Scene 1 - In Miss Todd's Parlour

Allegro (q=128)

Laetitia

#4
& 4

4
4

3
4

4
4

doorbell rings)
# 4 (the

& 4 j j
. . . . >. . .
mf . >
? # 4 j #j j j
4
. .
. # .

3
4
4 j j j 4
. . .
3 j nj j 4
4 4
. . .

3
4

4
4

3
4

4
4

#4
& 4

3
4

3
4

3
4

Allegro (q=128)

Piano 1

{
Piano 2

? #4
4

4 j
4
. >. . .
mf
4 j #j
4
. # .

j
. >. . .
j
j
. .

3
4
4 j j j 4
. . .
3 j nj j 4
4 4
. . .

2
4

1
4
4

2
4

4
4

Pno.I

#4 j
& 4
. . . .
.
? # 4 .
4J J

#4
& 4

.
. .
.
J
. .
J
J

.
. . . . . .
.

. . .
J .
.
. .
.
J J
J
J

Pno.2

? #4
4

2 .
4 J . . .
. .
2
4 J J

. . .
4 . . . . .
4 J . . . .
.
. .
.
4 J J
4J
J

2
M.P

#
&

3
4 J

44
J

Miss Todd,

M.T

# j
&

j 43

Good day,

Pno.I

#
& j
mp
.
? # j
.

good

3
4

Miss Pin -ker - ton.

>. . .
j
#
# .

Give

j 43 j j j 44

. >. . .
.
. .
j
j
j j
j
43 n 44
. .
.
.
.

#
&

3
4

3
4

4 j
4
. . .
mp . >
4 j #j
4
. # .

Pno.2

?#

4
4

j4
4

day.

4
4

3
4

me

your

3
4

4
4

3
4

4
4

j
. >. . .
j
j
. .

3 j
4
4 j j 4
. . .
3 j j j 4
4 . . 4
.

13

M.T

#4
& 4

3
4

j 44

man -te - let,

#4
& 4

your

j
j
j
43
#. . . . #. . . .
.

j

.

3 2
4

o -ver - shoes.

4
4

Make your - self

j
j4 j
3 j
4 # # 4
.
.
. . . . . . . .

j
j 44
.
.

Pno.I

? # 4 j
4 .

#4
& 4
>

j
.

3
4

3
4

>

4 j
4 .

j
.

3
4

4
4

3
4

>

>

4
4

4
4

Pno.2

? #4
4

3
4

4
4

3
4

4
4

17

3
M.P

#4
& 4

Don't trou

M.T

Pno.I

#4
&
4

com -for -ta -ble

and tell

me

the news

while

ble your - self for me!

make some tea.

.
.
. . n.
# 4 j
.

. .
. . .
& 4 . . . n.
.
J
J .
.
.
.
.
.
.

? # 4 n J n J
4J
J
J
J

. #. .

J
.
.
J J

#4
& 4

. j .
#
J
.
.
.
J J

j

.
.
J

espr.
Pno.2

? #4
4

w
w

M.T

20 3
#
&
J

No trou - ble at all. The wa

Pno.I

?#

Pno.2

j
#
& .
p
.
? # #
J

j
j
.
.
. n.
.

J J J

ter

is

n.

boil -ing in the ket - tle...

. . . n
.
5
p
n .

n
J

#
&

. .
J
J
.
J

. . . n
.
5
p
n .

n
J

. .
J
J
.
J

Adagio
4

4
6 j
8
J

23

M.P

#
&

Is -n't the wea -ther aw - ful!

#
M.T

6
8

&

J
Aw - ful!

4
4

4
4

Aw - ful!

Aw - ful.

Adagio

# 5
n
&

6
8

4
4

4
4

f
Pno.I
5

? # n
J

U
68
J

6
8

&

4
4

4
4

4
4

f
Pno.2

?#

6
8

Allegro (Tempo I)
28

M.P

#4 j
& 4
It seems

43
>

>

that the post - man brought a let - ter tp Miss Pax - son;

when she saw the writ - ing

Allegro (Tempo I)

Pno.I

#4
j
& 4
. . .
mp . >
j
? # 4 #
4 #
.
J

j
. >. . .
. j
J
.

j
3
4
.
.
3 n.
4
J
J

#4
& 4

3
4

3
4

j
j
.
.
.

J

j j
.
.
. .
J
J

Pno.2

? #4
4

j

.
.

J

nj
.
.
n
J

j
.

.
J
.
.
J
J

4
4

nj
.
.
n
J

j
.

.
J
.
.
J
J

4
4

4
4

4
4

poco rall.

A tempo

32

M.P

# 4
& 4
down

J 43 #

3 n
she fell with a cry...

and

poco rall.

Pno.I

#4
.

& 4
J
.
? # 4 J
4

{
Pno.2

# 4 .
& 4
J
.
? # 4 J
4

.
J

.
J

no - bo - dy knows

A tempo
. 3 #. . .
4
J
mp
.
.
J 3 J

U
. n
J mf
nU

U
. n
J mf
nU

3
4

why, and

no - bo - dy knows

j
.
#
.
J
.
.
J J

4
4

why!

j

.
. .
.
.
J
J

j
44
.
.
J

4
4

4
4

mf

3
4

4
4

M.P

5
35
# 4
& 4

Miss Todd,

M.T

#4
&
4

You're not

try -ing to hide

#4
& 4

I as - sure

you:

no - bo-dy

.
. . . . .
f
-

Pno.I

? #4
4

I!

it from me!

#4 5
& 4
. . . . . .
f

not

Pno.2

? #4
4
-

6
39

M.P

#
&

knows

why.

&

.
J

Pno.I

?#

#
&

? #

Two.

How ma -ny lumps?

j

.
.
J

Pno.2

3 3
4

Here is your tea.

&

Thank you.

#
M.T

43
J

3
4

.
3
4J

43
J

J 43

Lem -on or cream?

j
j
.
.
.
.

J J

j
.
.
J

43

#
&
3

M.P

6 Adagio
6

Cream if you please.

#
M.T

&

6
8
J
Is - n't the weath -er

#
&

Pno.I

.
? #
J

#
&
Pno.2

?#

j
j
.
. ff
.
.

J
J
J

6
8

aw - ful!

. . . .
J
J

p

. . . .
J

J

6
8

6
8

6
8

j
.
ff
j
j

.

Allegro (Tempo I)
48

M.P

#
&
J
Aw - ful!

&

j 44

Aw - ful!

#
M.T

3
4

Do you ap - prove of the new mi -nis - ter?

3
4

4
4

nj

b
J

Aw - ful!

In - deed!

He is

well

>
#

&

>
>
3 j . . . j 4 #j j . . . j nj bj j
4 n.
. 4
. b . . n
. n.
.
p

3
4

>

Pno.I

?#

& >
p

4
4

#
?

4
4

3
4

b
b

Pno.2

mp

? #
>

3
4

4
4

53

M.P

#
&

Do you like

#
M.T

&
bred

&

and

well

# b b j

.

read

j
n

his

wife?

bJ J

and hand - some.

j b
b n
.
poco rit.

In -deed I don't! She's

.
J
f

Pno.I

? # <b>

?#

b
J

&

Pno.2

? # <b>
<b>

b
b

j b
. . . .
mf
b - b n -
J

j
b
.
. . .
bb
J

&

.

J

8
57

M.P

#
&

8
6
8

6
8

She's si -nis - ter.

M.T

#
&

fat,

she's vul - gar,

#
J

&

. . . . . .
6
J
J
8
f

Pno.I

#

&
J

&

# n

. . . j 6
8
J
. . .

. . . . . .
J 68
J

f
Pno.2

n
?#

j
. . . . .

&

j ?6
8
.

Adagio
61

M.P

#
&
J
Is - n't the weath -er

aw - ful!

j U

This is a lone - ly

j
j

town.

#
M.T

&

Ours is a lone - ly life.

Adagio

&

J
p

U
n

Pno.I

&

#
&

Pno.2
f

?#

9
67

M.P

#
&
man,

a man wrecked my

bbb

life!!
p
4

#
M.T

&

j
I

#
& b
Pno.I

? # nbb

#
& b

? # nbb

know...

n
p >

That was

thir - ty years a - go.

n
pp >

bbb

bbb

bbb

bbb

bbb

p
Pno.2

9
71

(presto recit.)
M.P

bb
& b

You mean twen - ty - ve!

M.T

bb
b
&

So was

b
& b b b

Pno.I

? bb
b

b
&b b

b
J
f

>

J
my life

sf

wrecked by

Pno.2

? bb
b

Andante
10
75

10
j
2 DUETTINO
4

(nastily)
4

M.P

b
&b b

I know,

M.T

b
& b b

that was for - ty years a - go.

My

2
4

man.

Andante

b
&b b

2
4

2
4

Pno.I

? bb
b

sf

.
b
&b b

j
. b . . .
>
p

j
. b . . .
>
p

.
2
4

Pno.2

? bb
b

2
4

79

M.P

bb

& b

lov - er sailed to

be

b
&b b

sail - or of the

sea

but said I was the ship

on which to t his

Pno.I
p

? bb
b

b
&b b

p
Pno.2

? bb
b

11
86

M.P

bb
& b

mast.

A - ;as, the sea is

b
&b b

vast

J
and full of ma -ny a ship;

he sailed for his rst trip,

that's

j
J

mf

Pno.I
p

? bb
b

b
&b b

mf
Pno.2

? bb
b

11
poco rit.

a tempo

93

M.P

bb
n
& b
when I

M.T

bb
b
&

saw him

nj
My

poco rit.

last.

n
n
lov - er had

n n n
J

plan

to

be

a learn -ed

man

but

n
said

was his

a tempo

b
&b b

n
n

n
n

n
n

n
n

n
n

Pno.I

? bb
b

b
&b b

? bb
b

n
n

Pno.2

12

12
99

M.P

M.T

bb
& b

b
& b b n

book

in

My

lov - er sailed to

be

so

long and ma - ny - a -

which he found his creed.

b
& b b n

b
b

n
n

A - las. why must man need

sail - or

of

the

Pno.I

? bb
b n
n
b
&b b

&

Pno.2

? bb n
b

13
105

M.P

bb
& b
sea,

M.T

bb
b
&

book:

of the

sea

for

sail - or

all this time he

bb J
b
&

b j
&b b

j
but

took

to

read

read and read and

said

was the

Pno.I

b
&b b

n n

Pno.2

? bb
b

13
111

M.P

bb
& b

ship

M.T

b
& b b

on which to x his mast.

for

all the time he

took to read and

He sailed for his rst

b
&b b

trip,

read

for

Pno.I

b
&b b

b
&b b

j J

Pno.2

? bb
b

Allegro ma non troppo

117

M.P

bb
& b

that's when

M.T

bb
b
&

all

bb
b
&

the time he

saw him

took

to

read and

last.

read.

Life

is

but a bro -ken pro - mise.

Life

is

but a bro -ken pro - mise.

-Allegro
- ma non
- troppo

6
8

6
8

6
8

f
Pno.I

b
&b b

b
&b b

6
8

6
8

6
8

f
Pno.2

? bb
b

14

Andante

M.P

14
122
bb 6
& b8

And why

M.T

bb 6
b
&
8

should

God keep his

And

why

should

God keep his

prom - ise

if

men

prom ise

Andante

b
6

J
& b b 8 J

9
8

9
8

if

9
8

Pno.I

b6
& b b8

b6
& b b8

p
Pno.2

? bb 6
b8

9
8

9
8
9
8

125

M.P

bb 9
& b8

for

M.T

b9
& b b 8
men

get

their

own,

for

their

own,

for

J
-

for

get

bb9
b
& 8
J

2
4J
get

their

2
4J
get

2
4

own?

J
their

.
J

'Twas

own?

.
J

j

.

p
Pno.I

b9
& b b8

b9
& b b8

2
4

j

.

p
Pno.2

? bb 9
b8

2
4

15

15
bb
& b
128

M.P

man,

M.T

b
& b b

God,

the

J
not

'Twas

3
4

man,

not

God,

the

2
4
who

3
4 n

rst

trod

2
4

rst

up -

who

trod

b
&b b

3
4

2
4

b
&b b

3
4

2
4

b
&b b

3
4

2
4

3
4

2
4

Pno.I

{
Pno.2

? bb
b

132

M.P

bb
& b

j 3
4

on

M.T

his

prom - ise.

bb
3
b
&
4

up - on his

j 42

Since

then,

since then

2
4 j

prom - ise.

3
J 4

Since then

has

truth own from

3
4
since then has

truth own from

68
J
us,

j 68

us.

b
&b b

3
4

2
4

3
4

6
8

b
&b b

3
4

2
4

3
4

6
8

b
&b b

3
4

2
4

3
4

6
8

3
4

2
4

3
4

6
8

Pno.I

{
Pno.2

? bb
b

16
137

M.P

bb 6
& b8

J
has

M.T

bb 6
b
&
8

9
8

9
8

own.

And life

is but

bro

J
-

ken

b
6

J
& b b 8 J

prom

9
8

p
mf
Pno.I

b6
& b b8

b6
& b b8

9
8

p
Pno.2

? bb 6
b8

J
8
J

16
Allegro vivace (q.=128)
140

(Laetitia runs down from upstairs)

M.P

bb
& b

##

9
8

(Knocks are heard at the back door)

M.T

b
& b b

## 9
J
8

ise.

Lae -ti - tia!

U
##

b
&b b

. . .
. .
9 . . . . . . . . . j
8
.

f
Pno.I

U
##

b ##
&b b

? bb
b

. . .
9 & . . . . .
j
8
. . . .

9
8

9
8

2
2

mp
Pno.2

? bb ##
b

. .

f
.
J

. . . .
. . .
.
.
J J

17
145

L.

##
&

Yes,

M.T

##
&

68

Ma'am.

6
8

Some -bod-y knocked at the

#
&#

. . . . . . . .
.

J
. . .
f

J
J

Pno.I

? ##

#
& # . .
f
.
? ## J

. .
.
J

{
Pno.2

. .
.

J
J

6
8

6
8

6
8

6
8

j j

149

(Laetitia runs to the kitchen)

L.

##
&

98
I'll go and

M.T

##

&

see.

9
8

front door.

. .
9 . . . . . . j
8
. . . .
. . . .
J
. . . .
f

? ##

9
8

#
&#

9
8

#
&#
Pno.I

. .

. .

f
Pno.2

? ##

9
8

j
j

&

.
.

j
j
.
.

18

17
(Laetitia runs back)

153

L.

##
&

Ma'am!

M.T

##
&

Who can it be?

#
&#

.
. . . J
. .

. . . .
.
.

Pno.I

? ##

&

#
&#

.
. . . . . . . . . . J

.
. . . . . . J

j j j
.
.
.

p
Pno.2

#
&#

j j j
.
.
.

&

158

L.

## U

&
Ma'am!

M.T

(Signaling to Miss Todd

to get rid of Miss Pinkerton)

U
3
4
J
It is a

##
&

4
4

man!

3
4

12
J 8

He...

12 j
8

4
n 4

A man? What does he want?

. U U
#
& # J

f
Pno.I

#
&#

##
&

U
3 b n 12
4
8
J
ff
U
n 12
b

?3
J 8
4
U
3
4

4 .
4
J .
pp .
.
4 J
4

12
J 8

4
4

j
12
8

4
4

f
ff
Pno.2

U
##
&

U
?3
4

.
.

. n.
. .

19
162

L.

##
&

(ad libitum)

he...

M.T

##
&

He says that he must speak to you in strict pri -va - cy.

U

J

The i - dea! Don't you

Pno.I

# j
& # .
.
? ## J

#
&#
Pno.2

? ##

j

. . . .
pp
. . . n .
J

.
.

j
.
.
J

M.T

166 18
##
&

see

I am hav -ing tea

#
&#
? ##

Pno.2

#
n
& # n
5
p
p
n
.

? ## n
J

. .
J
J
.
J

with Miss

.
n n J
p
5
p
n . .

n
J J

Pno.I

#3
4

Pin -ker - ton? Tell him to come back

.
J

.
J
.
n
J

#3
4

#3
4

#3
4

#3
4

20
169

M.P

#3
& 4

Not on

M.T

#3
&
4

j 68

my

ac - count!

It's

n
J

time

6
8

for me

to

go

home an - y - how.

nj

la - ter.

#3
& 4

So

6
8

? #3
4

6
8

#3
& 4

6 n
8

Pno.I

#n

p
Pno.2

? #3
4

6 n
8

Allegro
173

M.T

but rmly pushing her towards the door)

# gently

& J J #
soon!

It

19
4 j
4

was such a short af - ter - noon.

3
j 4

Good -bye then,

Miss Pin -ker - ton.

Allegro

&

#n

nbb

b
b

p
Pno.I

?#

bb

bb

#
&

4 j
4 #
mp
. n >. .
4 j #j
4
# .
.

j
.
. >. .
j
j

.
.

3
4
.
43

4
4

3
4

4
4

3
4

Pno.2

?#

21
177

M.P

#3
& 4
J

44
J

Good - bye,

M.T

#3
&
4

Miss

j 43 j

Your man -te - let,

Pno.I

#3
& 4 j j
.
.
? # 3 j nj j
4
.
.
.

#3
& 4
Pno.2

? #3
4

4
j 4

.
44

4 j
4

. >. .
p
4 j #j
4
# .
.

4
4

Todd.

4
4

3
4

4
4

your o - ver - shoes.

3
4

4
4

3
4

4
4

j j

.
.
j

.

4
4

j
.
. >. .
j
j

.
.

3
4 j
.
.
j
43
.

j
n
.

4
4

20
2
4

4
4

j
2
4

4
4

180

M.P

#4
& 4

I thank you.

M.T

Good - bye.

#4 j
&
4
Come soon a - gain.

Pno.I

#4
j
& 4
. . . .
.
? # 4 .
4J
J

#4
& 4

This way.

.
. .
.
J
.
.
J
J

.

J
.

J

. . . . . 2
.

. . .
4
.
.
.
.

2
J
J
4
J

Pno.2

? #4
4

4
4

4
4

.
2
4
4 J . . . 4
.
.

2
4
4 J J 4

22
183

M.P

#4
& 4

####

Good bye.

(closing the door with

a sigh of relief)

(exit)
M.T

#4 j
&
4

. . . . . .

J
J

Good - bye.

#4
& 4

####

God bless her!

. .

####

. .

####

. .

####

. .

####

f
ff
Pno.I

? #4
4

Pno.2

.
J . . . j
.
.

&

. . . . . .
. . . . .
.

J
. . .
J
.
f
.
.
.

j
j ?
J
J
&
J
. . .
.
. .

#4 .
& 4 J
.
? #4
4J

.
ff

21
j
# n 68

186

L.

####
&

Ma'am,

M.T

####
&

Well,

####
&

ask the

he's not a

vi - si - tor, he's on - ly

J
vi - si - tor

6
8

to come in.

6
8

6
8

pp

Pno.I

####
&

##
& # #

6
8

6
8

f
Pno.2

? ####

23
189

L.

#### 6
& 8

4
4

beg - gar.

M.T

#### 6
&
8

But he's so young and hand - some!

j
j
A beg - gar!

44 n

? #### 6 n
8

#### 6
& 8

4 n
4

pp
Pno.I

Give him a nick -el and send him a - way.

4 n

4
f

4
4

##6
& # # 8 n

f
Pno.2

? #### 6
8

4
4

193

L.

####
# 88
&
Don't send him a - way. It would be a

M.T

####
&

sin.

8
8

# 4
4
J
Be a Chris tian.

Ask him in.

4
4

What shall I do then?

####
& #

8
8

4
4

? #### #

8
8

4
4

##
& ##

8
8

4
4

? ####

8
8

4
4

p
Pno.I

{
Pno.2

24

Allegro vivace
196

L.

#### 4
& 4

Who cares? Just take a look at him!

M.T

3
#### 4

& 4

What will the neigh -bors say!

Allegro vivace

#### 4
& 4

? #### 4
4

Pno.I

##4
& # # 4

. . . . . .
p
cresc.
.
J

3
j 3

.
. . . . . .
.
.
J J &

cresc.

Pno.2

? #### 4
4

22
199

Adagio
L.

####
&

J n

Come in, good man.

M.P

####
&

What a beau -ti ful voice!

3

What a beau -ti ful voice!

B.

?# #
##

Thank you.

Adagio

#### . . . . . . . .
&
J
J
3

j
#
#

pp

Pno.I

##
j
j
& # # j .
.
.

#### 3 3
&

f
Pno.2

? ####

25

203

M.T

####
&

3
#3
4

4
4

Where are you go - ing?

B.

? ####

#3
4

4 3 3
J 4

# ##
&#

- - -

#3
4

beg -gar has no des - ti - na - tion.

- -
4
4

- - - # - - - #
4
4

f
mp 3

Pno.I

? ####

#3
4

####
&

#3
4

4w
4>

Pno.2
mp

? ####

#3
4

4w
4w
>

=
206

L.

#
&

5
4

In such weath - er!

3
#
&

M.T

Have -n't you a home or a vo -ca tion?

?#

5
4

In such weath - er!

3
J

5
4

5
4

B.

A have an i -deal and we wan -der to -geth er.

&

b -

- - -

Pno.I

?#

>
bw

>
bw
bw

mp

Pno.2

?#

- b

- - -

&

5
4

5
4

mp

bw

5
4

26

Un poco pi mosso

B.

209 23
? # 5
4 J

4
J 4

I've nev - er been a host,

I've

nev - er been a guest;

man

with an i -deal

has

Un poco pi mosso

#5
& 4
n

4
n 4

4
4

4
4

4
4

Pno.I
mf

? #5
4

#5
& 4

Pno.2
mp

? #5
4

Andante mosso
212

L.

#
&

Is - n't

it

a shame!

Is - n't

Is - n't

? # n

place

to

rest.

it

a shame!

Is - n't

B.

no

Andante
mosso

#
&

p
f
Pno.I

?#
&

#
&

Pno.2

&

M.T

it

?# w

? b

# b
R
f
p

b
b

it

27
214

L.

#
&

shame!

M.T

#
&

shame! For

meant

to in - vite

you to

stay

&

ov - er - night,

for some rest and a

poco rall.

Pno.I

?#

&

Pno.2
poco rall.

?#

216

L.

#
&

R #

In spite of your i - deal?

M.T

&

meal.

B.

?#

But I can ac -cept all the same.

? #

?#

&
Pno.I

#
&
Pno.2

be - tray it with de -

28
218

L.

#
&

3 #

Is - n't he po - lite!

M.T

4
4

4
4

Is - n't he po - lite!

B.

4
4

What a beau -ti - ful name!

#
&

? # J

What's your name?

What a beau -ti - ful name!

Bob.
light.

#
&

4
4

4
4

4
4

4
4

Pno.I

?#

#
&
Pno.2

?#

M.T

220 24 Allegro
#4
3
j j
& 4
4

Well, Bob,

B.

? #4
4

4
4

3 j
4

4
4

Come and sit down

3
4

Oh dear me, yes!

4
4

3
4

4
4

3
4

4
4

3
4

4
4

Won't I soil the car - pet?

Pno.I

#4
& 4 j
mp
. >. . .
? # 4 j #j
4
. # .

#4
& 4

3
4 j
.
3 j nj
4
. .

j j 44

.
.
j
44
.

3
4

3
4

j
. >. . .
j
j
. .

Pno.2

? #4
4

4 j
4
p
. >. . .
4 j #j
4
. # .

j
. >. . .
j
j
. .

3
4 j
.
3 j
4
.

j
n
.

j j 44

.
.
j
44
.

29
224

L.

#4
& 4

2
4

4
4

2
4 J

4
4

Don't move!

M.T

#4 j
&
4

You're all

Pno.I

wet.

Don't budge!

Don't stir!

.

J
.

J

#4
& 4

. .
.
.

J

.

J
.

J

. . . . . .
. . . . 42
.
.
.
.
2
J
J
4
J

#4
j
& 4
. . . .
.
? # 4 .
4J
J

2 .
4 J
.
2
4J

Pno.2

? #4
4

4
4

&4

. . 44
.
.
4
J
4

25
#4
L. & 4
227

Hold your breath!

M.T

#4
&
4

You'll catch your death!

Oh, you poor fel low!

#4
& 4

Take o your

. . . . . .

J
J

.
J

.
.

.
J

f
f
Pno.I

#4
& 4

#4
& 4

.
J

Pno.2

.
? #4
4J

.
J . . . j
.
.

. . . . .
. . . . .
.

. . .
J
.
f
.
.
.

j
J
J & . .
J
. . .

.
J

j
. .
.
J

j
.

.
.

f
mp

j ? .
J
.

.
.

30
230

L.

#
&

There!
There!

M.T

#
&

shoes,

There!

There!

There! Take o your

There! Take o your socks.

There!

There!

#
&

Pno.I

&

#
&

Pno.2

?#

26
j

233

L.

#
&
coat.

M.T

There!

#
&

There!

There!

There!

There! Take o your shirt.

There!

There! Take o...Oh,

There!

#
&

Pno.I

&
#
&

Pno.2

? #

31

Andante
236

L.

#
&

dear...

#
M.T

&

3
j j

Just wait.

#
&

Lae - ti - tia, run up -stairs and fetch that old bath -robe and slip -pers of

Andante
j
. . . . . j
j
J
j b b J b
JJ
p
p espressivo

Pno.I

b b

&

&

Pno.2

?#

Allegro
240

M.T

#
&

27

my poor un - cle Paul.

I hope

3
4 j
you're

4
4

not too cold.

Allegro

&
Pno.I

? #

#
& b

j
mf
. >. .
j
#j
.
# .

j
.
. >. .
j
j

.
.

3
4 j
.
.
j
43
.

j j

.
.
j
j
n
.
.

4
4
4
4

3
4

4
4

3
4

4
4

Pno.2

?#

32

243

M.T

B.

#4
& 4

Stand

by the re

? #4
4

43
and

make your - self at home

3
4

4
4

while

make

some

tea.

J 44

Don't
5

#4
& 4

3
4

# #

4
4

mf

Pno.I

? #4
4

Pno.2

3
4

#4
j
& 4
. .
mf . >
? # 4 j #j
4
# .
.

j
.
. >. .
j
j

.
.

43
.
j
43
.

j
j
.
.
j

.

j
.
j

.

4
4

.
44
J
mf

4
4

M.T

246 28
#4
& 4

no trou - ble at all; the

B.

#4
& 4

? #4
4

Pno.2

# 4 . . . j . j
& 4
J
.
.

? #4
#

4
J

ter

is

boil -ing in the

ble your - self for me.

Pno.I

? #4
4
trou

wa

.
.
. . n. .
.

. . .
J
J
.
5
mp
n

j
j
j nj
.
.
.
.

J J nJ

33

Adagio
249

M.T

#
&

ket - tle.

?#

b
J

B.

If

it

is

so,

I'll

have some.

Adagio

&

b
#
J

Pno.I

?#

Pno.2

#
n
&
J
J
5
n

? # n

##

##

Allegro
252

L.

# 3 # #
&

n4
4

n4
4

#.
.
J #. # #j
.
ff

n4
4

.
#J #. #. #j
.

n4
4

#j

. # . #. # j
.
ff

n4
4

#j
j
. # . # .
# .

n4
4

What a beau -ti - ful tor - so!

M.T

# # 3
&

What a beau -ti - ful tor - so!

Allegro.

&
Pno.I

?#

#
&

Pno.2

?#

. . # . # .

#
J #
f
. . . # . # .
J
.
#J
f
.
#
J

.

J
.
J

.
# . . . .
J
.
# . . . .
J

34

Scene 2 - Ms Todd's Parlor

255 Allegro, molto mosso (q=144)

L.

4
&4

Good

M.T

4
&
4

Good day, Lae - ti - tia.

Allegro, molto mosso (q=144)

4
&4

f
Pno.I

?4
4

4
&4

?4
4

U
j

Pno.2

&

29
260

L.

&

mor - ning, Ma - dame!

M.T

Why up

so

ear

ly?

&

All night I

&

felt so

Pno.I

?
:;
&

&

Pno.2

&

ex -

35

263

M.T

&
cit

&

ed,

I could not sleep a

wink.

But is

he

still

a - sleep?

Pno.I

&

:;

&

Pno.2

&

L.

266 30

&

Quite

a - sleep,

think;

He

has not

made a sound.

&

&

Pno.I

&

poco rit.
Pno.2

&

36

270

L.

&

Was - n't he char - ming last

M.T

&

night!

And clev - er!

And clev - er!

& w

And fun - ny

And fun - ny!

And

and bright and pro -

sfp
Pno.I

&

&

sfp
Pno.2

274

L.

&
bright

M.T

31
J. . .

and pro - found!

I nev -er heard such fun -ny jokes as he told us

&
found!

. j
. . .

j
. . . .

The

. .
. .

I nev -er heard such fun -ny jokes as he told us

&

af - ter din - ner...

af - ter din - ner...

j

. . . .
p

. . . .
.
. . . .

&j
. . . .

. .

.
. . . .
. .

Pno.I

& J

Pno.2

37
278

L.

&

one a -bout the sail - or....

M.T

&

The one a -bout the tail - or...

Pno.I

Pno.2

Ha ha ha ha ha.

.
p
.

.
p
.
J

&

Ha ha ha ha ha.

The one a -bout the sin - ner...

&
.

.
?

. . j
. . . . .
mf
.
. . . . j
J
. . &

j
. . .
. . . .
mf

.
. . . . j
. .

32
282

L.

&
J

Ha ha ha ha ha.

M.T

&
J

Ha ha ha ha ha.

How

shall I stand

it to - day

to see him go a - way!

. . . .
. . U

&
f

This

town

will be a

Pno.I

& . . .
.
. . . .

&

U
.
.
U

. .

n n
b

f
p
Pno.2

&

38
286

L.

&

bJ b

tomb.

M.T

How dif -fe -rent a room

&

&

b b

And whatglook

in this house!

bb

Pno.I

& b

b n
&

33

Pno.2

b n

&

290

L.

&

3
with a man in it!

&

Miss Todd,

b b

Pno.I

& b
b

&

&

b b

b b

Pno.2

b
b

39
294

L.

M.T

&

have a

plan

&

2
4

4
4

2
4

4
4

to sub - mit.

bj

Well then speak up!

&

2
# . . 4 #
. .
f

4
4

2
#. 4
. # . .

4
4

2
# . . 4 #
. .

4
4

p
Pno.I

&

& b b

f
Pno.2

& b
b
b

2
4
#

n .
. # . .

4
4

L.

298 34
4
&4

Why

M.T

4
& 4

don't we ask

him to

J
stay

an -oth - er week?

What

. .
4
&4

will the neigh -bors say?

. .

4
& 4
. .

. .

4 # . .
& 4

# . .

. .

p
Pno.I

p
Pno.2

4
& 4
. .

40

35

301

L.

&

This

M.T

&
They

will soon see

That

J
is my stra -ta - gem:

don't you have do - zens of

we are three.

. .
b
J

& w

ff
sf

Pno.I

sf

&

. .

&

j
# # j
# #

# #

. . b

J
p
. .
J

ff

sf

sf

Pno.2

#
#

j
n
n

305

L.

&

un - cles and cou - sins?

M.T

Say

36

J

that he's one of them.

&

Once they see his as - pect,

&
p

. .
b J w

they

j

will sus - pect.

sfff

Pno.I

j w
&
. . sfff

Pno.2

. .

& b J j
sfff
p
. .

?
J j

j
n

#
#

j
n
n

#
#

41

37
309

L.

&

Tell

M.T

them he's ill

and that he will

not see

an - y - bod - y.

&

J j

Will he con - sent?

w~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . .

. .

j

. . . . . . .

. .

j
. . . . . . .

&
sfff

Pno.I

. .

& j

& j

sfff
Pno.2

? j

{
=

38
313

L.

j
&

A hun gry man is eas -ily bent.

M.T

&

But

j
&
.

Pno.I

& j
.
&

. . .

>
p

?
&

. . .
>

who shallmake him

the prop -o - si - tion?

J
mf

?
J

Pno.2

j
j
j j

.
.
.
.
p
? . . j .
.
J J
J

. . . .
. . . .

42
317

L.

&

j

I

am in no po - si

J
-

tion.

3
4

think you'd bet - ter.

M.T

&

I do not dare.

&
p
Pno.I

.
?
J

j
.
.
J

j
.

.
J
.
.
J
J

.

J
.
.
J
J

j
.
.
J
.
J

I'll write a

j
.
.
J

Pno.2

It's your af - fair.

&

3
4

let - ter.

. j
.
J
.
J

.

J
.
.
J
J

.
J

3
4

3
4

. j
.
J
.
J

.

J
.
.
J
J

.
J

3
4

3
4

L.

320 39
3
& 4

poco meno mosso

9
8

What both -er - a- tion!

If you don't dare

J
J

.
9 . . .
8

sf

12
8

.
.
. . . .

12
8

to face the mat -ter

poco
. meno mosso

3
& 4

Pno.I

? 3
4

{
Pno.2

3
& 4
. .
f
. .
? 3
4

. .

.
poco .rit. .

9
8
. >
9
8
. f marcato

9
8

>

12
8

>

>

>

>

12
8
12
8

43

40 A tempo

poco rall.
324

L.

12

& 8
I

shall take care

of it

with

a good break - fast.

poco rall.

A tempo

12
& 8

.
.

p
Pno.I

? 12
8

.
.

.
.

.
.

.
.

.
.

>
>

12
& 8

p
Pno.2

? 12 w
8

. . . . . . - . . . . -
J

## 4
4

## 4
4

&

## 4
4

## 4
4

liberamente
326

L.

. . . .

J
&

## 4
4

Ah!

&
Pno.I

?
Pno.2

44

Scene 3 - Bob's bedroom

L.

329

## 4
& 4

j j

Good mor - ning!

B.

? ## 4
4

Hey, Good mor - ning, Bob!

Oh!

? ## 4 > . . . . . > . . . . .
4
J
J

U
w

w
?

f
Pno.I

? ## 4
4 j j
> . . . . . > . . . . .
? ## 4 > . . . . . > . . . . .
4
J
J

U
w

U
>
w

U
w
>

Pno.2
f

? ## 4
4 j j
> . . . . . > . . . . .

n
n
pp

41
333

L.

##
&

Wake up!

? ##

B.

Look - out!

No,

? ## n b
J
p

bn

cresc.

no,

run

n. bb
J

n bn. bb
J
J

sf

sf

a -

way...

they are

.
n bb
J
J

Pno.I

? ##

? ##

. . . . . . .
J

pp
p
Pno.2

? ##
<n> w
<n> w

w
w

nw
nw

45
336

L.

##
&

Wake

? ##

B.

who

is

it?

up!

com - ing...

? ## bb

. b

nn
J

.
#

sf

sempre cresc.

Pno.I

? ##

.
bbJ

. . . . . . .

? ##
J

bJ n

mf
Pno.2

? ##
nw
nw

nw
nw

338

L.

## n
&
Wake

up!

it's

I!

B.

?#
#

J
when?

Oh!

oh!

Oh,

. . . b # . b # . b ## n n

? ##
ff

good mor

nnn

n
ning.

w
w
w

&
f

Pno.I

? ##

? ##

bR n # n n
n
?

Pno.2

? ##

& n

&

ff

n
n

nww

&

46

L.

341 42
##
&

I'm sor -ry I'd to shake you,

>
n
## n
&

. . . . .
J

. .
J

pp

but since it is quite late

.
. .

. . . . .
J

mf

Pno.I

## > n. . . . .
J
&

>
## nn
&

. . . . . n>
J
n

. . . . .
J

pp

j
.
.

. #
.
.

j
. .
.
.
.

mf

Pno.2

# >
&#

. . n. . . >
J

. . n. . .
J

43
345

L.

##
&

thought I'd bet - ter wake you.

sleep - ing

on

the

ground

with

B.

?#
#

Af - ter

Pno.I

#
& #
>
? ## >

#
&#w
w

j
. . .
. . .
J

.
.
. .

w
w
mf

w
w

espressivo
mf
Pno.2

? ## w
w

w
w

47

stone for a pil -low

andleaves

348

B.

? #
#

for

a couch

# w
&#w

bed

feels

aw

f'lly

Pno.I

w
? ## w

#
& #

Pno.2

? ##

w
w

351

L.

##
&

44
2
4

Here's your

? ##

B.

break - fast.

2
4

4
4

4
4

nice.

#
&#

2
4

n 4
4
f

Pno.I

? ##

Pno.2

:;
##

&
#
f

? ##

2
4

4
4

2
4

4
4

2
4

4
4

48
354

L.

## 4
& 4

J
Of

B.

?# 4
#4

Ho - ly smoke!

This is

pa - ra - dise!

. . n. . .
J

# 4
& #4

Can I

eat

it

. . n. . .
J

in bed?

ff
ff
Pno.I

? ## 4
4

. . . . .
J

## 4

& 4 n n

f
w
? ## 4

w
4

Pno.2

{
=

357
3

L.

## j
& J

course.

But straight -en your legs.

? ##

B.

J J

Cof fee

#
&#

and toast!

J
J J
Ham

and eggs!

Pno.I

>
? ##

.
J

. .

>

. .
J .
. . >

w
w

w
w

. .
J .
. .
n

## n

n
&

{
Pno.2

? ## w
w

49

45
b j
J

360

L.

##
&

And by the way,

? ##

B.

my mis -tress is dis - tressed.

J
And

#
&#

n

f

mf

Pno.I

? ##
&

n
n

##
J
&

mf
Pno.2

? ##

363

L.

## j

&

Be -cause you're going a - way.

B.

? ##

why?

#
&#

>

. . . . .
J

mf
Pno.I

#
&#

#
&#

j
j
. . . . >
. . . .
.
.

>

mf
Pno.2

? ##

w
w

w
w

50
366

L.

##
J
&
J
J
And she gave me the task

#
&#

to ask if you would stay with us

an

oth

er

mf
Pno.I

#
&#

w
w
. . . .
J

#
&#

mf
Pno.2

? ##

w
w

L.

369 46
##
& #

week.

Yes.

B.

? ##

J
Stay here an - oth - er

##
&

week?

To eat, and drink, and sleep with -out

J. . . j
.
.
.
p

Pno.I

? ## #w
w

? ##

&

j
#

p
Pno.2

? ##

51
372

L.

##
&

3
4

3
4

Yes.

? ##

B.

3
J

pay - ing food nor rent?

God bless you, that'scheap!

>
#
&#

j
#

# . . #. . . 3
J
4

Pno.I

? ##

#>

. . . . #. 3
4
J

>

# . . #. . . 3
J
4

&

#
&#

. .
.
p

j
.

Pno.2

? ##

>
#
&

. . . . #. 3
4
J

47
44
J

375

L.

## 3 #
& 4
Well then,

do you con -

sent?

B.

?# 3
#4

4
4

How

.
## 3 # #. . . #. 4
& 4
4 n

J

could an - y - one

re -

Pno.I

## 3 #-
& 4

. . #. # 4
#. . 4

.
## 3
J
& 4

4 #
4
ff

Pno.2

## 3 #.
& 4J

?4

j
#. . .
.
#. . . .
J

.
? # n.
J
J

.
.
J
J

pesante

j
j
n j j
.
n . .
.

52
378

L.

##
&

B.

? ##

fuse!

>
n

j n n
n
5
5

#
&#

#
J

>

An

espressivo

Pno.I

#
&#

? ## #

5
n
? J n
& n w

w
w
>

>

espressivo
p
Pno.2

? ##

w
w

w
w

B.

381 48
? #
#

deal

##
&

to be i - deal

>

must

suf -fer trea

>

son;

e - ven i -deals

Pno.I

#
& #

? ##

w
w

>

w
w

w
w

Pno.2

? ##

53

49

385

L.

##
&

Then it is set- tled.

B.

? ## #

But

for the

lis - ten to rea- son.

neigh bors

With your per-mis sion.

>
#
J

##

&

#
J

>

j
#.

. .
.
.

mf
Pno.I

#
& #

? ##

#
&

mf

Pno.2

? ##

w
w

389

L.

##
&
you're

#
&#

Cou - sin Steve,

>

and we be - lieve it shall be

wise

to shun sus - pi - cion

j
#. . n. .
.

# #

mf
Pno.I

? ## >

mf

#. . n. . .
J

>

#. . n. . . ? w
J

mf

##
n # nn n

nn
& n #
n

n #>
mf

Pno.2

? ##

w
w

j
. . . . #
.

54

50
392

L.

##
&

j
that you be seen by

? ##

B.

no one.

It shall be

>

#
&#

>

j
. . . . #
.

. . . . #
J
.

done,

but

n #

Pno.I

? ## w

& # #
#

# >

j
. . . .
.

Pno.2

? ## w

B.

395
? #
#

warn you both be - fore,

# >
&#

I'll be a cou - sin, noth -ing more.

. . n. . .
J

hate wo -men to the

n
>

j
. . . .
.

f
Pno.I

? ##

#
& # n
>

j
. . n . .
.

n n

Pno.2

? ##

55

398

L.

##
&

? ##

B.

51

Do you mean

you'll

nev

er

mar - ry,

n
ev - en

core.

& # n >

j
. . . .
.

j
. . . .
.

>

pp subito
Pno.I

? ##

#
& # >

j
. . . .
.

pp subito

Pno.2

? ##

401

L.

##
&
when

as

well

they're young

and

shy

## n >

&

and can cook

j
. . .
.
.

as

n
pp subito

f
Pno.I

? ##

# >
& #

j
.

. .
.
.

>

j
. . .
.
.
subito

f
pp
Pno.2

? ##

56
404

L.

##
&

I?

M.T

#
&#

Lae -

B.

?#
#

## >
&

j
.

I'll

ad

mit

you're

ve - ry,

ve -

ry...

#
mf

Pno.I

? ##

## n
&

j
.

>

Pno.2

mf

? ## w

w
w

406

L.

##
&

52
b b n nj
Oh, the stu -pid bore!

M.T

## n
&

So I'm

ve

ry,

ve

ti - tia!

#
&#

ry...

n j 44

Com - ing! What

4
4

Lae - ti - tia!

4
4

4
4

4
4

4
4

p
Pno.I

? ##

#
&#

>

. . . . .
J

Pno.2
p

? ##

w
w

57
409

L.

## 4
& 4

p
f
nJ

was it you were say - ing?

M.T

#4
& #4

I'd like to choke her. Com - ing!

j
Lae -ti

B.

?# 4
#4

J
I'll

n
-

tia!

b n

say it an -oth -er day.

## 4
#

& 4

p
Pno.I

? ## 4
4

? ## 4 >
4

. . . . .
J

&

p
Pno.2

? ## 4
4w
w

## # #

&

411

nn C

pp
Pno.I

? ##

#
& #
>

j
. . . .
.

>

.
J

. . . .

nn C

nn C

nn C

Pno.2
pp

? ## w
w

w
w

58

Scene 4 - In the street

414 Presto agitato (q=160)

M.P

C
&

j w

Miss

j w

Todd!

Miss

#w
w
w

Presto agitato (q=160)

&C

#w
w
w

#

J

Todd!

ff

ff

Pno.I

?C

&

j
n

bww

bww

& C b. . . . . . . . b. . . . . . . . n. . . . . . . . b. . . . . . . .
f

ff

ff

Pno.2

?C

418

M.P

& J

Have you heard!

M.T

&
#

& J

Miss

Pin -ker - ton,

good

mor

. # . n
.
mp

#
. . .

ning!

nw
. #. . #n w
w

sff

sf

Pno.I

j
& n

. # . bww
.
#>
#

& n. . . . .
. . .
p

. . . .

>
#

. . . .
ff

Pno.2

. . . .

. . . .
&

b
. . . . . . . .

53

422

M.P

&
##
#
& J

59

Have you read!

#w
w
w

most

##
#
J

sff

bww

j
n

ter - ri - ble thief

. #. .

. #. . n
p

has

sf

Pno.I

j
n

&

{
{

#>
#

&

Pno.2

>
#

. . . .

ff
p
p

& n. . . . . . . . b. . . . . . . . n. . . . . # # # #
. . . . . . .

=
426

M.P

&

ed

from

&

the
coun - ty
#
. # . .

jail

of

#Tim

ber - ville.

j #
The town

is

in

great

# -
#
J

sf

j
#

#-

mf

Pno.I

Pno.2

{
{

&

. #. .

&

. . . .

# ?

. . . .
. . . .

-
j
#

# . . . # . . . .
#.

mf

. # . . . . .
# . .

& # # # #
. . . .

#. . . . . . . .

54
#

430

M.P

&

bJ b

fear

for he wasseen not

far from here.

of

na

b
J

He's the

ter - ror

the

tion. He is

&

f3
Pno.I

pp

{
{

n
#

&
?

Pno.2

# #
# #

# ## # ##

b
&#

b
# b#

#
- - # mf
# # n
?
n

#. . . .

n- - bn

60
435

M.P

&

b
J

one

to rob and kill

. . . .
& bn

at

the

slight - est

pro - vo

ca

tion.
##
#
J

. . . .
b

sf

. . . .

Pno.I

{
{

&

Pno.2

j
n

&
. . . .

b. .
p
. .
bb

. . . . .

. . b
p
. .
b.

& b

. . . . . . . . . .
b n
. . .
. . . . . b . . b
b

.
b n
. . . . . . . .
. sf

55
439

M.P

n
&

Keep

all

the

doors

locked!

Keep

all

the

win

. . . . . . . . . . . . . . . .
& b #
f

dows closed!

Pno.I

{
{

& # nn
. . . . . . . . . . . . . . . .

Pno.2

.
& J

.
? J

.
f
.

.
.

.
.

.
.

.
.

. . . . . . . # . . .
. #. . n. . . . . . .

.
.

=
443

M.P

j

& #
He has com -mit -ted

#
crime

af -ter crime

& . #. .

. # .
.

sf

sf

for

as lit -tle

b
b

sf

as a dime.

b
b

sf

Pno.I

{
{

&

bb

&
. . . .
p

Pno.2

. . . .

j
n

bb

j
n

bb. . . . n. . . . bb. . . . n. . . .
sf

. . . .

. . . .

61
447

M.P

&

Keep

all

the

doors

. . . . . . . .
b
&

locked!

Keep

all

the

. . . . . . . .
b

& b. . . . b. . . . b. . . . . . . .

f
Pno.I

&

b. . . .
f
b. . . .

Pno.2

.
b.

.
.

n . .
. .

56

rit.

450

M.P

&

win

M.T

&

dows closed!

j b

b J
J

thief!

3
bJ

A mur-der - er!

And what does he look

jU

like?

rit.

j
b

&

bb
J

mp

j
U

Pno.I

&
Pno.2

b .
? b.

.
.

.
.

.
.

.
.

.
.

.
.

.
.

b
b
J

b

J

j
b

bb
J

b

J

U
J

mp

b
b
J

62

Meno mosso (in 4)

453

M.P

j j b

&

Tall

and

bur - ly,

hair

black and cur - ly,

j b
J
light

com - plex - ion,

j
j
b
south-ern in -ec - tion,

Meno mosso (in 4)

&

b
> . . .
pp
>.
J . . .

Pno.I

Pno.2

j
j
& b
.
.
.
pp
? . j b
J
.
.

j
j

.
.
.
pp
. . .
J

>
>

j
j
b
j J.
.

b
.
.

57
457

M.P

&

and all - to -geth - er hand - some.

M.T

&

&
Pno.I

&
Pno.2

j
. . . .
mp
j
b
. . . b
.
j
. . . .
mp
j
b
. . . b
.

U

U

U

U

U
j j
#

Tall

hair black and cur - ly...

and

bur - ly...

# #
. .
>
pp
>.

. .

j
# # j
.
.
.
pp
. j
J
.
.

U

. .
U

#. .

63

461

M.T

U
U

j j
j
j

#
#

&

light

com - plex - ion...

south -ern in - ec - tion...

&

#
>
>

Pno.I

Pno.2

and all - to -geth -er hand - some:

j j

#
j
#j .
.

U

.
. U

j
& # #j
.
.
.
pp
? #. .
J
.
J

#j # # #j #

#j

# . # . . . .
mp
j
. . .
. .

Oh

##
f

&

#
#

#j

# . # . . . .
mp
j
. . .
. .

##
f

&

#
#

465 Allegro agitato (in 2)

M.T

#
&
dear

#
#

J
me!

Oh

dear

#
#

J
me!

must

must

. . . . # . . . .

&
ff

Pno.I

& #

. . . . #. . . .

#
#

. . . . #. . . .

#
. . . . #. . . .

. . #. . . . . .

&
ff
f
Pno.2

& . . . . #. . . .

#
. . . . . . . .

#
. . . . . . . .

64

58

468

M.P

M.T

&

must

run

Why

such

# #

home!

#J
I want

#
# . . . .

#
#

hur - ry?

&

to

warn

Lae - ti - tia

#
#

&
f
Pno.I

. . . .
#

&

#
#

. . . .
. . . .
. . . .
. . #. . #. . . . #. . . . #. . #. . . . . .
&
f
Pno.2

& #. . . . . . #. . . . . . . . #. . . . . . . . # # . .
. .
. . . . . .

472

M.P

&

#
Good - bye.

#
M.T

&

#
right

#
#

a - way. Good - bye.

#
#

#
#

&
f

Pno.I

& #

#
?

. . . . #. . . . . . . . #. . . . . . . . . . . .
# #. . . .
&
. . . .
Pno.2

?
& . . . . #. . . . # # #
. . . . . . . . . . . . . . . . . . . .
. . . .

65

59

& J

476

M.P

But

M.T

by the way

&

that old Miss Perkins

who always spies
on everybody

U
j
&
. . . . .

says outright that you had

a male guest overnight.

U
R j
. . . . .

#
Oh,

f
Pno.I

? .

j
.
U

&

j U

&

U
R j
. . . . .

U
R j
. . . . .
f

f
Pno.2

j U

jU

.

&

M.T

480 60
#
&
#dear

#
&

J
me,

#
#yes!

great

sur - prise;
back
#
. . . . # . . . . # . . . .

Pno.I

& #

. . . . #. . . . #. . . .

#
#

. . . . #. . . . . . . . #. . . . . . #. . . . . . . . #. . . . . .


&
f
Pno.2

& . . . . #. . . . # . . #. . #. . . . . .
. . . . . . . .
. . . . . .

66

484

M.T

#
&
from

#
& #

Aus - tra

lia

my

#
#

cou - sin

Steve

has

just

ar -

rived,

poor

sick

#
. . # . . . . . . . . . . #

f
Pno.I

. . #. . . . . . #
. . . .

& #

. . . . . . . . . . . . . .
. . . . . . . . . .
# # . . #. . #. . . . #
&
Pno.2

& #. . . . . . . . #. . . . . . # # . . . . . . #. . . .
. . . . . . . .

488

M.T

#
&
#man.

#
&

61

He

won't

see

an - y -one

#w

for

he's

in

Pno.I

& #
#

. . . . # . . . . &
. . . . . . . . . . . .
. . . .

. . . . #. . . .
w
&

p
Pno.2

& # # &
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

67

62
492

M.T

#
&

mour

ning.

I'm

help - ing

>

& #w

him

all

that

>

>

Pno.I

&##j
.

j

.
& ##j j
. . .
.

j
##.

>

>
j
nn.

j
#
.

j

.

j
##.

>
j
nn.

#J. #. . . nJ. n. . . . #. . . . . . . #J. #. . . nJ. n. . .

J
J
. .

Pno.2

& # j
.

j
.

=
496

M.T

&

can.

>

&

but

he'll

be

go - ing

I be - lieve,

>

>

>
j

.

{
Pno.2

>

>

mp
Pno.I

j
& #
.

a - way,

&

this

& . # . . # . . # .
J . . . J . . . J . . . J . . . J . . . J . . .
mp

=
500

M.T

&
ve - ry

&

morn

. . . . .
R

4
4

ing.

>.
?

b.
>

ff

. . .
R

>.
ff

&

4
4

Pno.I

&

R . . . . .
>.
?

&

b.
>
ff

Pno.2

&

>. b .
>

b
.
b . .
> b . .

. . >. . >.

R
R

&
. . .
>.

ff

R ? b

&
. . . . .
b . .

>.

4
4
4
4
4
4

68

Scene 5 - Miss Todd's Parlor

505 Presto agitato (q-160)

M.T

4
& 4

Lae - ti

#w
w
w

Presto agitato (q-160)

4
&4

tia! Lae - ti - tia! Lae - ti - tia! Lae -

#

J

j
n

ff
Pno.I

?4
4

&

bww

4
& 4 b. . . . . . . . b. . . . . . . . n. . . . . . . .
f

ff

Pno.2

?4
4

63
J

508

L.

&

MissTodd,

w
M.T

&
ti

#w
w
w

why all this clat - ter!

tia!

#

J

&

Have you

. #. .
. # . n
.

ff

mp

#
. . .

sf

Pno.I

j
n

& bww

#
. . .

& b. . . . . . . . n. . . . .
. . . . . . . . . . . . . . . . . . .
ff
p
Pno.2

&

69

512

M.T

#w
&

heard?

#w

Have you heard?

#nn w
w
w

#w
w
w

##
#
J

&
sff

##
#
J

sff

bww

j
n

. #. .
p

Pno.I

j
n

& bww
#>
#
&

#>
#

>
#

>
#

ff

ff

p
p

Pno.2

& b. . . . . . . . n. . . . . . . . b. . . . . . . . n. . . . .
. . .

L.

516 64

&

j #

No.

M.T

What is the mat - ter?

&

Is

& n

. #. .

sf

sf

he

still

up

stairs?

. #. . . . . . n
. . . . #. . . . . . . .

Pno.I

&

& # #
. . . . . . . . . . . . . . . .

# #
. . . . . . . . # . . . . . . . .

? #

J #

mf

Pno.2

&

j
# #

70

L.

520 65
j j
# J
&

Yes,

#j

he's get -tingdressed.

j
& # #
. . . . ##
sf
.

But what has hap - pened?

. . . .
. #. . #
J

Are you

.
J

#j n #j
# . . . . . . . # .

mp

Pno.I

& n
# . . . .
?

#
J

&

.
. .
J #. #

sf

. . .

.
J

mf

Pno.2

&

j
# b
. . . .

j
#n
. . . .

L.

524 66

&

poco rall.

a tempo

ill?

M.T

&

b b

Oh, my dear, let

me

sit

down!

We

poco rall.

&

a tempo

b # bn n bb n

j
#

p
Pno.I

&

&

b # bn n bb n

j
#

p
Pno.2

&

71
527

L.

&

J b

Of

M.T

Pno.I

must get

rid

&

&
>
ff
?

>

And why?

bJ

In

b
bb

bb

bb

b
bb

ff

>

>

b
b >

>

b #

ff

>

Of Bob.

>

>

>

>

&
>
ff
?

>

Bob?

im - me -dia -tely of our guest.

>

{
Pno.2

b
b >

b #

>

M.T

531 67

&

town

Pno.I

#
I

met

Miss

Pin - ker - ton

& n
#
n . . . . n . . . .

?

&

fright - ful - ly

dis -

& b

. . . . . . . . . . . .
. . . .

Pno.2

&

. . . . . . . .

b
. . . . . . . .

&

72

68

535

M.T

&

tressed,

who

&

told

me a thief

has

ed

from

the

. . . . . . . . . . . . . . . .
b # n

p
Pno.I

&

& b

. . . . . . . . . . . . . . . . b. . . . . . . .

&

Pno.2

&
. . . . . . . .

b
. . . . . . . .

539

M.T

b
&

coun - ty

jail

of

Tim

69
j b
J

ber - ville.

A thief,

b. . . . b n. . . . . . . .
b
&
. . . .

a mur -de- rer, she

j
b

b
?
J

j
b

ff
Pno.I

cresc.

& . . . . b n b
. . . . . . . . . . . .
&

b . .
ff .

Pno.2

&
>

>

b. .
.

? b
J

73

543

M.T

#
&

b
J
J
J

said!

He

.
bb
& J

. bb .

was seen

not far

from here;

b
and, my dear, he's

ff
Pno.I

? &bbj
.

bb
. .

ff

&
Pno.2

j
n

bb
J
n
b
b
J J

b. .
ff .
? ? b
. . .

bnn
bb
J J
bnn
bb
J J

547

M.T

j
j
&
tall

and

bur - ly,

hair black and cur - ly,

&

j
j
light

com - plex - ion,

j

south -ern in -ec tion,

and

pp
Pno.I

Pno.2

#w

& j # j
.
. b . .
p
?

#
.

#w

. .

b .

#w

j
j
.
. # . b .

#w

# b
. . .

j

.
.

74

70

551

L.

&

Poco meno

He!

M.T

&

Good -ness

all to -geth -er hand - some.

Yes,

it

is

he!

Poco
. meno

&

b . # .

JJ J

&
p

Pno.I

Pno.2

&

b n

nw

&
b
. . . .
?

bbb bb n
#
ff
bbb
n

b
b

bb

#
#

557

L.

&

gra - cious!

M.T

&

b j

Think of

b .
.
J J

&

# .
J

it!

J J

#
J

He might have

Pno.I

&

&

b
b

#
#

b
b

#
#

Pno.2

75

71
560

L.

&

j
b b

I thought he did look queer.

b
M.T

&

mur -dered us last night!

b
& J

n
J

b
J

b
b

n
n

What shall we

Pno.I

&

b
& b

n
n

Pno.2

72
563

L.

&

Call the po - lice.

M.T

&

How

can

we ex -

do

now?

b
& J J J

b
b
f

Pno.I

&

b
& b

n
n

J
f

Pno.2

b . .
.
p

b
. . .

b . .
.

b
. . .

76

567

M.T

&
plain

b
his

pre - sence

j b

here?

Al -rea -dy I've made Miss

& b b

Pin - ker - ton

b
be - lieve

b
b b

mp

Pno.I

.
.

&

. b

b .
.
b . .

mp
Pno.2

b. .

. b

.
.

73

571

M.T

&
that

Pno.I

he

is

my

cou - sin

Steve.

We

be

great

must

nn

mf

# b
b

mf

tac -

Pno.2

b
& b b b bb
b

&

77

575

M.T

n
&
ti

cians

and

rid

& n
Pno.I

.
p
? b b .

& n

our - selves

.
.

.
.

.
.

.
.

.
.

of

him

in

more

.
.

#b
. .
.

. . . .
. . .

J
sub -tle

.
.

.
.

.
.

.
.

.
.

bb
. . . sf

b
b

. . .

Pno.2

74

579

L.

&

But

b
M.T

way

&#b
.

as

if

we'd

no

sus

I've

just

&

pi - cions.

b b n
. b

f

Pno.I

b
& b

b
b

b b
b . . .

n
n

b
b

sf

sf

Pno.2

78
583

L.

&

begged

M.T

him

to

stay

with

us

&

an

oth - er

week,

b b

And

did he ac - cept?

. . . . b. . . .
b

b
b

&
. . . .
. . . .

Pno.I

&

&

sf

sf

Pno.2

&

75
587

L.

b b
&

He did.

M.T

&

What cheek!

b
b
&
sff

sff

Pno.I

& b
b
b
&b
sff

sff

? b

w
w

w
w

nb

mf

Pno.2

& b
b

n b

w
w

w
w

79

76
3

593

L.

&

There is no al - ter -na - tive,

&

? # w
#

mp espr

we'll have to keep him here.

Pno.I

{
{

&

? n

Pno.2

w
w

599

M.T

j
&
#

Why!

Lae -ti - tia!

You must be out of your mind!

la - dy

of my

w
w

&

kind

to

w
w

pp

Pno.I

{
{

Pno.2

&

ww

w
w

=
604

M.T

&

en - ter - tain a

fu - gi - tive!

w
w

w
w

He'll

rob

and

kill me

&

in my own bed.

Pno.I
sf

{
{

& ww
?

Pno.2

w
w

&

w
w

w
w

. .
w
w

ww

w
w

w
w

pp

ww

w
w

77
80
610

L.

Poco pi mosso

&

Since he

M.T

did not rob and mur -der us last night,

&

why should he

to - night?

j
Lae

Poco pi mosso

&

. . . .

. . . .

. . . .

J
ff

p dolce
Pno.I

&

j

ff

p
Pno.2

78

79

616

L.

&

For that mat - ter:

M.T

&
ti

&

tia!

to

be killed

by

. . . .

.

. .

.

. .

You're tal - kingthrough your hat.

>.

>.

>.

>.

>.
#

>.

p dolce
Pno.I

? w
w

w
w

&

w
w

Pno.2

p dolce

81

80
622

L.

&

man

M.T

would real - ly

&

be much bet - ter than to live

with - out one.

Lae - tit

&
. .

>

>

a, how

ff
Pno.I

w
w

&

#
ff

Pno.2

? w

Allegretto (h=q)(q=102)

poco rall.
628

L.

&

You might lead him

M.T

&

to the right

81
3
4

path.

He

has

3
4

2
4

such

love

2
4

3
4
-

3
4

shock - ing!

Allegretto (h=q)(q=102)

poco rall.

>.

>.

>.

>.
>

. . . . >

&

. . .

.
.
.
3
3 . . .
2
4
4
4

pp airily

Pno.I

? w
w

w
w

& #

3
4

3
4

2
4

3
4

3
4

2
4

3
4

2
4

3
4

p
Pno.2

82
634

L.

3
&4

M.T

ly

3
& 4

2
4

j 43 b

He'll

3
&4

2
4

2
4

3
4

2
4

3
4

eyes.

2
4

3
4

kill us

like two ies.

. . .

.
.
.
3
3 . . .
2
4
4
4

pp

Pno.I

?3
4

2
4

&4

. . . . . .

3
.
. .
3
2

&4
4
4

2
4

3
4

2
4

3
4

3
4

2
4

3
4

3
4

2
4

3
4

pp airily
Pno.2

?3
4

2
4

L.

638 82
3
&4

Not

M.T

3
& 4

2
4

if we make him

feel

2
4

se - cure.

3
4
He'll

3
&4

2
4

2
4

soon nd out I'm

2
4

3
4

poor.

. . . . . .

3
.
3 . .
2
4
4
4

Pno.I

3
&4

Pno.2

. . . . . .

.
3 . .
&4
pp
b

?3
4

3
4

2
4

3
4

2
4

2
4

3
4

2
4

3
4

3
4

2
4

3
4

83
642

M.T

3
& 4
and

2
4

lose

all

3
&4

in

te -rest

in

3
4

2
4

3
4

me.

2
4

. . .

.
.
.

3
3
2
4 . . .
4
4

2
4

3
4

Pno.I

3
&4

2
4

. . .

.
.
.

3
3
2
& 4 . . .
4
4

?3

2
4

3
4

2
4

3
4

Pno.2

?3
4

2
4

3
4

646

L.

3
& 4
Make

83
42

him be - lieve you're

3
&4

3
4

rich.

2
4

2
4

Don't

3
4

3
4

give your - self a

2
4

3
4

way.

2
4

3
4

Pno.I

?3
4

3
& 4

2
4

. . . . . .

42 43

3
4

2
4

3
4

. . 42 43

2
4

3
4

Pno.2

. . . . . .
?3
.
4

84

L.

650 84
3
& 4

Act as

3
4 J

2
4

if you'd mon -ey a - plen ty,

3
&4

2
4

and ev -en let him have

2
4

3
4

2
4

3
4

3
4

some of it,

2
4

3
4

2
4

3
4

Pno.I

?3
4

Pno.2

2
4

3
3

& 4
4
. . . . . .

2 3
?3
4
4
4

. . . . . .

3
.
2
. .
4
4

2
4

3
4

655

L.

3
& 4 J
a

Pno.I

b
lit - tle

2
4

eve -ry

day,

J
to

3 b
4
-

day ten

2
4

dol - lars,

3
4

to -

. . . . . .

3
.
. .
3
2

&4
4
4

2
4

3
4

b
?3
4

2
4

3
4

3
&4

2 b
4

3
4

2
4

. . .

.
.
.
3
3 . . .
2
4
4
4

b .
b
3
4

Pno.2

?3
4

2
4

2
4

3
4

85

85
2
4

659

L.

3 b
& 4

mor -rwo

twen - ty.

That

. . .

.
.
.

3 . . .
2
&4
4

will

con

b .
b
?3
4

3
&4

2
4

2
4

- trive

f
Pno.I

mp

b
b

b
b

f
Pno.2

?3
4

2
4

664

L.

&

J b b
to keep his

M.T

&

in

j
b

b b
J

te - rest

a - live.

b #j

But where to nd the

& <b>

b
b

? <b><b>

bb

#
#

nn

mon - ey!

mf
Pno.I

&

Pno.2

&

86

Un poco meno mosso

670

L.

&

Aren't

you

the

trea - su - rer

of

the

New

Mis - sion

So - ci

ety

and

Un poco meno mosso

&

Pno.I

?
b -

b -

b
b .

&
pp
Pno.2

& b

674

L.

&

of

&

b 42 n j
J

Hor - ror!

b
b bj

Lord all migh - ty!

&

the Wo -men'sClub?

M.T

No!

2
4

2
4

Do you sug -gest that I should steal?

p dolce
Pno.I

b .

& J R

2
4

2
4

2
4

Pno.2

j r
& j
. . . .
.

87

Allegretto
678

L.

j
&

j j

on-ly meant

M.T

to bow - row.

&

Take all the mon -ey you need

J J

And what doesthat im - ply?

Allegretto

&
. . . . . . . .
f

. .

. .

Pno.I

&

>.

>.

>.

>. >.
#

>.

J #

Pno.2
p dolce

&

686

L.

&
J
for this com -ing week,

&

43 J
J

nextmonth you'll put it

back,

and

no

one shall ev - er know of

it,

.
43 . . . . . .
J

poco cresc.
Pno.I

&

3
4

j 43

poco cresc.
Pno.2

&

?3

88
692

L.

&
J

2
4

3
4

2
4

no one shall ev -er know of it.

M.T

&

j
Your ar -gu -ment is

. . . . . . .
&
?

&

3
4 J

weak,

but

2
4

3
4

2
4

2
4

2
4

I.

2
4

2
4

3 b
2

4
4
p. . .
. . . . .
. 2
3
4
4

Pno.2

so am

. 42 43

.
.

. . . . . .
p

Pno.I

2
4

697

L.

2
&4

86
3 b b
4

b
J

I don't see what is wrong with it.

M.T

2
& 4

2
&4

3
4

4
4

The end jus - ti - es the means.

4
4

. . . b. . .

4
4

espress.
.
b
3 . . . b.
4

espress.

mp

mp

Pno.I

?2
4

2
&4
Pno.2

3
4

3
4 b b

mp

3
? 2 b
4
4

4
4

b #n nb

b #n nb 44

4
4

89

Andante sosten
702

L.

4
&4

j
bJ bJ b

Tut, tut,

4
& 4 J

M.T

he's com - ing...

Good

I'll nev -er have the nerve...

Good

b b b
B.

?4
4

Good mor - ning.

Andante sosten

4
&4

b b

b b

Pno.I

?4
4

j
4

& 4 b # b
. . . . .
f
? 4 # bj
4
b
# . . . . b .

Pno.2

j

. . . . . .
pp
j
b

#
. # . . b .

j
. . . . . .
p

bbbw
w
w

n#
n . # .

bw
bw

b
. b .

=
very tenderly)

87
708

L.

bw
&

mor

ning.

Did
you sleep
very tenderly)

& w

M.T

mor

ning.

Did

you sleep

well?

well?

B.

This was the

& bw
w

n b b
n b b

b b
n n

b
bb b b

mp
mf
Pno.I

b b b b

? bw
w

bw
bw
b
b

& b b b
b b
f

bw
bw
b
b

b
b

w
w

b
b

b
b

bb b

b
b

mp

Pno.2

? bw
bw

bw
bw
bw
bw

bw
bw

bw
bw

bw
bw

& bw

b
b

90
715

L.

&

3 #

Oh, what beau -ti - ful

eyes.

&

M.T

Oh, what beau -ti - ful

? b

eyes.

B.

rst

time that

& b b

I have missed

b b

Pno.I

b
& b

b
b

sun

rise!

w
w

w
w

b
b

w
w
w

w
w
w

w
w

w
w

b b

b
b

b
b

Pno.2

& <b> b

#w
w

721 Presto agitato (q=120)

3

n # # b #
n # # n # n # .
. .
ff 3
# #

# #

n
n
#

>
# . . .

& ##
#
Pno.I
ff

& ##
#

#n
n

#
#

##n

b
n

# #

# #

n
n

Pno.2

# #

#> #

n
n

12
8
12
8

3
12
j
8
#
. . .
>
n .
ff
3

12
8
#
# . . .
>

91

Scene 6 - The Kitchen

(A week later)
88

Larghetto (q.-60)
724

L.

12
& 8

What a curse for a wo -man

n
12
& 8 #R

j nn

J

is a tim -id man!

ff
Pno.I

? 12
8

&

12
& 8 n #

n
J

ff
Pno.2

w
ww

? 12
8

727

L.

&

J
J
week has gone by;

&

he had plen - ty of chan - ces,

but he made

j
?

mp
Pno.I

&

&

no ad -van

J
-

ces.

j
j j #

# .
.
.p
j
j
n

j
n

.
.
.

Pno.2

92

poco pi mosso
729

L.

&

Miss Todd schemes and la - bors to

&

get him some mon ey. She robs friends and neigh - bors,the

n
n

n
mp

Pno.I

&

mp

Pno.2

=
Tempo I
731

L.

&

club and the church.

He takes all

her

mon - ey

wioth a

Tempo I

&

Pno.I

{
{

&

Pno.2

- - -

J
ff
- - - -

. .
J

- - -

J
ff
- - - -

. .
J

. .
J

. .
J

=
733

L.

&

j U

smile that en - tran - ces...

.
& .
.
.

Pno.I

? . .

{
{

? . .

but

still makes no ad - van

ces.

U
J

J
The

&

& .
.

Pno.2

J
U
J

j

.
p
j
.

j

.
j

.

##.
j

.

93
735

L.

&

J
J

old wo -man sighs and makes lan -guid eyes.

&

All the drawers are wide o - pen,

b
b

mp
ff
Pno.I

{
{

& #

Pno.2

&

bw
bw
j U
j j #

. # .

.
p
ff
j
j
U

j
bw
.
.
.
bw

=
738

L.

& J

all the doors are un - locked.

J j

He nei -ther seems pleased or schocked.

He eats and drinks and

pesante

&

mf
Pno.I

bw
bw

pesante

&

n
n

b
b

Pno.2

?
bw
bw

j

n .
p
j
.

j nj > j
##
n
.
.
mf
>
j
j
J
.
.

>

>

=
741

L.

&
sleeps,

Pno.I

Pno.2

j
J

he talks of base -ball and box - ing....

&
>
mf
>
?

J
>
>

J

J
>
mf
>

J

>
&

j
>

j
>

{
{

mf

>
?

>

J

but that

is

all.

What

ff

mf

>

J

2
j

b
b

j
j
j

## nn
.
.
.
ff
p
j
j j

b
.
.
.
b

rall. molto
94

744

L.

&

#
J

a curse for a wo - man

is

## 7
8

## 7
8

## 7
8

tim - id man!

rall. molto

&

#
#

p
Pno.I

? <b>
<b>

&

#
#

b
b

n
n

w
w
#

pp

Pno.2

? <b>
<b>

## 7
8

bb b

b
b

w
w

## 7
8

w
w

=
Adagio ma non troppo
747

L.

## 7
& 8
Steal

#7
& #8

me,

Oh,

steal

#
J

me, sweet thief,

4
4

j 4
4

for

time's ight

is

steal - ing

3
4

my

3
4

mp
Pno.I

{
{

? ## 7
8
#7
& #8

Pno.2

4
4

4
4

4
4

#
J

3
4

3
4

mp

? ## 7
8

3
4

##

=
750

L.

## 3
& 4 #
youth

#3
& # 4 #

and

the

cares

of

life

steal

eet - ing

time.

Pno.I

{
{

? ## 3 #
4
#3
& # 4 #

Pno.2

? ## 3 #
4#

#
#
#

753

95
L.

## #
&

j
# 44 # #

Steal me, thief,

#
& # #

for

life

is

j
# 44 # #

# # 43

brief

and full of

theft and

43

strife.

Pno.I

4 #
4

3
4

#
& # #

4
4

3
4 #

##

? ##

4w
4

3 #
4

? ##<#>

Pno.2

{
{

=
poco rit.

A tempo

756

L.

##
&

And then with

#
&#

7
8 #

fur - tive step

j 4
4

death comes

poco rit.

A tempo

n #

7
8 #
#

7
8

and

steals time and life.

4 #
4#

4
4

4 #
4#

4 #
4#

Pno.I

{
{

? ##
#
& #<#><#> nn

Pno.2

? ## <#>

7
8 #

7
8

# # n b

bbbb

O sweet

bbbb

bbbb

bbbb
bbbb

=
760

L.

bb b
& b

thief,

b
& b bb

5
4

pray make me

die

mp

be

- fore dark death

5
4

steals her

Pno.I

5
4

? bb b
b

b
& b bb

w
w

5
4

5
4

f
Pno.2

? bb b
b

rit.
96

763

L.

bb b
& b

b 44

prey.

Steal my lips,

be - fore they crum - ble

to dust.

rit.

b
& b bb

b 44

pp
Pno.I

4
b4

? bb b
b

b
& b bb

b 44

4
b4

{
Pno.2

? bb b
b

=
766

L.

b
&

Steal my heart

3
4

be -fore

4
4

death must.

Steal my cheeks

j
3
4

& b

be -fore they'resund and de - cayed.

4
4
#

p
Pno.I

? b b
J

3 b
4

4
4

&b

3
4

4
4

#j

p
Pno.2

?b

3
4

4
4

=
muovendo un poco
770

L.

b
&
Steal my

breath

be - fore

it will fade.

Steal my lips,

steal my heart,

muovendo un poco

& b

Pno.I

Pno.2

{
{

?b

&b

?b

&

nb

n # n
n

97

molto rit.
773

L.

b
&

steal

my cheeks,

steal,

b
o

steal

89
3
4

my

A tempo

breath

and

make me

3
4

&b

die

4
4

be -

b
b

4
4

4
4

ff

Pno.I

& b

& b

3
4

3
4 b

4
4

Pno.2

ff

?b

3 b
4

4
4
b
b

Oh,

steal

me!

b
J

j
b

=
776

L.

b4
& 4

b
b

fore

4
& b4

3
4

death

will

steal her prey.

3
4

b 3
4

4
4

4
4
ff

Pno.I

4
& b4

4
& b4

Pno.2
? b4
4

=
779

L. & b

riten.

A tempo

For

3
4
3
4

&b

time'sight

riten.

4
4b w
bw

A tempo

3
4
youth.

3
4

pp

Pno.I

& b
& b

Pno.2

?b

w
w

poco rit.

ff

is steal - ing my

A tempo

4 b
4 b

poco rit.

4 b
4

3
4

3
4

p
3
4

U
#

pp

98

Scene 7 - In Ms Todd's Parlor

783 Presto agitato (q=160)

M.P

C
& b

w
j

Miss

Todd!

w
j
Miss

#w
w
w

Presto agitato (q=160)

& bC

#w
w
w

#

J

Todd!

sff

sff

Pno.I

? bC

&

j
n

bww

bww

& bC b. . . . . . . . b. . . . . . . . n. . . . . . . . b. . . . . . . .
f

sff

sff

Pno.2

? bC

787

M.P

b
& J

n
Have you heard?

(ironically)
M.T

& b

Miss

&b J

Pin -ker - ton, won't you sit down?

. # . n
.
mp

#
. . .

w
. #. . #nn w
w

sff

sf

Pno.I

j
& b n

#
. . .

ww
#>
#

& b n. . . . .
. . . . . . . . . . . . . . . . . . .
p

>
#

ff

Pno.2

?b

&

b
. . . . . . . .

99
791

M.P

b
&

Have you heard?

.
##
#
&b J

#w
w
w

##
#
J

sff

bww

j
n

90
n
n

The

is still hid - ing in

thief

n. #. .

n. #. . n
p

sf

Pno.I

j
b
n

& .

#>
#
&b

>
#

n#. . . . . . . .

ff
p
p
Pno.2

& b n. . . . . . . . b. . . . . . . . n. . . . .
. . .

795

M.P

b n
&

town

and has robbed man -y hous -es in the

n . # . .
&b

neigh - bor - hood.

j #

He's dar - ing, quick and

# -
#
J

sf

j
#

#-

mf

Pno.I

&b

n. #. .

n -
j
#

# . # . n . . . . .
. . . .
# .
& b # n . . #. . ?
n . . . . . . . .
mf

Pno.2

&b

#. . . . . . . .

100

91

799

M.P

b
&

shrewd.

You're not

safe

ev -en un - der your roof.

Keep

>
n #
&b

all

your

n #

f 3

>
n n#

Pno.I

&b

b
-

?b

&#

b
#-

w
b#ww

mf
Pno.2

?b

b n # # #

#. . . .

b # # n b n J

Allegro

92
803

M.P

b
&
doors

M.T

& b

J
locked!

Keep

all

the

win - dows closed.

3
3
j
J

But has some -one had an -y proof?

Allegro

& b n #

j
n
.

p
mf
Pno.I

& b n

&b
?b

Pno.2

j

.

>
f

n # n
#
# n

101
807

M.P

b j
&

3
4 b

Miss Mann - ing has missed

Pno.I

j
& b
.
.
?b
J

lots of mon - ey,

>. . .
#j .
#. J

j
43
. >. . .
j

43
.

3
4

3
4

&b
?b

3
4 b

Miss Pax - ton has not

j bj j 44
. .
.
. n. 4
.
J J nJ 4

44

seen her purse since that

3
4

4
4

3
4

4
4

4 j b
4 . . .
. >
.
. .
4 nn
4J
J J

Pno.2

4 b
4 J

3
4
>. . .
. 3
4
J

j

.
.

J

j
j
n b 44
.
.
b . n .
b n 44
J J

93 rall.
A tempo
3
3
b 4 #
3
& 4
4
811

M.P

4
4

mor -ning you came for a vi - sit.

M.T

4
& b 4

J 43 n
There

rall.

4
& b4

J n

is no more doubt

the

#j
#J

mf

3
4

Pno.I

4
& b4

rob - ber must be here a - bout!

A tempo

b
? b4
4

44

#n

3
4

. n . . .
J 43

.
.
n J
J

4
4

.
. .
n
J

4
4
. 4
4
J

mf
Pno.2

? b4
4

3
4

4
4

102

M.P

814 94
b4
& 4

n
J

And since our church

4
& b4

meet - ing on Mon - day the Sun - day col - lec - tion is

mf
Pno.I

? b4
4

nn

##

##
J

4
& b 4 n . . j
.
mf

#
J

Pno.2

? b4
4

##

##
J

M.P

817 95
b 3 b 3 3 b
&

mis - sing.

&b

We must ask the po -lice for pro - tec - tion,

3 b3
3
b
b

J j

we must,

6
8

we must.

3
3
b b n n j
.

6
8

f
mf
Pno.I

j

.

6
8

3
b b n n j
.

6
8

j

.

6
8

&b

3 b3
3
b
b b

?b

Pno.2

?b

b
b

b
b

n
n

Adagio
103

M.P

820 96
b6
& 8

lunga (insinuatingly)

n
J

Aw - ful!

Aw - ful!

But

by

the

lunga
M.T

6
& b 8

Is - n't

aw - ful?

the weath - er

Aw - ful!

Adagio

6
& b8

lunga

p
f
Pno.I

? b6
8

lunga

6
& b8

f
Pno.2

? b6
8

M.P

97 Allegro
824
b 4
b j
J

&

way, how is yourcous - in?

M.T

& b

Is he

rall.

still so ve - ry, ve -ry ill?

I'm

n
J

a - fraid that he nev - er will

Allegro

& b n

b
nb b

2

J

be ve - ry

rall.

#
mp

mp

mp

Pno.I

& b n

?b

j
j
j
j
n n #

mp

mp
Pno.2

?b

#J J #J J

830

104
M.P

&b

#
J

You

nev - er

can

4
4

tell.

M.T

& b

ve

ry

well.

& b bbn

j
# # # #

You

tell.

nev - er

can

4
4

4
4

4
4

& b bbn

4
4

4
4

Pno.I

?b

Pno.2

?b

Allegro
831

M.P

M.T

b4
& 4

b 45

4
& b 4

b 45

b 45

Allegro

Pno.I

j
4
& b 4 b
n . .
mf . >
? b 4 J. #.
4
J

4
& b4

j
.
. >. .
.
.
J J

.
mp

j
b
. >.

p
Pno.2

? b4
4

j
.
. . . .
>

j
j
.
.

5
b4

b 45

j

. j
.
. j
J .

5
b4

105

Scene 8 - Bob's bedroom

Andante calmo, ma senza trasciare
834

B.

? 5
b4

4

4

When the air

sings of sum - mer, I must

wan - der

5
4

a - gain.

Andante calmo, ma senza trasciare

5
& b4

44

5
4

5
4

5
4

Pno.I
p
mp

? 5
b4

5
& b4

4
4
4
4

Pno.2
p

? b5
4

4
5

4
4
98
4 b 5
4
4

=
B.

837 pochiss. riten.

? 5
b4

Sweet

a tempo

land -lord is the sky,

pochiss. riten.

5
& b4

rich house is the plain;

and to live

is

to wan -der

a tempo

4 .
5
4 .
4
.
.

.
.
.

Pno.I

? b5
4

5
& b4

Pno.2

? b 5
4

4 n
4
-

- -

5
4

4
4

5
4

5
4

4
4

=
B.

840
? 5
b4

through the sun and the rain.

5
& b 4 .
Pno.I

? b5
4-

5
& b 4

. #

. . #
.
.
. .
- -
-

4

4

44
n

# n

4
4

4
4

5
4

When the air sings of sum -mer I must wan -der a gain.

Pno.2

? b5
4

99

4
4

5
4
f

5
4
5
4
f

5
4

106
844

B.

?
b

First you wan - der in youth and joy

&b
n

4
4

then you'll wan - der to still the fears

b
b

# #

5
4

in an old heart.

4
4
#

5
4

4
4

5
4

p
p
Pno.I

?b

& b #

n #

b n

4
4 #

5
4

4
4

5
4

Pno.2
p

?b

=
B.

847 100
? 5 n b n
b4

b b

First you wan -der to nd your love, then you'll wan -der to hide your tears, for a wand' rer must de - part.

n
5
& b 4 n
f

b # n
#

b n n

b n

mf

Pno.I

? b5
4

5
& b 4

b n

n
# #b

# #bn

n # n

bn n n

mf

f
Pno.2

? b 5 n
4

=
A tempo
850

B.

? n 4 5 J 3
4
4
n
b
When a man owns a house he is a

bird in a cage,

whose cap -ti -vi -ty pain

6
4

is sweet -ened with age.

A tempo
3

Pno.I

4
5
& b nb 4 4
n

?b
n
44 45

&b
n

#
J
- -
-

#


3

4
4

5
4

4
4

45

6
4
6
4
6
4

Pno.2
p

?b

6
4

Largamente

101
n
? 6
b4

Andante
107

854

B.

b
J

Ah!

3
4

the sharp joy of

n
6 n
& b4

b
b
J

5
4

free - dom

is my loss

.
.

5
4
Andante
.

3
4

ff
Pno.I

and my gain.

. . # . . .

pp

b
bb

b
? b6
4

n
n

6 n
& b 4 b J b b nb

b
3 b
4

n
n

5
4
-

3
4 n n

5
4

ff

Pno.2

pp

b
? b 6 bw
4 ww
w

3
4

5
4

A tempo
857

When the air sings of sum -mer I must

4
4

n
n

4
4

&b
Pno.2

mp

?b

- -

4
4

Pno.I

4
n4

n 44

wan -der a - gain.

A tempo

& b n

mp
? b -

5
4

4
4

-
5
4
ff
-

5
4

5 - - -
4
ff - - -

5
4

B.

?
4
4

#
#
p

4
n4

n 44

4
n4

Allegro
108

102


4

&4

861

Pno.I

?4
4

4
&4

. .

. .

. .

Pno.2

?4
4

=
865

3
U
&

3

j
#

#
J

#
J

mf
3

Pno.I

?
.

Pno.2

Andante agitato, quasi allegro

103

J

870

L.

3
3
3
3
3
U

J


# #
3
mf
3

J
J

&

&

What are you pack -ing

for?

b
J

B.

I'm going a - way.

Pno.I

#
b

&
f
bb
U

#
b

? b
b

{
Pno.2

b -.

mp

nb

j
& b#
n

bb # -. n
f
U

#
b

? b n
b
n

Andante agitato, quasi allegro

&

bw

mp

&

109
874

L.

&
Why?

What is wrong?

3 3 3
J

B.

be - long

&

to the road;

be - ing shut in a house all day long

mf
Pno.I

& bw

w
3

b b nb #

&

3
3

mf
Pno.2

&

104 Poco meno mosso

b
J

877

L.

&

Please,dear Bob,

3 b 3
?
J

don't go a - way!

A tempo

If

you stay an - oth - er week

B.

makes me rest - less, ner -vous and weak.

Poco meno mosso

3

& b
b n #

w
w
nnw
w

w
bw
w
w

A tempo

b
p

ff

Pno.I

&

&

nn

w
w
w
w

bw
w
w

nw
w
w
w

w
bw
w
w

? w

ff

w
w
w
w

Pno.2

bw
w
w

110

105

881

L.

&

J
we'll

# 3

give you more mon - ey.

We're

#
J

not

what

seek.

B.

That

b b #

&

is

3
3
3

mf
Pno.I

&

#
&

mf
mf

#
#
?
?
n

Pno.2

{
=

883

L.

# 3 3 3 # b
&

b n

read -y to give you what - ev - er you want. What more

can we do!

B.

But

n#

bn
& # n

nb

b n n n
f 3

3
3

bn nn

Pno.I

&

b#

##

&

b#

sf

Pno.2

##

sf

nn

b#

sf
sf

106
111
3

? 3
J

886

B.

what a -bout my point of view!

Here

have

no -thing to do

from morn

&

ing till night.

p
Pno.I

&

&

p
Pno.2

&

=
B.

889
?

b3 3 b

don't read,

&

b
I

don't write,

don't work,
3

I
3

don't think...

If at least I could

nb

b b n #

Pno.I
mf

mf

? b
b

& w
3

& b n b #

mf 3

nn

Pno.2
p
mf

107

892

L.

&

Allegro

My dear! Do you mean

B.

? J U

# n w
J
li - quor!

4
4

MissTodd!

have... Well...Just some -thing to drink.

Allegro

Pno.I

& <b>

? <b>
<b>

&

#U
w
w
w

4
4

4
4

&

4
4

4
4

p
Pno.2
mp

&

4
4

112

Scene 9 - Bob's bedroom

108

896 Allegro

L.

4
&4

J w

MissTodd!

M.T

4
& 4

Bob threat -ens to

Don'tshout that way.

Allegro

b
4
&4

b
J

. .
b
? .

b .

mf

mf

Pno.I

4
&4

Pno.2

. . .

b.

3
b
3
3
3
b

? J
&4

3
3
3
3
3
3
3
3
3
3
mf
b
b bj j j
4
J

J

&4

J J J

{
=

900

L.

& #

go a -way if we don't buy him liq - uor.

M.T

&

Liq - uor!

HAs

. . . . . . b . . n . . .
#

#
? n. #

he no pit - y?

. . . . . . b . # .
b #
&

Pno.I

who di -

. b . .
b

pp

#. . # . b. # n. .
n . . .
.
. .

&

J. b. . b. . j
. . .

. . . . . . j

#
&
.

pp
Pno.2

&

j
. . # . . . b . .

&

113

109

&
J

rect the Pro -hi - bi - tion Com - mit - tee!

I,
I
who found - ed the "An -ti. Booze"...
. . . . . . .
.
.
.
b

b
.
.

J b
J
& J
J
J J
pp
904

M.T

J
J
No,

no,

Pno.I

{
{

&

j
. b . j
.
b
J

. . . b . . . . .
& b
J

Pno.2

j j
. .
.
.

J
J

.

.

. . . . . b. .
J
.

. b .

. . . .

pp
pp

j j j j j
& . . #

. n .
. .
. . . . . .
=
110
908
b j b j
b

M.T &
b
J
J

I must re fuse,

I must re - fuse.

. b . . . . .
.

&
J

. . .
. b. . .

j b

Has he no pit - y?

b . . .
b

Al -read

y I've

Pno.I

{
{

& . . . . j
.
. .
.

& J

Pno.2

.
& J

.
? J

. . .

.
J
b.
?
J

.
.

. . .
J.
.
.
. . . .
J

b . . b. .
b J.
J

& #

j b j
. . . . .

=
912

M.T

&

stol - en for him and

Pno.I

now

he de -mands

j j

b
& . . . . . .
. .
pp
.
. . .
? b J. . #. J.

{
{

& .

Pno.2

# b

&

&

.
b. . #J.

n #

that I spoil my good stand - ing by pub - lic -ly buy - ing some

.
. . b. b . b.
. bJ.
. #. b. #
.
n . .
.

. . . . . . . .

j
.
.
.
. . # b . n .
n

. . . . .
b

pp

. b j
# . . .

. . .
b

n .
?
J

114

M.T

111
916
b

&
b J b
liq - uor!

b
b

&

j j
J

I must re - fuse,

. b .
J

sf

J 45 b

I must re - fuse,

I must re - fuse, I must re - fuse.

. . . . .
n J

.
b . . .
J 45 J

. n. . . . j

j 45
. b .
.

.
b .
J . . # .
. b . . . .

?J

pp

Pno.I

&

& b

#j
. .

b . . .
b b
J
pp .
. b # .
J

sf
Pno.2

. . . b.

J
. . n . b.
J

j

.
b .
5 b
4

. . .

J
.
. bn . .
5

4
J

Poco meno, ma sempre mosso

112
12

L. & 8
920

Shall we then lose our guest?

M.T

12
& 8

It might be

for the best.

Poco meno, ma sempre mosso

12
& 8

. . # .

mp

. . # .

. . .

. # .

. . .

mp

Pno.I

? 12
8

12
& 8

. . .

. # .

mp
Pno.2
mp

? 12
8

. . .

12
8

12
8
12
8

12
8
12
8

115

113
922

L.

&

His bra -zen re -quest

M.T

& b b b
This clear -ly shows

that for me he has no

use.

& w

. b. #.

. . .

. #
.

. . .

114
U
j J 98

p
mf
Pno.I

n
bw

& w
Pno.2

mf

?
bw

925

L.

&
might be on - ly an ex -cuse

M.T

to put your love to the test.

&

9 j
8
Could it be true?

&

. . #.

Pno.I
mf

mf

&

. . .

. #
.

. . .

U
98 j j

U 9 j
j

U
98

U
98

Pno.2
mf

mf

116
928

L.

&

12
8
J

Now youknow what to do.

M.T

&

12
8

Couldlove be so ex -act - ing?

Pno.I

j
j
&

? j j

j
j
12
8

j
j
# 12
8
#

j
j

j
j

&

j
b

12
8

12
8

Pno.2

M.T

932 115
12
#
& 8

That I can't pos - si - bly han

12
&8

f
Pno.I

? 12
8

12
& 8

Pno.2

? 12
8

j

-

dle

with -out

caus -ing

j
#
#
j

j
#
#
j

a scan - dal!

b #
j

b#

b#

117
934

L.

&

9
8

Shall we then lose our guest?

M.T

Is

9
8

&

What else can you sug - gest?

&

. . #.

mp

U
. . #. 98

mp

Pno.I

&

. . .

. #.

9U
. . . 8 b

. #. 9 U
8

. . . 9 bU

p
mp

mp

Pno.2

. . .

116

L. &
937

drink -ing a sin?

M.T

&

Pno.I

&

Then

j
j
b

>
j
j

>

j
j
b

>
j
J
>

j
j
b

j
J

b
J
5

mp

Yes.

Pno.2

Is steal -ing a sin?

Yes.

j
j

&

>
pp
j
? j

>

118

L.

941 117
b
&

rit.

j
J

sin -ning a -gainst

M.T

j 4

sin

can be no sin.

&

b
& bb
p
Pno.I

4
4

j
J

b
j
b
J

Do you mean

raid the

rit.

b
j 4 b b

pp
j
b 44

b
. . . . . .
4

&

pp
Pno.2

4
4

118

944

L.

&

Yes.

M.T

&

liq -uor - store?

We'll break in

sf

. b . . . .
b

J
J
pp

Pno.I

&#j n bj
. . . . .

b
b

&

Pno.2
sf

b
from the win -dow

But how?

& b

.
n

J
pp
# .
J

b .
j
j
j
j
b

b b J
. .
. .
.
. j j
?nJ

j
J
&.
b .
.

. . . b.

J
. . n . b.
J

b
. .
.
J j
.

.
J

b. j
J
.

119

poco rall.
947

L.

b
&
J

and out from the door.

Are you a - fraid?

M.T

&

That sounds ris - ky.

Not a shade.

poco rall.

b . b. . . . . . . . b.
. . . . .
.
.

b
&

. b. . b n
.
.

Pno.I

& b. . . . . . . . j

. . .
.
b

. . .

&

b
. . . .

bj

Pno.2

b.
J

.
b. . b. b.
b
b.

.
.
. . n b
b

119
950 A tempo, ma un poco pi commodo

L.

#
&
If

#
J
#
you want him to

# n
J

# #

ask you to mar - ry,

you

# #
#

must prove that you're dar - ing and smart

A tempo, ma un poco pi commodo

#
&

# #
J # # #
- -

# #
J # - -

# n-
J #

- #

# n- -
J #

f espressivo
Pno.I

& #
#

Pno.2

& # #
# #
? #wf espressivo
#w

#
#

##
#
#w
#w

#
#

# n
#
#w
#w

#
#

#
#

# n
#
#w
#w

#
#
#

120
# w
# # #

954

120
L.

#
&

#
J

and

M.T

know well

how

prac - tise

to

&

his

art.

#
For

&

# #
# #
J

#
#J

#j #
# #

his

slight - est

wish

I'll

give

#
J # #

f espressivo
Pno.I

j
# #

&

& #

j
#

##

##

j
# #

## ##

n #

## #
#

n #

Pno.2

? #

#
#

##
#
#wf espressivo
#w

L.

957

&

#w

#
His

# n
M.T

# # #
#

& # # #
glad - ly my life.

#
& #

shall

steal,

I shall

lie,

I shall kill,

art,

# #

Would - n't

# #
J #

# n- - #
J #

# n- -
J #

I make him a

# #
# #
J

#
#J

j
# #

j
#

Pno.I

& #
#

Pno.2

& #
# #
? #w
#w

#
#

# n
#
#w
#w

#
#

#
#

# n
#
#w
#w

#
#

# #

##

# #

##

121
w
#

961

L.

<#>
&

his

M.T

& #

won - der - ful wife!

&

poco rit.

12
8

2
4

12
8

art.

J #w
His

121

2
4

wife.

poco rit.

#j #
# #

# #
J # # #

# 2 n # 12
J # 4 # # 8

f espressivo
Pno.I

&

j
# #

& ## ##
Pno.2

? ## ##

#
#

# n # #
# #
# n # f espressivo

##
#

2
4

#
#

? 12

8
#

2
4

12
8
#

2
4 #

12
8

a tempo

poco rit.

965

12
& 8

# #
# #

# # w
# # w
>

4
4

4
4

4
4

4
4

sff

Pno.I
ff

? 12 #
b

8
#
n b

{
Pno.2

12
& 8 n
n
ff
? 12
8

#
#
#
#

n
n
n
n

b
b
b
b

w
w

w
w
>
w

w
>

sff

122

Scene 10 - In front of the liquor store

122

969 Allegro

4 j U
&4
.

j U

Pno.I
mf

?4
4

U
4
&4
-

Pno.2

j
# . . . .
- # .
pp
mf

. . . . . . . .

#. # #j ## #j

# . . .
#
. . . .

#. .
.
.

# . .

. . .
## #J

pp

. . . . . . . .

mf

?4
4

. . # . .

# . . . . # . . .
# #

123
975

& #j
.

#. . .

. .

j
b

p
Pno.I

.
#

.
.
#
J

&

. . .

. . .

j
b

Pno.2

.
? ##

. .

# .
#

mp

. . .

=
980

L.

&

124

J
Look to your left.

j
& #.

j
#

. . . .

Pno.I

?
.

& j
j
n
b
Pno.2

w
w
j
#
#

j
j
j

w
w
pp
j

. .
. .
# .

123

125

984

L.

&

#
J

No - bo - dy in sight.

The lock is tight!

M.T

&

J
#

Look to your right.

No - bo - dy in sight.

j
#

. . . .

&
w
w

w
w

. . .
n#

Pno.I

&
w

Pno.2

j

.

. b.
b

989

L.

M.T

&

&

Push!

Push!

Push!

Let me try it.

.
& #J

Push!

Push!

Push!

j
n b

j
b

j
b

Pno.I

j
&

j
#

bn

j
#

#
J

#
J

j
#

##
J

Pno.2

.
?
J

126

124
993

L.

&

#
Hush!

M.T

&

Let us crawl in.

w
w

w
w

w
w

& j
<b>
pp
Pno.I

gliss.

& n
b

.
.
.
. . . J . . . . . J . . . J
J J J
J J J
J

p sempre

Pno.2

? #

n
ff

998

L.

M.T

&

127

How

ma -ny kinds of bot - tles.How

ma -ny ways

of com - mit -tee the same sin!

How

ma -ny kinds of bot - tles.How

ma -ny ways

of com - mit -tee the same sin!

&
w

w
w

&
Pno.I

&

. . . . . .

& J J

.
.
. . . J . . . . . J
J J
J
J

.
. . . J
J
J
J

Pno.2

125

128

1002

M.T

&

From this it's plain

that most peo -ple's sto - machs havemore im -ag - i - na -tion

&
Pno.I

.
.
. . . J . . . . . J
J J
J
J

&

. . . . . .

& J J

.
. . . J
J
J J

Pno.2

129

1006

L.

&

Vir

M.T

&

tue's

migh

ty but

sin

has va - rie

ty.

than most peo -ple's brains.

w
w

w
w

&
Pno.I

&

.
. J
J

.
.
& . .

.
. . . J
J
J
J

.
. . . . . J
J

Pno.2

126

130

1009

L.

&

That's just part of the or -ches -tra - tion.

M.T

&

I heard a noise...

&
Pno.I

&

.
. . . J
J J J

.
. . . J
J

.
.
w

. .

& JJ

.
.
. J . . . . . J
J
J

Pno.2

bw

bw

131

bw

1013

L.

&

J
It

M.T

&

J b

is!

It is - n't!

Let's make our choice.

Don't raise your voice.

Let's make our choice.

&
Pno.I

&

. . . .
.

& J J J J . .

.
.
. J . . . . . J
J
J

. .
J J

.
. J
J

Pno.2

? bw

bw

127

132
1017
3

L.

&

There

M.T

are some bot -tles of gin.

&

You

hold

the

bas - ket while

&
Pno.I

&
.
.

& J J

Pno.2

. .
J
J

.
.
.

#
#

.
. . J.

.
. J
J

.
J

1020

L.

&

Let me do

M.T

&

put them in.

it.

Care -

ful...

&
Pno.I

.
. . . . .

J

&
J

.
. J
J

. .
J
J

&

.
. . . . . J
J

Pno.2

? #

128
1023

M.T

&

133

care - tul, care - ful.

w
w
&

.
. . .

J
& J J J

Pno.I

5
Kr

bb R bb

&

ff

cresc.

Pno.2

b b b

b b b

=
>
1025
&

Un poco pi mosso
dal Tempo I

>

>

n
##>

ff
Pno.I

>

? ##>

&

# > # >

> b # > #
n
#
> nn
>
b
&
#
ff

##>
>
##

##>
##>
#
#

sf

j
n
n
#
#

Pno.2
sf

#>

#> #

M.T

1027 134

b
&

n b

What

have you done!

Voice of the storekeeper:

Who's there?

You

sil - ly fool!

&
pp
Pno.I

n.
.
.
.
n

& J J J J

&

.
. . . . . J
J

.
. . . J
J
J
J
pp

Pno.2

&

129
1030

L.

&

135
3
3

Hold on to your bot - tles and let us run!

M.T

&

Some - bo - dy's com -

ing.

And let us run.

&
Pno.I

&

J
J

& J J

J
J

Pno.2

136

&

1033

ff
Pno.I

&

Pno.2

j
& j j j

ff
? j j j

j j

j
j j
J

j j j
J

&

1036

Pno.I

&

Pno.2

j
&
J

? j
J

j
j
j j
j j j
J

j
j
j
J

130
1039

# # n n
#

# # # n # n # #

&
Pno.I

&

j
& ###

j
#

Pno.2

### #

#
#

n#j

##

n
n
J

#
#### # n b nbn bn### # #nbb b
&

137

1041

Pno.I

&

j
j
& ##
Pno.2

?
J
J

j
##J
#

J #J

j #
## # J
#
#
J
J

j
j j b bj
b
n#
bbn
# bbn bbb
J
J
J
J

=
1044

b b b ##n n

&
Pno.I

&

& n #
n nb
Pno.2

? nn# b
n

j b bj nj j j n
#
#
n

n bbn b
J
#
n

n bb J n J
J
J
J
J

J
#
#
J

J

131

138

1047
n# # # b b bnb b
b

nbnb
&
Pno.I

b n# # # b b bnb bnb

&
nb

bj j j bb bb n
b
& b
b n b

J
Pno.2

j b
bb bb n # n nn
#

J
J
nn b
j bb
? bbj j j b b

b
b nn b
J
J

{
=

1050

&

nbnb nb
nbnb nbn b

? nbnb nbnb

nb nbnb n b
n

nb

p
Pno.I
dim.

&

Pno.2

& bbb n #
n
b
b
b
? J

# b n
n
p

n b n
b

=
1053

?
w

b #

bn# w

4
4

Pno.I

&

4
4

&

4
4

## #
J J

4
4

Pno.2

? ## # #
J J J J

pp

132

Scene 11 - Miss Todd's Parlor

Presto agitato (q-160)
1058

M.P

4
& 4

j w
Miss

?4
4

Todd!

Miss Todd!

#w
w
w

Presto agitato (q-160)

#w
w
w

#

J

&

sff

ff

Pno.I

4
&4

&

j
n

bww

bww

4
& 4 b. . . . . . . . b. . . . . . . . n. . . . . . . . b. . . . . . . .
ff

pp

ff

ff

Pno.2

?4
4

139
1062

M.P

&

Have you heard?

M.T

&

Miss Pin -ker - ton, won't

& J

. # . n
.
mp

you sit down?

#
. . .

nw
. #. . #n w
w

sff

sf

Pno.I

j
& n

# bww
. . .
#>
#

& n. . . . .
. . . . . . . . . . . . . . . . . . .
p

>
#

ff

Pno.2

&

b
. . . . . . . .

133

140

1066

M.P

&

Have you read?

The whole

#w
w
w

##
#
& J

##
#
J

sff

bww

j
n

town

is

in an

. #. .

. #. . n
p

sf

Pno.I

j
& n

{
{

#>
#

&

Pno.2

>
#

# . . . .
. . . .

ff
p
p

& n. . . . . . . . b. . . . . . . . n. . . . .
. . .

=
1070

M.P

&
up

roar

for

last

night

. #. .

&

#J
#

some -one raid

ed the

liq - uor

store.

The

sf
Pno.I

{
{

&

j
#
.

. . #. . . . . .

. . . . . ?
. . #. . #

&

& #
. . . . . . . .

Pno.2

.
# .

.
.

# . . j
. . #. . .

=
1073

M.P

#
&

own - er

roused out pf bed

had

b
J

bot -tle

smashed on his head!

The

&

>

Pno.I
sf

{
{

&
& # #

Pno.2

sf

#
>

> #
f

b
#-

b
#-

b#-

- -

mf

? # #
# # #

#. . . . . . . . #. . . .

134

M.P

1077 141

&

town

is

fright -ful -ly a-larmed

for

the

thief

. . . .
. . . . n. . . .

& b b. . . . b n

n
is at large

and well

j
#

armed.

. . . . . . . . #

#
J

mf
sf
Pno.I

{
{

bb n
. . . . . . . . .

&
. . .
j
& b
-

Pno.2

b . . . .

j
n

. . b. . . . . .

sf

? J

. . b. . &

=
1081

M.P

b. . n. . b
. . . .

n
&
Keep

all

the doors

J
locked,

keep

all

. . . . . . b. . . . . . . . . .
&
#

b . . . n. . . .
b

. . . . . . . . .
142
j


#
J
the

win - dows closed!

They be -lieve

it

. j # .
.

mp

sf

Pno.I

{
{

& b
. ... . . . . . . . . . . . .

Pno.2

&

&

b
. . . . . . . .
mf
. . . . . . b. .

. . . .
. . . . # . . . .
. . . .
p
. . . . . . . .

=
1086

M.P

& #
is

bJ

the same thief

& . #. .

that has al -read - y

nbb

Keep

all

the

caused such con - cern.

b
b

sf

sf

. . . . . . . .
b
mf

Pno.I

{
{

&

b b
. . . . . . . .

&
. . . .

Pno.2

bb. . . . n. . . . bb. . . . n. . . .
. . . .

135

143
1090

M.P

&

doors

locked,

keep

aal

the

win

dows closed!

M.T

&

b
We

. . . . . . . .
b

&

b
-

b-
b

need mea - sures more

mf
Pno.I

& b. . . . . . . .

&

b. . . . .
mf
b. . . . b.

Pno.2

b
. . . . . . .
p
. . . b . . . .

.
.

.
.

.
.

.
.

1094

M.P

&

j
j b

They have hired

j
a

b n

fa - mous de -tec - tive.

They will search

ev' ry cor

M.T

& b

j
nj j b j
. . .
p .
j nj bj j
. n b .
. .

j b
. . . . .
j

.
. . . .

. .

stern and pro -tec - tive!!

& b-

? bb-

Pno.I

. .
ff
b . n .

bb.
& b

j

#.
p

>. . . . >. . .

ff
Pno.2

j
j
#j
.
.
# .

j

.

136

144
1098

M.P

b
&

ner in town.

M.T

&

They will turn

ev' ry house

up -side down.

They won'tdare search my house!

&

j >. . .
# b
.

>
j . . . j b.
.
#.
J f

j
# nj
#
J
J

Pno.I

j
j
j
j
#j j #

.
.
.
# .
# .
.

j
j

& #
.
.

j

.

Pno.2

? j j #j
. # .
.

1102

M.P

&

They will search ev' ry one and

3
4

ev' ry where.

&

M.T

3
4

They won't dare!

b
?

3
4

B.

&

.
J #

.
J

3
4

f
mf
Pno.I

Pno.2

j
& #.
.
? #
J

j
j
. .
. . .
J J J

j .

n.
J
mf
n .
#J

j

.
.

J

j
.

.
J
.
.
J
J

.
J

.
#
J

j

.
.

J

j
.

.
J
.
.
J
J

3
4
3
4
3
4

137

Tempo di Walzer

145
b b

1105

B.

? 3
4
cham -ber -maid came in my

Tempo
b di Walzer

bb

? 3 b
4

b b

bed room:

Get

b#

up,

you

la

bb

b#

zy

sin - ner!

bb

b#

b#

f
Pno.I

? 3 b
4b

b
b

b
b

b
b

b
b

b
b

b
b

b
b

3
&4

?3
4

b b

b b

need your sheet to spread out on the

ta - ble for

it's

Pno.2

{
=
B.

1113 146
? b b

? bn

al - most time

for

din - ner.

Pno.I

? b
b

b
b

b
b

&

b
b

b
b

b
b

b
b

Pno.2

147
b b

1120

B.

? <b>

La la la

la

la

b b

la la

la la la

? b b b b b

? b
b

Pno.I

&

b
b

b
b

b
b

b
b

Pno.2

b b

b b #b #b nb
b
b
b

b
b
b
b
b

138

148

Adagio

1130

M.T

&

6
8
J
Is -n't the weath -er

? b b b

B.

la

la

la

la

la

la

la

la

la

6
8

la.

Adagio

&

Pno.I

Pno.2

U
## U


ff
mp
# U
# U
#

U
U

&

b
b
b ##n
b
b
mp
ff
U
? b
# U
b
b

#
#
b
b
b
b
b

6
8

6
8

6
8

6
8

1138

M.P

&

But your cou - sin sounds rath - er

M.T

& J

mer - ry.

aw - ful?

&

On the

b b

#
con - tra - ry, he's ra - ving with

bbb

p
Pno.I

&

Pno.2

Allegro

139

149
1142

M.P

&

4
J b

Is he

M.T

still so ve -ry ve -ry

& b n

ill?

You

fe - ver.

b
J

I'm

a - fraid that he ne - ver will

j 2

be ve - ry - ve - ry well.

Allegro

b nnj bj j j
n

nb b

& b

b
## nn

p
f
Pno.I

? n

# J
J
J

&

j bj j j

f
Pno.2

# J
J
J
J

=
Allegro agitato
1148

M.P

&

150
4
4

ne -ver can tell.

M.T

&

J 44

bj

You ne -ver can tell.

Lae

Allegro agitato

4 j b j
4

. b >. . . . >. . .
p
4 . . . .
4J
J J J

&

4
4

4
4

&
Pno.I

j
j
b

b
. >. . . . >. . .
w
w

j j
b
b
?b

Pno.2

140
1153

L.

&

b
J

Ma - dam?
3

M.T

j
b

b
&
t

tia!

Did you hear what Miss Pin -ker -ton said?

& bw

bw

bw

bw
w

p
Pno.I

? <b>
J

j
j
. b

b
J

j
j
. b

j
b

j
j
. b

mp
Pno.2

j
j
. b

L.

1157 151
b
&

I didn't miss a word.

M.P

&

I'm a -fraid she be -gins to sus -pect us.

& bw
w

The po lice...

Pno.I

ww

the de -tec - tive...!

ww

b
J

b
J

j j
b.

&

sf
sf
Pno.2

j
b

j j
b . sf

j
b

152
141
1161

L.

b R b b
&
Hea - ven pro - tect us!

M.T

&

9
8

What shall we do?

What shall we do?

9
8 #

What shall we do?

& w

b
b

J
j

What shall we do?

9
8

9
8

9 j j j j
8 #
#

9 j j j j
8

Pno.I

#n

bw

?
b
b

bw
&
p

Pno.2

bw

#n

pp

j
j

j
j
#
#

=
1166

L.

&

J #j

We'd bet -ter let him know,

& J
p
5

Pno.I

{
{

Pno.2

j
j

&

? j #j
#

153
4
4

and run a - way.

#
#J

mf

mf

4
4

44

4
4 #
p

=
Presto

. . #. . n#.
n

# . . #. . #

J
& J
#

3
3
3
. . ..

3
f
cresc.
mf

?

& # ##

## n ##
#

1170

Pno.I

{
{

& #j

Pno.2

? #
J

j #j j

J J J

# J
J J

#
J J J

4
4

4
4

4
4

4
4

cresc.
f

j j #j
#

& ##

## nJ nbJ
J

142

Scene 12 - Bob's Bedroom

Allegretto mosso
1174

M.T

4
& 4

Knock at the door.

Allegretto mosso

? 4 - #. . n. . . - #. . . . .
4
J
J

&

n
#
# ## #J J

f
p

knock

Pno.I

?4
j
4 #j

- . . . . n . - . . . . .

? 4 n- #. . . . . - #. . . . . w
4
J
J

f
Pno.2

?4
j
w
4 #j n
- . . . . . - #. . . . .

154

1178

L.

&

No an - swer.

M.T

&

#
Knock a - gain.

. . . . #. . . #. #. nJ
J

&
#
#
J

? - #. . . . . -
J
n
J

#. . . . .
J

&

f
knock

knock knock

Pno.I

? w

- #. j . . -
. .

j
#. . . .
.

- #. . . . . -

#. . . . . w
J

f
Pno.2

? w

- #. j . . -
. .

j
#. . . . w
.

143
1183

M.T

&

3
# # #j

Let us go in.

. . . . #. . . #. #. nJ J . . . . #. . . #. #. nJ J

& #
#
#
J
#
J
knock knock

knock knock

Pno.I

? w

&

Pno.2

? w

155
1187

L.

&

Oh!

M.T

&

Ly -ing on the oor!

Oh!
Ly -ing on the oor!

&

f>
w
w

Pno.I

. . . . . . . . . . . # .

.
.
.
. . # . .
.

& . . . . . . . . . .
.
.

###
>

# # #
J

mf
Pno.2

#
#

#
#

#
#

144
1191

L.

&

# #

#J

Bob!

#
& #

M.T

Get up!

#J

J #

Get up!

Get up!

Bob!

b
J

B.

&

Pno.I

&

# # # # w
J

. . . . . . J . . . . . . w
.
.
.
.
bw
w

Pno.2

156
1195

L.

&

j
Get

&

M.T

j
A

mat - ter

most

im - por - tant; get

up,

get

up,

get

up!

can't!

B.

can't.

& w

Pno.I

&

. .

. .
#
f

Pno.2

145
1198

L.

&
up,

B.

b
J

j
b b

oth - er - wise you're lost!

You

J
I

. . n. .
& .
f
Pno.I

. . . . .
?

{
Pno.2

must at

an - y cost..

dare not trust my legs.

.
b b. . . n n
. . .
.
. .
. . .
. . . . . . .

. . . .
. . . n
.

& . . b. . b n .
. .
f
. . . . . . . .
. . . . . . .
?

My

n.

b
b

b . . . . .
.

n.

. . . .

B.

1201
?

157

bod

is like

feath - er,

& w
bw

#
J

my head

is

full of lead...

##

Pno.I

? w

&

Pno.2

146

158

1204

L.

&

j
b

Please pull your - self to

b
J

- ge - ther,

j b

&

M.T

you

b
J

Please pull your - self to - ge - ther;

you

b

J

?
B.

How

can

I!

I'll try!

. . b . . . .
. . . b . . . .
.

&

f
Pno.I

? bnnw
w
w

. .

. . . .

. .

. . . .

. . . . . . . .

. .
. . . . . . .

&

f
Pno.2

b.
.

=
1207

L.

b
& b

must at a - ny cost.

Your life

is in

M.P

&

dan - ger.

M.T

& b b

b b
J

Your life

b
is

in

dan - ger.

must at an y cost.

Pno.I

& b
.
.
?

b. . .
.
. . .

&
b .
.

Pno.2

.
.

. b.
. .

Your life is in dan - ger.

j
.
. . . .

Your life

is

in

dan - ger.

bb

bb
9

147

159

L. &
1212

J
Be cause of the po - lice.

&

M.T

Yes, it is.

Be cause of the po - lice.

?
B.

What!

bb. .
&b

In dan - ger!

bb.
.
p
. b.
b

ff
Pno.I

.
? b
. b
bb. .
&b

Andwhy?

. . . .
mf

r
bb b b

pp

ff
Pno.2

b
. b .

160
1217

M.T

&

3
J # j

Stop act - ing, my son.

B.

Po - lice?

. .

. .

?

&

Pno.I

& j

What have I done?

. . .
#
J

b#
sf

sf
sf
sf

Pno.2

b
b

148

161
1221

L.

3 # j
&
#

Stop look -ing dumb.

M.T

&

We know

. . .
n ##
J

&

b
who you

are

and whence you come,

. n. . . . . . . . .
j
b
.

. . .

j
.

. . .

. . . .

.
J

f
Pno.I

#n

&

. j . . . . . .
f

sf
Pno.2

n
n

#
#

n. . . . . .

1224

L.

& J

We know

M.T

& b

who you

are

b b

and whence you come. We

knew it

all

a - long.

and whence you come.

&
Pno.I

b
bb . .

We

. . . b.

.
. . b

. . . .

. . .

. . . . .
J

. . . . .

.
.
& J

. b . . . . . . . . b .
b

Pno.2

. .
?

.
J

j
b .

b j
b

b . . . . .
. . .

149
1227

L.

M.T

&

162
j
b

j
#

j
b

We'llhelp you all we can,

we'll help you all we can,

we'll help you all we can,

we'll

j
b

j
#

We'll help you all we can,

we'll help you all we can.

we'll

& b

knew it all a - long.

. . . . . . . . . . . . . . . . . . . . . . . .
Pno.I

& b
b .
. .
?

. .

cresc.

. . . . . . . . . . . . . . . . . . . . . . . .

&

Pno.2

. . . . . . . .

1231

L.

n
&
help you all we can.

M.T

& #

163

Face it like a man.

help you all we can.

Pno.I

. . . . . . . . .

&
J
ff
. . . . . . . .
?

&

.
J

b
face it like a man,

face it like a man.

b b

Face it like a man,

face it like a man,

b.
J

.
b
J

b.
J

face it like a

j
.

.
b
J

j
.

j
.

j
.

ff
Pno.2

150

164
1235

M.T

&

man.

B.

Gosh, that gin was strong!...

j
bb b b b b b b bb
p

&

bb b b b

Pno.I

&

sf p
Pno.2

1238

L.

&

165

J
What is

M.T

&

What's the

B.

there

to

dis - cuss?

We

use?

b bw

Let's dis -cuss this la - ter

j
& b

on.

. j

. . . . . . .
.

Pno.I

&

Pno.2

? b b b

151
1241

L.

b
b
&
have no time

M.T

&

to lose,

for

we our -selves did steal,

bJ b b

You must con-de in

us

j b b

?b.
J

. b
bJ

.
J

j b
b

bj b

b
J b

&

to make you feel at home, did steal

.
J

bn
b -
b

w
ww
w

b
b -

w
w
w
w

w
w
w-w

&bn

Pno.I

our - selves did steal.

b
&

n
j

bJ b b b n

b
bJ b

b
b
J

b
J

w
w
w
w

Pno.2

&

166

167

1245

L.

&

Yes.

M.T

&

Yes.

B.

Let me get this straight:

& b

Did you say

# . . . . . # w
J #w

#
# J

you stole

w
w

Shame on you!

w
w

f
Pno.I

? b
b
n#

&

# . . . . . # w
J

#. #w
J . . . . #w

f
Pno.2

& #n
n

#. j . . #w
. .

? #

152
1251

L.

&

You.

&

M.T

You.
Well af -ter all,

are -n't you ask -ing a thief?

B.

Who?

&

I?

p
pp
Pno.I

&

#
J

p
pp
mp

Pno.2

. . . .

L.

1257 168

&

Are -n't you the man

whorobbed

and killed

andraped

and n -al - ly es-caped from the coun -ty jail of

&

&
Pno.I

{
Pno.2

?
. . . . b. . . . n. . . . b. . . . n. . . . b. . . . n. . . . . . . .

153

169
1261

L.

b
&

Tim -ber -ville

a - bout a

week a - go?

#
?

B.

Hea - vens,

&

no!

b
#

-
- b
b

sff

Pno.I

b -

b
#

&

sff

Pno.2

? n # #
. . . . . . . . . . . . . . . .

&

170
1265

L.

&
You...

sure

&

M.T

You are

you're not

j
b

a thief?

For good -ness sake!

B.

3
b

I'm pos -i - tive.

&

pp
Pno.I

? w

&

U
bw
w
w

Pno.2

&

154

Poco meno mosso

1270

M.T

j
& b J
Who are you then,

if not a thief?

B.

I'm a beg -gar and a dream -er

and a lost wind -tossed leaf.

Poco meno mosso

j b j

& b
b n
b b

n
n

mp espress.
Pno.I

&

mp
Pno.2

&

a tempo

L.

1273 171

&

poco meno

bJ

And whence you come,

if

not from jail?

my

trail,

B.

From the

a tempo

&

wan - d'ring

of

poco meno

j
bb

bb

n.

bn. #.
n.
# .

p
Pno.I

&

p
Pno.2

172
155

A tempo
1275
3

M.T

3
3

3 b 3 b 3 3
j
j

&
J
J
#
#
J
J

But still you have one thing to ex - plain, why did you take the mon -ey we left

a - round for you?

B.

Be -

A tempo

&

b
n

b
n

Pno.I

3
3
j
#

& # #

f
Pno.2

173
? 3
J

1278

B.

cause

&

you made

3

J
J

Why

should I have had qualms!

3
3

it plain I was

ex - pec - ted to.

&

J
A

w
w

Pno.I

Pno.2

156
1281
3

M.T

&

3
3
j
#

3
#

There is no more doubt,

b
?

'twas a

fa - tal mis - take.

B.

beg - gar lives on alms.

w
& w

b
J

ff

n
ff

Pno.I

& n

j
b

b
J

ff

ff

Pno.2

? bb

j
b

174
1284
3

L.

&

3
j

# J

and our lives and our hon -or are at stake!

3
j #

&

M.T

and our hon -or is at stake!

To

B.

But what HAVE you done?

& b
J

ff

Pno.I

? j
b

& b
J

? j
b

n

# n

n

# n

&n #

Pno.2

Molto pi mosso
157

175
1288

L.

&

Miss Pax

M.T

ey we robbed

al - most eve - ry one...

get

&

you some mon

&

J
-

son

Miss

j
Miss Pax

J
-

son,

b
j
b

p dolce
Pno.I

&

&
Pno.2

1291

L.

&

Jack - son...

&

M.T

176

ritenuto

E - ven raid - ed a store.

We raid - ed a store.

Miss Mann - ing, and rai - ded a store.

We raid - ed a store.

J
J

But

B.

Youraided a store

ritenuto

&
b

& b

& b b

j b b

Pno.I

Pno.2

&

A tempo
158

M.T

1295 177
b
&
J

now don't you wor - ry;

b
won't

let you down.

I'll

b
stand by

to

de - fend you.

b
J

B.

She's

A tempo

&

Pno.I

&

b
& bb
.
p
.
? b

Pno.2

.
.

.
.

.
.

bbb
.

.
.
b

b.

.
.

.
.

.
.

b
?

.
.
b

b b
j

j
b

1298

L.

&

She's

&

M.T

Of course,

we must act

bJ

in

in

hur - ry

and

? b

stant - ly ee

from this

B.

cra

zy!

&

She's

j

n

cra

zy.

b
b
J

b
J

Pno.I

n
j

j b
j

b
n

n b b
b
? b b n
J
&
b

Pno.2

? j
b

j
b

159

178
1301

L.

b
&
cra

zy.

M.T

&
town.

We'll

&

run

to France

to - geth - er

n
n
J

j
n

#
J

and lead

new

p
Pno.I

& b

b
?

b b n b
J
&

###

cresc.

Pno.2

# #

1304

L.

&

She's

cra -

zy!

3
3
3

& #

M.T

life

# #
of

ad - ven - ture

and

crime and

ro -

mance.

b
?

B.

She's

&

bbb b
b

cra -

zy!

She's

b b bb
b b b

3
3

Pno.I
3

3
3

&

# ##

&
Pno.2

#
#

?

bbb bb
b b
# ## bb bn

3
b

# bb b
3

b
bb b
b b
b b

b
b
bbb

3
b
n

bb b b b

160

M.T

1307 179
<b>
&

your - nan -cial and mor -al sup

You'll

? b

be my

es

cort.

B.

cra - zy!

b b b
& b b

Pno.I
3

& bbb
b
b b
& b b
3
bb
b

?b

Pno.2

b b

b b

180
1310

M.T

&

port.

B.

But why should I

run a - way?

# ww
#w
&

Pno.I

& #ww


&
#

Pno.2

sfp

161
1313

B.

I've done

&
. j
.

. . .
. . .
.
f

no - thing.

have

21
4

I?

21
4

Pno.I

&

21
4

&

21
4

Pno.2

21
4

M.T

1315 181
21 U
#
&4

4
4

So! Is your love for me so small you won't stand by?

B.

? 21 U

4

bj
Un -grate -ful

44

Small? I don't love you at all.

b
b U
21
&4 J

4
4

U
21
& 4 j
#

4
4

j U
21

&4

4
4

sff
Pno.I

pp

sff
Pno.2

? 21 U
4
J

w
4b w
w
4

162
1317

M.T

&

wretch!

Af

ter

all that I have done for you,

&
b

you would see me in

pri

son?

bw

nw

mf
Pno.I

&

&
b-

b-

bw

w
w
w

w
wbw

Pno.2

w
? <b> w
w

{
=
B.

1321 182
?

As

3 3 3
mat - ter

of fact, I don't see

an - y

&

3
3 3 b

rea - son for keep - ing you out

of

it.

Pno.I

&

& n

p
Pno.2
f

=
1323

M.T

&

J
I'll

3 b3 b
make you fel sor -ry for this!

& b #
3

? b #
3

Pno.I

n
b
J

b #

? b #

&n
3
3

Pno.2
3

shall

call the po lice.

b b b n b b

b #

b
3

n
b
J

bn
J
J
sf

sf

&

3
3

b
J
sf
bn b b
J

j
j
# n #
# n #
b

b
J
J
sf

163

183
3 3 3 # 3
&

Andante ma non troppo

1326

M.T

I shall ac -cuse you of lar - ce - ny, rob -berry and

#n

#J

rape;

of ths tale

you will

nn

nn

&
p

and who shall take heed

## n#

mf

Pno.I

&

#
## n

&

Pno.2

mf

=
1329
3

M.T

j
&
tell?

You come from no - where.

& #

But who will dare sus - pect me of mis - deed?

# j

j
#
#

My

p
Pno.I

&
#

&

.
? . . .
R
J

Pno.2
f

Allegro

=
M.T

1333 184

&

blood

is

the blu

est

in

&

r
j

. . . .

town.

I'm re - spec

ted as much

as the

mf
Pno.I

&

f
Pno.2

164
1336

M.T

&

mayor,

all the so

di - rect

& n

cial af - fairs

and I'm

? .

>
w

Pno.I

&
?

Pno.2

=
1339

M.T

&

con - stant - ly in touch

& #

with the

ci - ty.

w
w
>
185

j
.

I'm the chair - man of

ev'

ry com -

Pno.I

{
{

&

? w

Pno.2

? w
w

.
J

j
.

=
1342

M.T

&
mit

tee for hos

pi - tals, conc

&

- erts and fairs.

So

be -

Pno.I

{
{

&
>
w
?

Pno.2

>
? w

&

&

165
1345

M.T

w
&

b b

ware

my dear

&

boy,

so

be -

Pno.I

{
{

&

&

b b b b b b

&

Pno.2

& b b b b b b

=
1348

M.T

#w
&

ware!

b b b

b b b

b b b

&
Pno.I

& bb b #b
b b b b
&

Pno.2

{
{

b #b
b b b

b
b b

& #b b #b b #b b

186
1351

M.T

&

For

#bn
&

Pno.I

{
{

&

b#
#bn

&

Pno.2

&

b#

b
it

would

b
be

great

pi

ty

if

were

to

1352

166
M.T

& b
send

you

to

pri - son

and

see

you

to

the

chair!

con - demned

&
Pno.I

&

&

Pno.2

&

=
1353

B.

J
I've noth

ing

to

fear.

My con

j
. . . . . . . .
p .

&
Pno.I

{
{

&

&

Pno.2

science is

clear.

I'll tell

j
. . . . . . .
.
j

j
j j

them my

187
U 3
j
# 8
J

=
1356

M.T

&

Well, young man,

you ask for your doom.

3
8

B.

tale;

jus

tice won''t fail.

j
&
Pno.I

? j

{
{

&

Pno.2

j
b b
ff
j
j

j j j

3
8

mf

3
8
3
8

mf

3
8

188
167

Tempo di Valzer
1360

#
3
#

&8
#

n
bnn

#
n##

n
bnn

#
n##

n
bnn

ff
Pno.I

? 3
8

3
& 8 ##
#

bn
n n

Pno.2
ff

? 3
8

j
#
#

j
#
#

n#
# #

bn
n n

j
#
#

j
#
#

n#
# #

j
#
#

bn
n n

j
#
#

=
1366

#
& #

bbnn

b
?
j
b
J
bb
j
#

dim.
Pno.I

j
#
#

& #
#

n
bbn

Pno.2

j
#
#

b
bb

j
#
#

dim.

#
J

#
#

#
#J

#
J

=
1372

&

3
4

Pno.I

? ##

#
J

#
#

#
#

n
n

b
b

3
4

&
p

3
4

pp

Pno.2

j
#

j
#
#

U
j
#

3
4

168

Scene 13 - The same

1379 Adagio ma non troppo

3
&4

# # #

# #

##

##

##

5
4

# #

mf
Pno.I

?3
4

3
& 4 #

5
4

5
4

5
4

p
Pno.2

?3
4

189
3
3 j

4 b

1383

L.

5
&4

But I would like to help you, Bob dear.

B.

#
? 5 #
4

3
4

A nice mess you've gotme in!

5
&4

b
J

Go a - long!

3 b
4

j
b

I've

b #j
b . . . . .

mf
Pno.I

?5
4

3
4 b

5
&4

3
4 b b
p

3
4 b

b . . . . #j
. .

Pno.2

?5
4

190
169

Pi mosso

1387

L.

&

But that's where you're wrong.

3
? J

I can tell

at a

B.

noth -ing to fear.

Pi mosso

& bn

j
# n #

# n

p
Pno.I

& b

#j

j b

Pno.2

1390
3

L.

&
glance

&

you

have

not

b b

got

chance.

Ev' ry

# b b n j

cir -cum -stance is

Pno.I

& b b j

Pno.2

#
J

a -gainst you.

Tempo I

Allegretto mosso

170

191
1393

L.

&

MissTodd can wield such in - u -ence

b b b

J R

B.

That's the wrong point of view. What mat -ters is my in no - cence.

Tempo I

Allegretto mosso

b n
& b J

. . . .
bn
J

. . .

p
Pno.I

& b #j

#j #n
. .

#. .

p
Pno.2

192
1397

Allegro
L.

# #
&
no

4
4

one shall dare take your de - fence.

B.

Jus - tice, like ev - ry oth - er

4
4

Is there a - ny jus - tice?

Allegro

& # #

4
4

n -

j

- #-

. . . . . . . .
p

Pno.I

4
4

#
J

j
.
mf

& #. nb.

#n.

nb. .

4
4

j
#

Pno.2

4
4

j
#
- - - - # -

. . . . . .
p
. .
. . n . .

. .
. .

171
1401

L.

&

sym - bol,

has

al - ways been paint - ed as state

. . . . . . . . . . . .

ly,

but

is

ver - y

. . . . . . . . . . . . . . . . . . . .

&
Pno.I

{
{

Pno.2

>

. .
& . . . .
. . . . . .

. . #
.
. . .

.
. . . .
.
. . . .

. . .
. . .

. . . n
. . . .
. . . . . . . .
. . .

=
1405

L.

&
nim

193

ble.

Now wink

. . . . . . . .

&
Pno.I

{
{

Pno.2

ing

at

life,

now danc

ing with death,

she

. .
. .
. . . .

. .
. .

. .
. .

. .
. .
. . # . .

. .
. . #

. .
. .

. . . . . . . .

. . . .

. . . .

>

& #
. . . . . .
. .
?
w

=
1408

L.

&
knows

Pno.I

Pno.2

that her scales

. . . .
&
. . n . .
?

{
{

can be tipped

. . . .
. . . .

by her breath.

. . . .

. . . .

. . . .

. . . .

And it

would

. . . . . .
. . b b

&

&

b
.

b
.

172
1411

L.

#

j

&

be such a pit - y
for one
who's so young
b . . b . . b . . . . b . . b . . b . . . .

&

Pno.I

{
{

&

. . b . . b . . . .

&

Pno.2

& b.

b
.

b. . b. . b. . . . b. . b. . b. . . .
. . . . . .
. . . . . .
b. . b b. . b

.
#. . . . . . . . #. . . . . . . .

=
Meno mosso
194
195
3
#

6
J
b b

4

to be e -lec -tro - cut -ed or hung.

You might well say fare - wll to sweet free - dom,
to be
.
Meno mosso
n

# # n 46 #
& J

#
f
p

1414

L.

&

4
4

4
4

Pno.I

Pno.2

n.
b
& J

.
& b#J

{
{

#
#

6
# 4
#
6
w
4 w
w
w

j
.

&

6
4 w

w
w

w
w

4
4
44

4
4

=
1420

L.

4
& 4
shut

4
& 4

cell

in

in

Sing -Sing

and just

now

12
8

that 'tis spring.

12
8

Pno.I

{
{

?4
4

Pno.2

4
&4

?4 w
4
w

w
w

12
8

w
w

w
w

12
8
12
8

Allegro
173

196
12
L. & 8
1425

What d'you care,

B.

? 12
8
Run -ning

a - way

is

as long as you're free?

ac - know -ledg - ing guilt.

Allegro

12 w
&8 w

w
? 12 w
8

Pno.I

12
&8

#
#

p
Pno.2

? 12
8

1427

L.

&

j j
J

You're not built to wilt in jail.

B.

? J

U
J

My

two legs

won't take

me far.

Shall my con -science fail to pre - vail?

n
& n

b
J

#
#

f
Pno.I

&

b
U
b

Pno.2

174
1430

L.

b
&
J

197

J

#
J

Miss Todd has a car...

No, no, no, no!

b bU
b

B.

Do you sug -gest that I run o with her?

&

bb

bbbU

bb

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f
Pno.I

b b
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b b b b

b
& bJ

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p
Pno.2

? b J

198
1433

L.

b b
J
&
b
I

sug -gest that you run o with me.

I know where she keeps the key.

b
?

B.

I'll

&

nev - er have peace!

bb
b

Pno.I

&

b
b

b
b

n
n

Pno.2

b b

175
1436

L.

b
&
An

J
-

mi - nute may bring the

po - lice...

b
J

don't know

b 4
J

B.

&

of whom to

be

a - fraid...

bb

bb

bb

Pno.I

b
b
& b

b
b

p
Pno.2

? b
b

1438

L.

& #
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j # #

199
7
4

8
4

can see your de - ci - sion is made!

7
4

B.

8
4
The dev - il could -n't do what a

& ##

####

wo - man can:

7
4

8
4

7
4

8
4

7
4

8
4

7
4

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1440

176
L.

8
&4

B.

?8
4

Make a thief

Pno.I

6
4
#U

6
4

8
& 4
ff

?8
4

#
b

?8
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of an hon -est man.

#
Let's

go!

# #

Yes!

Let's

3
4

3
4

go!

3 bb
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6
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b
3
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3
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=
B.

1443
? J b
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But as long as I'm tak -ing the blame

b
#

I'll live up to my fame and steal

&

b 2
4

ev' - ry -thing she po -sess - es.

2
4

&

Pno.I

2
4

2
4

2
4

Pno.2

Presto (q=132)

=
1446

B.

200

You look

there

66

? 2
4

U
2
&4
ff

for her

lin - en and her

fur coat and her dress - es...

~~ ~~ . . . .
. . . .
. . . .

. . . .
. . . .

p

Pno.I

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ff
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177

201

72

L.

&

You

look

there

for her mon - ey, rings and neck - lace...

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. .
.

. #. #. . #. #. . #. #. #. #.

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=
79

B.

202

Don't

for

get to take the

sil - ver that is

on the man - tle - piece...

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. .

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= 85
203

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Don't

. . .
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&
. . . . . .

for

get the trav -ling clock, the bed -room

. . . . . .
.

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178
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can - dle - stick...

B.

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.
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min

. . . .

ute may bring

. . . .

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lice.

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187

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184

Scene 14 - Miss Todd's Parlor

202 Allegro

M.T

&

U

J

Lae -ti - tia!

U
U
U
J #j j j j

La - ti - tia!

Where are you?

Hey

Lae -ti - tia!

It's I,

Miss Todd!

Allegro

&

&

Pno.I

pp
Pno.2

205

M.T

&

215
4
4

She's get -ting hard of hear - ing.

& j

Lae -ti - tia!

4
4w

pp

Pno.I

&

4
4

4 r

4
p

Pno.2

4
4

185

poco rit.
208

M.T

&

Howstrange -ly si -lent the house!

Lae -ti

tia!

Lae -ti -

poco rit.

& w

pp
Pno.I

Pno.2

{
{

&

j #w
w

sf

=
214

M.T

&

10
4

tia!

& w

10
4

# 10

Pno.I

{
{

& w

Pno.2

#w
w

w
w

10
4

sf

10
4

=
M.T

218 216
10 j j
# 44
& 4

J b

How odd! The room is emp - ty!

10
&4

Lae -ti

4
4 b#

J
-

tia!

Bob!

sf
Pno.I

Pno.2

{
{

? 10
4

10
&4

? 10
4

4
4

? 4 b#

b#
J
J
J
J

4
4

poco a poco cresc.

186
221

M.T

&

bJ #
I was just jok - ing...

You've

noth -ing to fear.

Lae

&

Pno.I

b
b
? # # & j
J
J
J
b

b j j

Pno.2

&

217
# 3 b
J
J

224

M.T

ti

tia!

&

Bob!

What!

####
J
J
ff
j j

Pno.I

Pno.2

My safe has been

j
j
#

b n

& b #n nb #n bb nn J bb nnJ ###

J
J
sempre cresc.
ff
j
j
j
j
b
nj j
?
b

b

{
=

227

M.T

# b 3
b
J
&
loot - ed!

Pno.I

Pno.2

My mon -ey is gone!

#
& ###
J
j
?

{
{

#
& ###
J
j
?

n
Rob - bers!

Mon - sters!

Scoun - drels!

Trait - ors!

nb
mf

b bb
b n

b
b

b
mf n

b
b

b bb
b n
b
b

b
b

187

218

&
230

M.T

b3 #

They have

run o

to - geth - er!

They have

& b b bn
n

b#

ran - sacked and plun -dered my

cresc.
Pno.I

? b
b

{
{

n
n

&

Pno.2

#
#

b b bn
n

b#

cresc.

b
b

n
n

#
#

219

J

232

M.T

&

house!

They have

b b

e -ven

stol en
- my car!

Help!
n

bb nn #

& nb #n

Help!

f
Pno.I

b
b

Pno.2

{
{

#
#

bb nn # n

&

nb #n

b
b

#
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=
235

M.T

&

Help!
# #
##

&

Help!

Thieves!

They

have

b3

stol -en my sil - ver!

####

ff

# nn # nn
bb nn
bb nn
mf

Pno.I

{
{

#
& ###

Pno.2

b
b

#
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# nn # nn
bb nn
bb nn
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ff

b
b

188

M.T

238 220
n
&

They

Pno.I

Pno.2

b3

have

stol -en my clothes!

Whip -per -snap - pers!

Dev - ils!

& b n # nn b n # nn bbb
b n
b n

nnn bn bb nnn bn

& b n # nn b n # nn bbb
b n
b n

nnn bn bb nnn bn

{
{

b
b

b
b

=
240

M.T

n
&

Rif - ans! Black - guards! Beasts!

Pno.I

Pno.2

Brutes!

Vil - lains! Wret - ches! Snakes!

Swine!

n n ## nn# ### n n## n ##

n
& #
#

#
n
#
#

#
#

#
n
#
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#

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{

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M.T

242 221

&

Help!

Help!

n n

& n

ff
Pno.I

{
{

&

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bb
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bbb >

189
244

M.T

J
&

J J

Help!

Help!

&

ww
w

p 3

Pno.I

&

b >
bbb

bbb >

Pno.2

w
nn ww

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n
n

=
248

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bw

222

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j

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& bw

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=

Meno mosso
251

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