / Vocal
COME OUT OF THE DUMPSTER

(Julia, Robbie)
(2/17/06)

CUE: "I appreciate what you're

trying to do..."
Slowly, honestly
# # 4 q
& 4
& # 44
? ## 4
4
#
& #
JULIA:
#
& #
So to-nightyou've made
somemis-takes
&
##
I'll ad-mit
down on yourluck,
down in the dumps
But I hate to see
Though hope might seem in short sup-ply
you hit a few bumps
. r .

.
b
#
& #
? ##
.
? ## w
6
you like this
. r

#
.
you have to move
P/V
&
##
&
##
? ##
&
##
&
##
12
2. COME OUT OF THE DUMPSTER
r
.
.
.
.
.
on
You have
dump-ster
&
##
&
##
? ##
&
##
&
##
17
? ##

w
w
13
stand - ing here
14
..
.
.
is
clear
The cop cars
up its crew
18
j
.
dump-ster
I'll be
the
Chan - nel five's packed
it's O. K.
19
. r
leav - ing
So come out of the
are
16
dump-ster
of the
ww
w
Come out of the
w
w
So come out
coast
try
Don't leave me
11
to
? ## w
15
10
The Wedding Singer
right here
wait - ing
for
P/V
20
&
##
j
.
you
##
&

F
? ## .
25
&
##
# #
&
&
##
&
##
28
. w
&
##
P
w
j

.
26
met-a-phor
can't ig - nore
Ever-y-one has a
j

.
dump-ster
29
j .
stand
33
a stumb-lingblock
. j .
Here,
take a hold of
my
hand

dump-ster
30
they
So come out of that
34
So you're back in the
j
.
and next time you might
32
. . .
27
. r
24
j U
J
U
. .
but to fight it makes you strong-er
..
.
23

? # #
? ##
Well, that's like a
? ## .

31
22
. r

dump-ster
? ##
21
The Wedding Singer
So your
(Robbie's hand appears + takes Julia's)
&
. . .
P/V
&
##
&
##
35
first day back
##
F
? ##
&
&
##
&
##
&
##
38
? ##
41
&
##
ed
.
.
.
.
r
.

ROBBIE:
.
.. .
.
bit the best man
climb
.
.
&
j
.
.
42
b n bb
b.
b.
j
.
.
#
3
use it to
43
n
n
.
.
When life gives you gar-bage
bw
.
.
40
ed
the bride had to be se-dat -
39
37
But this sort of thing hap-pens all the time
? # #
? ##
was-n't all you an - ti- ci-pat
36
The Wedding Singer
ggg b bn www
ggg b w
gg sub.p
ggg n w
j gggb b ww
44
Look,
U
ww
ww
w
wU
w
. n r
bbb
b
you're out of the
bbb
bbb
P/V
45
bb
A tempo
& b .
b
&b b
dump-ster
b
b
& b
P
w
? bb
b
Was that so hard
b
&b b
A tempo
52
Rall.
wed-ding?
F
j

So,
will yousing at my
U
n www
54
on cue
w .
u
w
w
w
u
4
4
44
U
6
.
4 . w
w
No.
64
.
53
6
4
small
And from here it
44
50
on your way to suc - cess
dump-ster
64
So you'rebackwhereyou start-ed
Poco rit.
b 4
& b b 4 J .
? b b 44
b
It wason - ly a
j
.
49
? b .
b b

b 4 .
& b b 4 ...
ww
b
& b b ...
b
& b b 44
after all?
b
j
& b b .
51
47
48
looks so
46
The Wedding Singer
4
4
55
^
j
The Wedding Singer
Piano / Vocal
TODAY YOU ARE A MAN

(Robbie, Sammy , George)
CUE: "Other functions? What
does that mean?"
Hora! - Bright 4
& b 44
4
&b 4
? b 44
&b
gliss.
(NEW bars A - H)
(3/12/06)
j
. .
fl fl
fl
j
n # . .
fl fl
fl
J.
j

. .
fl
fl fl

J J.
Gm .
.
.
Vamp - vocal last x

ROBBIE:

J.
.
.
J.
j

. .
fl fl
fl
A7
>
J
#o 7
#
> # >
Dm
#
J.
> >
n
#
. j

A7/D

J.
gliss. w
j #
. .
fl
fl fl
Dm

J. J.
Dm

Gm G
j j

n #
fl
j
fl
A7
> . . .

.

# ..

. # >
J.
J.
J.
Dm A7
n
> . . . . >
.. .
& b .. #

j
#
& b ..
There's a
gift from ev - ery guest, To

GEORGE/SAMMY
To
day youare a man
j
.. .

The
cock - tail franks have all been blessed, to -
day youare a man
& b .. .. #
.
.
.
.
.
.
A7
Dm
? ..
..
b
.
.
.
.
.
.
.
To -

.
.
.
.
.
.
P/V
2. TODAY YOU ARE A MAN
& b .
& b .
& b #
.
.
A7
Dm
?b
.
.
.

.
.
day
day
Your
&b
&b
&b
?b

.
.
.
Gm
fog and
j
#
you left the syn - a - gogue
12
speak
# .
ing Heb - rew best they
13
. .
'Cause you're
15
w
man!
can
#
. n .
.
# A
J
>
Dm
#
J
E7
A7
# .
.
.
.
Gm
j
#
since
&b
&b
goy - im friends have been a - gog
# .
Drunk on Schnapps and in
14
10
youare a man
11
?b
youare a man
The Wedding Singer
j

.
j
.
Sammy attempts
some Hebrew...
#
.
A7
16
flf
.
.
fl
fl
fl
.
.
>
fl
fl
. fl
fl
. fl
Dm
j
. fl
j
. >
3. TODAY YOU ARE A MAN (12/22/05) (2/17/06)
P/V
17
&b
ROBBIE:
18
There's a wait - ress

.
.
. .
21
22
Go shake hands with
25
19
dressed up like a Go-Go
&b
.
.
.
P C7
?
b j
.
. .
. .
ROBBIE:
b
j
b
&b b
b b
& b b
.
.
P E b7
? b b
b b
. . .
b b
& b b . n
GEORGE:
j
j
26
C7
fl
tempo
b b b Broader
b
&
29
.
.
n
b b
&b b
f
Fm6
? bb b
b
-
..
..
-
.
.
n
J
briss!

.
.
bbbb
24

.
.
27
n
.

.
.
28
j
. .
n n
. . . n . . n . . n .
n n n
But re-mem-ber this, it could be ten times worse at least it's not your
G7 (11)
C7
your
and what's ev-en worse, you'll
. . . . .
.
.
.
Rall.
. n n
.
- . . . .
fl
Accel.
G 7
shik - sas are a no-no
They'll be shvitz - ing
j
. . .
. .
j . n
n
.
that
23
have to kiss your aunts and watch your zay-de dance
b b
& b b ..
..
F G-7 . . .
? b b
b b .
- . . . .
j
b
# b bb
j
j
j
bbbb
. . .
.
. . . .
. . .
ALL 3:
SAMMY:
j
n
n

J
J

.
.
j
. .
Don't for-get
each Tom,Dick, andHer-schel

.
.
20
The Wedding Singer
30
briss!
. .
n

. . . .
. .
. .
To
.

n
J .
(to 40)
P/V
4. TODAY YOU ARE A MAN
b
& b b b
40
Stately
day
you
b b
b
& b
41
G 7
? b b
b b
- -
- b b ww
b
& b w
45
man!
. .
b
b
& b b J
are
42
Freely, cantorial
ROBBIE:
n b
boi, boi, boi, boi, boi, boi, boi, boi,
n
- n
- 46
www
.
J
Fm
B bm6
? b b
b b
j
.
.
. . . fl
fl
fl
fl
fl
fl
43
ALL 3:
bn
Boy?
Tempo I
ROB:
44 G/S:
boi...
47
The Wedding Singer
(2/17/06)

. n n n
. n n n
. n b n b b
. n b n b b
No!
j
n
48
j
n
C7
fl

J
O - l!
>
Fm
>

>
>
The Wedding Singer
Piano / Vocal
GEORGE'S PRAYER
(George)
(REV. 1/2/06)
(REV. 4/26/06)
CUE: "Can I get a little

mood lighting? Nice."
4
&4
& 44
el.guitar
w
? 4 ww
4
?4
4
j

.
w
. .
J
Oh,
w
? ww
?
oh oh
oh
.
+ drums
j

.
ww
w
j

.
F 7
E m7
ww
w
Whoa
Em7
j

.
oh
ww
w
Em7
synth pad
&
&
ww
w
GEORGE: (sincerely)
ww
w
F 7
ww
w
Em7
P/V
2. GEORGE'S PRAYER (REV. 1/2/06)
j

&
J
10
Ba-ruch a - tah
&
w
? ww
?
13
&
&
? www
F 7
F 7
ww
w
B 7
www
Em7
Dm7
16
ww
w
Em7
19
ww
w
ww
w
18
ww
w
15
Em7
ww
w
Dm7
14
&
Em7
12
me-lech ha - o-lam
j

.
ww
w
17
&
Under dialogue
w
? ww
?
a - do - nai e - lo-hei - nu
11
The Wedding Singer
j
.
20
ww
w
ww
w
F /G
j
.
j
.
P/V
& ..
21
& ..
w
? .. ww
? ..
&
25
Em7
26
27
D m7
B 7
24
F 7
www
..
ww
w
..
..
ww
w
ww
.. w
.. www
F /G
..
..
..
GEORGE:
29
CUE: "If only there were someone

who knew all about weddings who
could help me out."
..
..
Em7
Safety
28
She-hech-e -
F /G
j j ..
j
j .. w
. b . .
.
.
&
ya- nu v' - ki - ma-nu v' - hig
..
..
32
i - an
ww
w
F 7
31
..
.
w
? ww
?
ww
w
ww
w
30
&
? www
Dm7
23
ww
w
&
22
The Wedding Singer
Em7
33
el. piano solo
laz - man ha-zeh
ww
w
www
www
Dm7
F /G
P/V
34
&
Under dialogue
&
w
? ww
?
& ..
Em7
? ..
&
&
42
ww
w
F 7
40
www
B 7
Dm7
.
41
ww
w
45
..
..
..
Em7
..
.

46
ww
w
www
B 7
Dm7
. j
ww
w
Em7
ww
w
F 7
44
ww
w
37
ww
w
E m7
43
? www
Dm7
j
.
36
ww
w
N.B. - this solo can come on beat

2 of any of these 4 bars
w
? .. ww
Vamp: move after trumpet solo

(but finish through bar 41)
39
(George's Tpt solo)
38
& ..
35
The Wedding Singer
47
ww
w
ww
w
F /G
j j
j j
. b . . b . .
. .
P/V
Vamp, jump on cue
& ..
48
& ..
w
? .. ww
? ..
Freely
.
& ...
ww
w
..
..
Em7
? w
w
...
& w
59
men
Ooh
www
E m7
J
60
ww
w
F 7
.
.
.
j
j
C add
said
w
w
61

Rit.
62
U
ww
w
U
w
w
F /G
w
w
el. piano solo
57
ww
w
D m7
www
ww
..
Em7
A tempo
Oh, Shap- i - ro fami - ly
56
Rall.
52
&.
F 7
F 7
55
A - men
ww
w
Em7
54
GEORGE:
& ww
w
51
. . . .
&
&
50
ww
w
A - men
58

&
53
CUE: "Meet you out front in 10 minutes."

49
The Wedding Singer
63
64
A - men...
U
b
b ww
Fm6
Fm
U
ww
ww
j
Applause
. segue
The Wedding Singer
Piano / Vocal
9A
THE RIDGEFIELD GALLERIA

Synth pop
b b 4
& b b bb 4
b
& b b b b b 44 w
ww
? b b b4 w
b bb 4
b b
& b b bb
? b b b
b bb
b
& b bbbb
j
j j
www
j
j

P/V
2. RIDGEFIELD GALLERIA
b
& b bbbb
SWOOP!
b b
& b b bb
>
+cymbal
flare
> >

J
b
& b bbbb
b b
& b b bb
>
>

b
& b bbbb
b b
& b b bb
16
j
ww
> w
? b b b
b bb
. . . . . . . .
+bs dr on 2&4
.

J
> .
.
.
^j
^ ^j

14
^
j ^

> . >
J
> ^ ^j

> . J
17
^j

.
.
13
? b b b
b bb
15
12
10
.
.

J
11
? b b b
b bb
>
> ^ ^
>
>
J
MEN spin
The Wedding Singer
18
j b > .
..
. J
> .
..
J
. . . . . . . . . . . . . . . . . . . . . . . .
Segue as one to
"Not That Kind of Thing"
The Wedding Singer
Piano / Vocal
10
NOT THAT KIND OF THING

(Clerk, Robbie, Julia, Mookie, Crystal, Ensemble)

(Final - 4/26/06)
b b 4
& b b b b 4 ..
[DIALOGUE]
j j
b ..
. .
& b b b b b 44 ..
P
? b b b 4 ..
b bb 4
. .
. . .
b b
& b b bb
b
& b bbbb
10A
10B
b b
& b b bb
j
b j .
..
.
. . . .
. . . .
j
j b ..
.
.
.
..
.
b b
& b b bb
? bb b b
bb
? bb b b
b b
..
.
10C
10
..
.
10D
j j
b ..
.
.
. . . .
. . . .
. . . .
. . . .
41 ..
11
j
..
.
j
41 ..
.
..
..
.
. .
Vamp
.. 44
.. 44
1 ..
4
. . . .
. . . .
.
.. 44
P/V
2. NOT THAT KIND OF THING (Final - 4/26/06)
b
& b b b b b 44
b b 4
& b b bb 4
CLERK:
12
? b b b4
b bb 4
13
It's a trick - y sit - u - a - tion,
.
.
b
& b bbbb
16
17
14
first fight
? b b b
b bb
. .
b
& b b b b b J
20
ROBBIE:
21
b
& b bbbb
24
ROBBIE:
25
j
.
. .
JULIA:
She's an id- i - ot ac - cord-ing to moth - er It takes
b b
& b b bb w
ww
B bm
? b b b
b bb
. . . .
. . . .
ww
w
E bm
.
ww
w
E bm
18
. . . .
. . . .
. .
j .
dis- as
.
19
It means that you'll make
JULIA:
.
.
. .
. .
. .
26
one- to know
ww
w
Cb
.
j
.
.
.
. . .
.
j .
J J
up fast - ter
j j
..
.
j
j j
.
23
- ter andbroth - er and he's
www
B bm
ter
.
. .
.
. . . .
. .
.
.
. . .
.
22
j j
..
.
j j
I hate to tell you but we're not witheach oth - er,we're sis
b b
& b b b b ww
w
B bm
? b b b
b b b .
. . .
. . .
15
I've seen coup-les face
Why not tell your-selves you're both wrong both right
b b
& b b b b
The Wedding Singer
the slow
one
Cb
. .
. .
. . . .
27
one
C b/D b
.
. .
. .
. .
Db
. . .
. .
P/V
b
& b bbbb
28
j j
J

R & J:
b b
& b b bb
F Gb
? b b b
b bb
.
.
Tell
j
.
. C b/ b
G
the
.
.
night
b
& b b b b b J J
ROBBIE:
32
Tell
the stars
j j
bbb b
b
& b

the stars
b b b j
b
& bb

E bm
? b b b . . .
b bb
. . . .
b
& b bbbb
b b
& b b bb
b
& b bbbb
35A
..
.
B bm
. .
.
. .
.
.
35B
mis- a-ligned
not to sing
j

Cb
Db
. .
. .
. .
.
j j j

J
'cause it's not that kind
of thing
'cause it's not that kind
of thing
j j j
35D
>
.
. . . . . . . .
fl
D b /C b
C b/ D b
Cb
j
. .
. .
. .
. .
fl
35C
birds
31
35
mis- a-ligned
in the-heav - ens they've been
.
.
j
.
.
the
34
j
J
Tell
D b /G b
j
j
. www
>
? b b b
b bb
.+bs. dr.on .2&4. . . .
30
to save its moon - light
33
JULIA:
Tell
29
The Wedding Singer
j > .
b ..
. J
>
..
.
.
J
. . . . . . . . . . . . . . . .
P/V
b
& b b b b b ..
36
37
38
The Wedding Singer
.. ..
42
39
..
Vamp
43
CUE to move on:

JULIA: "I said Hold It!"
j
j
j
b j . j . j b j . j . .. ..
..
.. .
.. .
..
..
.
.
p under dialogue
? b b b ..
.. ..
.
b bb
.
.
.
. .
b .
.
.
.
.
.
CRYSTA/JULIA:
CRYSTAL:
JULIA:
b
b
j
b
& b b b j J
b b
& b b b b ..
j
b ..
.
b .
j
.
J
44
45
You get stuck with them for
46
bet - ter
b b

& b b b b
. .
D b/G b G b
F Gflb
? b b b
b bb
. .
.
.
. .
. .
.
.
. .
b
& b bbbb
48
ROBBIE/MOOKIE:
It's e - mas-cu - lat-ing
49
hold - ing
b b

& b b b b
. .
.
D b/ G b G b
Gb
? b b b
b bb
. . . .
. .
. . . .
. .
b
& b b b b b J
52
53
no mat-ter which way
j

. .
D b/G b
purse
ROBBIE:
50
ww
w
E bm
.
.
. .
. .
. .
.
j j
..
.
E bm D b
.
. .
.
. .
. .
JULIA:
54
55
un-der - stand - it. I've shopped
..
.
B bm
j
.
J
my jack - et.
Your e-vil schemehas turned out just as you planned it. I now
b b
& b b b b ww
w
B bm
? b b b
b b b .
.
51
and it does-n't match
it.
E bm D b
.
. .
.
.
. .
. .
.
.
. . .
.
j j

.
D b/ b
you stack
. .
. .
47
or worse
. .
. .
.
. .
. .
. .
j
.
You've car - ried.
j

Cb
.
. .
j

.
. .
. .
P/V
b b

& b b bb J

56
ROBBIE:
JULIA:
57
The Wedding Singer
ROBBIE:

JULIA: "No you're scary"
58
I do the work and you make out like a band - it. It'strue!
59
No it's sca-ry!
b

& b bbbb w
w
w
w
ww
ww
w
b
b
E
m
C
B bm
? b b b
. . . .
b bb
. .
.
. . . . .
. . .
. . . .
.
.
.
.
. .
.
.
b
& b bbbb
60
j
J j
ROBBIE+JULIA:
Tell
b b
& b b bb
the
? bb b b
bb
Tell
night
the
night

J J
.
ROBBIE:
+ MEN:
b b

& b b bb J J
64
Tell
the stars
j j
b b
& b b bb
JULIA:
+ WOMEN:
Tell
b b b
b
& bb
j

J
the stars
? b b b
b bb ... .
. . . .
.
65
62
Tell
66
..
.
.
.
.
. .
.
the
birds
birds
'cause it's
JULIA:
mis - a-ligned
not to sing
'cause it's
not to sing
j j j

J
not that kind
of thing
not that kind
of thing
j
j j
J
fl
D b/ C b
C b/D b
Cb
j

. . . .
.
. .
. .
fl

.
.
. . . .
. .
ROBBIE: 67
mis - a-ligned

. . .
. .
63

J J
Tell
the
J j
j j
j

ENS:
.
b
b
& b b bb
61
-
J
ROBBIE: "No THIS is scary!"
P/V
b b
& b b bb
b
& b bbbb
68
69
The Wedding Singer
70
71
j
j
.
b
& b bbbb
. .
J
P
? b b b
b bb
. . . . . . .
b
& b bbbb
72
ROBBIE:
b b
& b b b b
? b b b
b bb
True,
j
.
.
73
there
are
b b b b j
b
& b
er
77
74
there
75
78
too

J J
and ling -
meet mine
may - be a bit
when her eyes
b b
& b b b b

? bb b b
b b .
times
76

j
j
j
. .
.
. .
.
J
J
J
. . . . . . . . . . . . . . . . . . . . .
. -
79
long
P/V
b
j j
& b bbbb .
JULIA:
80
b b
& b b b b
? b b b
b bb
.
And
&
won - der
85
his stare?
..
.
j
J
86
83
is there some
? b b b
b b b
###
j
b
& b bbbb
J
89
82
84
b b
& b b b b ..
.
81
The Wedding Singer
R & J:
No
I could-n't be
ww
w
>
C b5
j
J

> >>
90
ENSEMBLE:
j j
j
###
&

Tell
the night
j >
j
# # #

&
>
> J
>
f
j j
? ###
> >
>
>
>
87

fl fl
D b7 su s
fl
91
j j

thing hid - den
in
88
###
# # #
fl
###

fl fl fl fl fl fl fl fl fl fl
more wrong!
fl
fl
fl

fl fl fl
92
j j

Tell
the birds
j
>

>
> J
j j
> >
>

not to sing
j

> >
>
> > >
P/V
# #

& # J J
MEN:
93
&
###
Tell
the
94
stars
j j

# # # j
&
>
>
the
stars
&
98
&
mis - a- ligned
No it's
No it's
102
not that
'cause it's
j
j
..
..

.
.

F
j .
j .
kind

P
? ###
j
..
# # # ww
ww
&
###
96
smooth
###
101
mis - a- ligned
97
###
&
95
in the heav - ens they've been
>
j
? ###
j

>
>
>
###

&
J
J
not that
in the heav - ens they've been
WOMEN:
Tell
The Wedding Singer
not that
kind
99
not that
..
j w
100
kind
of
kind
of
ww

Rit. al fine
103
104
105
106
thing
thing
Rit.
###
&
pw
#
? ##
w
w
w
w
ww
U
ww
The Wedding Singer
Piano / Vocal
10A
ROBBIE + JULIA KISS

CUE: "Just for educational purposes"
(go on their kiss)
j
## 4
& 4 w
P
w
? # # 44
Sweetly
j
# # .
& w
w
? ## w
j
j

.
J
w
U
w
wwww
u
Poco rit.
U
w
(cut off when

they part lips)
j

w
w
The Wedding Singer
Piano / Vocal
11
SATURDAY NIGHT IN THE CITY*

(Holly, Julia, Glen, George, Robbie Sammy, Ensemble)
CUE: "...doesn't mean he's gonna

get laid...Alright, he probably
will..."
Fast, driving
1
2
&b 4
4
4
& b 24 44
? 2
b4
&b
&b
D5
?
b
&b
&b
F5
When the week- end
rolls
F5
12
a - round
13
>

*N.B. - Pronounced "ci-tay" throughout the song
>
A5
>
C5
hot - test
14
10
G5
hound the
G5
C5
G5
?
b

HOLLY:
D5
D5
4
4
11
>
G5
spots
My
F5
P/V
j
b
&
fav - orite club
&b
?b
j j

15
'll
al
j j

ways doub
le
The Wedding Singer
17
all
20
Got my skin tight
j
b
&
we're gon
na
and
par
24
ty
F5
25
it's
cru - ci - fix

26
27

28

Sat - ur - day night
F5
29
'Cause it's
&

in the cit
n

G5
To - night
A5
Nine - teen Eight - y - six!
G5
&b
synth
&b
D5

?b

22
like
plas - tic
j j

23
21
vod - ka shots
bus - ti - er
?b

my
D5
18
D5
&b
G5
&b
?b
19
16
2. SATURDAY NIGHT...
30
ALL:
(principals only)
B b5

It's
P/V
&b
31
&b
?
36

Sat-ur- day night
night
Sat - ur-day

D5
F5

32
&b
HOLLY:
Once you're past
&b
&b
?b

D5
the vel
&b
&b w
G5
vet ropes
your
A bump
floor smoke

41
of
.. j .
. ..
D5
and-ev
D5
39
come
true
JULIA:
The dance
42
j

w
D5
C5
F5
coke
GEORGE:
F5
35
G5
j
.
wild - est dreams
GLEN:

38
34
in the cit
j
b
&
Sat-ur-day night
40
33
37
The Wedding Singer
j j

ery - thing
43
j
w
ta - boo!
j
?
P/V
& b J
ROBBIE:
44
I got-ta pair
&b
?
45
o' par
?b

&b
?
till
chicks
start flock
ing
..
52
53
my Flock

J
w
of

J J
SAMMY:
Can't wait
51
Sea - gulls hair!
York is re-served for
the
F G5
?b j

j j j

54
York is re-served for

rich and proud
the
&b
&b
&
New
New
A5
47
50

J J
to
>
F5
49

J J
G5
&b
Grand - ma bought me to wear

&b J
>
D5
&b
46
48
a-chute pants that
>
The Wedding Singer
but here
the
and
comes bridge
55
j
j

tun-nel crowd

J J
J
J
J
rich and proud
but herecomesthe bridge and tun-nel crowd

57

and it's
and it's
. . . . > > > >
A5
j
j

. . . .

. . . . . . . . > > > >
P/V
58
&b
Sat ur day night
Sat ur day night
w
& b ww
D5
f
? b

&b
ww
w
F5

Sat

&b
Sat
&b
C5

ww
w
F5
n ww
w
n ww
w
ww
w
Bb
in the cit
It's
j
.
y
.
J
w
w
D5
>
>
>
F5
65
68
It's
.
J
in the cit
D5
b
.
>
>
in the cit
64
ur- day night
in the cit
67

b
&

>
>
>
F5
ur- day night
66
j
.
61
D5
63
ww
&b w
60
62

&b
59
The Wedding Singer
D5
E5

>
>
>
P/V
69
&
ENSEMBLE ENTERS:
# GUYS:
&
Out
synth solo
70
on
the prowl
71
GIRLS:
and

. . . . . . . .
&
j j

Hop-ing
Sun - day
#
& J
&

J J
Hop-ing
Sun - day
j
# n
74
morn
n
J
morn
j
j

G5
?#
. . . . . . . .
77
&
&
&
Goths
#
#
Goths
punks and pos
punks and pos
j # j
E5
?#
. . . . . . . .
ing
j # #
F #5

. . . .
75
you'll have
ing
you'll have
j
j

- eurs
- eurs
79
sins

. . . . . . . .
78
72
sins
j # # j

. . . .

. . . . . . . .
to
to
con-fess
76
con-fess
j
j

j
j

. . . . . . . .

. . . . . . . .

A5
j
# #
and
yup-pie
snobs
ga-lore
and
yup-pie
snobs
ga-lore
im - press
?#
. . . . . . . .
#
to
j # j
73
dressed
# j # j
&
E5
The Wedding Singer
# #
J
j # j j # # j
F #5

. . . . . . . . . . . . . . . .
80
w
w
j # # j

. . . . . . . .
P/V
# j
&
Eve - ry
bod
y's
j j

e
Eve - ry
bod
y's
81
#
& J
j j

J J
# j j
&
G5
?#
. . . . . . . .
84
&
qual
when
qual
when
&
&
ww
w
85
j
j

#
&
&
E5
?#
88
ing
on
they're
thrash
ing
on
#
J

#
J
w>
w
ww>
w
89
>
A5
the
floor
the
floor
. . . . . . . .

j
j

w
# ww
A5
w
# ww
G5
86
thrash
B5
j

#
they're
83

. . . . . . . .
? # . . . . . . . .

87
j j
# www
&
82
The Wedding Singer
'Cause it's
'Cause it's
>
in the cit

> > > >
90
in the cit
j
.
It's
.
J
C5
It's
P/V
91
&
&
&
&
&
&
Sat
#
#
E5
Sat
bbbb
>
b
& b bb
f
D5
> > >

? b b
b b
>
A5
in the cit
>
>
j
.
.
J
E5
bbbb
97
94
in the cit
93
ur- day night
G5
E5
99
ur- day night
96
G5
?#
98
92
? #
95
The Wedding Singer
bbbb
100
>
G5
> > >

> >
101
D5
>
>
102
>
E5
103
bbbb
(to 110)
> > >

>
J
J

>
>
j
>
P/V
b
& b bb
110
b b
&b b
? b b
b b
b
& b bb
112
"Heroine" (sic) moment
> .
b b b ..
b
&
f
? b b ww
b b w
>
113
>
114
> .
w
..
ww

J
..
ww
.
w>
>
..
>
115
>
> .
111
The Wedding Singer
116
> .
w
ww
..
J
..
ww
.
>
w>
...
>
117
>
.
> .
>
>
P/V
b b4
&b b 4
dialogue
118
b b 4 > .
b
& b 4
? b b4
b b 4
>
b b
&b b
sub.
122
b b
&b b
b
& b bb
126
&
j

>
124
..
128
Vamp
..
j
>
"First Blast"
Sat - ur- day night
b
& b bb
f
? b b
b b
F5
131
..
A 5
125
127
? b b
b b
bbbb
121
j

>
..
129
ALL:
j >

f
.. j

>
It's
JULIA: "Pour me a double shot of that brown stuff - and keep 'em coming."
b b
&b b
130
120
123
? bb b
b
119
The Wedding Singer
132
Sat - ur -day night

B 5
in the cit
133
.
y
head rolls
D 5
P/V
b
& b bb
134
dialogue
135
b b
& b b j . j .
. .
. .
sub. p
? b b
b b
>
b
& b bb w
w
138
b b
& b b j . j .
. .
. .
? b b
b b
b
& b b b ww
142
143
w
w
b
& b bb w
w
146
147
b b
& b b j . j .
. .
. .
? b b
b b
ww
141
145
j

>
149
j j
. . .
. . .
>
j j
. . .
. . .
148
144
j

>
j j
. . .
. . .
b b
& b b j . j .
. .
. .
? b b
b b
>
140
ww
137
j j
. . .
. . .

139
136
The Wedding Singer
>
P/V
b b
& b b ww
2 ..
4
? b b
b b
b b
&b b
b b
&b b
? bb b
b
F5
157
&
j
j
. . .
. . .
ALL:
> ~.
~~
~~~~
~~~~

sub.
? bb b
b
162
155
option: Dr's half-time
161
&
A 5
158 . .
..
J
b b > .
b
& b
B 5
Doppler
.. ..

ww
159
Doppler
D 5
ww
164
head slide
163
160
.
spin
156
in the cit
j >
4
.. 4

f
.. 44 j

>
Whoa - oh - oh,
synth pows
Slo-Mo snake line
bbbb

154
j
. .
2 ..
4
Whoa - oh - oh-oh,
dialogue
bbbb
? bb b
b
>
b
& b bb
24 ..
152
GLEN: Why is that funny? ROBBIE: I don't know.
"Second Blast/First Whoa"
153
.. 44
Vamp
151
150
b
& b bb
The Wedding Singer
P/V
b b
&b b
165
166
b
& b bb w
? b b
b b
b b
&b b
&
bbbb
&
bbbb
170
.. ..
Doppler
Vamp
? b b b 24 ..
b
.. 44
24
176
f
j
2
4
24
178
.. 44
GLEN: I work in the city, man. And I work long hours.
1st x only
b
b
2
.
&b b 4 .
172
175
.. 44
ww
171
174
b
& b b b 24 ..
177
168
? bb b
b
ww
167
b
& b bb w
173
Doppler
169
? bb b
b
.. ..
The Wedding Singer
>
>
P/V
"Third Blast/Second Whoa"
180
ALL:
b
& b bb
179
b b
&b b
F
? b b
b b
#
181B
&
Whoa - oh - oh -oh,
F5
Windmill
dialogue
# n
& n n
&
&
&
&
#
#
?#

B 5
181A
Flower
(BIG!)
D 5
181E
j
>
181M
j
>
181I
181L
in the cit
181H
181D

181K
?#

181J

181G
very dry almost pitchless pulse
181C
? # n
n Dr's: Half-time feel
181F
A b5
181
Whoa - oh - oh,
The Wedding Singer
P/V
181N
&
&
#
#
?#

181R
&
&
#
#
j
. . .
#2 .
& 4 .
Vamp
#2 .
& 4 .
.. 44
182
.. 44 >
P
.. 44 .
> .
ROBBIE: Maybe I should go help Glen
? # 2 ..
4
j
>

181T
j
>
j
.
> .
24
>
>

>
24
183
>
j 24
>
181U
j
. . .
181Q
181P
j
>
181S
?#

181V
181O
The Wedding Singer
>

> > > >
P/V
#
& 44
184
HOLLY:
Check
#
& 44
out
185
the view
186
You'll
&
&
&
&
j j

bod-y's
?#
192
you
see
189
a - muse - ment park,
My
190
.
w
the
first
ride's
on

191
me
A5
what
G5
Don't
?#
an
b
J
187
F 5
?# 4
4
#
E5
188
like
The Wedding Singer
stop
to ques
E5

193
j
.
tion
194
if
.
#
you're
gon - na score
#
J
195
F 5
P/V
# j
&
196
&
&
#
#
?#
j j

Be - ing young
and
stu
197
is
Sat
G5
#
& w
&
&
?#
199
is
for
It's what

ALL:

201
B5
ur - day
j j
.
A5
#
Sat
.
200
j j

198
what
j j

j j

pid
The Wedding Singer
- ur
day
is
for
GIRLS & GUYS:
and
..
..
it's
P/V
202
&
&
&
#
#
&
&
Sat - ur- day night
E5
? #
210
&
&
#
#
Sat
204
207
ur-day night
G5
E5
j .

209
in the cit
Oh
A5
j
.
E5
212
G5
D5
E5
It's
j
.
C5
Sat - ur- day night
211
D5
Oh
208
Holly kisses Robbie...
?#
A5
G5
Oh
in the cit
205
Sat- ur- day night
Oh
G5
Oh
Sat-ur-day night
Oh
? #
&
4 GIRLS:
203
Sat-ur-day night
E5
206
The Wedding Singer
P/V
(dialogue)
Play 3x's
#
& ..
213
214
The Wedding Singer
215
# .
j
j
j
& . ..
.
.
.
.
. .
..
..
ww
.j
.j
.j
p
? # .. .
. .
. .
.
.
.
b
& b b b b b ..
217
Play 3x's
b b
j
& b b b b .. b . .
b
b ..
b
.
p
j
? b b b .. b .
b bb
b .
b
& b b b b b 24 ..
221
Vamp, jump on cue
HOLLY:
"Robbie, she's marrying Glen."
b b 2
& b b b b 4 ..
? b b b 2 ..
b bb 4
218
.. ..
.
.
219
.j
.
j
.. ..
.
.
.j
.
"Outside the Club"
.. 44 ..
222
Repeat til cue
ww
.. 44 .. w
.. b b b b b b
216
.. b b b b b b
.j
. .. b b b b b
b
220
j
ww
.
.
.. 24
.j
. .. 24
.. b b b
Starkly
.. 44 ..
.. 24
.. b b b
(subwoofer thump)
.. b b b
P/V
The Wedding Singer
Freely
ten.
j j 5
j
b
b
& b
4 44 j

223
224
ROBBIE:
ww
b w
&b b
Tell
? b
b b
225
5
4
the night
tosave itsmoon-light
5
4
b
&b b
b
&b b

J
? b j .
b b w
have been out
230 D
? b
b b w
w
b
w
& b bbbb
237
w
w
231
bbbbbb
232
wwww
w
w
238
of
Tempo I
.
.
.
j
j

230 B
240
235
thing
239

J
j
.
234
> > >

> > > > > >
>
b b b b b b
J
J
cresc. poco a poco

b b b b b b

>
>
>
your-self
U
w 'cause it's not that kind
B b7 su s
U
ww
w
w
ww
233
230 A
j

J
Tell
230
227
not to sing
"Back in the Club"
Noit's not that kind
b
& b b

of yourmind
j
b
& b b . J
230 C
229
the birds
..
4 .. ..
4
w
4
4
228
that you must
Tell
ten.
n
226
236
>
>
> > >

>

>
>
241
j
j
j
j
b b b b > +jlead gtr improv
j
j
j
b
& b J

cresc. poco a poco
F
? b b b j
j
b bb
>
P/V
b
& b bbbb
242
? b b b
b bb
246
&
Sat-ur-daynight
4 GIRLS:
Oh
E5
? #

250
&
&
&
ENS:
# nw
&
&
#
#
247
E5
? #
248
Sat
251
ur-day
Oh
G5
A5
252
night
in the cit
Oh
j .

C5
A5
Oh
in the ci
the ci
>
#
#
j
It's
249
245
Sat- ur- daynight
Oh
G5

244
Sat-ur-daynight
Oh
.
J
Sat - ur - daynight inJ the cit - y
>

>
HOLLY:
243
b b

& b b bb
J
J
The Wedding Singer

253
E5

D5
..
J
ty!
..
J
- ty!
^
> ..
.
E5
j D5
j j
.
>
>J >
END OF ACT 1
The Wedding Singer
Piano / Vocal
12
ENTR'ACTE
(1/28/06)

A la "Jump" fat synth
q
#
# 4
& # 4
# # # 4 j

& 4
J
f
? ### 4
4 w
w
w
w
j
j
J

ww
w
w
w
w
w
w
w
drum fill
nnn
nnn
nnn
V.S.
P/V
2. ENTR'ACTE (1/28/06)
&

& J
?
12
w
w
&
j j

TEN SAX
w
w
& ww
w
13
?
&
17
16
& ww
w
?
15
18

19
22
ww
w
Am
F /G
C /G
D m7
ww
w
ww
w
ww
w
G /B
Am
21
ww
w
C /E
20
& www
w
w
14
11
ww
ww
w
w
10
j j U

ww
w
&

J
w
w
www
G /B
The Wedding Singer
New tempo - "Wedding Day"

J J
23
ww
w
C /G
P/V
3. ENTR'ACTE (1/28/06)
&
24
& ww
w
?
& ..
.
?
>
F5

>
& w
30
&
?
C5
26
31
ww
w
C /E
&
www
D m7
27
25
The Wedding Singer
28
j
j

>
>
A5
G5
j j
>
>
j
j
b
b >
> >
Bb
F5
C5
j
b j
> > >
32
29
33
>
D5
>

>

> > >
#
#
#
V.S.
P/V
4. ENTR'ACTE (1/28/06)
#
&
Half-time feel
34
#
&
?#
#
& J
/
#
?#
j
n

j

39
.
..
G /B
43
j
j
j
& n n
F
?#
b

b

trans. to "Sat. Night"
41
..
.

P
C /D
j
j

C /F
j
.
j
.
n.
44
j
.
40
.
..
J
J
Em
37
J
J
J
J
Am7
36
J
J
J
J
# j
& .
42
38
&
35
The Wedding Singer
45
n
n j j n j j

5. ENTR'ACTE (1/28/06) (2/17/06)
P/V
& .
J
46
47
j
j
&
?

&
"Saturday Night In the City"
fA5
?
51

&

J

J J
A5

b
b
&b b b
58
? b b
b bb
B b5
? b b
b bb
. .
52
56

J J

J J
D b5
60
n

J

J J
E b5
57

J J

J J
D5
59
j
j
?
D5
49
j
j

55
~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~
.
J

J J
C5
C5
54

J J
48
j
j

~~~
50
The Wedding Singer
53
..
.

..
.
J

J J
F5

..
.
bbbbb
bbbbb
A5
bbbbb

..
..
.
.
J

J J
J
G b5
. . . . . . . . . . . . . . . . . . . . . .
61
. . . . . . . .
6. ENTR'ACTE (1/28/06) (2/17/06)
P/V

b
b
&b b b
62
? b b
b bb
? b b
b bb
63

J
J
B 5
&
bbbb
b
& b bb
? b b
b b
b
& b bb
70
b b
&b b
? bb b
b
under dialogue
P
.
67
. . . . . . . .
U
w
w
j
.
.
.
.
j
.
.
.
. . . . .
.
72
bbbb
65
(move after Holly

starts speaking)
68
bbbb
69
41 ..
73
.. 44
.. 44
w
(move after Robbie's 2nd

"Maybe I can change!")
.
1
.
j
.
.
. 4
. . . .
J
j
.
.
. . .
Vamp
1
4 ..
bbbb
71
&
J
J
n n
Intro to "Green"
E 5
64 B
n n
b b
&b b b
. . . . . . . .
64 A
66
64

J
J
D 5
. . . . . . . .
b b q
b
& bb
? b b
b bb
The Wedding Singer
(1st x only)
74
.
75
Rall.
ww
w
.. 44
Segue as one to
"All About the Green"
The Wedding Singer
Piano / Vocal
13
ALL ABOUT THE GREEN

(Glen, Robbie, 5 Suits, Ensemble)

(REV. 12/27/05)
(Final - 4/26/06)
HUGE
j
ENS:
j
b
b
4
&
4
n n
b
& b b b 44
>
? b b4
b b 4 w
w>
q
b
b
&b b
? b b
b b
11
&
bbbb
j
.
.
.
.
b
& b bb
? b b
b b
j
.
.
.
.
13
j
.
.
.
.
> >
n
J
y?
n > drums

J
12
>
>
.
.
> > > w

> w>
Wan - na be some - bod
DRUM FILL
j
j

n n
>

y?
j

> n > n >
Funky
>
.
.
b
& b bb
>
Wan - na be some - bod
14
j
.
.
.
.
(to 11)
(to 17)
P/V
2. ALL ABOUT THE GREEN (Final - 4/26/06)
b
& b bb
17
&
bbbb
[DIALOGUE]
j
.
j
.
b
& b bb
21
b
& b b b 44
ALL:
Sell
b b b 4 .
b
&
4
? b b4
b b 4
b
& b bb
28
&
bbbb
+mechanical office-type percussion
? b b
b b .
j
.
j
.
j
.
.. 24
25
.. 24 .
1 ..
4
b . . .
n .
1
4 ..
(1st x only)
.. 24
n .
lev - erage
your
port - fol
j

. .
[DIALOGUE]
j
b .
CUE OUT:"...start making money?"
27
low,
20
Vamp
24
buy
41 ..
high,
? b b
b b
26
23
22
19
+mechanical office-type percussion
? b b
b b .
b b
&b b
18
The Wedding Singer
29
j
.
.
30
.
.
j
.
j
.
31
j
b .
44
4
4
4
4
P/V
b
& b bb
b b
&b b
32
? b b
b b .
b
& b bb
36
37
b b
&b b
j
. .
.
j
? b b
b b .
.
b
& b b b 44
Bull runs,
.
b b4
&b b 4
41
ALL:
? b b4
b b 4
b
& b b b ..
45
cash
Vamp
.. 24
44
40

2
.. 4
. .
1
4 ..
(1st x only)
.. 24
n .
4
4
4
4
44
M. B. A.'s and I. P. O.'s
j
.
.
. . .
j
.
j
.
.
.
.
43
46
41 ..
39
(repeat once only, no vamp)
j
b .
1 ..
4
b . . . .
n .
b b
& b b ..
? b b ..
b b
flows,
35
CUE OUT:"Can you smell it?"
38
42
34
j
.
j
.
33
The Wedding Singer
j
. . .
.
GLEN:
(Vocal last x)
.. ..
.. ..
..
..
j
.
.
.
46 A
.. ..
Vamp
.
.
There's a
P/V
b
& b bb
47
b b
&b b
? b b
b b
48
big shin-y fu-ture you've been dy-ing to buy
P
.
j
.
. .
.
52
? b b
b b
b
& b bb
b
& b bb
synth
? b b
b b
sim.
in-ter-vene
If you
55
green
start pow - er lunch - ing in your
56
n
J
pow -er tie
57
It's all a - bout the
60

58
b b
&b b w
P
? b b
b b
but
n
J
n
J J
j j
62
j
J
if you sell your soul, at least you made a sale
61
Some may say you're head-ed down a crook-ed trail
54
n b
J
wan-na be some - bo-dy
it's all a- bout the
^

green
j j
53
b
j
& b b b J
J
59
j
J
50
. . .
You can't wait for fate to some-how
b b
&b b
bet-ter
b
& b bb
51
49
The Wedding Singer
P/V
b
& b bb
63
64
You could end world hun-ger or cre - ate a vac- cine
b b
&b b
? bb b
b
67
&
bbbb
68
green
n
b b
&b b
J
J
b
& b bb
? b b
b b
66
wan-na be some - bo-dy
69
n
-
It's all a-bout the green
ALL:
Wan- na be some - bo
n b
J
65
but if you
The Wedding Singer
dy
n
J
J
Wan-na be some - bo
j j
F

70
it's all a- bout the
n b
J
It's all a-bout the
n
-
dy
j j
P/V

(Glen sings all lines through 77)
b
& b bb
71
b b
&b b
b b
&b b
? bb b
b
75
&
bbbb
72
big bucks, fat checks,
73
74
mid-night flights to L. A. X.
n b
2nd SUIT:
Trad- ing stocks and trad - ing wives
1st SUIT:
Slush funds, high fives

C5
D b5

A b5
B b5
76
b b
&b b
4th SUIT:
77
78
Buy-ingoutthe Jap-a-nese
3rd SUIT:
b
& b bb
The Wedding Singer
n
b
GLEN:
79
Do-ing drinks with I- o-coc-ca
5th SUIT:
C notes,half G's
Land deals down in Bo-ca
A b5
B b5
D b5
C5
? b b
b b

b b
&b b
80
b
& b bb
&
bbbb
? bb b
b
green
ALL:
81
n
J
J
Wan-na be some - bo
Yeah, it's all a-boutthe
n
J
n
-
82
dy
83
n
J
J
It's all a- bout the
j j
Wan-na be some - bo
n
J
dy
P/V
b
& b bb
84
85
b b
&b b w
dialogue...
? b b
b b
### .
.
&
### .
.
&
&
###
&
###
&
###
93
? ###
87
###
###
###
j
Vamp
88
? # # # ..
86
The Wedding Singer
89
1.
90
2.
.. ..
..
91
GLEN:
92
It's all a-bout the
..
j
j .. .. j ..
green
J
J
Wan-na besome - bo
ALL:
.. ..
94
it's all a-bout the
95
green
dy
96
#
J
J
Wan -na be some - bo
j j
n
J
dy
j j
P/V
&
###
&
###
&
###
97
# n #
98
GIRL:
The Wedding Singer
99
100 2nd
bank rolls, leg - al ten - der Strip-pers scream-ing"Heybigspen-der!"
Re-group at the Play-boy man-sion

1st SUIT:
Cut throat, firm ex-pan-sion

A5
B5
C #5
? ###

&
###
&
###
101
###
SUIT:
4th SUIT:
102
3rd SUIT:
D5
104
GLEN:
&
###
&
###
&
###
106
107
J
J
ALL:
Wan-na besome - bo
? ###
Bank boards get-tin' ant-sy
green
Yeah, it's all a-bout the
SUITS:
Blue chips,pink slips
105
For-eign beers e-go trips Bank-boards get-tin' ant-sy Jel-ly-beans from Ronand Nan-cy!
and
# #
n
103SUITS:
C #5
A5
B5
D5
? ###

&
dy
109

#
J
J
Wan-na be some - bo
j j
It's all a-boutthe green
#
J
108
n
J
It's all a-bout the
dy
j j
#
J
#
J J
P/V
# #
& #
110
111
corpo-rate hacks like
### w
&
w
w
F
C #5
? ###

# # j j j
& # n J
114
on-ly hol - ler
un
j
### .
ww
&
? ###
115
stab- bing
w
w
backs
and
112
116
j
j

twist - ing arms
. j
ww
w
J J
117
.
ww
113
real
slow
but you
w
w
ww
w
your un - cle is the C. E. O.
D5
n
J J J J
cle if
The Wedding Singer
118
n b
bb
n
J
It's all a-bout the
bb
bb
P/V
b
& b n
119
120
ALL:
n
b
&b
J
J
green
? bb
&
bb
&
bb
123
&b
j j
quick deal,
124
125
j j
+2nd SUIT:
n
J
+4th SUIT:
b
&b
128
Out-put in-come
+5th SUIT:
Skim-ming off a ti-dy sum
dy
126
,
b
D5
E 5
b n #
130
Rea-gan-o-mics quid pro quo the
Der-sho - witz on re - tain - er
129 GLEN:
+3rd SUIT:
S and L. de - re - gu - la- tion
+1st SUIT:
C5
It's all a-boutthe
Grand slam, strong gain- er
127
# n
J
Wan-na be some - bo
li - quid - a - tion

B b5
? b
b
&b
122

n
J
J
n
J
dy
b
&b
121
Wan-na besome - bo
b
&b
b
J
The Wedding Singer
G. O. P. is S. R. O.!
#
b J n
ALL:
the

E b5
B b5
C5
? bb
G. O. P. is S. R. O.!
131
n
J
It's all a-bout the

f
D5
P/V
b
&b
132
133
ALL:
n n
b
&b
J
J
green
Wan-na be some - bo
b
&b
? bb
"The Stalk"
b
b
&
136
n
J
(controlled)
fast fall-off
bb
dy
"Doozh"
low synthysnare
135

n
J
J
b
&b
F
? b
# n
J
It's all a-boutthe
j j
Wan-na be some - bo
Devo-ish square wave with attack
134
j j
b
&b
&
The Wedding Singer
n
J
dy
54
137
|
p
5
4
54
wind sweep: "opening the

gates of Hell"
low thump
54
5
4
P/V
(wildly)
b
& b 45
138
tutti
b5
&b 4
n .
139
b 5 ..
b
& 4 .
J
j
? b5
b 4 .
.
n .
"DOOZH"
b5
&b 4
b
& b 45
44
140
143
(controlled)
44
P
4
4
144
.. # ..
.. # ..
b
n
n
5
& b 4 . # .. . # ..
J
J
j
j
? b b 45
.
. .
4 w
4
P
45
141
44
The Wedding Singer
4
4
4
4
n .. .. n ..
. n ..
n ..
J
j
.
.
142
b5
&b 4
5
4
5
4
|
p
45
145
5
4
44
p
44
P/V
b
&b
146
The Wedding Singer
147
b
&b w
b
& b
? bb
n ww
n
b nw
&b
156
&b
157
b nw
+reverse cymbal
to downbeat
b
& b nw
nw
? b b n n ww
nw
158
&
bb
Big Dance
b
&b
? b
b
raucously
^j
n n
^j
n n
n
159
# #
# #
J
j j
b
J
f
b
J
f
b
J
160
sax feature?
with crazy "hands"
(to 156)
j
~~
# j ~~~~~~~~~~~
161
#
#
J

#
J
j #

j j j
P/V
163
~~~~
&
w
bb
b
b
&
? bb
&
bb
arms out
~~~
~
166
b
b
&
? bb
170
&
bb

n
J
167

n
J
b n
& b #
J J J J
F
? bb w

b

J
164
~~~
162

n
b
J b
165
twirl jumps
171

n
J
172
#n
J J J J
w
168
The Wedding Singer

with crazy "hands"

n
J
169
.

n
b
J
It's all a-bout the

#n
J
f
173
ROBBIE:
P/V
174
&
bb
&b
? b
b
178
&
pay dirt, shuck and jive
Five to nine
bb
G:
? bb
R:
Nas - daq, Dow
b
b
&
cresc. poco a poco
175
G:
R:
not nine to five
Jones,

wor-ship-ping the Mil-ken clones,
R:
177
G:
180
R:
old ci-gars, newCam-a - ro
j # j
n
BOTH:

in-sidetips on Pep-si - Co - la
j
#
BOTH:
G:
Kick backs, pay - o - la,
j
n
n
179
176
The Wedding Singer
n j #
BOTH:
181
Yo qui-e - ro more di-ner-o!
V.S.
P/V

Robbie Wedge
n ^
b
&b #
? b
b
&
bb
&
bb
188
183
. >

J
^ ^

> -
n >
#
J
> >
> > > > > > > >
>>>>>>>>
.
.
>
>
>
>
>
n
#
b
n
& b # n # # n # n n #
>
^j
^j
? b ..
. .

b
b j n n
b
&
J
J
192
&
bb
I wan-na be some - bo
green
b
&b
? bb
193
dy
194
j
b
j j
n
J
. .
n
#
J
f j

. .
Fast
football
runs
G: He wants to
I wan-na besome - bo
j
b
b

It's all a-bout the
n > >
#
ALL:

. . . . .
n
j
J
J
195
^ ^ ^

191
^ ^ ^

n >
#
J J
^
190 Roto-Toms
185
^
> >
#
J J
^ ^

> -
>

n # >
189
184
~~~
b
&b
182
The Wedding Singer

> >
n b

J
BOTH:
dy
j
b
j j
n
J
It's all a- bout the
n
J J
P/V
196
&
w
bb
green
b
&b
197
? b
b
b
&b
&
bb
j j
200
the
n bb

It's all a-bout the
n
J J
green
Wan - na
202
j

.
be some
j
n
n
J
bo -
203
green
all
? bb j

201
198
the green
ALL OTHERS:

b
&b J
a-bout
dy
j
j
b
n n b

bo
dy
n .
J
b
J
199
a - bout
green. Wan - na be some -
&b
b
J
The Wedding Singer
Gm
bout
the
ww
ww
green!
ww
ww

> > > >
v
The Wedding Singer
Piano / Vocal
13A
ALL ABOUT THE GREEN - PLAYOFF

(REV. 1/1/06)
b4
&b 4
b
& b 44
Funky!
b 4 ^
b
& 4
? b b 44
b
&b
b
&b
MEN:
It's all
a - bout the
WOMEN:
b n
b
&
? b b j

It's all
(drum solo)

a - bout the
n n

J
J
n

J
j j
j
big
bucks,
fat
checks,
big
bucks,
fat
checks,
mid- nightflights to
L.
A.
X.
mid- nightflights to
L.
A.
X.
j
n #
P/V
2. ALL ABOUT THE GREEN - PLAYOFF (REV. 1/1/06)
b
& b
&b
b
&b
&b
10
fives,
trad - ing stocks and trad - ing wives,
C.
notes
half
G's
funds,
high
fives,
trad - ing stocks and trad - ing wives,
j
n #
down in Bo - ca,
do - ing drinks with
I - o - coc - ca!
buy - ing out the Jap - a - nese
Land
deals
down in Bo - ca,
do - ing drinks with
I - o - coc - ca!
n j #
b
&b
bb
13
n
15
deals
G's
Land
half
buy - ing out the Jap - a - nese
notes
12
C.
14
&
high
b n
b
&
? b
b
funds,
b
& b
11
slush
slush
? bb
The Wedding Singer
MEN:
b n
b
& #
? bb
n
#
J
n j #
b
J
It's
WOMEN:
b
J
It's
all
a -
all
a -
bout
the
bout
the
P/V
3. ALL ABOUT THE GREEN - PLAYOFF (REV. 1/1/06)
b
&b
16
n
J
n
J
17
wan-na be some - bo
dy
green wan-na be some - bo
dy
j
b
b
&
18
It's all a-bout the green wan-na be some - bo
b
J
? bb
j j
20
&
bb
J
J
green! Wan-na be some - bo
j
b
&b
19
b
b
&
n
J
wan-na be some - bo
j
b
J
n
J
The Wedding Singer
n
J
dy
It's all a-bout the
It's all a-bout the
dy
It's all a-bout the
b
J
j j
GLEN: .
n b
.
.
J
22
dy
j
b
J
Repeat and fade
21
n b

J
(1st x only)
23
..
green
OTHERS: (vox rpt 4x only)

j
b
j

j
J
.

green! Wan-na be some - bo - dy
It's all a-bout the
wan-na be some - bo - dy
b n b
b
&
..
J
J
? b
b
..
j
j j
..
..
..
j
The Wedding Singer
Piano / Vocal
13B
SOMEDAY Reprise (Act 2, Sc.2)

(Julia)
CUE: "You wanna know a secret?"
#### 4 .
&
4 .
In 2
#### 4 .
&
4 .
2
E add
P
? # # # # 4 ..
4
&
####
&
####
Colla voce
JULIA:
Some - day
E add
? ####
&
####
&
####
/G
/G
sing - le
ww
C #m
? # # # # w
A add
when it's
me
A /B
ca
tion
E add /G
w
w
10
A /B
E add
I'll know our
A add 2
Rit. (on rpt only)
com - pli
or
/G
love
/G
cause
for
w
w
A add
w
w
to be
..
2
..
A add 2
A /B
12
not one
hes - i
was meant
E add 2
11
www
..
ta
A 7/C
tion
P/V
&
####
&
####
13
2. SOMEDAYRepr. (Act 2, Sc. 2)
? ####
&
####
####
Some - day
E add
17
All
ww
&
w
F #m7
? #### w
w
when
/G
you'll
the dream
14
is
need
true
is
me
18
U
ww
U
w
A 5/B
16
B /C
15
A /B
com - ing
The Wedding Singer
and
# www
C#
all
I'll
need
Sammy cuts her off:

"Where's the Beef?"
is
The Wedding Singer
Piano / Vocal
14
RIGHT IN FRONT OF YOUR EYES

(Holly, Sammy)
(Final - 4/26/06)
CUE: "And by the way, Holly,
so am I."
#### 4
&
4
Fast pop
.
# # # # 4 .
&
4
P
? #### 4
j
4
.
. .
.
HOLLY:
####
&

. .
&
Eve - ry time you see his
F E.
? ####
&
And if
####
www
w
A add 2
? ####
ig - no-rance is
E5
get
A add
an - noyed
ww
w
o - ver - joyed
j

. .
.
bliss, he's
www
w
face you
####
&

2B
. .
j

. .
.
####
2A

ww
w
E5

. .
j
. .
^
^
j j
A /E
B /E
10
A /E
B /E
E5
^j
^j

P/V
2. RIGHT IN FRONT... (REV.1/7/06) (1/8/06) (REV. 2/2/06)(REV 3/14/06)
# #
j
& # #
11
&
12
? ####
E5
ww
ww
# #
j
& # #
15
&
? ####
www
C #m
# #
& # #
# # # #
&
? ####
23
&
####
16
E5
by sur-prise
j j

20
E5
17
Could you wakeup
w
ww
E /G
B /E
that you want

####
&
www
C #m
? ####
j j

24
j
is
your eyes
22
www
w
a - lize
A add
the one
j j

25
Bsus
day and re
right in front of
www
j j
j j
B /D
You're caught
one
j

>
21
^
^
j j
18
Bsus
14
www
B5
ww
w
was - n't there?
day he
A add
his hair

ww
w
19
But what would hap-pen if one
calls
A add
And can we talk a - bout that stuff he
####
####
13
The Wedding Singer
E5
P/V
&
####
&
####
26
? ####
27
>
>
A/
B /E
&

ww
ww
2
E5
A add
# #
j
& # #
33
&
34
31
They take your breath a - way each time they take
####
? ####
ww
w
A add
E5
# #
& # #
37
&

38
And they've got the bucks,the tux, the
####
? ####
the floor.
kil - ler
face,
39
.
J
ww
w
^j
^j
B /E
^
^
j j
40
B /E
E5
A /E
36
E5
B /E
ww
w
^
^
j j
E5
32
35
A /E
E5
ww
w
A add 2
E5
>
Ev- 'ry night a hun-dred guys come through the door
####
? ####
E5
30
28
>
# #
& # #
29
The Wedding Singer
j

>
B /D
P/V
# #
j
& # #
41
&
####
? ####
ww
w
C #m7
ww
w
# #
& # #
&
? ####
49
&
####
j j

####
&
J
J
have a cham - pagne wish
####
&
..
..
43
44
with thebass.
Could you wakeup
ww
w
E /G
B5
one
48
dayand re
j
w
Bsus
54

or
..
..
two
E5

55
A add
E /G
a cav - i - ar
j
..
..
a - lize
the one
^

>
You might
j

>
B /E
j j

56
j j

52
plus
www
w
51
is right in front of your eyes
j j
j j
50
47
www
B sus
You're caught
www
that youwant
53
46
by sur-prise
E5
A add
# # # #
&
www
C #m
? ####
j j

? ####
But you'restill think-ing 'boutthat jack - ass
45
####
42
The Wedding Singer
j

57
dream But are the life-styles of the rich

C #m
j
.. ..
F #m7
j

.. ..
P/V
# #
j
& # #
J
58
&
####
? ####
62
&
####
- and fam
E /G
w
w
&
####
####
&
####
&
####
all
they
F #sus
j

>
Scrim flies out: Fantasy begins
seem?

>
>
>
2
A add
kick
(+cc)

> > >
A add
? ####
>
w .
> >

J
68 (+cc)

>> > >
^j
^j
(Fan kicks)
.
.
71
69
72
A /E
^
^ ^
j j
B /E
E5

funky arms bit
^j
j ..
.
^
j

J .
73
("Shaft" guitar?)
j

> .
> .
.
quasi stop time
^
^
^
j j
A /E
B /E
E5
^
^
^

j j
J
j j

> > >
kick

> > >
>
65
67
>
>
64
w
w

>
j j

> > >
>
Bsus
j

>>
61
+Irwin's phenomenal string lines
63
60

> > >
? ####
70
j
J #
real - ly
3 fancy guys dance with Holly
# # # # > ..
&
f
E
? ####
&
ous
quasi Mike Post
66
59
The Wedding Singer
j
j

> . > >

2
A add
^ ^
Timp
j
j
j j
> >
>
ww
w
^
j
^
j j

>
P/V
The Wedding Singer
####
&

Circle
74
&
75
####
? ####
&
####
&
####
78
? ####
&
####
&
####
82
? ####
76
.
79

>
>
>
>
Bsus
80
j

>
> >
77
>
>
>

J
J
> > ..
..
J
Sammy flies off

into the wings
81
w
ww
full band slides
down
Cartwheels
+crash box
offstage
+cc
w.
w
83
+cc
w
w
E/G
j
.
j j
j j
bbbbb
85Rit.
84
+cc
...
F #sus
j

J
F#

# #
#
G #sus G #
+cc
b b b b b
b
# # b bbb
# #
3
P/V
b
& b bbb
Cockeruoso
86
b b
&b b b
? b b
b bb
87

3
3
^
Sammy "solos" on the bass
88
3
3
^

J J
b b b
b
& b
P B bm
? b b .
b bb
91
that you want
is right in front of your
b
w
# #
& # #
94
A sus
# # # # >
&
E
? ####
.
.
# #
& # #
Fat gtr lead +

synth: choral "ah" 's
98
# # # #
&
#
? ####
C m
..
.
B
.
.
eyes
.
.
100
big accent
for shirt rip
(WHOOZ)
j
>
Tempo I

J
j
SAMMY:
####
>
>
> # #
# #
> 3>

####
A add
.
.
ww
w

Vangelis "Chariots of Fire" sound
the one
>
E5
97
>
J
E /G #
99
>
93
96
j
.
.
f G b5 A b5
Db
j
.
>
+Sammy
95
92
power chords
Seriously massive power ballad
89
^
w
^ 3
3
w
s.
lis
b
& b bbb
90
The Wedding Singer
>
big accent
for shirt rip
(WHOOZ)
>
>

>
101

A/E
B/E
P/V
102
&
####
103
104
b >
b
#### w
b

w
&
b
A /E
B /E E B /D # D bsus
E5
? ####
b
b
j

b
& b bbbb
105

b b

& b b bb
? bb b b
bb
by sur-prise
j j

b
& b bbbb
109
106
b b b >
b
J
107
Could you wake up
>
>
n >
one
bbbbbb
bbbbbb
>
108
dayand re
You're caught
b
b >
110
that you want
b b b b w
b
& b ww
E bm
? bb b b
b b j j
the one
D b sus
Db
a - lize
the one
j j

111
w
ww
G b/B b
b bbbbbb
www
ww
w
2
G b/B b
Db
C b add
j j
j j
The Wedding Singer
that you want
j j
P/V
b
& b bbbb
112
the one
that you want
b b
& b b b b www
Cb
? b b b
j j
b bb

b
& b bbbb
115
113
eyes
b b
& b b b b

G b5
? b b b
b bb
www
E bm

j j
is right in front of your
D b sus
>
118
>

117
^
^
J
J
C b/G b
D b/G b
114
116
The Wedding Singer
> >
^
^

J
J
Cb
Db
Gb
>>
The Wedding Singer
Piano / Vocal
RIGHT IN FRONT OF YOUR EYES

(Playoff)
b b 4
& b b bb 4
b b b 4 > > >

b
& b b 4
>
F
? b b b4

b bb 4
>
>
>
b b
& b b bb J
ww
w
? b b b
b bb
j j

b b
& b b b b ..
Repeat til cue
b
& b b b b b ..
? b b b ..
b bb
j j

>
..
>
..

j j
j
j

ww
w
j j

..
^j
^j

www
w
j j

b
& b bbbb
14A
fade, then cutoff

after Julia's second
"Rosie?"
The Wedding Singer
Piano / Vocal
ALL ABOUT THE GREEN

(Reprise)
CUE: "Words & music by

Robert J. Hart"
b b4
& b b 4 ..
b
& b b b 44 ..
? b b b 44 ..
b
Vamp
(under dialogue)
Sloe gin fizz andmind e - ras-er
b
& b bb
Rob Roy,
b b
& b b b
RICKY/ROBBIE:
Booze is now my ther - a - pist
12
? b b
b b
.
.
RICKY:
Rum fizz, lime
twist,

.
.
. j
b n .
"
n n

.
13
10 ROBBIE:
One more Al - a-bam - a slam-mer
Whis-key so - ur
b ww
Bud light, bour-bon chas-er

Laid Back
n b
b
& b b b n
Booze is now my ther - a - pist - Mai Tai
BUM:
ROBBIE:
Vel-vetHam-mer
b bBUM:
b
& b b
w
w
b b
& b b n
.
? b b
b b
.
.
n b
J
ROBBIE:
(on head turn)
..
.
. . .
. .
b b
& b b b
U
w
.. w
11
..
CUE to move: "Hey...

are you drinkin' or not?"

(Robbie, Bum, Ricky)

(REV. 11/28/05)
(12/28/05) (2/17/06)
Slower than the song
14B
14
No-one cries at Hap-py ho-ur!
BUM/RICKY:
n n
'cause it's all a-bout the...
No-one cries at Hap-py ho-ur!
n
.
.
fl
fl
fl.
fl.
"
"
SAMMY
(interrupting):
Hey, man, how
come you're not
at your new
Wall Street job?
The Wedding Singer
Piano / Vocal
15
SINGLE
(Sammy, George, Ricky, Bum, Robbie, Male Ensemble)

(REV. 12/1/05)
CUE: "Yeah, now you're talkin'!"
80's R & B (a la New Edition)
4
&b 4

claps
ww
w
Gm7
SAMMY:
No one tells
&b
A m7
to
ww
w
Gm7
ww
w
you how you ought
funky guitar comping throughout
ww
F w
F 7
?
b
- . .
- . .
&b
j
j
- . . . - . .
el. guitar solo

j
4
& b 4 - . . .
4
& b 4 www
F
F 7
? 4
b4
- . .
- . .
- . .
live
No one glares
ww
w
Am7
. - . .

f B b/C
fl fl fl fl
.
8
when you do Jel - lo shoot - ers
b
Gm7
B /C

j
.
. - . . -
P/V
2. SINGLE (REV. 12/1/05)
&b
10
No-one says
11
that you're in - sen - si - tive
& b .
GUYS:
The Wedding Singer
'cause her birth - day meal
12
took place at Hoot - ers
Jel - lo
&b w
ww
?b
F 7
- . .
ww
w
Gm7

&b
13
w
&b
No-one tells
. - . .

14
& b ww
w
B b 7
?
b
- . .

&b
17
pour a doub - le gin
& b .
..
fl
Gm7
?b
.
.
fl
. - . .
15
Ooh
ww
w
ww
w
- . .
18
ers
j
.
&b
A m7
you that your bald spot's grown or that you ought to tone your
GUYS:
lightly
Hoot
ww
w
Am7
j
.
- . .
j
.
19
Yeah, start the par-ty
Yeah, start the par-ty
fl
fl

fl
fl b
Am7 B 7

fl
fl
..
. fl
fl fl D mfl/ C /D
Am7
A
.
. fl
fl fl fl
16
B b/C
j
. -
C /D
20
- . .
j

So
your flab
j
.
b b b bb b b
b b
start a tab 'cause you're
b b
start a tab
b
b b b
- b Gm7
A bm7 C b/D b D b
j
. b . b -

. R
Tone
Here's to your doub - le chin!
flab
B b 7
bbbbbb
bbbbbb
bbbbbb
P/V
3. SINGLE (REV. 12/1/05)
b

& b bbbb
21
Sin - gle
b b b b ...
b
& b
J
b b
& b b bb
22
You are sin - gle
? b b b
b bb
you
are
smart
sin - gle
29
ww
w
b
B m7
. .
Moon-walk on your heart
..
.
. .
n Eb
are
. .
.
.
30
your heart
.
. .
this is when the good times real
..
.
> fl
A bm7 G b/B b
..
> fl
n b .
this is when the good times real
Trust me
you
chick will ev - er moon - walk on
.
.
. .
Yeah,you're

- C b /D b D b
.
. . . . .
27
No
..
.
.
.
. .
. . . . .
b b
& b b b b
D b/E b
? bb b b
bb
. .
A bm7
.
.
. .
. . .
.
ww
w
A bm7
ww
w
G b 7
b
& b bbbb
you're smart
ww
w
b
B m7
26
b b
& b b bb .
28
If
b b
.
& b b bb
J
25
b
& b bbbb
Sin - gle
ww
w
A bm7
? bb b b
bb
. .
. .
. . . . . . . . . . . .
b b
w
& b b b b ww
24
ww
w
G b 7
sin - gle
.
J
and you'll keep stay-ing sin - gle if
..
.
Sin - gle
23
The Wedding Singer
www
C b/D b

- -
ly
...
start!
ly
start!
- -
P/V
4. SINGLE (REV. 12/1/05)
b
& b bbbb
b b
& b b bb
31
32
.
. . .
b
.
F b/G b
C b/G b
.
. .
. . . .
. . . .
36
No-oneminds
40
No-one pouts
b b
& b b bb w
ww
G b 7
? bb b b
bb
.
.
. .
. . . .
41
.
J
with ev-ery chick you look
. .
. .
. . . .
RICKY/BUM:
42
"Does my ass look
SAMMY:
No-one traps
ww
w
A bm7
.
.
n
R
at
ww
C b/D b
B bm7
A bm7
Db
. .
.
. .
. . . . . . . . .
to clean your por-no drawer
38
BUM:
b
b
.
b
&b b b
b
& b bbbb
RICKY:
+ funky guitar comping

b
b
b
&b b b w
ww
ww
w
Gb 7
A bm7
? b b b
b bb
. .
. .
. . . .
. .
. . . . . .
No-one tries
37
39

.
.
b
.. ..
..
F b/G b
C b/G b
. .
.
. .
. . . . . .
. . .
w
ww .
Gb
the laun-dry on your floor
34
SAMMY:
b
b
b
& b b b .
35
b b
& b b bb
33
b b
& b b bb
fl
? b b b b . j
bb
.
.
. .
The Wedding Singer
SAMMY/GEORGE:
you with "Does my ass look
ww
w
B bm7
. .
. .
. . . .
fat?"
fat?"
b
C b 7 C /D b
Db
.
. . . . . n
P/V
5. SINGLE (REV. 12/1/05)
b b bGEORGE:

b
& bb
43
44
Bust a move
b b b bGUYS:
w lightly
b
& b
in wom-en's un - der-wear while you're blast-ing
Ooh
b b
& b b b b ww
w
C b 7
? bb b b
j
bb
- . . .
45
ooh
ooh
ww
w
Db
ww
w
B bm7
j
j j
. - . . . .
48
Cher
orWham!
So
49
D b/ E b
#
n n GEORGE:
n n
50
the fridge gets stocked with
beer and spam 'cause you're
fill your Ran - gers cup
the toil-et seat
stays up
the fridge gets stockedwith
beer and spam 'cause you're

fl
fl C b 7
fl B bm7

fl
fl fl
..
.
fl fl
B b m7
.
.
fl fl
# .
&
52
sin - gle
You
are
sin - gle
..
.
sin - gle
sin - gle
ww
w
ww
w
G 7
. .
So
stays up
51
?#

f
. R
J
Wham
the toil-et seat
b
& b b b b b ..
.
A b m7
? b b b
b b b .
.
&
or
fill your Ran - gers cup
b b b
b
& bb
J
J
Cher
f

J
46
Eb
j
j
j j
- . .
.
.
.
- . . .
bbb b
b
& b
J
J
47
# ...
&
The Wedding Singer
. . .
Am7
.
. . . . .

fl
fl
E bm/B bD b/E b

fl
fl
b
A m7
not a
n #
- n -
n n n
C /D
Am7
54
care in the world
.
can both
er
you
can both
ww
w
Bm7
.
.
. . . .
.
A m7
C /D
#
#
. >
n . n - >

53
n n n n #
Yeah, you're
er
.
.
. .
. . . . . .
P/V
6. SINGLE (REV. 12/1/05) (2/17/06)
# .
&
J
55
sin - gle
you
# w
& ww
&
&
&
&
ww
w
?#
62
&
&
&
.
. . . .
No
#
#
#
#
#
?#
are
Al-ways want - ed to
ww
w
.
. .
. . . . . . . . . .
A m7
com-mit
Bm7
ww
w
58
You can do what you've al - ways want - ed to
..
.
57
sin - gle
you
? # G 7
59
56
The Wedding Singer
ALL:
60
ments 'cause you're
.
. . . .
on - ly
pass - ing
61
..
. # .
D /E
. .
. . .
through!
RICKY:
Yo,
ww
w
Am7
.
.
.
.
ww
w
C /D

Mak -in'- a date
with someneed - y
girl

is
waste of my time
and my Jhe - ri
curl. -
n
n
63
fl
b.
b.
>
"Wik-ki"
P/V
7. SINGLE (REV. 12/1/05) (2/17/06)
# SAMMY:
&
64
&
&
67
&
65
I don'tneed a girl who don't un-der-stand when I
?#

.
.
n
n
.
.
>

.
.
GEORGE:
words of Nitz - che, "Bros
69
In fact, I nev-er liked girls at all!
# .
# .
>
n
n
&
&
71
Sam-my, Geor-gie, Rick-y, and Bum
?#
72
I'm start-ing to see where you're com-ing from!
n
n
be-fore Hos!"
68
# ROBBIE:
& . R
70
BUM:
Well I like the la-dies,hea-ven knows, but in the
#
&
&
Now, I don't like a girl who'll cry and bawl
66
got a date with my left hand
?#
The Wedding Singer
n
n .
.
.
. >
b bbbb
ROBBIE:
'cause I'm

b n bb
f
b b
D /E

b
b
fl fl fl fl fl fl fl
bbbb
bbbb
bbbb
P/V
8. SINGLE (REV. 12/1/05)
b .
& b bb
73
74
sin - gle
b b b ...
b
&
Oh, - yeah,
sin - gle
sin - gle
...
The Wedding Singer
. .
J
75
76
ww
ww
I'll be - have like a dude's meant to
sin - gle
be have
Ooh
meant
.
J
Al - ways
to
b b
&b b w
ww
ww
ww
w
w
D b/E b
C m7
B bm7
B bm7
A b 7
? bb b
.
.
. .
.
b
.
.
.
. .
. . . . .
. .
. . . . . . . . . . . .
b b b J .
.

b
&
77
78
sin
b b w
& b b ww
b
& b bb
? b b
b b
gle,
ev - er
&
...
.
sin
ww
w
A b 7
ww
w
b
B m7
.
.
. .
. . . .
b b
&b b w
bbbb
sin
have.
80
b
& b bb
79
81
in'
..
. n -
Sin - gle
now
ww
w
C m7
. . n b
R
am
ly- ing in
j
.
.
I'm in
am
ly- ing in
ww
w
D b/E b
j
- - -
. .
83

my grave
Slower, sensitively
. .
84
.
U
my grave.
. R . n b
ww
w
F
B bm7
? bb b
b . .
. . . . .
.
till
Eb

gle
82
Sin - gle till I
and
.
.
. .
. . . .
Sin - gle till I
E b/F
gle
be
SAMMY:
Though at
U
j
b
U
P
w
-
my grave.
9. SINGLE (REV. 12/1/05) (1/10/06)
P/V
b
& b bb
J J
J
85
times I mightwant some-one to hold me tight
b b b
b
&
? b b
b b
b
& b bb
sin - gle
till
I'm
90
b b
& b b ww
Fw
B b m7
? b b
b b
- -
b b www
b
& b w
95
grave!
b b b wwww
b
&
? b b
b b
.
. .
. .
rot - ting
94
. .
ww
w
D b /E b
and
88
prom - ise me that eve - ry - thing - 'll
91
+ funky guitar comping

J "
J
87
86
ww
ww
G b /A b
slow - ly
92
in
my
lone - ly
ww
w
D b/A b
.
. .
. .
I'll stay

f
U
"

fl fl
.
R
93
for-got - ten
ww
w
b
J
(as written)
jb
.
b

. . b fl fl fl fl fl fl fl fl
fl fl
fl
fl
96
U"
be alright
The Wedding Singer

(cutoff chord after:
BUM: "Everything'll
be alright!"89 Tempo I
ALL:
97
The Wedding Singer
Piano / Vocal
15A
AFTER SINGLE
(REV. 1/8/06)

CUE: "We'll go with you."
b b4
&b b 4
b
& b b b 44
? b b4
b b 4
.
J
ww
w
A b 7
.
.
. .
. . . .
b b
&b b w
b
& b b b
E b/F
? b b
b b
. .
q
..
.
b b
& b b ww.
11
.
.
. .
. . . .
. .
R
n -
ww
w
F
B bm7
.
. . .
.
.
j .
? bb b w
b
12
ww
w
B bm7
.
bbb
b
J
&
(JULIA'S HOUSE MOVES ON)
P j .

w
? b b
b b
..

J
.
ww
w .
ww
w
C m7
. .
10
. .
n b
www
D b/E b
j

- -
.
.
w
w
w
14
.
bbbb
bbbb
Rit.
j
. w U
www
. w
w
J
j
U
.
j.
.
w
w
w
w
13
15
bbbb

The Wedding Singer
Piano / Vocal
16
IF I TOLD YOU
(Robbie, Julia)

(REV. 12/1/05)
(REV. 12/26/05)
CUE: "Robbie & I
are so pleased you
could come to our wedding."
#### 4 .
&
4 .
Delicately
3x's
.
.
# # # # 4 .
&
4 .
? # # # # 4 ..
4
&
####
&
####
? ####
&
####
ww
10
#
# # # w
.
&
P
. .
? ####
J
J
w
.
11
..
.
.. ..
j
j
j j
. ww
.
..
w
J
J
. .
w
J
J
13
ww
w
..
..
j j
..
12
..
ww
....
j
w
j
ww
w
J
w
J
..
14
Vamp
..
(Robbie's L.H. will

cue u to move on)
.. j .. .. j ..

w
.. w
..
P/V
2. IF I TOLD YOU (rev.12/26/05 )
# # # # ROBBIE:

&
15
&
####
..
# #
& # #
19
&
j .
17
Eve-ry move, every
..
. j
&
.
F #m
? # # # # j
&
####
####
..
? # # # # j
w
F m11
j

9
E add /G #
j

w
..
22
on - ly proves that you're
28
..
songs,
25
.
.
j
w
A add
when it
j

w
E add /G
seems
29

J
j

26
j j

and rhyme
w
3
out of
j
w
A add 2
tune

C #m7j
.
w
I'm
not mine
search the world for theper - fect
j
.
but what good would it do
24
sign
w
j

j
# #

.
& # #
####
of
- and love
21
ti - ny gest - ure
I could write you a thous
23
&
hop-ing for some kind
j
.
20
18
..
? #### w
27
Wait-ing here un-der - neath your win - dow
? #### w
####
16
The Wedding Singer
30
time
A /B
P/V
# #
& # #
31
&
####
If
&
&
####
####
? ####
39
&
&
####
####
Would
..
J
&
####
ter
37
or would
J
Do
hold
44
the words
.
chance
it
45
or would
j j
J
38
will
j

it
yet
say
a - way
A /B
42
to

J J
and walk
you tell
I've
j ..
j
.

.

F #m7
j

w
you
34
you sim - ply turn
41
j
.
.. ..
.
C #m7
j
j
j
.
.
j
w
w
I
j
A2
. j
? ####
w
&
mat
40
If
...
2
all
j w
? #### j
w
####
they
A2
you
36
33
C #m11
j
j
.
.
..
E add
43
told
P
2
E add
? ####
..
35
32
The Wedding Singer
me
..
.
j j
w
should
go
j j
j j
j
46
just
j
.

.

F #m7
j
w
be bet
ww
ter not
wB
w
to know?-
A/
&
P/V
&
####
&
####
47
48
J
J
52
&
JULIA:
Who's that girl with the
& ..
..
C2
? j
w
&
w
&
&
j
w
Try-ing hard
to pre - tend
j
w
61
So un - sure of the road
& .
.
? j
w
Dm
she's eag
..
..
w
9
C add /E
www
ww
58
55
j
.
j j

w
Am7 su s
62
j
.
.
Search-ing for some way

j

..
..
59
er
she's chos - en
..
54
j
.
57

J
C2
? j
w
60
..
..
fut
w
w
nnnn
j
j
j
j

- ure
Her ref - lec- tion says
it
all
j
.

....
...

J
Am7 su s
6
F9
j
j

j j
.
per-fect
56
Faced with feel-ings her heart
j

w
F add
nnnn
51
j
j ...
w .
j
w
j
w
53
50

J
J
#### j
&
w
49
The Wedding Singer
to
nnnn
stall
j
j

2
F add j

w
63
should not
..
.
j
.
w
Am7
al-low
5. IF I TOLD YOU (rev.12/26/05 ) (12/20/05) (3/3/06)
P/V
&
64
65
One thing's cer-tain it seems
& ....
? j
w
Dm11
..
..
&
&
Em7
&
##
&
A tempo JULIA:
##
71
j
w
D add
tell
her
told
you
If
told
you

j
j
...
.
j
w

J
j
F add
69
turn back
j
.
now
if she
F /G
j
.
##
Rall.
how!
72
67
If
ROBBIE:
# # ...
.
&
f
? ##
66
just can't
&
70
j

w
can
she
C add /E
68
that
&
j j
j

The Wedding Singer
G /A
....
Bm11
j
j
j
all

the words
##
##
73
I've
..
..
##
yet
to
all
the words
say
6. IF I TOLD YOU (rev.12/26/05 ) (12/20/05) (3/3/06)
P/V
74
&
&
&
##
##
##

J
Would
w
...
.
G2
j
? ##
w
78
&
&
&
##
##
##
If
? ## j
&
&
##
...
.
...
.
F G2
j
? ##
w
Do
.
chance
.
chance
...
.
j

w
76
or would
j

J
J
J
80
hold
it
..
..
Bm7
or would
or would
81
..
..
you tell
j
j
.
.
be bet
it just
be bet
A /C
j

I
should
ter not
j
j

j
w
Em7
85
it just
me
j j
w
a-way
j
j
w
84
and walk
a-way

J
will
and walk
you
you sim - ply turn
you
it
G /A
j
Em7
j
.

j
w
or would
If
77
you sim - ply turn
j
j

w
83
ter
j

w
hold
Do
...
.
D add 2
##
&
79
..
..
82
mat

j
j
##
they
75
The Wedding Singer
ter not
j

w
G /A
go
to know?
to know?
7. IF I TOLD YOU (rev.12/26/05 ) (12/20/05) (3/3/06) (3/12/06)

(3/17/06)
P/V
86
&
&
&
##
92
&
##
##
? ##
##
87
93
## w
89
ww
ww
Em7
G2
.
.
96
know?
# w
& #
97
94
&
? ##
w .
...
.
w
w
.
.
j
.
...
.
J
G 9
98
.
.
99
w .
...
J

...
.
J
G 9
ww
w
95
.
...
.
Rit.
.
.
.
...
.
w
not to
not to
w
w
not
to
not
to
100
w
j
.
G /A
j
.
know?
##
w
>w
..
..
j
w
w
..
...
know?
#
& # ...
.
fD
? ##
#
& # w
bet - ter
w
j
91
Wouldit just be
ww
J
90
bet - ter
w
..
Wouldit just be
A /B
know?
&
88
.
..

F #m7
w
.
The Wedding Singer
www
w
D add 2
U
w
w
The Wedding Singer
Piano / Vocal
17
LET ME COME HOME

(Linda)

(REV. 1/1/06)
(2/17/06)
(3/13/06)
CUE: "By the way,... you're fired."
Seductive rock
#### 4 .
#4 .
&
1
3x
2A
(+ ad lib lead gtr, spacey & bluesy)

Bongos, lightly under dialogue
.. ..
2B
Vamp
..
# # # # 4 . . . .
#4 .
.
&

. .
F
B5
? # # # # 4 ..
. .
.
# 4 n n . . . . . . . . . . .
&
####
? ####
&
####
&
####
? ####
# j
LINDA:
I know I kind of went out
j

with a bang
A5
But my heart's just like a
10
#

> . . .
it
n
. . . n . . . . . . . .
j
n ..
>
B5

. . . . . . . .

came right back to you
A5
E5
j
j
j

boom - er - ang,
when I dumped you out of the blue
# n
. . . . . . . . n . . . . . . . .
B5
B5
# j
>
11
n ..
. . . . . . . n .
>

. . . . . . . .
E5
A5
Now
B5
~~G~lis
~s~.
&
####

. . . . . . . .
P/V
12
&
2. LET ME COME HOME (REV. 1/1/06)(3/13/06)
####
# n
I'm
con-fess
~G~l~is~sando
~ ~~
# # # # n
#
&
? ####
&
####
&
####
14
? ####
&
####
&
####
16
? ####
#
.
E9
# n

stay
# n
B7
#
.
#
15
I'm
to you ba -
F #5
.
. .
>
17
by Let me come
home
try - ing
Here's what
n
n # .
home
me your bless - in' to come back home to
F m7
19
&
in' I've learned my les - son, give
f E5 D 5
? # # # # n n
# n
n
>
>
# #
& # ## n
.
####
13
The Wedding Singer
Let me come
18
to
say
n
n n
n
> >
20
>
Let me come
n
n # .
home
to you bab
y Let me come
E5 D 5 B5
>
B5

. .
n
n n
n
>
>
E5
21
D5
B5
>
home
>
E5
D5
n nn
n
>
B5
>
under dialogue
. . . . . . . .
. . . . . . . .
P/V
&
####
&
####
22
? ####
&
####
&
####
26
? ####
&
####
? ####
&
####
&
####
32
? ####
23
24
Now I could try and date some glam - or- ous guy
#
. . . . . . . .
j
#
27
A5
n
n . . . . . . . .

. . . . .
j j
28
you're my back
n
# n
#
j
n ..
>
B5
A5
n ..
. . . . . . . n .
>
. . .
j
A5
up, don't make me pack
B5

. . . . . . . .

. . . . . . . .
31
up and
have to shack
n

n
up down by the in - ter -
F m7
#
#
# n #
B7
E9
state
Well
E5
n
. . . n . . . . . . . .

29
You got - ta have a safe - ty school
#

> . . .
E5
B5
# n
25
and things might turn out cool
But as I learned when I ap - plied to De - vry
# j
>
j
j

B5
~G~li~ss~ando
~~
&
####
30
j
#
The Wedding Singer
Yeah,
I'll
re
33
it - er
ate

. . . . .

Let me come
F 5
P/V
&
####
&
####
34
? ####
&
####
&
####
36
? ####
&
####
&
####
38
#
#
f
#
#
home
>
E5
&
&
####
? ####
you
ba
home
n nn
n
>
n
by
Let me come
home
Let me come
to
>
E5
>
n # .
you ba
37
by
Let me come
D5
B5
n nn
n
>
>
>
D5
mor - row
when
>
E5
>
you wake
and
up
G5
A5
n
n
G5
2
4
part of
# n
n -
41
a break - up is the
#
C5
n
n
D5 C 5
to -
you'll
no
long - er
B5
n nn
n
>
have
>
an ex
and
the best
2
4
D5
39
D5
B5
n nn
n
>
home
E5
B5
#
#
D5
f A5
? ####
# n ####
to
35
STILL
40
n # .
The Wedding Singer
2
4
E5
make - up
F 5
D5
n
n
44
J
42
sex!
4 ^
4
^
n
n
[Swinging skirt]
E5
4
4 j

>
> >
E5
D5
43
^j
n
n
>
^j

jump
off
bed
^j j
..
> .
P/V
44
&
####
hit
water
heater
45
j
j
.
n n ..?
# n nn .
&
n > .
>.
>
F
? ####
#

54
&
####
? ####
66
&
####
Bicycle
"Flashdance"
n
-
Splits
^j
>j
# n .
n.
j

>
n ww
nw
67
- -
3
jump up
to bar
ww
w
59
# n
>
>
#
>
kicks
water
heater
>
>j
>j ^j
^j
.. n n ..
j

>
68
>
..
.
60
n n
n
>
>
j

>
>
>j
^j
&
.. n
> n >
>
#
? ## # n
# n n n n n
n
n
>
####
^LINDA: Ow!

as she &
&
####
j
n n .
> . > > w>
p
j
n . n w
> > > w>
~ ~~
&
####
58
n
n n
>
(to 54)
. . . . . . . . . . . . . . . .55 . . . . 56 . . . .57 . . . . . . . . . . . . . . . .
#
n . . . . . . . . . . . . . . . .

. . . .
. . . .
Slo-Mo
- 3#
&
pulsating
P
? #### w
# w
w
####
j
..n
> .n
>
47
> .n > >

. n n
J
~~~~~
####
46
The Wedding Singer
reverse cymbal effect, but more with

the sound of searing flesh
48
49
(to 66)
with hitch kick

> .
>
>

P/V
69
&
####
####
24
^
forward
roll
4 (Drs)
4
&
####
? ####
&
####
&
####
74
? ####
&
####
&
####
76
? ####
to
you
ba
>
E5
home
D5
n nn
n
>
n
>
D5
n nn
n
>
home
to
Let me come
>
by
75
Let me come
D5
>
E5
D5
n nn
n
>
B5
n nn
n
>
home
>
Let me come
B5
>
n n
you ba
>
E5
by
Let me come
77
D5
n nn
n
>
gliss.
B5
>
B5
>
home
>
E5
Let me come...
#
#
home
E5
>
you ba
n # .
to
E5
Let me come
B5
#
#
73
#
#
by
72
home
Let me come
# ~~
~
> ~~~~~~~~
^
? ####
2
4
4
# 4

####
#
&
n
n # .

&
LINDA:
71
SILENT BAR
(in time)
2
4
44
70
The Wedding Singer
D5
n nn
n
>
B5
>
P/V
&
####
&
####
78
? ####
80
&
####
# n
n
F sub.
#
n
Let me come
n
n n
79
Let me come....
# # # # n n
#
&
? ####
The Wedding Singer
81
..
n

n
n
n
home!!!
>
j
n > > > >
>
n
>
>
The Wedding Singer
Piano / Vocal
17A
AFTER "LET ME COME HOME"

CUE: Linda: "Robbie?"

(Robbie snores)
Linda: "ROBBIE?"
#### 4
&
4
in 4
.
.
# # # # 4
&
4
? #### 4
4
7
&
####
&
# # # #
&
####
&
####
&
####
11
A Tempo
....
J
w
? #### w
p
w
w
13
U
w

J
10
Rall.
14
j
.
w
delicately
15
Julia knocks on
Robbie's door
U
ww
ww
ww
ww
&
12
U
ww
w
w

J
(Nylon gtr)
ww
w
j
.. ww
. w
ww
The Wedding Singer
Piano / Vocal
17B
50 YEARS
(George)
CUE:
SAMMY: "Holy crap, Linda...you look great,"
LINDA: "Really?"
SAMMY: "No!"
Techno groove
3
^
w
.
~~ ~
#
& # 44
~~~~
# 4
& #4
~~~~~~
. .
.
? ## 4
4
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
........
GEORGE:
Disco groove
j
j
##

&
^
j
j
j j
.
>
J
> >
.
10
11
. > j j

j
> >
. >
j
? ##

. >

# # j

&
.
Fif -ty years, fif -ty years.
j

>>
j
> >
>
>
The Wedding Singer
Piano / Vocal
NOT THAT KIND/IF I TOLD YOU

(Reprise)
17C

(Robbie, Julia, Rosie)

(REV. 4/26/06)
CUE: "She was so upset, she & Glen
hopped a plane to Vegas."
#
& 44
Rubato (in 2)
#
& 44
p
? # 44 w
5
&
&
#
#
&
&
met at the po-di- a-trist:
And
?# w
ROSIE:
10
ww
w
w
.
7
won
would be
ww
w
ww
w
j
.
ROBBIE:
You had a bun-ion, I had a cyst: Who knew our love
ww
w
P
ww
w
w
Colla voce
We
?# w
9
der
"brought together
U

ww
so sweet. by 2 infected feet."
U
w
w
11
A tempo
j

if
might
12
have
ww
w
ww
w

J J
let
you
slip
P/V
2. NOT THAT KIND/IF I TOLD YOU (Reprise)
# j
&
13
&
?#
j
.
And
#
& J
&
ww
w
?# w
18
won
19
der
thing
left
that
there
some -
ww
w
w
j
is
j w
..
16
for good?
j w
ww
w
20
15
ww
w
?# w

and are you gone
..
#
&
#
a - way
17
&
14
The Wedding Singer
w
21
22
Slight rit.
could say
..
and
####
####
####
P/V
# # # # JULIA:
#
&
Lush, with motion
23
.
J
If
# # # #ROBBIE:
#
&
&
####
? ####
&
####
# .
&
####
won
? ####
&
####
&
####
31
? ####
# w
w
#

J
Would
they
28
the words
I've
yet
to
w
w
w
w
w
w
mat -
ter
der

J
I

w
w
j
j
29
orwould
if
say
#
#
26
p
w
you
32
all
25
you
told
# w
w
#
.
.
&
told
.
J
If
####
27
24
The Wedding Singer
30
you sim - ply turn
j j
j
and walk
a - way
told
you...
w
w
w
w
33
w
w
34
w
w
P/V
####
#
&
35
36
"...here's to
fifty more years
&
####
&
####
# .
&
####
won
39
? ####
41
is
will
der
42
you tell
it
w
w
&
####
# .
&
####
won
Do
chance
der
# w
w
w
w
it
if
45
or would
j

it
j j
j

just
be bet
should go?
w
w
me?
w
w
.
J J
# w
w
#
j j

me
44
ROBBIE:
w
w
you
w
w
hold
&
? ####
If
.
J
arms!"
38
####
43
40
your
w
w
JULIA:
in
37
# # # #

#
&

? # # # # ww
#
The Wedding Singer

w
w
46
ter
you
j

.
hold
not
to know?

w
w
P/V
5. NOT THAT KIND/IF I TOLD YOU (Reprise) (4/26/06)
&
####
&
####
&
####
47
? ####
# w
48
# w
# w
w
# # # # j j
# w
&
52
A tempo
? #### w
#
49
won
Rall.
The Wedding Singer
53
der
j

J
w
w
w
54
(to 52)
j
j
w
55 j
56
U
ww
ww
j j

ww
w
CUE to move on:

"Robbie, dear?"
"
U
w
w
"
57
(cut off after

Grandpa leaves)
U
w
w
Rit.
58
ww
w
The Wedding Singer
Piano / Vocal
18
MOVE THAT THANG

(Rosie, George)

Transposed down to Cm
(12/15/05)
(12/28/05)
(REV. 3/13/06)
CUE: "Jim, gimme a beat!"
b 4
&b b 4
> >
b
& b b 44
SD
? b 4
b b4
b
&b b
b
&b b
? b
b b
first thing's first
Old school rap - not fast
h.h.
b
&b b

my name is
claps
Rose
I can
bust
fly rhymes just
like
ain't got time for tea and scones
? b .
b b

for - get
rock - in' chairs,
the pros
ROSIE:
Well,
B.D.
b
&b b

I rock
mic - ro- phones
The
P/V
2. MOVE THAT THANG (Trnspsd 12/15/05)
b
&b b
J
J
J
b
&b b
b
&b b
? bb
roof! The roof! The roof might have snow
j
.
b
&b b
10
b
& b b .
nev - er
b
b
& b
? b
b b
.
too
....
piano (add 8vb)

C m7
nev - er
b b
b
&
? bb
too
....
late
nev - er
too
13
....
.
late
y'all
F9
nev - er too
late
to
move
that
thang
thang
late
to
move
nev - er too
All the lad - ies say
F9
GEORGE:
All my hom- ies say
Ever - y - bo - dy say
11
C m7
C m7
F9
b
&b b
.
fi - re burn-ing down be-low
late
12
b
&b b
but that don't mean there ain't a
'Cause it's
FUNKY GROOVE (add guitar)
The Wedding Singer
that
3. MOVE THAT THANG (Trnspsd 12/15/05) (REV. 3/13/06)
P/V
b
& b b ..
14
Vamp, jump on cue
b
& b b ..
b
& b b ..
28
..
..
DRUMS - KEEP TIME OVER SCENE
..
f
..
29
CUE to move on:

"We're rich baby!"
The Wedding Singer
GEORGE:
Will you
Cm7
? b b ..
b
30
bb
& b
b
&b b
FFm7
? bb
b
b
&b b
32
b
&b b
"R"
to the "O"
to the "S"
to the "E"
Do you
33
feel
scared to say the truth 'cause you might start
bug-gin'?
me, boo?
In - dub - i - tab - ly
Gm7
? b
b b
Not the
b
&b b
31
stand like a fool just blink-in' and shrug-gin',
b
&b b
When
P/V
b
&b b
34
b
&b b
fear says our dreams might not
35
ful - fill us,
just
b
&b b
? bb
b
& b b ..
36
Vamp, jump on cue
b
& b b ..
b
& b b ..
37
say - in' to
take each snag
..
..
and just
f
..
You're
40
in stride
Wil - lis?"
38
b
&b b
"What-chu talk - in' 'bout
..
b
&b b
39
F7
CUE to move on:

"Why flippin' not!"
Gm7
? b ..
b b
b
& b b
F
? bb
b
.
re - ply:
C m7
The Wedding Singer
.
pass
thedutch-ie on the left hand side?
P/V
b
&b b
41
Keep
b
&b b
it
42
il - lin'
I'm

chil - lin' like a
I know you're not
b
&b b
b
& b b .
nev - er
too
b
b
& b
....
f Cm7
? b
b b
b
&b b
'Cause it's
44
Nev er
too
F9
Cm7
....
y'all
F9
47
.
late
48
Ever-y-bo-dy say Ne-vertoo late to move that thang
Ne-vertoo late to move that thang
.... n
F9
All my hom- ies say
late
Nev er too late
Cm7
il - lin'
46
& b b . .
b b
b
&
45
vil - lain.
43
? b
b b
cool and you won't start
b
&b b
? bb
The Wedding Singer
b ^
n
^ ^ ^ ^

(record scratches)
P/V
bb
& b
b
&b b
49
50
>
b
& b b R n
. . . >
b
b
&b b
Cm7
j j
53
b
&b b
& b
>
Cm7
b
&b b
57
b
& b b .
nev - er
b b
b
&
f Cm7
? bb
b
>
>
b n >
.
n
..
. # >
R
> .
j
j .
Cm7
F7
j j
54
bb
? b
b b
F7
52
55
^ Forward b > >

.
b
roll
.
>
.
n
b

n
.
.
+
#
D7
F9
E b9
G7 9
^
j j
j j

.
> >
O
Mule
kick
.
too
....
58
Nev er
too
late
F9
Cm7
All my hom- ies say
....
late
>
>
>
>
>
>
Butit's

> > > > > >
F9
j
j .
56
~~~~~~
~~~~~~
~~~~~~
? bb
51
The Wedding Singer
y'all
P/V
b
&b b
59
b
& b b .
too
b
b
& b
? bb
....
b
&b b
61
too
b
b
& b
....
f Cm7
? b
b b
? bb
that
62
64
thang!
Nev er
too
Cm7
#
G7 9
F9
thang
.
late
....
Move
that
thang!
y'all
F9
65
Ne-ver too late to move that thang
too
....
Cm7
move
n b
n
. .
b b
b
&
that
b
&b b w
Nev er
late
63
b
&b b
to
# bn

Move
nev - er
late
D7+
b
& b b .
Ne - ver too
F9
late
Cm7
60
Ever - y - bo - dy say
Nev er
The Wedding Singer
Ne-ver too late to move that thang
n
F9
>
late
>

Word to your grand-mo-ther!
>
>
The Wedding Singer
Piano / Vocal
18A
AFTER "MOVE THAT THANG"
b
& b b 44
1
b ^
b 4
&b b 4 n
? b b 44 ^
b
..
..
..
Vamp,
cut when Robbie sits on gtr case
..
..
..
The Wedding Singer
Piano / Vocal
18B
TRANSITION TO
THE LITTLE WHITE HOUSE
CUE: "...I've got a little story to tell you!"
March
# # # # 4 El..Guitar solo
&
4
&
#### w
fl
ww
w
ww
w
fl
fl
j
n fl fl
fl
####
&
flF
? ####
. .
f
#
# #4
& # 4 ww
w
? # # # # 44
. .
fl
w
ww
w
Fade on cue
n
fl
fl
fl
fl
j
n fl fl
fl
n
fl
The Wedding Singer
Piano / Vocal
18C
WHITE HOUSE UNDERSCORES

CUE: "...blackjack, craps, roulette, anything."
#### 4
&
4
? # # # # 44
U
j

n
n fl fl
fl
fl fl
fl fl
n fl fl fl
fl
fl fl
fl fl
CUE: "...can you stall them?",

then the Erik Estrada (or sim.) moment, then go
5
&
####
? ####
n fl fl fl
fl
fl fl
fl
fl
j
n
fl
fl fl fl fl
fl
fl
The Wedding Singer
Piano / Vocal
18D
"I BELIEVE..."
(Reagan, Imposters)

CUE: "...I would like to say a few words"
### 4
& 4
Dramatic
### 4
& 4
(watch NANCY's hands)
Dictated
U
w
w
IMPOSTERS:
U
nw
nw
Ooh
Ooh
U
ww
w
U
ww
w
U
n www
U
n ww
w
REAGAN: "I believe that children are our future.... Teach them well and let them lead the way...."
? ### 4
(cutoff after GLEN says:

"Enough!")
The Wedding Singer
Piano / Vocal
19
GROW OLD WITH YOU

(Robbie, Julia)
Music & Lyrics by

Adam Sandler
& Tim Herlihy
REV. 12/6/05
REV 2/28/06
C # min
.
j
J
J
J
With a gentle swing
# # # 4 ROBBIE:
& 4 j
(on-stage gtr only)
I wan-na
&
9
&
###
###
I wan - na do

J
J
med - i - cine
when your
10
17
&
it could be
# # # D .
so
miss
# # # D . j

&
21
26
&
###
18
22
Need you
kiss
let me do the dish - es in our
# # # A
&
30
could
be
the
one
with
11
grow - ing old
with
19
give you my
E7
Build you a fire
15
if the
I'll get you
12
coat when
20
fur - nace breaks,
16
24
28
are
cold
25
31
Put you to bed when you've had
who grows
old
with
32
j " (dialogue)
#
J
oh,
I'll
C min
kit-chen sink
Ev - en let youhold the rem - ote con - trol
you
j j
.
A7
you
B min
you
23
#
J
you
27
Car-ry you a-round when your ar - thri-tis is bad
C min
tum - my aches
you
is grow old
sad
. j
feed
you
14
nice
When-ev-eryou're
B min
# # # A .
&
J
13
make you smile
All
B min
you
j
So
j

J
J
29
too much to drink
Oh,
P/V
2. GROW OLD WITH YOU (REV. 12/6/05)
###
&
###
&
ROBBIE:
33
&
###
? ###
A7
&
&
###
&
###
? ###
miss
JULIA:
take your shoes
off
take your shoes
off
&
&
###
&
###
feed
feed
35
37
and
rub your
and
rub your
you
40
you
w
.
38
Need
Need
..
When we play
ww
w
ww
check - er's
check - er's
41
I'll
I'll
you
you
feet
When we play
you
kiss
you
feet
.
kiss

P
D
j
..
? ### w
miss
you
sneak in delicately
..
you
### .
39
I'll
I'll
###
36
34
The Wedding Singer
let you
let you
ww
w
w
w
cheat
cheat
So
3. GROW OLD WITH YOU (REV. 12/6/05) (1/1/06)(2/28/06)
P/V
###
&
let
me
do
the
do
the
42
&
###
&
###
? ###
let
me
dish - es
in
our
dish - es
..
..
###
&
J
44
when you've had
3
### j
&

&
Put you to bed
###

C # min
? ### . .
..
&
###
&
###
&
###
47
? ###
when you've had
who grows
old
with
you
too much
too much
j ..
..
with
old
45
48
kitch - en
..
..

to drink
w
w
sink
sink
46
Oh,
I could
be the one
3
j

to drink
Oh,
be the one
I could
you
B min
who grows
our
kit - chen
Put you to bed
in
43
The Wedding Singer
j w
w
49
Colla voce
wan - na grow
wan - na grow
old
with
old
with
P/V
&
###
&
###
50
(straight 8ths)
51
52
53
54
55
56
Rit.
U
www
www
U
w
w
? ###
57
molto cresc.
U
www
U
w
w
58
my
wed-ding?
# # # ...
.
&
JULIA:
Will you sing at
you
###
The Wedding Singer
you
j
j
###
.
..
&
p
? ###
w
w
Broad 2
### j
.
&
w
&
(2/28/06)
4. GROW OLD WITH YOU (REV. 12/6/05)
YES!!
"
"
Attacca
Act II Finale
The Wedding Singer
Piano / Vocal
20
ACT II FINALE
(Full Company
except Linda and Glen)

(Final version - 4/26/06)
Driving, happy, pop rock
E. Gtr. solo (screamingly huge)
# 4
& #4
## 4 >
& 4 w
w
? ## 4 w
4 w
w>
2
&
##
#
& #
? ##
6
&
##
>
.. ..
..
> . .
ww
w
ww
w
w
w
w
w
## j
&
>
j
>
..
..
>
j
>
.. ..
..

J J .

J
ww
w
w
w
>
w
w
>
>
>
>
>

> > > > > > > >
####
####
F
G5
D5
? ##
####

P/V
2. ACT II FINALE (Final - 4/26/06)
&
####
&
####
10
11
12
The Wedding Singer
13
(to 18)
? ####

E5
&
####
&
####
18
? ####
21
&
####
Running Man
.
J
19
w>
22
# # # # SAMMY:
j
&
25
He wrote a song six years
P . .
? ####
. . . .
..
. n >
. n
n .

>
26

J J
a - go
23
>
while play
. . .
>
>

>
J
>
n >
>
j n
>
>
j n j
? #### >
w
w
&
# # # # > >

&
>
####
Bsus4
20
>
n >
>
j n
>
. n >
. n
n .
24
>
>

> >>>
w
w
27
ing in a wed-ding band
. . . . . .
28

J
>
^j
n
. f
nn
^j

^j
P/V
29
&
####
# # # # GEORGE:
j
&
&
####
Thewordgot out
and sud
.P. . . . .
? # # # #

&
####
&
####
33
TINA:
&
####
&
####
37
HOLLY:
But he
P. . .
? # # # #

J J
. .

35
ding sing - er
. .

his
fi
. . .

38
. .

an
was sup - er in
. . .

36
He sang at wed-dings and so
. .
j j

ce
and
. . . .

de-mand
. . . .

32
his band
j j .
J
.
got dumped by
31
den - ly
34
Peo-ple called him the wed
. .

.P. .
? # # # #
30
The Wedding Singer
then
39
. . .
j
j j
j

the name
^
J
f. .

^ ^

J J
f
. j > >j

was apt
he just
P/V
&
####
&
####
&
####
40
&
#### w
&
&
>
. . . . . . .
fl
> .
.
...
fl
fl
fl
fl
46
fl
fl
P fl
fl
He met a girl named - Jul - i - a
>
# # # #
.
.
CYNDI:
? ####
>

J
he just snapped
44
#### j
&

####
# # # #
&
J
45
. . . . . . .
&
fl
47
j j
fl
fl
. . .
he just snapped!
he just snapped
>

J
he just snapped!
>

J
. . .
fl
who saved
j

fl fl
him from his tale
42
he just snapped
TINA:
>

J
41
####
? ####
snapped
? ####
43
The Wedding Singer
fl

of wo
> .
.
...
fl
48
oe
fl
j j j

> > >
TINA/HOLLY:
> > >

n

J J J
f
Whoa

. . . . . . . . . . . . . . . .
fl
fl

. . . . . . . .
fl
oh
oh

. . . . . . .
>
P/V
# #
& # # j
IMELDA:
49
&
Ar - nel a- kong
####
50
n' gal
fl
lan I - mel - da

. . . . . . . .
# # # # BILLY IDOL:

&
J
^
# # # #
&
T/H/I/C:

. . .

J
fl
'nin
fl
+ lite tom
hit on 4

. . . . .
fl
yo
fl

. . . . . . . .
> >
j
> J J
yo yo yo
^ ^ ^

J J J
f
. . . . . . . .
ww
w
ww
w
ww
w
you
54
.
J J
55
Fil - i - pi - no
57
&
sa man ang ban - yo
58
That's the way that the stor
? ####
. . . . . . . .
56
they should
P
+ lite tom
hit on 4
? ####

. . . . . . . .
. . . . . . . .
# # # # MR. T
j
&

####
For those of you who speak
52
j j
j
J
You know that things end-ed up
the way
they should
j >
ww
> J
53
####
&
fl
51
j
j

####
&
? ####
The Wedding Singer
j
j

> >

. . . . . . . . . >
. . . . . >
ROSIE:
j j
ends
59
Care to dance?
MR. T
Yes, I would
ww
w
ww
w

. . . . . . . .

. . . . . . . .
P/V
60
&
####
MR. T & ROSIE dance

a la "I Got the Feeling"
&
^
? ####
####
64
&
Drs
? ####
&
####
&
####
? ####
61

> > >
f
gli
66
ss.
67

> >
^
j

>
>
^ >j
j

J
J
70
^j
j

>
w
unpitched swoosh up
^
j

>
69
^j

>
65
drums: stadium rock fills
63
62
####
# #
& # #
68
The Wedding Singer
>
j
j^

J
www
+ drum fill
^j
P/V
# #
& # #
71
&
####
&
####
&
####
JULIA:
If
72
told
you
ROBBIE:
If
told
you
&
####
ww
w
####
&
&
####
&
####
? ####
j

If I
..
.
You'd be
76
what I'm
feel
feel
told
you
j
..
.
there's not

J J
J
a
sin -
gle thing
There's not
sin -
gle thing
You'd be
cer -
tain
there's not
j j
>
>

. . . . . . . . . . . . . . .
.
j j

sin -
gle thing

J J
j
ing
ing
j j

J J
now
now
in - side
in - side
j j

in - side
j
j j

. . . . . . . .
77
74
j j

tain
...
what I'm

. . . . . . . .
de
www
j
j
cer -
73
ALL OTHERS:
F E5
? ####

. . . . . . . .
75
The Wedding Singer

. . . . . . .
.
78
that

J J
we
should hide

J J
j
j j

that
we
should hide
that
we
should hide.
www

. . . . . . . .

. . . . . . . .
P/V
&
####
&
####
&
####
&
####
79
? ####
83
&
####
&
&
####
? ####
If
80
hold
you
If
hold
you
..
.
ww
w
If
j
j
84
If
hold
you
might
not
not
WOMEN: Oh
w
MEN:
Oh
www
...

. . . . . . . .

. . . . . . . .
should know
should know
j j

j
j j

. . . . . . .
.
might
should know

. . . . . . . .
85
prob - lem you
you
j
..
.
prob - lem you
there's one
hold
82
you
hold
there's one

. . .
.
. . . .

. . . . . . . .
81
If I
####
&
####
The Wedding Singer
86
e - ver let
e - ver let
ww
ww
Oh
you
go!
you
go!

. . . . . . . . . . . . . . . .
P/V
# #
& # # w
87
&
88
#### w
Nev-er let you
####
&
91
&b
Nev-er
j
..
.
oh
MEN:
oh
So
when
it's
ww
w
..
your wed-ding
day
93
oh
n
n
oh
mus
94
n >

J
ww
w
ic
F /C
n
. n . . . . . . .
oh
and my
>
n b n > n n > b
> n n >
b
J
J
j
j j
ww
w
Dm
90
j
b nn www
n w
J
..
C /E
j
. .
J
oh
..
let you go!
92
F5
j
..

go!
J
MEN:
j
j
J
ww
&b w
f
?b
WOMEN:
&b
89
# # # # WOMEN: j
&

? ####
The Wedding Singer
starts
to play
P/V
&b
95
&b
?b
&b
99
Oh
oh
&b
it's
your wed-ding
www
&b
w
& b ww
if
you
count
101
oh
day
oh
prob

on
me
'cause
you.
>
j

>
102
ww
w
lems melt
a - way
love
is
love
is
..
..
ww
w
find
you.
find
F /C
105
ways
oh
all the
ww
w
J
- ways
j
j j
'cause
F /A
will al
www
Gm7

104
will al
Dm
98
^j

C /E
103
?b
Yeah, when
^j love

that
oh
Gm7
F /A
100
ww
b
& w
b
guar - an - tee
j
j

J
&b
www
can
97
love
w
& b ww
96
The Wedding Singer
&b
106
&b
ROBBIE:
what...
yes,
love
&b
..
.
is
Intimate, romantic
110
D5
..
ww
C5
JULIA:
111
& b ww
WOMEN:
do!
w
b
&
MEN:
do!
114
ww
w
Love
is
115
> > w
>
>
>
> >
J J
Love
is
w
w

. . . . . . . .
I
ALL
(except R & J):
what
112
j
j
. .
116
what

w
w
do.
Rock it to the END!

113
I
j
j
j
j
. . . .
&b
?b
what
do
wP
108
C
B b5
?b

109
what...
&b
107
The Wedding Singer
117
ww
118
do!
do!

&b
J J J
F /E b
fF
/D B b Csus4
Am
B b5
C5
j j j
?
b
b b
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . fl fl fl fl fl
ww
119
>
~~~~G~l~is~sando
~~~~~~
P/V
N.C.
.
.
fl >
FINE
The Wedding Singer
Piano / Vocal
21
BOWS
(Full Company)
(4/26/06)
A la "Jump" fat synth
b b 4
& b b bb 4
b
& b b b b b 44
(Drs - lead-in)
? b b b4
b bb 4
b b
& b b bb
w
w

Db
Gb
Db
Cb
"Not That Kind Of Thing"
b b
& b b bb
? bb b b
bb
b
& b bbbb
.
J J
j j
..
.
E bm
Db

j

9
b b
j
& b b b b

Gb
Db
Gb
Db
Cb
? bb b b
bb

10
.
J J
j j
..
.
E bm
Db

P/V
2. BOWS (4/26/06)
> > >
b
& b bbbb
11
b b
& b b b b ww
w
B bm
? b b b
b bb

> > >
b
& b bbbb
15
12
ww
w
E bm
16
13
The Wedding Singer
www
B bm
17
Cb
14
j j
.
18
..
ww
ww
ww
w
>
> .
w
C b/D b
B bm
E bm
Cb
Db
? b b b

b bb

b b
& b b bb
b
& b bbbb
>
b b
& b b bb
19
? b b b
b bb
b
& b bbbb
23
>
j j
J >
j
j

C b/G b
20

J
J
24
D b/G b
>
>
j
J >
j
Cb
22
j
j .
..
E bm
B bm
? b b b
b bb
b b
& b b bb
21
25
Db

D b /C b
Cb
P/V
3. BOWS (4/26/06)
b b
& b b b b J
26
b
& b bbbb
27
28
The Wedding Singer

29
###
###
###
b
b
b
b
b
w
& b ww
ww
w
w
C b/D b
? b b b

###
b bb

30
&
###
n >
J
Half-time rock feel
###
n >
31
> .
"If I Told You"
&
&
###
? ###

A add
>
J
33
>
J
&
###
>
35
> .

>
J
j
j
> > > >
36

J J
>

J J

Bm7

J J
j
> j >
> j >
>
>

D2
F m11
&
? ###
32
###
34
>
J
j

>

J J
37

D /E
P/V
>
J
###
&
38
&
###
? ###

A add
>
39
> .
>
J
4. BOWS (4/26/06)
40
The Wedding Singer
41

J J
F m11
j
j
j >
j >
>
>
>

>
>
>

> >
> >
> .
>
###
J
&
J J
J
J
J J
J
42
&
43
###
? ###
46
&
j
>
>
j
>
>
47
###

&
> > >
? ###
D2
###
44
.
> .
j
.
> .
48
45

Bm7
Accel.
>
n .
n > .
D /E
j
.
> .
49
n > > >
n
>
j
.
> .
n
n nn n
n
b
b b
j
n b
> n
P/V
5. BOWS (4/26/06)
The Wedding Singer
Back to regular rock feel
Oh
&b
oh oh
So, when
w
& b ww
www
&b
on
me
56
'cause
me
'cause
love
ww
w
Bb
F /A
&b
Do
do!
do do
do
.
.

.
b
&
F5
b b
w
&b
- lems melt
is
61
what...
yes, love
j b j j .
w
/A
62
do
.
.

. >

J
>

J J
is what
. . . . . . . .

. . . . . . . .
j
j

63
Love is what I
59
is what
j
j j
. . .
C
D 5 C5
B b5
j j

. . .
..
.
do
58
yes, love
if you count
ww
w
j j j

what...
j

J
Gm7
do
j

J
if you count
a-way
ww
w
60
..
F /C
57
is
& b www
?
love
&b
on
..
54

J J
all the prob
ww
w
55
oh oh
Dm
53

J
J
C /E
j
j j
oh
it's your wed-ding day
52
j

J
MEN:
51
Love is what I
do!
do!
~~
j
j
b

&
J
WOMEN:
~~ ~~ ~~
50

The Wedding Singer (FINAL) 2

Transféré par

Informations du document

Copyright

Formats disponibles

Partager ce document

Partager ou intégrer le document

Options de partage

Avez-vous trouvé ce document utile ?

Ce contenu est-il inapproprié ?

Droits d'auteur :

Formats disponibles

The Wedding Singer (FINAL) 2

Transféré par

Droits d'auteur :

Formats disponibles

The Wedding Singer

IT'S YOUR WEDDING DAY

Huge and anthemic

E. Gtr. solo (screamingly huge)

Driving, happy pop rock

Curtain going out

> > > > > > > >

Music by Matthew Sklar

The word got out