Piano

MeDLey 4:40
Edward Chacón TlF: 0412-5273313
Intro
Juan Luis Guerra
q=120 Mientras mas lo pienso tú Arr: Edward Chacón

                  
G©‹/E G©‹/C©
                    
  

   

  

   


piano eléctrico
   

     

                              
4 A/F©
                             

 
   

   

   

     



   

  

7
 
              
A/B
        
              
          
 

 
   
Intro
Tutti

              
  

       simil



10 G©‹/E G©‹/C© A/F©
                        
[A] Estrofa
 
16 A/B G©‹/E G©‹/C©
                        



21 A/F© A/B B
 
                 
    
[B] Pre-Coro
  
26 AŒ„Š7 A‹(Œ„Š7) E F©
                
V.S.
 Piano
2 [C] Coro
  
30 G©‹/E G©‹/C©
                


34 A/F© ø A/B B A la letra A
 yø
             
    
ø Modulación
q=130
   
F©‹7/B G‹7/C A‹7/D B‹7/E E
 
39
     
  
  
 
     
   
      

     
Intro
Ella dice
    

   

 




43 A AŒ„Š7 A AŒ„Š7 F©‹7 F©‹9 F©‹7 F©‹9 D A B‹7
                        
[D] Estrofa

49 AŒ„Š7 B‹/E A AŒ„Š7 A AŒ„Š7 F©‹7 F©‹9 F©‹7 F©‹9

                       
1. 2.


55 D A B‹7 A B‹7/E D/E B‹7/E
   
 
                
[E] Coro
  
60 A AŒ„Š7 A AŒ„Š7 F©‹7 F©‹9 F©‹7 F©‹9 D A
                    
Modulación
1. 2.

     
B‹7 A B‹7/E D/E B‹7/E

65

                    
No me acostumbro
        
69
     
 
 q=140 Piano
Intro 3

     
70 A(“4) A‹7 G7/B A‹7/C A‹7 G G6 G G6
                
              
 

  









 
 




 


 
 

        
            
74 A(“4) A‹7 G7/B A‹7/C A‹7 D
  
  
3
           
3



       
 
3 3

      
  
[F] Estrofa
78 A‹7 C G A‹7 C

                          
  
2da voz
84 G B‹ 2da vez C CŒ„Š7 C CŒ„Š7
                        


90 A‹ C D A‹7 B‹ CŒ„Š7 D

                          
[G] Coro
 
G D E‹6 D A G A B‹ A/C©

96

                          
1. 2.


102 C A‹ D D7 D C A‹ D G
 
     
                
[H] Mambo
 
107 C D B‹ E‹ C D B‹ E‹
                  

V.S.
 Piano Modulación
[I]
Full Mambo
4 1. 2.
C D
 
C D B‹ E‹ C D B‹ E‹ F B¨ B¨7/D
           
111

                         

 Intro
Intro De tu boca tutti

                            A¨        
1. 2.
 
117 E¨ B¨/E¨ A¨/E¨ B¨ A¨ B¨

     


        
        

 

E¨ F‹ A¨ E¨/G F‹

122

                         
[J] Estrofa
B¨ F‹7 B¨7 E¨(„ˆˆ9) E¨ E¨(„ˆˆ9) E¨ B¨

128

                        

C‹ B¨6 A¨ F B¨ F‹ B¨

133

                   
[K]
E¨(„ˆˆ9) E¨ E¨(„ˆˆ9) E¨ B¨ C‹ B¨6 A¨ F

138

                         
[L] Pre-Coro
B¨ F‹ B¨ A¨6 A¨‹7 E¨(„ˆˆ9)

144

                   

E¨ F(“4) F F(“4) F F‹ G‹ A¨ B¨
 
149

                     
[M] Coro
E¨(„ˆˆ9) E¨ E¨(„ˆˆ9) E¨ F‹(„ˆˆ9) F‹ F‹(„ˆˆ9) F‹ A¨ E¨/G F‹
 
154

                        
 Piano
[N] 5
B¨(“4) B¨ B¨(„ˆˆ9) A¨ B¨ E¨(„ˆˆ9) E¨ E¨(„ˆˆ9) E¨ F‹(„ˆˆ9) F‹ F‹(„ˆˆ9) F‹

160

                         
1. 2.
A¨ E¨/G F‹ B¨(“4) B¨ F‹7 B¨7 F‹7 A¨ B¨

166

                   
   
[O] Intro
       A¨
          
E¨ B¨/E¨ A¨/E¨ B¨ C
          
171
  
      


          
  
    
 
[P] Coro
176 F(„ˆˆ9) F F(„ˆˆ9) F G‹(„ˆˆ9) G‹ G‹(„ˆˆ9) G‹ B¨ F/A G‹
                        
[Q]
182 C(“4) C G‹7 C7/E F(„ˆˆ9) F F(„ˆˆ9) F G‹(„ˆˆ9) G‹
                    

187 G‹(„ˆˆ9) G‹ B¨ F/A G‹ C(“4) C G‹7 C7/E

                    
[R]
192 F(„ˆˆ9) F F(„ˆˆ9) F G‹(„ˆˆ9) G‹ G‹(„ˆˆ9) G‹ B¨ F/A G‹
                        
[S]
198 C(“4) C G‹7 C7/E F(„ˆˆ9) F F(„ˆˆ9) F G‹(„ˆˆ9) G‹ G‹(„ˆˆ9) G‹
                         

204 B¨ F/A G‹ C(“4) C G‹7 C7/E F

                   