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Subdivisions
Exercises for subdivisions, to improve accuracy, flexibility, subtlety,
precision, vagueness, and elegance.
12
& 8
12 & 8 J J J J
- - - - .
J
J
J
J
9 & 8 J
6
& 8 J
J
-
J
-
.
.
Then start with any pattern in dotted quarter main beats, and introduce either
eighth-quarter or quarter-eighth on any beat (for one or more beats), and return to dotted quaters.
Keep changing ad lib. (also tempo, variations of dynamics and styles of gestures). Make sure that
the eighths are constant and steady.
Paul Vermel
2
&4
p
&
f
..
f
3
.. 4
p
p
..
p
..
f
p
..
..
f p
4
& .. .. .. 4 ..
p
f p p
f p
f
p
f p
& .. .. .. .. ..
p f p
p f p p
f f
p
p f
p
&
p
..
p
Paul Vermel
..
& c ! J .
! .
J
12
& 8 . .
. .
& c J
12
& 8 J . .
. .
J
& c . R
.
R
! .
J
.
J
.
J
.
R
Paul Vermel
! .
J
.
R
2
&8
3
8
4
8
5
8
6
7
6
5
&8 8 8 8
4
&8
3
8
Paul Vermel
2
8
&c
as in 4 ( e = e )
9
8
10
& 8
11
& 8
&
all bars in 3 (all e = e )
3
&4
7
8
8
9
& 8 8
8
7
&8 8
8
8
2
&4
&
5
2
8 4
6
5
&8 8
6 5
8
8
42
Paul Vermel
5
8
5
8
Exercise G
Paul Vermel
This is a "directional" exercise to open up right arm gestures
Tempo slow to moderate. All cues to be given exactly in all three directions, with preps in front of each
section. Stick must move very quickly, fluidly and horizontally (the shortest route from L to R) to get in
front of each section in time for the prep.
Also helpful for cueing singers on stage in all places or instruments in spatial set ups.
Woodwinds
Cellos
Violins
Cellos
?4
4
& 44 w
Violins
Woodwinds
& 44
Violins
&
Cellos
&w
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..
..
..
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..
.. .
.. w
..
..
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..
..
.. w
..
..
..
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.. w
?
14
Woodwinds
&w
& .
.. .
.. .
.. w
.. w
.. .
.. w
..
.. .
.. .
.. w
Paul Vermel
..
.
..
..
..
.. .
..
..
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.. w
.. .
.. w
..
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